wälzen, schieben frachten (2023/24)

Wälzen, schieben, frachten - während Äonen rollt und wirbelt Sediment angetrieben von Naturkräften, sich auf endlose Kreisläufe begebend, von Auflösung zur Neuformierung, von Zerfall zu erneutem Aufbau. Der Mensch beobachtet und empfindet; nur eine kurze Zeit sind wir mittendrin, ein Teil davon mit unseren Körpern und Sinnen.  Im Fluss und im Widerstand, jetzt drückt der Bogen gegen die Saite und die Hand schiebt die Schallplatte vor- und rückwärts.

Uraufgeführt 07. Mai 2024, Konzerthaus Wien von Ensemble PHACE: Ivana Pristasova Zaugg (vln), Petra Ackermann (vla), Roland Schueler (vcl), und Jorge Sánchez-Chiong (turntables)

Aufnahme oe1.ORF.at für die Sendereihe Sound Art : Zeit-Ton

waelzen schieben frachten (2023/24) - Streichtrio & Turntables (excerpt)

[recherche de financement pour produire cet album en 2026 - cliquez sur le lien d'achat]

Les jours heureux reflète la variété des styles et les influences culturelles qui
cohabitent alors dans la capitale française, à l’aube d’un conflit qui traumatisera l’Europe et le monde entier et qui changera ensuite radicalement le paysage musical et culturel.
Les Jours Heureux est un projet musical créé à l’été 2022 qui revient aux origines de la formation du quintette instrumental, flûte, trio à cordes et harpe. Cette formation, est née dans le Paris des années folles à l’initiative de cinq musiciens qui ont su fédérer un myriade de compositeurs autour d’une nouvelle esthétique de la musique de chambre.

Gabriel PIERNE - Variations libres et Finale op.51 (1933) 11’

Marcel TOURNIER - Suite op.34 Soir - Danse - Lied - Fête (1929) 11’

Joseph JONGEN - Concert à cinq op.71 (1923) 23’

Jean ABSIL - Concert à cinq op.38 (1939) 11’

Temps total : 56’

04 M. Tournier 3. Lied

06 J. Jongen 1. Décidé

08 J. Jongen 3. Très Décidé

05 M. Tournier 4. Fête

09 J. Absil 1. Intro et Allegro

Trio Concertante en 3 Realidades - 1st mov.- Bailando con los Santos

Anders Brødsgaard: "Gemini" for string trio
II. Calmo

Manuel Maria De Almeida-Ferrer | violin
Lucas Blekeberg | viola
Joan Rochet Piñol | cello

Brødsgaard: Gemini II

A conversation with composer and electronic musician Anton Friisgaard about the
musical process and vision in connection with his newly commissioned piece for Klang
Festival, where Anton collaborates and performs with classical string trio Halvcirkel.
Klang Festival runs from June 9.th to the 15.th, 2025, in venues across Copenhagen.
In collaboration with STRØM, Klang Festival and The Lake Radio.
Host and producer: Thorbjørn S. Andersen
Tracks Syrati and Cemille from the album 'Teratai Åkande' by Anton Friisgaard and
Gamelan Salukat.

Klang Conversations: Anton Friisgaard

"Miraldra's Enchantment" - composed and produced by Justin Allan Arnold. IFNESS FREE MUSIC. "Miraldra's Enchantment" can be used in commercial and private projects for free as long as I am properly credited, as per the Creative Commons License CC-BY-4.0. Do not enter the track in any Content ID Systems. No AI was used in the making of this music track or video.

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Miraldra's Enchantment

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Le Bateau Ivre est un quintette instrumental qui associe la flûte et la harpe au trio à cordes.
Ce mélange de timbres confère à l’ensemble une grande richesse sonore et lui permet d’obtenir des couleurs et des atmosphères extrêmement variées. 
L’aventure commence en septembre 2015 à Strasbourg, île au cœur de l’Europe, où se croisent les chemins de cinq jeunes musiciens. Ils se réunissent autour d’une oeuvre qui sera le noyau de leur formation, le quintette de Jean Cras.
L’interprétation de cette pièce est chaleureusement saluée par le jury du Concours International Léopold Bellan à Paris, qui attribue au Bateau Ivre le 1er prix d’honneur en Avril 2016.
L’aventure se poursuit par delà les frontières avec deux 3ème prix obtenus au concours Osaka IMC (Japon) en 2017 et au concours Virtuoso Bel Canto de Lucca (Italie) en 2018, année où le quintette est admis à l’unanimité en master de musique de chambre au Conservatoire National Supérieur de Musique de Paris dans la classe de Michel Moraguès. 
Ses musiciens reçoivent également les conseils et encouragements de Luc-Marie Aguera et Fabrice Pierre. 
En 2019, Le Bateau Ivre intègre le programme de musique de chambre européen ECMA.
Lauréat de la fondation Meyer, le quintette enregistrera son premier disque en juin 2020 au CNSMDP.

Puerto Rican composer William Ortiz was raised and educated in the United States, but his Latino identity plays a vital role in his music. Particularly, his experience as a Nuyorican in the 1970s have informed the aesthetics of his music, which transforms the sounds of the streets into art music. Unique in that respect is the use of instrumental and vocalized graffiti that are integrated in some of his works. A professor at the University of Puerto Rico at Bayamón, he has taught at the Puerto Rico Conservatory of Music and is Music Director of the Ateneo Puertorriqueño. 
He makes the following statement on his music: "I conceive of music as the 'violent beauty' of urban life; as the expressions of the cries and shouts of the street - cries and shouts that reflect the thoughts of those who are oppressed, of those who feel. It is my intent to convert the language of the street into a legitimate instrument".

New tracks tagged #string trio