70's Soul/Funk:Sultry vocals & harmonies over lush strings arrangement and distorted funky guitar inspiring hope for good things to come. Dreamy, Sexy

Lisa Marshall 432Hz Re-mix

The Best Is Yet to Come-432 mp3

Classic synthwave track with a catchy melody, steady tempo and positive vibes. A feel of classic video games, retro demo-scene, and 80's movies. Sci-Fi / Futuristic / Modern Retro. (Stem files available).

For licensing, contact
https://www.LynnePublishing.com

Buy/License

Digital Horizon

f You Want To” drifts through a dark, dreamy atmosphere — a blend of pulsing synths, moody guitars and a steady mid-tempo drive. The track carries that late-night tension you get when emotions sit just under the surface: a bit melancholic, a bit hopeful, and always moving forward.
If you're into darkwave, post-punk or 80s-inspired electronic vibes, this one will pull you right in.

Turn it up. Let it breathe. Feel the pull.

If You Want To

A silly track made for a goofy video game called "Mr. Apple".

vgm_tutorial__23_05_2021

"Chill Out" is a focused and beat driven tech house track that remains steady and consistent. It's rather mellowed out and not as aggressive as the tracks I have been putting out lately. This one is more about the vibe, percussion and groove than anything else. The initial layers of the track start on the offbeat and drag into place. There are also two contrasting basslines that are both side-chained to the 909 kick

Chill Out

A tender, slow-blooming love song for anyone who’s done chasing fireworks. This is the sound of choosing the small, steady flame over the loud, flashy spark that burns out too fast. 
Soft guitars, gentle rhythms, and intimate vocals trace the quiet moments—half-finished conversations, tired mornings, messy emotions—where love feels most real. No perfect script, no big performance. Just two people learning that they don’t have to shine for the world to carry a light that’s enough for them.

We Don't Have to Shine

My Time

Steady prod. Roguish

OJThaJuiceMan prod. Rilzo

Fleetwood Mac’s ‘Dreams’ but turn up the yearn. Wanting someone and yelling it into the sky instead of asking yourself to be honest. Thick harmony, driving drums, floating saxophone, and desperation sickening enough to listen to on loop. 

More

Static Vale
An amalgamation of various styles - primarily EDM-based music.

Collabs:
Email scenicscribe62@gmail.com with 2–3 of your best tracks and your EPK.
Please avoid DMing collab or service pitches on SoundCloud - email keeps everything organized and ensures I can review your material properly.

Approvals:
I accept or decline based on fit, chemistry, current project/album direction, and schedule.
If I pass, it isn’t personal - it just means I may not have the capacity at the moment.

Boundaries:
I don’t share release timelines or details about my creative workflow - those are trade secrets while I build this project.
For updates or hints, follow my socials.

If you’re pitching a collaboration or service, please provide clear examples of your work and prior success stories. I don’t invest time or resources into vague “ideas” without a tangible plan or proof of concept.

Conduct:
I don’t engage with pushy messages, repeated reminders, or pressure tactics.
Respect the pace and the process.
Unprofessional behavior ends the conversation instantly.

Important:
There are too many scams and low-effort pitches circulating, so I’m careful with my time and commitments. Please respect that this project operates on the principles of professionalism and mutual benefit. Also, my own policies mirror those of platforms I participate in, including SoundCloud's terms of service. If it doesn't fly on this platform, then it doesn't fly with me, for both legal and ethical reasons. 

Thank you for understanding - I look forward to connecting with serious, dedicated creators.

CYBER CHORD writes songs the way a porch light holds a night: small, steady, and impossible to ignore. I work with AI as a true co-writer, then carve the lyric by hand and shape the track in Suno. The sound leans bare and human—country roots in the soil, a little rock grain in the teeth, and a faith-lit lift that chooses hope without preaching.

These are ordinary-room hymns: rings hidden in cotton, receipt-tape strings, a dress behind rain glass, a sink that cools while you find the words. Silence is an instrument here; sometimes there’s a full bar where the house gets to breathe. If a line can’t survive a campfire and a cracked mug, it doesn’t make the song.

If you’re new, start with the heartbreakers. They don’t shout. They stay. I believe in the holiness of the everyday, and in the quiet bravery of saying the thing before “later” takes it away.

No paid promo, no playlist buys, no cover-art pitches, no dance offers, no cold DMs. If it’s a pitch, the porch light’s off. If you’re a real listener, come in soft: pick one song, leave a genuine note (lyric or timestamp welcome), and hand it to one friend. That’s how this fire stays lit.

May your road stay open, your coffee stay warm, and your day be peaceful.

Lynne Publishing is a music label representing a library of high-quality, carefully developed and curated production music, available to license for use in your own media.We develop our own music with contracted professional composers, both young and exciting talents and experienced film- and TV composers.

All our music is available for easy licensing for use in media creations, such as videos, films, games, TV, online, social media, corporate use, etc. To obtain a Master Synchronization license for any of music, contact us via www.LynnePublishing.com

Lisa Marshall is a Singer/Songwriter influenced by early Soul/R&B/Folk-funk/70's Soul-a-delic, in Austin, TX.
Marshall honors the original Soul ladies from the obscure to household names with her vocal approach in both her melodic lead and "call and answer" harmony arrangements.
  ".. her voice belts and soars through the building lyrics then dips to a restrained contralto for climatic lines. Hints of reverb in the production space add a subtle, creepy effect to the gospel tunes. It could almost be too crafted, but with Marshall's spellbinding voice pulling at the tempo, the album feels so organic that you can't imagine it any other way."- Rachel Dovey, Seattle Sound Magazine
‘Stay Right Here’ is Lisa Marshall's latest release. Use of string arrangements, three part harmony call and answer vocals ala The Sweet Inspirations, Wurlitzer and guitar licks weave the seam of the music.
  "She is the female Otis Redding man. I could listen to this album all day"- Jivewired America
‘Stay Right Here’ boasts Eric Johnson’s engineer, Kelly Donnelly behind the board on lead vocals, mixing and mastering. Johnny Radelat of Gary Clark Jr. appears on drums on the CD except for tracks 5 & 8. Nick Connolly of Delbert McClinton adds Wurlitzer and piano on tracks 1, 3, and 5. will be available at www.lisamarshallmusic.com, with digital distribution through iTunes, amazon.com, and other major online outlets.
  "Marshall has a point of view, but she combines her power packed vocals with lyrics that have a universal appeal...with Stay Right Here, Lisa Marshall has put together a combination of these insightful lyrics along with solid tunes and vocals that a lot of people will relate to as if this album was made just for them..." Recommended-By Howard Dukes (May 2013) Soultracks.com
Lisa moved to Austin, TX in May 2009. The Lisa Marshall Band came together in October of that year.  The Lisa Marshall Band  held residencies at the legendary Blues bar, TC’s Lounge, The  Gallery at Continental Club, and Saxon Pub. Lisa plays many of the more popular venues in Austin from the main room at The Continental Club to Antone's, and Saxon Pub sharing the stage with icons such as Guitar Shorty, Doyle Bramhall, Bobby Patterson, The Red Elvises, LaVelle White, W.C. Clark, and has also toured with Robben Ford, opened for Koko Taylor, Lydia Pense and Cold Blood, and Big Brother and The Holding Company (whom she also sang with)
The band recently headlined The Beaumont Blues and Jazz Festival 2013, and backed the legendary Barbara Lynn on her hits such as 'You'll Loose a Good Thing' and 'I'm A Good Woman'.

Lisa has toured solo throughout the Southeast and West Coast. She hails most recently from Seattle. There she performed solo with “The Blonde”, her semi-hollow body electric guitar, and often joined by the raucous, soulful three part call-and-answer trio, The Dirty Girls (Anne Leatherman, Becky Fallon, & Susan Apple Manegold)! The group was invited to the famous Bluebird Cafe in Nashville, TN as the feature for The Sunday ‘Songwriter’s Spotlight’.

Lisa released her first solo album in May of 2008. Her debut album titled ‘Simple’ has been well received on radio and reviews in both Europe and the U.S, charting in the Top 5 on 2 Euro-Americana charts. 

Born and raised in Virginia Beach, VA, Marshall was brought up on The Beatles, Blues à la Janis Joplin, the Allman Brothers, Crosby, Stills, Nash & Young, and her mother’s favorite, Elvis and Motown. At the age of 21 Marshall moved to California. It was in Los Angeles where she co-founded and fronted Peculiar Boogie with Rebekah Coltman (guitar) & Susan Joyner (keys) for a decade. Their band was a unique blend of female fronted Brit Rock featuring R&B style vocals and harmonies. The band played and showcased at some of LA’s hot spots such as Troubadour, and the Roxy.


BENEFIXAL 4OR ANYBODY⚕️





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New tracks tagged #steady