🖖🏻🎉￼🎚️📻🎬47!

WOW — what a weekend!! 

BIG ups to all the artists at the Yellow Brick Road Tour to @dancefestopia!! Thanks to everyone who came out & supported  — MUCH ❤️ to all that made it out to Flux to hear @trek_music_official play past dawn & do a b2b w/ @drumandrew!!

Special shout out to @indominus_music for filling in last week for me!!

SO much more inside… better just hop on in!!

#LiveLongAndParty 🖖🏻

#	Track Title	Artist
1	Slay To The Rhythm	Noizu
2	Goin' Crazy (Extended Full Vocal Mix)	Matt Sassari, Jack Back, Amira Eldine
3	Positive Energy (Extended Mix)	Tensnake
4	Love Me Again (Again) [Wh0 Remix]	John Newman
5	I Can't Wait (Extended Mix)	Bob Sinclar & Kiesza
6	Good Riddance (Extended Mix)	Murat Salman
7	3AM (Extended Mix)	Tujamo x DJs From Mars x Chester Young
8	Party Fix (Let's Go to the Club)	Trek
9	Necesito (Extended Mix)	Victor Tellagio
10	Do This To Me (Extended Mix)	Melsen
11	Run (Extended Mix)	Oliver Heldens
12	Freak No More (Extended Mix)	AC Slater
13	Vibe Right (Extended Mix)	Stadiumx
14	Rotation (Extended Mix)	MORTEN
15	Feel Me (Extended Mix)	Jop Govers & Kooyman
16	Calling Out [Extended Mix]	Landis
17	Rhythm (Extended Mix)	FOOTWURK & Silvertone (US)
18	Intense Bass	Trek
19	Do As I Say (Extended Mix)	DJ Licious x Coldfire
20	Meu Verão (Original Mix)	Vintage Culture & Magi & Doral & Blotz

Episode 47 - One for the Trekkies!

GTF is taking a walk on the wild side starting with this week's theatrical reviews as we'll be looking at Pixar's latest sci-fi comedy Hoppers plus we'll be looking at a new take on The Bride of Frankenstein with our review of The Bride.

Things will get wilder for this week's home video reviews with our look back at Zootopia & we'll again be going on the run with our look at Edgar Wright's adaptation of the Stephen King novel The Running Man.

We'll also be taking a look back at James L. Brooks' dramedy Ella McCay & Chloe Zhao's Shakespearean drama Hamnet while for this week's television reviews, we'll be looking at the second season premiere of Ted, the series premiere of DTF: St. Louis & the first season finale of Ponies plus we'll be continuing our look at the latest episodes of DMV, Going Dutch, Star Trek: Starfleet Academy, The Pitt, Best Medicine, The Hunting Party & Memory of a Killer

March 9th 2026

Episode 6: The Trial Series
Where have all the lawyer jokes gone? Was it wise for Archer to personally attack the Klingons on the stand? Does Kolos’ actions in the trial have a lasting impact for Klingon judicial systems? Was it T’Pol’s husband or a man who looks exactly like him? Would you do the same thing as Trip in “Cojenitor?” What are the similarities between Earth diseases and Pendar Syndrome? Join Ashlyn, Rhianna, and one half of The Legal Geeks, Joshua Gilliland as we discuss the Trial episodes in Enterprise!

This is the seventh episode of our Trial Series, where Ashlyn and Rhianna talk about the Trial episodes of every Star Trek show.

TRIGGER WARNINGS: Suicide, genocide, war, slavery, the death penalty, assault, & stigmatized illnesses 
  
SPOILER WARNING: Enterprise, The Undiscovered Country. 

Next time, we’ll jump in the mycelial network to discuss trial episodes in Discovery!
 
DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only.  

Our intro and outro is by Jerry Goldsmith.

Rule of Acquisition #76: Every once in a while, declare peace. It confuses the hell out of your enemies
Please check out our Patreon and donate any $1, $6, $10, or $20 per month to access exclusive episodes of trivia, documentary review, and reviews of every episode of The Animated Series,  Lower Decks and the Short Treks, plus our mini-series. Head to https://www.patreon.com/thedurassisterspodcast for all this and more!

ENT: Once Soval is Woke, He Can’t Be Stopped! With Guest, Joshua Gilliland!

The 2009 Star Trek reboot is the focus of our deep dive this week, whilst in the main reviews Andy checked out The Bride, and Pixar's Hoppers, and we both checked out War Machine on Netflix.

Get In Touch

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Episode 296: I Don't Believe In No-Win Scenarios

Despite the title, "Mirrors" only briefly brushes against the Mirror Universe, as we find out the next clue is on the ISS "Enterprise"! It's floating in a pocket and the gang's all here: Michael, Moll, Book, and L'ak. And some kind of shenanigans force them to have to play nice or none of them are getting home. We also finally get some background on our little thrillseekers and how they met!
Also this week: hot Mushroom Zombie, oddly-sturdy ships, and "Enterprise" couplings!
[Mirrors: 01:03; ENT's mostly-regrettable get-togethers: 53:33]
[Shoot, we forgot to have an entry for Archer and War Crimes! : https://sshbpodcast.tumblr.com/post/810819892137934849/hearts-stars-and-trek-romances-in-enterprise]

Episode 431: The Breens of the Operation

Known across Instagram and TikTok for her scathing reviews of thrift store clothing finds (as well as ludicrous ultra-high-end offerings most of us never see!) RefashionedHippie comes to Hungry Trilobyte to give a different tale.  Not too long ago, a fan reached out to her, asking about a perfume bottle of great importance, and the whole community pulled together to find it.  This led the two of us to talk about community, sustainability... and Star Trek!

—
See Show Notes at www.AaronBossig.com
Follow me on BlueSky & Instagram - @AaronBossig

HTP #220 - RefashionedHippie

I remember the day we encountered Kevin Uxbridge. Most people on the ship talk about the Borg or Q when they describe the scariest things Starfleet ever faced. But those were… problems you could analyze. Threats you could at least pretend to fight.

Kevin was something else entirely.

When the sensors first showed an entire species had been erased, I assumed it had to be a malfunction. Fifty billion lives just… gone. No fleet. No weapons signature. Just absence.

And then we met the man responsible.

This song feels exactly like that moment. It starts quiet and tense, like the Enterprise scanning a peaceful little house on a devastated world. There’s this eerie hum under the music, the kind of sound you hear when the computer is trying to process something that doesn’t make sense.

Then the bass hits, heavy and overwhelming, like the realization slamming into the bridge crew all at once: the man sitting in that house didn’t defeat an enemy. He simply decided they shouldn’t exist anymore.

The chants in the song feel like the crew trying to keep their composure while the truth sinks in. Because when Captain Picard quietly decided we would leave the system and never speak of it again… well… that might have been the most sensible order Starfleet has ever given.

The music captures that strange mixture of awe and absolute terror.

It’s the sound of realizing the universe is far bigger—and far more dangerous—than any of us were prepared to admit.

KEVIN UXBRIDGE – WARP NINE

The Captain Talks Star Trek: Starfleet Academy - Rubincon
Episode 828 is brought to you by the album From Level 50 With Love
https://quartez.bandcamp.com/album/from-level-50-with-love-2
https://music.apple.com/us/album/from-level-50-with-love/1884848765
https://music.amazon.com/albums/B0GSFNHW4T?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_tzhQmIiPEahCP9cz2f2ihVzSt
https://www.pandora.com/artist/che-quartez/from-level-50-with-love/AL2Z6Km2Vb97rlZ?part=ug-desktop&corr=157502843803160943

828 - The Captain Talks Star Trek: Starfleet Academy - Rubincon

Critapocalypse is a fortnightly podcast where myself (Ant) and my buddy Matt review a number of films, games, TV shows and various other stuffs that we've been enjoying, or not, over the last few weeks. We take turns to say our piece and then apply some form of arbitrary score.

This week we review:

Transformers Age of the Primes Amalgamous Prime – 00:13:52
Some Resident Evil films  I guess – 00:24:15
Star Trek Voyager Across the Unknown – 00:46:21
Cold Storage – 01:05:45
Yakuza Kiwami 3 & Dark Ties – 01:19:26
Scream 7 – 01:43:56
Slay The Spire 2 – 01:56:28
Resident Evil Requiem – 02:07:19

You can also listen to Critapocalypse on itunes at: itunes.apple.com/gb/podcast/crita…id958341550?mt=2

Can follow Ant's stuff at:
Mellow Gaming: www.youtube.com/user/LV54Spacemonkey
Twitter: @LV54Spacemonkey

You can follow Matt's Stuff at:
Twitter: @Critapocalypse

The Critapocalypse Theme is available, along with some other tasty jams at: weathergirlrecords.bandcamp.com/album/suck


Critapocalypse Podcast 278 - Scary Monsters

TAS is as bonkers as ever but can a script directly translated from an award winning short story author's sci-fi universe finally bring good storytelling to the series? Weeelll.... find out! By listening to this podcast! It's the only way!

This is the 4th episode of BrickBRKer's "Bricked Up For Beast Men" Collection as chosen by and voted on by our patrons! You can join in and tell us what to watch by becoming a patron today!

SUPPORT US ON PATREON WITH YOUR LATINUM! - www.patreon.com/mclasspodcast

Need info about the show? Find it at www.mclasspodcast.com
Follow us on BlueSky: @MClassPodcast.bsky.social

And/or follow our personal accounts:
jeffpennington.bsky.social
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Opening Theme by VidaZen
Editing by Josh Henderson
Art by Jeff Pennington

The Slaver Weapon (TAS)

A rowdy, goofy Star Trek watch club podcast with a heart of gold starring the Trek Bois - Jeff Pennington and Josh Henderson. On iTunes, Spotify, & SoundCloud

New episodes every Thursday!

Podcasts: a frontier that isn't actually very final at all. These are the voyages of the podcast A Star to Steer Her By. Our continuing mission: to watch every single episode of Star Trek (even the dumb ones), to comment on and snark at whatever suits our fancy, to boldly split infinitives that no man has split before. 

Follow our crew of Chris, Jake, Ames, and Caitlin as we explore the universe of Trek, go on wild tangents, crack wise, and make more fart jokes than necessary.

Mature Content!

Welcome to the official page of Trek & Live Long & Party Radio/Records 🖖🏻

Here you'll find my original tracks, remixes and my weekly radio show - Live Long &Party Radio!

My EP Move! is now out EVERYWHERE!

Live Long & Party Radio is NOW OUT on Apple Music & other podcast platforms!

For booking e-mail trek.the.dj@gmail.com

#LiveLongAndParty 🖖🏻

Expanding 🧠 through movies, TV, sports, flicks and anything else you can see on the tube or a screen.

Space Captain and sometimes I rap

Is the Meaning of Life really 42?  Does anything unreal exist?  Hosted by Aaron Bossig, The Hungry Trilobyte Podcast focuses on the power and creativity of the scifi, fantasy, and gaming communities.  This podcast enjoys finding the best that fandom has to offer, and tries to better understand what being a geek means.

Chat, news and reviews of film related topics, brought to you each week by Andy and Lee.  With a retrospective deep-dive into an older film each week, and as many new releases that we can get around to, we pack the show with as much film related stuff as we can, as well as some general geek chat.

Nitetime.net (run by DJRC) is more than a collection of songs on SoundCloud; it’s a multimedia universe that blends music, narrative, digital culture and irreverent humour. The station spans genres from hip‑hop and EDM to ambient, rock and country. Each track is presented with its own story – sometimes a cinematic vignette, sometimes a manifesto on internet culture, sometimes a tongue‑in‑cheek academic analysis. By exploring these descriptions, we can chart recurring themes and aesthetic signatures that define the Nitetime.net sound.

Digital Anarchy and Hacking Themes

One of the most prominent threads in the catalogue is a fascination with the mechanics and mythology of the Internet itself. Several tracks present characters who treat network infrastructure like a battlefield:

“BEND THE NET” imagines a sysadmin who becomes the “final boss of IT.” The lyrics read like a cyber‑grimoire, dropping command‑line tools as spell components and flipping the idea of the Internet as a free space into a message about control. The production pairs industrial machinery noises with “wub” bass and glitch artifacts, creating the sound of a data centre in distress.

“Bending the Internet to My Will” is framed as a clinical case study of “digital megalomania.” The narrator reminisces about the <blink> tag and CRT monitors, revels in technical exploits like cookie stuffing and BGP poisoning, and seeks to replace his heartbeat with a clock‑speed. The track is portrayed as a primal scream from someone who wants to be “The Architect” rather than a mere user.

“Hostess with the Mostest (Nitetime.net)” turns bragging about servers, domains and bandwidth into a hyper‑confident rap. The “Hostess” owns the building while everyone else begs for followers; the childish “nanna‑nanna‑poo‑poo” hook is deployed as psychological warfare. The song champions building your own platform and not waiting for permission.

“Specificity King of the CSS Battle” uses slow, deliberate beats to mirror the precision required to win a CSS battle. Every sound feels calculated, reinforcing the idea that mastery of fundamental rules allows you to bend them without breaking them.

These tracks weave technical jargon, hacker mythology and web‑development metaphors into narratives about control. The tone oscillates between satire and earnest celebration of those who understand the systems underpinning our digital lives.

Science‑Fiction and Cosmic Spectacle

Nitetime.net repeatedly blurs the lines between music and pulp science fiction, conjuring UFOs, cosmic creatures and retro‑futuristic soundscapes:

“KAIJU BOUNCE (NITETIME.NET EXCLUSIVE)” is narrated in the voice of Jacques Cousteau discovering a prehistoric bass monster. The track layers jagged melodies with a stomping pulse and twerk‑like rhythms, describing a “seismic” booty‑bounce that feels like a system override of the natural world.

“Mothership 3” evokes a 1950s sci‑fi film. A gigantic silver UFO hovers over a terrified small town; the music is fast, chaotic and high‑energy. Earlier instalments like “Mothership 2” transform stealthy beats into the soundtrack for casing a city at night.

“Canvas in the Sky” blends Renaissance art with funk horns and UFO imagery. It starts like a cathedral curtain opening, then horns “that say ‘we are the mystery’” lead to a controlled detonation, as a UFO is revealed at the chorus.

“An Alien Fantasy Landing In the Grass” remixes a ‘70s funk‑rock chassis with psychedelic elements. A lead guitar described as a “12‑amp, variable‑speed, reciprocating noodler” and a heavy Hammond B3 organ drive a song that is simultaneously a love letter and a space invasion.

“Looking at the Stars” strips away vocals entirely. The description speaks haltingly about slow drums, a deep didgeridoo‑like rumble, old sci‑fi oscillators and specific frequencies (432 Hz and 528 Hz), producing a raw, cosmic, body‑pulsating piece.

These pieces link cosmic imagery with heavy bass and horns, drawing on retro‑futuristic aesthetics, UFO lore and the awe of looking into the night sky.

Raccoons, Humour and B‑Movie Culture

Nitetime.net often leans into camp and absurdity, populating its universe with raccoons, B‑movie references and tongue‑in‑cheek commentary:

“Brain Off, Booty on Repeat” recounts raccoons twerking in the studio and launching “data bombs” while the beat demands that listeners turn off their brains and move. The track mashes sci‑fi horror and twerk party aesthetics into a messy, filthy, bass‑heavy celebration.

“HACK THE MAINFRAME!” stages a narrative about raccoons who act as guardians of knowledge until a green sky and an alien craft plunge their world into chaos. The composition moves from calm nocturnal hums to violent Dubstep bursts and back, capturing the collision of order and unknown forces.

“Night Feeder / Nitetime Drift” reads like a Victorian séance described by a detective‑turned‑spiritualist. It blends rustling wings, hand drums, ghostly film clips and digital hums, creating a hypnotic nocturnal life where worldbeat rhythms and “Oyo… oyo…” chants cast a trance.

“The Raccoon Summoning” tells the story of raccoons gathered around a fire performing a ritual with film reels and broadcast relics. As a UFO hovers overhead, puppet strings descend and reveal that the raccoons are themselves being manipulated. The track becomes a slow country ballad about illusion and labor.

“Admin Privilege” features “The Architect” and “The Hostess” trading verses over a grime‑to‑hyper‑pop beat. The characters take shots at a daytime raccoon crew while staking out their digital territory with a bratty “nanna‑nanna‑poo‑poo” hook.

Humour runs throughout these stories: raccoons act as analogues for programmers and DJs, campy horror tropes are re‑imagined through glitchy EDM, and the absurdity of digital life is celebrated rather than hidden.

Cinema, History and Cultural Critique

Another thread in the catalogue draws on film history, underground culture and intellectual critique:

“ANGORA CONFESSIONAL (GLEN_OR_GLENDA)” uses hip‑hop and spoken word to reinterpret Ed Wood’s cult film Glen or Glenda. The description calls it a lo‑fi philosophical and emotional remix that merges film history, queer cinema and personal confession.

“Ed Wood – The Hardest Working Man in Hollywood” celebrates Wood’s relentless creativity, portraying him as a lone filmmaker driving a low‑budget dream and refusing to stop creating despite obstacles.

“Go Look It Up” turns hip hop into a research assignment. The lyrics reference ancient archaeological sites—Göbekli Tepe, Antikythera, Baalbek—and challenge listeners to verify claims rather than argue on social media.

“Meta‑Reactor” offers a fierce critique of the “psychological death of the modern individual.” The narrator condemns the abandonment of primary experiences for third‑order abstractions, describing mirror neurons stacked like amplifiers and glitch vocal chops as submission to technology. The track likens modern media consumption to a suicide note for the human spirit.

“Fast Art, All Heart – Make it Rain” rails against the myth that art requires long gestation. In the story, the artist makes a track in one sitting, complete with bass “alive” and glitches “whrrrrr,” and argues that respect comes from pure, frantic heart rather than months of labour.

Together these tracks reveal an artist equally comfortable paying homage to cult filmmakers, critiquing modern media, celebrating DIY creativity and encouraging intellectual curiosity.

Sexuality and Club Culture

Nitetime.net also embraces club culture and sexuality in an unapologetic, analytical way:

“Nitetime Bounce Bounce (Deep Bass Version)” is dissected like a scientific paper on sexualized movement. The description notes that deep 808 bass and rapid hi‑hats prompt involuntary hip oscillations, while explicit vocals encourage erotic fantasies. The call‑and‑response structure mirrors group sexualized environments, making the song an audio‑kinesthetic stimulant designed to scandalize polite society.

“Gravity Cannon Dropping Asses” positions spectacle as currency. The track is described as loud, excessive and unapologetic, combining neon branding, sci‑fi props and bold bass to build a memorable club empire. The narrative insists that boldness and consistency build a kingdom where tastefulness does not trend.

These songs celebrate dance music’s capacity to provoke bodily responses and challenge social norms, often with tongue‑in‑cheek commentary.

Revival and Identity of Nitetime.net

Several tracks explicitly address the identity and resurgence of the platform itself:

“1 Point OOOOh Snap!” marks Nitetime.net’s awakening from a digital slumber. The description portrays it as a “shuffling anthem” with a beat thumping like a tell‑tale heart and synths that feel like neon signs buzzing outside a diner. The heavy, side‑chained bass is compared to a 1998 dial‑up modem’s scream, celebrating Dot Com 1.0 pride.

“503 Service Unavailable: Universe Terminated.” uses pounding rhythms and mechanical sounds to narrate a world changed by mysterious lights. The song acknowledges fragility but emphasizes that even in frightening times, “we have each other”.

“Nitetime.net Is Back” functions as a curtain‑rising anthem. The track arrives “loud, confident and unashamedly big,” with brass and momentum symbolizing a return to the airwaves. It frames the station’s return as a signal that never truly went silent.

These pieces establish Nitetime.net as a character in its own right, with its own mythology of disappearance and triumphant return.


Conclusion

Nitetime.net’s catalogue is eclectic in sound but unified in vision. Across dozens of tracks, DJRC turns a SoundCloud page into a narrative universe where raccoons hack servers, UFOs descend into Renaissance paintings, cult directors become folk heroes and the Internet’s hidden pipes are both playground and battleground. The station oscillates between earnest critique of modern media, tongue‑in‑cheek B‑movie camp and unabashed celebration of club culture. Above all, it champions independence: owning the infrastructure, questioning received wisdom, creating art at your own pace and reclaiming the night as a space for imagination. Listeners are invited not just to dance, but to think, laugh and look up strange truths – often all at once – making Nitetime.net both a sonic experiment and a community for fellow travellers in the digital cosmos.

The Duras Sisters Podcast is all about honoring the fantastic characters and storylines in the Star Trek Universes. Two sisters, Ashlyn and Rhianna Herd, join the House of Duras and partake in weekly discussions about every series of Star Trek through a philosophical lens and Series Theme. 

Each series will feature a theme and every new episode will travel from the Original Series to Prodigy, diving deeply into each detail of this epic franchise. We have covered these series: Pilot, Family, Love and Affection, Time Travel, Villains, Movies, Feminism, Death Fake Outs, First Officers, and the current Spooky series. 

This podcast is the Star Trek fix you didn't know you needed, brought to you by the sisters who are as close as Lursa and B'etor themselves… except we survived Generations.

New tracks tagged #star trek