Written, Produced, and Arranged by Alec Ferris
Cello Performance by Mikala Sanchez
(Lyrics below opening letter)

When the project "When Summer Comes" was released in 2019, the next chapter didn't seem so far away. The EP dropped, and life started to move fast up until 2020. Like everyone else, plans to perform and promote were put on hold.

I could have released more music, but I didn't...

Perfection plagued my thoughts with anything that I wrote. I relied heavily on outside circumstances to push forward, yet the power was always in my hands. This song was originally recorded in 2022, and knew its time would come when a new body of work was forming. 

This is a letter that's been held close for too long. I hope it will suffice.

Enjoy the Album.
-AF

Lyrics:
We began in summer shade
Glassy haze, I know I'm late
I've been here, only wandering
I lost my step, and I fell short
and so close to shore

Holding to the promises I've made
Take my word 
For I can be replaced

See the wounds
are they real?
I ask myself
Yet I’m not sure
and there could be more

(More than one could bare)
(Coming up for air)
(There’s no room back there)

So I’ll lead you through
Are you ready?
Take what I’ve found and off you go
On your own

Please forgive me
if I seem afraid
Fear has nowhere else
with me to stay
Take my hand 
so we wont go astray

Now it’s time for us
to leave the shade

Carpet Rot

Stream Everywhere

Summer Shade

"How Far I'll Go" is a storm-forged anthem about fighting through darkness and pushing beyond limits to settle the score. With roaring riffs, pounding drums, and lyrics that challenge the impossible, Echoes of Thunder brings pure hard-hitting rock energy.

🎸 Rattling cages. Breaking bones. Chasing you down to even the score.

If anyone has doubted how far you'll go to make it — this one's for you.

How Far I'll Go

Edge of the Chasm is a battle cry for the broken—and the ones who refuse to stay down.

This is heavy metal with a soul on fire: clean, punchy riffs give way to distorted, full-force choruses. The verses hit fast and hard, driving like a heartbeat under pressure. Vocals stay raw and human—yelling when it matters most. This track doesn’t just sound alive—it *fights* to stay alive.

For anyone who’s stood at their breaking point and didn’t flinch... this one’s for you.

Press play. Crank it up. And stand tall.

Edge of the Chasm (M)

"grEY" ... is very personal and emotional song even though it doesn’t sound like it at first listen. It is a valve trying to compensate what was happening in that very time period. It is one of the rare songs where the music, the lyrics and melodies really reveled at the same time. You can hear the rest- and hopelessness, but it still gives a little glimpse of hope. Just like real life.

all streams

STOLZENBOURG - grEY

Storm

do you have trouble sleeping? are you boy-centric? here's some comfort words for you <3

mama comforts her baby boy

Hi - I'm currently in a competition. Plz take two mins to vote for me if you enjoyed this demo: tophitmaker.org/2025/doeskin It's free, and if you want to pay for more votes, you'd be donating to Global Citizens mission to end extreme poverty. 

Anyway - first draft. Well, technically like the 3rd draft because I wrote this song a few years ago. Will probs upload the final to spotfiy. 

Lyrics: 
Is it curiosity 
Keeping you around
I just think you wanna see
How long it takes me to drown
Lost in your decrepit sea
Still swimming up against the stream
In this thing
You keep calling love
In this thing
You say is love 

You know I'm suffocating 
On the sound 
Of you sleeping next to me
So peacefully
somehow
Knowing what you did
Knowing I'm wounded
Thinking I'm stupid
That I wouldn't find out

Is it curiosity 
Keeping you around
I just think you wanna see
How long it takes me to drown
Lost in your decrepit sea
You call love 
This is your love
This is your love
This is your love

Step up on to 
Foundations you lay
I didn't know 
they were crumbling away
I trusted you 
With all of my pain
I could have gone
Without such a 
Mistake 

Is it because 
I love with no fear?
Is it because 
I said I'd stay right here?
Is it because 
I dry your tears 
When I'm done
Crying
because I can't let go 
Of the urge to be near
Someone who knows how to
Hold me close and dear
To their heart 
Because I can't breathe
With all this love in my lungs
Oh is it
curiosity 
Keeping you around
you just wanna see
How long it takes me to drown
in this sea of depravity 
You call love 
Is this your love?
Your love
Is this your love?
Your love
Is this love?
Is this love?
Is this love?
 



curiosity

Christopher O’Hare (1867 - c. 1943) composed “Sea Song” in 1918 "for surf scenes, on the sea, sailors etc.” as part of Oliver Ditson’s “Music for the photoplay” series, intended to accompany movies in the silent era. It’s a late romantic theater orchestra composition — a rolling 12/8 time blizzard of arpeggios. Though brief, it could have been looped for longer scenes. 

Our recording started using Optical Music Recognition (OMR) applied to scans of the original copies of theater orchestra parts from 1918. The OMR product was edited in Dorico, assembled into a score and exported to Logic Pro to be recorded with sampled instruments. 

This piece was interpreted rather freely: the original organ part was mostly omitted, with the retained parts being performed by a synthetic choir. The low brass melody -- written for trombone - was recorded using a Euphonium sample.

The artwork is based on a Currier and Ives hand colored lithograph captioned “A squall off Cape Horn”. The print was originally published between 1840 and 1890. Library of Congress bookmark: https://www.loc.gov/pictures/item/97514621/. 

Public Domain, No Rights Reserved.

Sea Song (Christopher O'Hare)

I wrote this score during an exchange semester in Perth, studying Music Composition at the Western Australian Academy of Performing Arts. For one of our assignments we were given the task to score two scenes from two different movies, one of them being 'Portrait of a Lady on Fire'. We also received a director's brief with some rough guidelines, e.g. to incorporate baroque elements that would later form into a leitmotif which could then be used throughout the rest of the film.

'Portrait of a Lady on Fire' is a film about a complicated love relationship between two women in the 18th century. It was directed by Céline Sciamma. Para One and Arthur Simonini wrote the original score for the film. 

For the opening scene I wanted to create a sentimental and grieving theme to show the main protagonist's desperate and unabated queer love for another woman against the backdrop of the rigid and prim conventions during the 18th century which the plot is set in. The first theme is very emotive and relies on celli as the main instruments. The second part of the score however starts in a fast-paced Baroque style recalling the stormy Presto of the Summer in Vivaldi's Four Seasons as a metaphor for the main protagonist's vivid memories of her love amidst turbulent and controversial times.

DM me on Instagram (or here) for any collaboration or if you want to license this track for your project.
IG: julius.jendrezok

Cheers!

Portrait Of A Lady On Fire - ReScore

Neon Drift pulses with the fury of the underground circuit—melodic metal wrapped in chrome and rebellion. Driven by a clear and powerful female vocal, this track races through a rain-slicked cybercity, where every engine roar and guitar riff paints the story of a lone drifter carving her legend in neon. It's not just a song. It's velocity, defiance, and the birth of a rebel's dawn.

Neon Drift

An artist mngmnt, record label & publishing from Berlin.
- est. 2022

We go by our name. Things are better when we create & enjoy them together.

business request: contact@bettertogether.io

www.echoesofthunder.com

We are Echoes of Thunder, a hard-hitting fusion of hard rock and alternative sounds we call Empowerment Rock. We bring electrifying riffs, thundering drums, and raw, storm-powered energy straight to your ears to uplift your soul. Our music enhanced by AI, is a call of power-like a storm signaling ahead, ready to shake the ground and electrify the air.

📣 Our track "Resurgence" has been gaining major attention:
• Featured by Music Crowns, who praised its storm-fueled intensity
• Described as a “potent rock roar” by Broken 8 Records
These are powerful steps forward as we continue to rise with anthems of grit and resilience.


Read the full articles: 

musiccrowns.org/new-music/echoes-of-thunder-release-explosive-new-single-resurgence

https://broken8records.com/blogs/reviews/echoes-of-thunders-resurgence-is-a-potent-rock-roar

Beta testing my drafts on the airwaves of soundcloud.

Disclaimer: it's very hard to play the guitar and sing at the same time.

Real haters follow me on spotify....
P.S. I sound better with headphones on.

This is music born from the fusion of soul and signal. The lyrics are mine—written from real emotions, real events, and the truths that don’t always get spoken aloud. The music, crafted with AI, becomes a vessel for those words: dark, immersive, and emotionally raw.

Each track is a reflection of something lived—grief, love, longing, rage, hope. AI handles the sonic architecture, but the heart of every song is human. My words are the pulse beneath the synths, the whisper behind the beat.

The result is a soundscape that feels intimate and otherworldly at once—dark techno, ambient goth, cyberpunk noir. It’s not about perfection. It’s about resonance. If you’ve ever felt too much, or not enough—this is for you.

Julius Jendrezok is a German filmmaker and composer. Having worked in the film industry for several years, he started to combine his work in the movies with his skills as a pianist as well as his composition aspirations by writing the music for several short films. Today his repertoire goes beyond film scores and includes both classical and contemporary works. His recent studies at the Western Australian Acaddemy of Performing Arts (WAAPA) in Perth marked another important step in his career path.

These songs will soon have a new home under my artist project Sïlent Øath. Come follow for future releases, story-driven alt-rock, and mythic vibes: soundcloud.com/silent-oath

Singer-Songwriter and Producer originating from Napa, CA. Based out of Los Angeles.

I hope this finds you...

Public Resource is a non-profit organization based in California. We believe universal access to human knowledge is the great promise of our time.

Welcome to my music page. My names Austin and im a self taught composer, producer and lyricist.

I absolutely LOVE MUSIC.

My dream is to get enough listens to cover my bills and make all the songs in the world!

If you like even one of my songs consider following me and sharing your favorites. Even 1 extra listen could change my life!

New tracks tagged #stormy