In a word; Dynamic. A difficult production because of the rapid changes to level and pitch. Uses just one synth instrument (Thank you Vital Synth-Matt Tytel, thank you Mr. Bill) with sampled Rototoms and Drums. Let it lift you. Let it move you. [Ver. 32 -Master]

Forgiveness Act Two

H.O.S.T.L.L. 
11.14.2023

Video:
https://www.youtube.com/watch?v=VVsif2wyczY&t=58s&ab_channel=GioOfTheValley

Insta
@Gio.Of.The.Valley
https://www.instagram.com/gio.of.the.valley/

Youtube
@GioOTV
https://www.youtube.com/@GioOTV

AWRY

Tracklist:
01. Solarstone - Teela [NOT ON LABEL]
02. DJ Tiësto - Flight 643 [MAGIK MUZIK]
03. Faraway Project - Radiate (Faraway January Remake) [AFTERGLOW RECORDS]
04. Push - The Legacy (Club Mix) [INFERNO RECORDS]
05. Matt Darey feat. Izzy - Eternity (Alex M.O.R.P.H. Remix) [DAREY PRODUCTS LTD]
06. Aalto - Rush [ANJUNABEATS]
07. System F feat. Armin van Buuren - Exhale [TSUNAMI]
08. Randy Katana - In Silence (Ron van den Beuken Mix) [RESET RECORDS]
09. Lakata - Sunsational (Spacepunk Remix) [4 FINGERS]

Trance Classics #003

Rendərd

SOLDADOS / 
Poesía de Oliver Kozlov

vos te diste cuenta
que hay algo
injusto
en lo interno
del sufrimiento?

en que el mundo
siga teniendo
cosas hermosas
y adentro tengamos
tantas cosas
horribles…

que el dolor
invada con una
violencia
absurda
como la de cualquier guerra

y uno como un testigo mudo
atado de manos

teniendo que
presenciar
como se desangran
los recuerdos
como se inmolan
las imágenes

los monumentos 
y altares
que construimos
vuelan
por el aire…

y uno no puede hacer nada

y lo unico que te queda

metido en el fondo de la nariz
es el olor a las cenizas
el olor a lo quemado

que invade
las flores
que invade
los perfumes finos
invade hasta las panaderías

invade todo lo que no está
dentro de uno

la impotencia
que genera
ver a las demás
personas
disfrutar de todo
y no entender

¿por qué a ellos
no les duele?
¿no vieron
todo el desastre?
¿no vieron
los heridos
las camillas?

¿no huelen
toda 
esta
destrucción?

hay algo injusto
en lo interno
del dolor

en que nada sea
suficiente
para transmitir
ese abandono
ni la poesia
ni la musica
ni las lagrimas

no saber como
explicar
ese ambiente vacío
que hay que arrancar
de cero
que hay que volver
a decorar todo
de una forma
diferente a la anterior
para no repetir
los mismos
errores

para que no se llenen
de problemas
los rincones
para que los silencios
no se acumulen
en la mesa
del living

para cocinar algo
y volver a sentir
un aroma lindo

pero después
cuando terminan las obras

cuando se ven 
as ruinas
con otros ojos
cuando la mesa
está acomodada
cuando las panaderías
los perfumes y las flores
vuelven a hacernos
felices

cuando los heridos
vuelven con su familia
recordamos
que hay otras oportunidades
y que si hay nuevas batallas
somos
mejores soldados.

SOLDADOS

Can a vintage computer voice program be used to "sing" a song? I don't know, but I set my mind to finding out, and this track is the result. 

Normally I avoid overwhelming listener's subwoofers with [EXCESSIVE SUBS], but for this track to "work" properly it just has to be. Why? Because I want your face to vibrate when you listen on speakers, and your brain to vibrate on headphones! So, if you want to play it in a club or on a  system with massive low-end, you might need to use a low-shelf or high pass filter.

If you listen hard, and have a bit of synesthesia, the ending fadeout tastes like metal. 

Vintage Computer Voice Synthesis - Bouncing Synth - Electronica Ironica

[Ver. 23_BAKED_03]

The World You Change

Viator - Place To Stay (Original Mix)
Viator - Baby (Sub_mission Remix)
Viator, Silentium - Novus Dies (Original Mix)
CELO - Analog Dreams (Original Mix)
ICONS - You Don_t Know (Original Mix)_1
SIMMER - U & I (Original Mix)
Seventhrun - Dancing On The Fire (Original Mix)
DANEY - Fake News (Original Mix)
Lexed - Talk 2 Much (Original Mix)
10XX - XOR (Original Mix)_1
Fourward - Sound Of The Underground (Original Mix)
Flowidus - Berlin Sex Club (Original Mix)
Fourward - Ascension (Original Mix)
Fourward - Countdown (Instrumental Mix)
Fourward - Countdown Feat. Kyza (Original Mix)
Alix Perez, Foreign Beggars - Dark Days (Fourward Remix)_2
Friction, Fourward - Battlescars Ft. Jakes (Alix Perez Remix)
Friction, Jakes, Fourward - Battle Scars (Alix Perez Remix)
Mefjus - Far Too Close (Original Mix)
Mila Falls, Freaks & Geeks - Savage (Original Mix)
Fourward, Linguistics - The Storm (Original Mix)
Fourward - Yung Bongo (Original Mix)
Fourward - Wake Up The Kids (Original Mix)
Fourward - Take Me Where I Wanna Go (Original Mix)
Fourward - Science Fiction (Original Mix)
Fourward - I Wanna Know (Original Mix)
Fourward - Show Me Love (Original Mix)

Autumn Set 2024

PEAK FiCTioN! (ft. MÜGEN)//FREAKSHoW! (SNiPPET) (prod. Michael Uzowuru)

The Rejected

Bonestike

Follow Fixions:
https://fixions.bandcamp.com/


▲ Follow ENDERS ▲
▶ @EndersMusic
▶ Official Website: www.endersmusic.net
▶ Youtube: www.youtube.com/enders
▶ Facebook: www.facebook.com/EndersMusic
▶ Instagram: www.instagram.com/endersmusic
▶ Bandcamp: enders.bandcamp.com

Track contains samples from the Shamash Murder Signals and other Elite: Dangerous sounds and effects: https://www.youtube.com/watch?v=_lDWlJCeLUc

Fixions - Terrorwave (ENDERS ReBoot)

3) kabelsalat

1) you go

2) my planet is lost

6) anthologie des wahnsinns

4) sinus love hurts

5) feverdream #450

Composer and Media Producer from Kent, Ohio, USA.  Has released works as Xyst, Sonoxia, and JeffRay for Hypaethral Productions, Pearls Before Swine, and Mesa Publishing. Now focused on creating mostly instrumental music for video, tv, games and motion picture scores. 

Although the thumbnails are created using Dall-E or Stable Diffusion, NO AI WAS USED TO CREATE ANY MUSICAL COMPONENTS. 
_______________________________
There are far too many people to thank, but I'm going to try: 

FIRST AND FOREMOST: 
Image-Line's FL Studio DAW
https://www.image-line.com/
https://soundcloud.com/fl-studio

I cannot begin to express how much this software helped me find my musical voice. (Image-line has not paid me anything for my endorsement.) Buy it once and get lifetime unlimited upgrades. I've used it since 1999 and since then, they've introduced dozens of new synths and effects I received for free. It just keeps on giving. I absolutely love FL Studio because of it's step sequencer core, beautiful interfaces, ease of use, robust help, versatility and incredible sound quality. 

_______________________________
I'll be cycling through a list of FAVORITE SOUNDCLOUD ARTISTS here. So many incredible musicians worth mentioning...

Entheogenic Psychonaught (Josh Clary) 
https://soundcloud.com/josh-clary-1

Thrillmonkey
https://soundcloud.com/thrillmonkey

FlexHead
https://soundcloud.com/flexheadfunk

Seiso Sanshu
https://soundcloud.com/sanshu-seiso

AnandaTuk
https://soundcloud.com/user-11396379

Ni!
https://soundcloud.com/ni-ni-shrubbery

Earnest Woodall
https://soundcloud.com/user-235089528

Werner
https://soundcloud.com/wejfi

Frans Beelaard
https://soundcloud.com/user-936947521

Fabiano Matiolla
https://soundcloud.com/fabianomatiolla

Shaddenhook
https://soundcloud.com/schaddenhook
_______________________________
If you follow me and haven't heard from me recently, send a message. There is so much great music out here, it sometimes take a while to get back and listen to the wonderful stuff you are all making.

Official Enders music (@ENDERSmusic) Remix/ReBoot account

May the passion and life of the creator and their creations all live on through the lovers of sound and art.
Art is not a soulless machine and you can't take it with you, so fuck up the mix before life is lost.

Das Sound-Performance Trio „Sneila“ vom Planeten „Kakek 22“ besteht aus Mario Scialdone, Unfassbarer Materie und Eva Talesia Maspoli. Sie begegneten sich auf der hinteren Milchstrasse.
Gemeinsam kreiren und tauchen sie in das kosmisches Chaos vom rythmischem Noise, Alltagsgeräuschen und fremdartigen Syntesiser Sounds. Daraus schälen sich Geschichten die vom Sterben, vom sich Auflösen und dem Schmerz, aber auch vom Leben, der Liebe und der explosiven Energie erzählen heraus. 
SPACEPUNK (Tragic Punkschlagermetal, we are so bad in love that it hurts).

Bookings: sne.ila.22kakek@gmail.com (funerals, art spaces, rituals, concerts, lullaby stories)

              PEAK
[your imaginary friend]
         1996-9999
 𝕊𝕡𝕒𝕔𝕖ℙ𝕦𝕟𝕜𝕎𝕒𝕤𝕥𝕖𝕝𝕒𝕟𝕕
            FiCTioN!

Bass-driven electronic project blending techno, progressive, and future acid. Known for immersive soundscapes and heavy low-end, Kik Science delivers transmissions built for the floor and the circuit.

Each release and set channels atmosphere ∴ intensity ∴ precision — shaping the underground frequency.

Label: Sub Sync Records (@subsyncrecords)
Affiliates: G-Mafia Records (São Paulo) ⌖ Mustache Crew (Brazil) ⌖ Galactic Bamboo
SSR HQ: @subsyncrecords
Axis: YYC ⇌ BER

◉ Our story continues…

The stars had dissolved into pale threads of light, bending endlessly around them. Driftspace was never silent; it hummed—low, unstable, alive. Neon pressed her hand against the bulkhead, feeling the vibration pass through her skin like a second pulse.

“We bought time,” Thorne said, hands moving across the helm. “But the Vantoth won’t stay scattered for long. They’ll recalibrate, triangulate our echo. Mystica’s reach doesn’t end at the corridor.”

Neon studied him. His voice was too calm, the same way it had been when he bluffed the cascade. She hated how convincing he sounded—even to her.

“What aren’t you telling me?” she asked.

Thorne hesitated. His eyes flicked to the navigation screen, where a single glyph burned faintly in the corner: ∴.

“That’s not a drift marker,” Neon whispered. “It’s a seal.”

Thorne nodded once. “Old code. Buried before the wars. Coranthium doesn’t just power ships, Neon—it opens gates. If Mystica wanted it, it’s because they’ve found the lattice.”

Her stomach dropped. The lattice. A myth, or so she thought—an interlocked network of corridors between sectors, some stable, some collapsing. Legends said the ancients locked it to prevent entire systems from folding into each other.

“And you… you have the key?” she pressed.

Thorne’s hands stilled. The hum of driftspace grew louder, or maybe it was just the pounding of her heart.

“Not the key,” he said finally. “A shard.”

Before she could respond, the console flickered. The ∴ seal pulsed once—twice—then spread across the screen like veins of light. Driftspace around them warped, folding inward.

“They found us,” Neon breathed.

“No,” Thorne said, jaw tightening. “Someone else did.”

The ship shuddered violently. Outside, driftspace cracked like glass, revealing a sphere of impossible color—a station, suspended where no station should exist, thrumming with signals older than their war, older than Mystica.

The shard in Thorne’s hand glowed to life, resonating with the fractured seal.

“Welcome to the lattice,” he muttered.

New tracks tagged #spacepunk