Mossy Slough              Rex  Stratton    (c) 2024

It's Late

"Screaming Through A Slowly Dying Voice" by The Jeremias Langsämmer Ensemble

This evocative piece intertwines minimal classical elements with a modern, introspective edge. A delicate harp ostinato weaves a steady, shimmering foundation, complemented by the intimate resonance of a lofi piano. At its heart, a soulful cello lead carries the melody, evoking a raw yet refined emotional depth. The composition balances on the edge of bleakness and harmony, offering moments of quiet tension that resolve into fragile beauty. Perfectly suited for contemplative moods, this track invites listeners into a hauntingly serene soundscape that lingers long after the final note fades.

Screaming Through A Slowly Dying Voice [Classical | Chamber Music]

A quiet reflective and atmospheric track with underlying emotion, suitable for scenes related to austerity, separation, emotional abuse and the aftermath of disaster or war. Ideal for scenes linked to poor mental health and the events that cause it or scenes linked to circumstantial victims

Introspection Voice

Birthday Month
Cyclone Calm
Lo-fi & etc

Guaranteed to improve your run/study/cooking session

February

toss and turn (2024)

REDshift

“Subdued” is hushed and grounded—slow pacing, softened tones, and a quiet restraint that gives space to just be.

Subdued

07 03 2025 Pastor Paul - Michael -  End Time Revival - Island Dream

takemewithyou.wav

[Verse 1]
I drift in silent corridors,
Where whispers form in half‑light glow,
A voice once bold now barely flows,
A shadow lost in time’s cold undertow.

[Chorus]
Whispers of forgotten echoes call,
Soft as the rain on empty streets,
A faded song, a dying fall,
A quiet ache that never sleeps.

[Verse 2]
Neon Nights hum low and strange,
Their faded glow a distant past,
I trace their shimmer, pale and wan,
Like memories I thought would last.

My words once burned like fevered light,
But now they flicker, now they wane,
Soft embers swallowed by the night,
A warmth that won’t return again.

[Chorus]
Whispers of forgotten echoes call,
Soft as the rain on empty streets,
A faded song, a dying fall,
A quiet ache that never sleeps.

[Bridge]
The mirror holds a hollow face,
Eyes that know but won’t confess,
A silent weight I can’t erase,
A voice that fades with each caress.

[Verse 3]
The world moves on in vibrant waves,
I watch it from the quiet deep,
No longer reaching, I just remain,
A name the wind forgets to keep.

[Outro]
Neon Nights still hum below,
A song unheard, a spectral plea,
I fade into the undertow,
A whisper lost inside the sea.

———

“Forgotten Echoes” is a slow-burning elegy written in whispers, ash, and rain. A minimalist slowcore ballad where sparse piano, distant guitars, and delicate textures trace the outline of a memory dissolving.

Valeria's vocals drift like ghosts over a sea of quiet reverb and dusk-lit sorrow. It’s not just a song—it’s a soft collapse into everything you almost remembered.

———

Genre: Slowcore Indie Ballad 
Key: C Minor
BPM: 80
Time Signature: 4/4

———

Artist: Kareem Tyler 
https://www.instagram.com/tylercraftsart

Vocalist: Valeria Rusnak
https://audio.com/valeria-rusnak

Valeria is a Canadian independent singer and songwriter. She's also a mental health advocate and speaker at The Rejected Pre-Med Podcast.

———

© 2025 Kareem Tyler. All Rights Reserved.

Forgotten Echoes (feat. Valeria Rusnak)

A subdued and hopeful Christmas song in the tradition of I'll Be Home for Christmas and Blue Christmas

Christmas Comes at Midnight

A reflective, mournful piece from Before I Forget by The Jeremias Langsämmer Ensemble, featuring lofi piano, cello, and subdued strings. This contemporary minimal classical track blends intimate piano melodies with gentle orchestral strings, perfect for focus, study, or contemplative listening. The restrained yet cinematic soundscape evokes quiet introspection while maintaining a modern, avant-garde sensibility.

For Fans Of:
Max Richter, Ólafur Arnalds, Nils Frahm, Balmorhea, A Winged Victory for the Sullen

The Jeremias Langsämmer Ensemble – What The World Can't See (I Don't Hide) | Lofi Piano & Strings

just a cool lil plugg ep, all produced by Mio // shhlomane

Zack nd Cody

Shittin Me

Trap Out Tha Suburbs

Atmospheric, haunting, leaves a lasting impression

Seein' Things

Synthesist | Sound Designer | Audio Engineer

Music and lyrics by Sam Church, WV Singer/songwriter residing in New Smyrna Beach, FL.

“A powerful new voice on the crime-fiction scene” (ForeWord Reviews), Corey Lynn Fayman has done hard time as a musician, songwriter, and theatrical sound technician and multimedia designer, but still refuses to apologize for it. His hometown of San Diego, CA provides the backdrop for his mystery series featuring the guitar-slinging private detective Rolly Waters, including the award-winning Border Field Blues and Desert City Diva.

Project KT (Knowledge Transfer) is the solo vision of Kareem Tyler—a multidimensional artist navigating the limits of the physical realm through immersive, genre-blending sound. Fusing progressive rock, symphonic fusion, post-punk ambience, and metallic catharsis, Project KT crafts cinematic soundscapes led by violin, orchestral depth, and raw poetic tension.

After a life-altering accident caused partial vocal cord paralysis and ended his ability to play piano, Kareem rebuilt his artistry through digital composition and visual design—transforming personal trauma into transcendent expression.

That rebirth came to life in Echoes of the Void (2025), a symphonic progressive metal epic charting entropy, solitude, and rebirth across expansive movements. Its companion, Beyond the Void, reimagined the work as a cinematic and orchestral odyssey, featuring Canadian singer-songwriter Valeria Rusnak, whose operatic vocals added radiant contrast to Kareem’s baritone foundation. Together, they forged a dialogue of shadow and light, entropy and grace.

Though Project KT remains firmly Kareem’s vision—writing, producing, and shaping every detail—he is actively seeking a female vocalist to further embody its still-untold emotional core. With an evolving presence on Instagram, BandLab, and SoundCloud, Project KT continues to weave cross-medium narratives that fuse sound, image, and meaning.

For listeners and collaborators drawn to gothic romanticism, cinematic drama, and genre-fluid experimentation, Project KT offers more than music—it is an echo unfolding into infinity.

Highly experienced performance musician and educator/trainer of 30+ years standing. A regular singer of sacred music as part of Hereford Cathedral Voluntary Choir and concert organiser. He enjoys composing to the moving image and exploring new sounds and timbres. A graduate of London University and Master of Arts. Experienced pianist, organist and conductor.  aboutme.paulcooper-james

These Guitars Say Sorry is the banner for a diverse range of artists, from UK singer-songwriter These Guitars Say Sorry to classical composer Jeremias Langsämmer along with his ensemble, Icelandic post-rock band Laxá with the Heima Kvartett, ambient artist Siegfried Jünger, and Doom Jazz ensemble The Dark Messiahs. Founded by Jez Stephen, who incepted all the projects, the label has released over 30 albums, crafting a unique sonic identity across genres.

Since 2021, These Guitars Say Sorry has released a track every week, later compiling them into albums available on all major platforms. Explore the catalog on Bandcamp: https://theseguitarssaysorry.bandcamp.com/ and support the work for as little as $1 a month on Patreon: www.patreon.com/tgss.

I am a passionate producer, who takes an audience first approach. What you like influence future productions. Full library on other streaming platforms👇.

"Geek 'Til I Die" EP Out Now on All Platforms 🚨
"I See" Out Now on All Platforms ▶️

Independent digital musician from London u.k.

New tracks tagged #subdued