Explore the real economics of building and operating a space elevator—from ship-launched ribbons to megaton climbers—and how this infrastructure could change the world.

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Credits:
Space Elevator Economics: Building And Operating A Superhighway To Space 
Episode 726; June 19, 2025
Written, Produced & Narrated by: Isaac Arthur
Edited by:
Adrian Nixon
Ludwig Luska
Peter Swan
Graphics:
Anthrofuturism
Atlantis Project
Katie Byrne
Phil Swan
Sergio Botero
Udo Schroeter
Select imagery/video supplied by Getty Images 
Music Courtesy of Epidemic Sound http://epidemicsound.com/creator
Chris Zabriskie, "Unfoldment, Revealment", "A New Day in a New Sector"
Aerium, "Deijocht"
Stellardrone, "Red Giant", "Billions and Billions"
Lombus, "Hydrogen Sonata", "Cosmic Soup"

Space Elevator Economics - Building And Operating A Superhighway To Space

Space colonization isn't about abandoning Earth—it's about transforming it. Discover how expanding into space can drive innovation, sustainability, and prosperity right here on the ground.

Watch my exclusive video Fishbowl Starships - Water As Shielding - https://nebula.tv/videos/isaacarthur-fishbowl-starships-water-as-shielding
Get Nebula using my link for 40% off an annual subscription: https://go.nebula.tv/isaacarthur
Get a Lifetime Membership to Nebula for only $300: https://go.nebula.tv/lifetime?ref=isaacarthur
Use the link gift.nebula.tv/isaacarthur to give a year of Nebula to a friend for just $30.

Visit our Website: http://www.isaacarthur.net
Join Nebula: https://go.nebula.tv/isaacarthur
Support us on Patreon: https://www.patreon.com/IsaacArthur
Support us on Subscribestar: https://www.subscribestar.com/isaac-arthur
Facebook Group: https://www.facebook.com/groups/1583992725237264/
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Twitter: https://twitter.com/Isaac_A_Arthur on Twitter and RT our future content.
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Credits:
How Colonizing Space Benefits Earth: The Ground-Level Gains of a Galactic Future
Episode 726.1; June 22, 2025
Written, Produced & Narrated by: Isaac Arthur
Graphics: Bryan Versteeg, Jeremy Jozwik, Sergio Botero
Select imagery/video supplied by Getty Images 
Music Courtesy of Epidemic Sound http://epidemicsound.com/creator

How Colonizing Space Benefits Earth - The Ground-Level Gains of a Galactic Future (Narration Only)

How Colonizing Space Benefits Earth - The Ground-Level Gains of a Galactic Future

Artist: @but_who 
Title of track: Spaceship
Title of album: Space trip
Spotify: bit.ly/44gurby
Format: Digital
Catalogue: DRSS1144
Label: Diffuse Reality

Release date: 24.06.2025

PREMIERE: Butwho -  Spaceship [Diffuse Reality]

U8/shuttle/room1/door1

U8/shuttle/room1/door2

Spaceship ft. Shikha

Space Ark 2025

חללית

In order to understand yourself, you need to feel the cosmos.

Dream Romance

MUSIC VIDEO OUT NOW ON INSTAGRAM @mp3.lans🧑🏿‍🚀🚀⭐️

Spaceship (prod. irllydontlisten)

The Tale of Captain Null & Lieutenant Void

The year is 1986.
A classified mission launches from a small military base in eastern Austria — the kind of place with more paperwork than fuel.
Aboard the spacecraft Odyssey II, two astronauts prepare to test the limits of human endurance, interstellar travel, and perhaps most dangerously: patience.

Captain Adrian Null, a seasoned guy; thoughtful, but weighed down by past failures.
He's been to space before — once — and doesn't like to talk about it.
Lieutenant Boris Void, the younger of the two; curious, naive, the kind who still marvels at stars.
He once smuggled a Tamagotchi into his spacesuit. It survived. He still feeds it.

Inside the ship, final checks.
Manual fuel lines, circuit calibration, even hull inspection — all done by hand.
They've trained for months. Waited for years.
And now, at long last, the countdown ends.

They lift off under a cold, unbothered sky.
The blue of Earth fades.
Silence grows.
Gravity packs its bags and leaves.

Null focuses on the controls, muttering about tolerances.
Void floats sideways, watching the stars, quietly humming Take on Me.

“Hey, Captain,” he says, “do you think stars have names for us?”

Null pretends not to hear.
The oxygen gauge is blinking in Morse code.

The Odyssey II drifts several hundred thousand kilometers from Earth.
Contact with Mission Control has degraded to static and occasional weather from Vienna.

Inside, things are… fine.
Mostly.

Null follows a strict routine: log entries, calculations, noodles at 1700 sharp.
Void names passing asteroids things like “Greg” and spends a lot of time upside down.

Meanwhile, the main console flashes a persistent error:
FUEL DISPERSION VARIANCE DETECTED
Which, according to Null, “sounds like a tomorrow problem.”

Just past Mars, a pulse begins to echo through the ship’s sensors.
Faint. Repetitive. Almost… musical?

Void swears it’s a distress call.
Null suggests it’s an old satellite playing Kraftwerk.
They change course anyway.

A small, unnamed celestial body appears — somewhere between a moon and a mildly judgmental rock.
The only landable place within range.
The fuel gauge blinks faster. The Morse now spells “HELP.”

They land.
Well, “land” is generous.
They hit the surface at 47 meters per second.
There’s screaming. Dust. A sound like metal giving up.

When the coughing stops, Void looks out the viewport.

“Hey... it’s kind of pretty.”
“That’s not ‘pretty.’ That’s breathable air and probable sentient life.”
“You just hate glowing trees.”

They step outside, cautiously.
Null holds the scanner.
Void holds a long metal pole he’s named Stabby.

The air smells like burnt toast.
Then — movement.
From the trees: shapes. Smooth. Fast. Multi-limbed. Definitely not friendly.

“Aliens,” says Void.
“Hostile?”
“They’ve got forks.”
“...Hostile.”

Laser fire.
They run.
Null yells coordinates.
Void screams about his Tamagotchi.

They dodge, fire back. One alien slips in a puddle and honks.
Somehow — they make it back.

The Odyssey II is barely functional.
The engine is held together with duct tape and powdered soup.

But it flies.
Just barely.
They rise through the alien clouds into the quiet of space.

“That was... insane.”
“That was why we don’t follow space jazz signals.”

They drift.
Peacefully.
Void juggles in zero-G.
Null finally fixes the oxygen sensor — which had been wired to the coffee machine.

Then —
A noise.
A groan.
A pop.
A single, sharp clunk.

Void looks at Null.
Null doesn’t look back.

“Should we—”
“Don’t.”

A beat.
CRASH.

80s space trip

Imagine stepping onto a neon-lit dance floor where the bassline is a heartbeat and the glitterball spins like a distant galaxy. This is where love begins—with a synth groove, a Nu Disco pulse, and the universal ache to connect.
“Looking for Love” isn’t just a track—it’s a mission, a signal broadcast from the depths of the dance floor to the farthest reaches of the human spirit. It’s for anyone who’s ever scanned the room, eyes full of hope and rhythm in their veins. Like cosmic voyagers searching the stars for meaning, we turn to music and movement to find each other.
It doesn’t matter who you are—age, gender, race disappear under the glow of shared beats. Everyone’s invited. Everyone’s searching. And on this floor, love might just dance back. 

Looking For Love In A Disco

BLUNT IN MY UFO

spaceship

(prod. Yung Müdd) (beat prod. Yung Müdd) 
I took the photo for the cover too. I took the pic in Utah then edited it. 

Brazzy

Lời đầu tiên thì mình muốn cảm ơn mng rất nhiều trong tgian qua đã ủng hộ và quý mến mình, đó là động lực để mình có thể tiếp tục làm trong những ngày tới hehe, hnay cũng là sinh nhật mình nên đây sẽ là quà mình muốn gửi tặng mng trong tgian quaaa <3

BUY = DOWNLOAD

https://pumpyoursound.com/f/cuongg/spaceship-vietnamese-pack-3/205869

any contact:
📩: cuongg.dj@gmail.com
🌐: instagram.com/ngba.cuongg
📞: +84 383 055 168 (whatsapp)

hehe

SPACESHIP VIETNAMESE PACK #3

This Is A Reminder For The Following Hour & Days 
Just Type On Comments  ' I AM AWARE ' or '777'
I Suggest My Tunes For Global Calibration ...
Enjoy ..!!!

We Suggest Our Community Service

DJ/Producer in VietNam

Genre: Open Format

Contact:
📩: cuongg.dj@gmail.com
🌐: instagram.com/ngba.cuongg
📞: +84 383 055 168 (whatsapp)

🐰✨

Live Hard Techno Producer & Performer
MGMT & Bookings: info@project-bang.com

בזמן האשפוז הפסיכיאטרי שלי יצרתי דמות שקוראים לו שון הוא עזר לי להתמודד עם הפחד והחרדה שלי ולא נתן לי להרגיש בודד היום אין לי צורך בוא אבל למקרה ששאלתם אני יספר לכם את הסיפור שלו

חייו ומותו של שון היה זמין רק בתחילת שנה הבא ומידי שבוע יעלו שרים מתוך האלבום

Content Creator , Sound & Vision
Sound engineer and Studio Manager @homeworkz.studio 
[ 1999 - present ]
He produces music for films , advertisements , theater plays  & art installations ,
based on multi-sampling , long FM generated  tones &
environmental recordings .
The first album contains a huge breakbeat hit
called ' pokeemon go..! '
This album is now uploaded on YouTube Music as a 20 years anniversary ..!
& here is the link :
https://youtu.be/GnG7hrEJubY
After this came a lot of live sets and the birth of the ' homeworkz.studio '
You can find a number of homeworkz.studio recordings on YouTube
here :
https://youtube.com/playlist?list=PLoBHaF1FdJz8APqaAaxiccocsU5RIkYsB&si=rmC0HkvZDemgx3V6
Same time opened a new bar-café in the old center of Athens called INOTEKA , a busy and soulful location with hundrent gigs & live sets taking place there .
All these were recorded and are still under construction .A selection of some of them are on the following YouTube links :

https://youtube.com/playlist?list=PLoBHaF1FdJz8FotWmhRvTY853KZgx9gwH&si=7ArPVyRyzJu21psn

https://youtube.com/playlist?list=PLoBHaF1FdJz_hdW2n7HcAlnq0EJbc8r7l&si=ghZVFHUeWCpiigHR

https://youtube.com/playlist?list=PLoBHaF1FdJz_hcEq-c-qfx1QyGBj8Ia2i&si=MXWUp3xqeskMqJNn

Solo & independent artist who create's music as a hobby and in his freetime.

The biggest music broadcasting channel in Buenos Aires, Argentina.

For premieres & other inquiries: 
Truckingproducciones@gmail.com

Please dont send demos :)

Author_of_U8™Timeless_Technologies_System
Spaceship&Cosmo_Energetics_Service 
Founder COSMOUNIFORMS®Group 
CEO U8®

ARHOMUS Inс.

Born to fight against the past of unfortunate generations.

I am a music producer/composer from Sydney, Australia. Classically trained percussionist and drummer. Played in orchestras and nightclub bands for several years. I've got a diverse musical portfolio from Rockabilly tours around the world to producing House and EDM tracks, I've lived multiple musical lives with these experiences and collaborations significantly influencing my electronic compositions.
My journey from classical percussion to electronic dance music is phenomenal. With all these influences, my compositions carry a unique flavor.

New tracks tagged #spaceship