Lyrics - You Can Have It All:

Waking up in a dark place
Rays of light through the curtains
You’ve been there before, oh
Yeah you’ve been there before
Another day
Living with your conscience
It’s you that has to live with your mistakes
Getaway
Sail where there’s no substance
Free your body, soul
Release your mind

Needing
Shaking
Climbing up the walls
Lining up to fall
Believe it
Break free
You can have it all
By tearing down the walls

Getaway from the rat race
Escaping the real world
I’ve been there before, oh
We’ve all been there before
Breakaway
Away from all the nonsense
It’s only you
That can make a change
There’s just one way
To fight for your existence
Free your body, soul
Release your mind

Needing
Shaking
Climbing up the walls
Lining up to fall
Believe it
Break free
You can have it all
By tearing down the walls

Give up on sweet temptations
It’s time for some redemption, yeah
I know you’ve got good intentions
White lines is not the direction, yeah
The writing’s on the wall

Needing
Shaking
Climbing up the walls
Lining up to fall
Believe it
Break free
You can have it all
By tearing down the walls

You can have it all
You can have it all
By tearing down the walls
You can have it all
You can have it all
You can
You can have it all
The writing’s on the wall
You can have it all
By tearing down the walls
But I just can't find my way out of this for my life
You can have it all

Stickman Rock

You Can Have It All

Listen on Spotify

A Night In Sanbon

sunlight is the first of a five-movement piece named "seavoda", which explores the five layers of the ocean. The full album is now available on all streaming platforms.

Darren Creech - piano
Lorenzo Guggenheim - strings conductor
Sam Bisson - music contractor

Recorded at Noble Street Studios (strings) and The Orange Lounge (piano) in Toronto. Engineered by Spencer Sunshine. Mixed and mastered by Gabriel Gutiérrez Arellano at Grayson Music Group. Album cover artwork by Jack Stewart.

This project was made possible by funding from the Canada Council for the Arts.

seavoda - i. sunlight

Release Spotify Thursday September 5th

Acoustic sphere with guitar, cello, violins, soprano sax, piano.

Always in my Heart (for jimmie)

Always In My Heart (for Jimmie)

9 Dash Line by The Jeremias Langsämmer Ensemble is a striking example of contemporary chamber music, blending piano, harp, cello, and strings to explore complex emotional and thematic landscapes. The ensemble utilizes intricate harmonies and dynamic contrasts, balancing tension and serenity throughout the composition. This piece highlights the modern approach to chamber music, where minimalist structures meet expressive, avant-garde techniques. The interplay between the instruments creates an immersive sonic journey, emphasizing texture, mood, and fluidity. 9 Dash Line is a bold, thought-provoking addition to the contemporary chamber music repertoire.

9 Dash Line by The Jeremias Langsämmer Ensemble [Contemporary Chamber Music]

[COVERT ART BY FRASER CORMACK]

The Crown in the Gutter by The Jeremias Langsämmer Ensemble is a haunting and introspective classical piece that explores themes of grandeur intertwined with decay. The composition unfolds through delicate harp arpeggios, which evoke a sense of both fragility and elegance, contrasted by the rich, resonant tones of piano and strings. The strings, at times soaring and at others subdued, create an atmosphere of melancholy and reflection, while the piano’s thoughtful, measured notes provide a grounding, almost mournful undercurrent. The piece navigates the tension between regality and ruin, drawing the listener into a space where beauty and darkness coexist, much like the crown that lies forgotten in the gutter.

The Crown in the Gutter by The Jeremias Langsämmer Ensemble [Contemporary Chamber Music]

When Noses Start to Bleed by Jeremias Langsämmer is a striking modern classical composition that merges the warmth of orchestration with a subtle electronic pulse. Anchored by a melodic synth line, the piece unfolds with layers of strings, cello, and piano, creating a moody, contemplative atmosphere. French horns lend a sense of gravitas, gradually intensifying the piece’s emotional pull. Midway, a playful interlude emerges with pizzicato violins, bringing a momentary lightness before the arrangement shifts back to its rich, layered soundscape, blending the acoustic and synthetic elements in a compelling and dramatic finish.

When Noses Start To Bleed by Jeremias Langsämmer [ Soundtrack | Classical]

'Riflessi d'Amore attraverso la Tempesta' (Reflections of Love through the Storm) begins as a lone violin's voice against the darkness, following a solitary journey along rain-swept coastal roads. The piano enters like first light breaking through clouds, its delicate notes falling like gentle rain, before the cello rises from the depths to complete this emotional tide. As the three instruments build together, they create a tempest of feeling, only to transform suddenly into an ethereal dreamscape reminiscent of ancient tales and forgotten realms. Here, violin and piano dance in contemplative dialogue, their voices carrying memories of the storm's passion. Finally, like a music box winding down to its last precious notes, the piece resolves into singular piano tones - each one a drop of clarity in the aftermath of emotional weather.

The composition mirrors the way love's reflections shift and change through life's storms - from turbulent intensity to crystalline moments of peace, each movement telling part of love's ever-changing story.

Riflessi d'Amore attraverso la Tempesta

Jeremias Langsämmer's My Hand Is Still A Fist captures a profound sense of inner turmoil and fragility. A halting and uncertain exploration of timing anchors the piece, with a delicate piano ostinato tentatively emerging, only to be engulfed by waves of mournful strings. The cello frames the composition with an aching sadness, weaving a narrative of vulnerability and unresolved conflict.

My Hand Is Still A Fist

Canzonetta of the Court

An elegant and evocative piano sonata, Canzonetta of the Court weaves a delicate tapestry of sound, blending the intimacy of soft strings with the grandeur of orchestral sections. The piece opens with a lyrical piano melody, reminiscent of courtly dances and refined gatherings, exuding grace and poise.

As the composition unfolds, the warm embrace of the string ensemble adds depth and emotion, complementing the piano’s expressive voice. The orchestral interludes lend a majestic quality, creating a dynamic contrast that elevates the piece to regal heights.

Perfectly balancing sophistication and sentiment, Canzonetta of the Court transports the listener to an era of elegance and charm, offering a timeless musical journey through the grandeur of the classical tradition.

Canzonetta Of The Court

**Laxá & Heima Kvartett - "1 Ket"**  Dreamy Post Rock

A contemplative journey through light and shadow, "1 Ket" unfurls with delicate, melodic guitar patterns that glimmer like the first rays of sunlight breaking through a misty horizon. The strings of the Heima Kvartett weave a luminous tapestry, their rich harmonies gently ebbing and flowing like waves meeting a quiet shore. Slow, driving drum beats pulse steadily beneath the surface, grounding the ethereal atmosphere while subtly propelling it forward.  

Each note feels like a breath, suspended in time, as the piece builds with a tender patience, evoking a profound sense of introspection and longing. Laxá & Heima Kvartett deliver a masterclass in restraint, crafting a soundscape that is as much about the spaces between the notes as the melodies themselves. "1 Ket" is a dream wrapped in sound—a delicate balance of melancholy and hope, perfect for moments of quiet reflection.  

1 Ket by Laxá [Dreamy Post Rock]

Death's Awake – The Jeremias Langsämmer Ensemble
A four-part classical chamber music piece, Death's Awake explores the profound journey from darkness to light, weaving elements of sorrow, contemplation, and ultimate transcendence. Each movement unfolds like a passage through the cycles of mourning and renewal, blending rich, evocative textures with hauntingly beautiful melodies.

Part I – Awakening in Dissonance
The piece begins in a state of unrest. A mournful cello cries out over a backdrop of discordant strings, evoking an eerie tension. A lo-fi, distant piano echoes in the background, its fragmented notes like fading memories. The harmonies are jagged and unresolved, shifting unpredictably, as if death itself is stirring. The movement is haunting and immersive, leading the listener into the abyss of uncertainty.

Part II – Shadows and Light
As the darkness settles, a hushed stillness takes over. The cellos, now subdued, breathe deeply in somber unison, their tones carrying a quiet yet growing warmth. The piano emerges from the mist, no longer distant but more melodic, its notes like glimmers of light breaking through the gloom. The harmonies, though restrained, begin to suggest the first traces of hope, as if dawn is approaching but not yet fully realized.

Part III – Echoes of Memory
A shift occurs as the piano takes center stage, unfolding a mellow, introspective solo. A lo-fi harp enters, its delicate plucked tones shimmering like raindrops on glass. Pizzicato strings dance around them, creating intricate movement and rhythm, as if life itself is beginning to weave back together. The interplay between instruments is intricate yet restrained, capturing a sense of quiet contemplation and acceptance.

Part IV – Ascension and Light
The final movement is a cathartic release, as the strings swell with newfound strength. The piano, no longer hesitant, soars with uplifting melodies, harmonizing with the ensemble in a triumphant yet tender resolution. Hope surges through the music as dissonance dissolves into radiant harmonies, evoking the warmth of sunrise after a long, restless night. The journey is complete—death has awakened, not as an end, but as a transformation into something luminous and eternal.

Death's Awake [Classical | Chamber Music]

A Minecraft inspired tune i made a long time ago

Draytone

Jeremias Langsämmer – As The Light Dims Slowly
A piano-led meditation unfolding at an adagio pace, As The Light Dims Slowly channels the hesitant phrasing of Erik Satie. Cello, violin, and soft strings offer gentle support, moving in and out of the piano's uncertain light. Sparse and reflective, the piece lingers in moments of pause as much as in sound, capturing the hush of evening as it slowly gives way to night.

Cover photography by Fraser Cormack. Find more of his work at https://www.facebook.com/profile.php?id=61559043332127

As The Light Dims Slowly

The Ballad of the Witches' Road

Wolfgang Amadeus Mozart - 1756–1791
is unarguably one of the most prolific and notable classical composers of all time. A child prodigy, Mozart was already proficient on the keyboard and violin by the age of five, composing remarkable works and performing before European royalty. At just 17 years old, he was engaged as a musician at the Salzburg court but, driven by ambition and a restless spirit, he embarked on travels to seek better opportunities.

In 1781, while visiting Vienna, Mozart’s dismissal from his Salzburg post marked a turning point in his life. He chose to remain in the imperial capital, where he gained widespread fame but struggled to achieve lasting financial stability. It was during his final years in Vienna that Mozart created many of his most celebrated works, including symphonies, concertos, operas, and the unfinished Requiem.

Over the course of his short but extraordinary life, Mozart composed more than 600 works, spanning symphonic, concertante, chamber, operatic, and choral genres. These masterpieces are recognized as pinnacles of Western art music and continue to inspire audiences and musicians alike. His enduring influence on classical music is profound, solidifying his legacy as one of history’s greatest composers.

Xak Stahl: Alchemist of Sound, Architect of Emotion

Xak Stahl is a genre-blurring music artist, sonic storyteller, and relentless experimenter. Every track he creates is a new world—a kaleidoscope of indie folk, alt-pop, electronica, and global flavors—infused with raw emotion and boundless curiosity. Xak’s music isn’t just heard; it’s felt.

From Shadow to Spotlight

For Xak, music is metamorphosis. His journey began in the shadows, transmuting heartbreak and struggle into songs that glow with hope. Early anthems like “Neon Dreams” and “Rising Through the Darkness” invite listeners to find their own light. His newest project, Major Arcana, channels the mysteries of the Tarot—each song an archetype, each lyric a step along the path from the Fool’s first leap to the wisdom of The World.

More Than Music: A Multisensory Universe

But Xak isn’t confined to sound. As a visual artist and writer, he crafts immersive stories that spill across genres and languages—sometimes haunting, sometimes playful, always honest. Whether he’s conjuring lush soundscapes, weaving bilingual lyrics, or creating striking visuals, Xak’s art dares you to feel deeper and dream wilder.

An Invitation to Transformation

Join Xak Stahl on a sonic odyssey that blurs borders—between genres, between artforms, between you and the music. Each release is an invitation to explore, to heal, to become. For Xak, every song is a spell, every album a universe. The only question is: are you ready to step inside?

new single, 'The Shapeshifter', out now 💜

i'm a composer for film, tv and the concert hall.

you will find selected tracks from scores, concert works, and some delectable leftovers here 🍰🎵

📸 by www.blapp.space

These Guitars Say Sorry is the banner for a diverse range of artists, from UK singer-songwriter These Guitars Say Sorry to classical composer Jeremias Langsämmer along with his ensemble, Icelandic post-rock band Laxá with the Heima Kvartett, ambient artist Siegfried Jünger, and Doom Jazz ensemble The Dark Messiahs. Founded by Jez Stephen, who incepted all the projects, the label has released over 30 albums, crafting a unique sonic identity across genres.

Since 2021, These Guitars Say Sorry has released a track every week, later compiling them into albums available on all major platforms. Explore the catalog on Bandcamp: https://theseguitarssaysorry.bandcamp.com/ and support the work for as little as $1 a month on Patreon: www.patreon.com/tgss.

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

New tracks tagged #stringensemble