An orchestral re-imagination inspired by Kuwait’s Al-Nashid Al-Watani (national anthem) and the cherished communal song Watani Al-Nahar. Between the two themes lies a single heartbeat moment, a reflection on the difficult days of the past and the spirit of renewal that gave Watani Al-Nahar its voice after liberation. Strings lead the performance, supported by oud and nylon guitar filigree with subtle flamenco flair. Percussion remains soft and human, shaping the arc from reverence to communal warmth.

[HISTORICAL CONTEXT BEHIND THE PRODUCTION]

For those not familiar with the history, some ebbs and flows in the orchestral direction may feel unusual, but each has intent. From 1:10 to 1:56, a steady heartbeat-like pulse carries the melody. This symbolizes the memory of the invasion, a time of tension and endurance. As the piece unfolds, the pulse turns brighter and more open, marking the moment of liberation and renewal. The music moves from struggle to resilience, from darkness into light.

This reimagined version of Watani Al-Nahar flows through multiple melodic stages:

- Shock
- Confusion
- Realization
- Resilience
- Resistance
- Solace
- Hope
- Unification

The closing call of the tar (frame drum) serves as a familiar and welcoming motif, a sound long associated with greeting and reunion, signaling the return of those who were once displaced.

To Kuwait with Love (August 2 Heartbeat Remembered)

A gentle, Andalusian-tinged instrumental where a graceful string lead meets oud and nylon guitar in quiet dialogue. Inspired by a Kuwaiti folklore song and shaped as a modern re-imagination, it favors modal melody, simple pulse, and a calm rise in energy. Reflective and warm, suited for quiet mornings and focused listening.

This piece was first imagined during a creative morning in Richmond Park (United Kingdom), while watching deer up close. In that moment I wished I could keep walking while listening to an instrumental version of Maftoon Qalbi. That feeling stayed with me until I shaped it into this work.

Enjoy.

Gazelle at Dawn (Kuwaiti Folklore Reimagined)

A slow, reflective instrumental shaped for late walks and quiet nights. Strings carry a melancholic theme over a simple pulse with gentle space and natural room. Inspired by classic Gulf folklore, reimagined for a modern, mindful listen. It sits at the tail end of my mindful walk playlist, chosen for its slow, mellow mood that helps me close the last steps of the route and settle my breathing. Quiet lifts and soft decays make it an easy companion for winding down and arriving home.


The Night Reminds Me (Instrumental)

I’ve always lived at the crossroads of music and poetry — where feeling becomes form, and melody turns memory into meaning. Whether it’s a lingering jazz note, a well-placed rhyme, or a shift in tempo that tells a deeper story, I’m drawn to that quiet magic where art reflects life with a little more style.

My roots are in classic music — the kind that doesn’t chase the moment but lingers with you long after the last note. Over time, that love expanded into poetry writing and jazz — especially the kind that swings, speaks, and smirks all at once. Jazz, to me, isn’t just a genre; it’s a personality. A conversation. A little tilt of the head and a grin that knows more than it says.

When I set out to create an album, it’s rarely just a collection of songs. I approach it like a personal playlist — one that drifts and flows as if the entire tracklist were one long, uninterrupted piece. Each track leans into the next, shifting mood, pace, or voice, but always carrying the same thread of feeling. I want you to listen the way I do — not as a shuffle of moments, but as a cinematic arc. One breath that lasts an hour.

Lyrically, my work is rooted in lived experience. Sometimes it’s obvious. Other times it’s just the skeleton of a memory, dressed up in wit, irony, or longing. I draw from real-life events, then let the poet in me twist, stretch, or sweeten them to taste. Depending on the tone of the album — playful, romantic, nostalgic, or something in between — I try to keep the emotional truth intact while giving it a fresh coat of creativity. A little humor where it fits. A deeper dive where it hurts.

My newest jazz album continues this tradition — short-lined swing tracks, conversational duets, and tongue-in-cheek storytelling. It’s an homage to late-night alleyway ballads, rooftop serenades, and train station goodbyes — all bound together with a sense of charm and cohesion. Each song is its own little scene, but together they tell a story — one you can revisit with each replay.

Thanks for stopping by my profile. I hope you find something that earns a spot on your repeat-play list — a melody, a lyric, or a moment that feels like it was written just for you.

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