Swiftly Mowed Beats - 003

Swiftly Mowed Beats - 005

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Swiftly

Swiftly offers the same tools that retail and e-commerce giants already deploy to give brock-and-mortar businesses everything they need to compete in the market, particularly with increasing costs and competition

The Swiftly® digital ecosystem empowers retailers to grow sales and build loyalty, while enabling brands to reach more shoppers through retail media networks. Swiftly’s technology harnesses the power of AI to help retailers build strong digital relationships with customers and deliver amazing sales results. Swiftly-powered Retail Media Networks enable America's leading brands to influence consumers across their shopping journey and provide the closed loop reporting that drives high-performing advertising campaigns.

EP. 232-01-Brick-and-mortar grocery store savior

Swiftly x Safely: LeBron James Pressures Biden White House to Get WNBA Star Brittney Griner Out of Russia .

Swiftly • Remembrance 

Euphorian 

Released August 18, 2023

© 2023 Euphorian

Auto generated by SoundCloud

Here is the only existing live recording of this work.

O swiftly fading daguerreotype
in my more slowly fading hands

Somebody told me in my dreams
that I was patient
very patient

It was the townsfolk
They gave me advice

The voices at the beginning is Matt Infante.  JiEun Rim was dancing with me and holding the autoharp while I played it.  The text is on a poem by R.M. Rilke.

swiftly fading daguerreotype

0908 Masterb1

My teacher's teacher's teacher was the great nineteenth century clarinet virtuoso / composer Henry Lazarus. Four 'generations' spanning over a century is explained by the fact that Lazarus and his pupil George Anderson both lived into their nineties and taught right through their long and illustrious lives.

I'm not altogether sure exactly what the legacy handed down by these great players and teachers is; but it is nevertheless very inspiring to feel that one's link with the traditions of the past is so tangible. In Swiftly, I've tried to exploit both the robust (almost demonic in this case!) and lyrical sides of the clarinet's personality and there is also a certain French flavour (I'm a real devotee of Les Six!) colouring the music from time to time. Henry Lazarus mostly wrote studies or long sets of variations (often with copious numbers of notes) based on popular tunes of the day (the National Anthem for example) Swiftly, maintaining the tradition, is a bit of a tour de force in keeping with the Lazarus legacy, but in contrast, is certainly quite playable!

Unmastered Sequence - Eminem
15. No One's Iller

15. No One's Iller

Creator of Simultaneous Learning, teacher, writer, clarinettist and composer.

David Michael DiGregorio is a composer and musician based in New York and Honolulu. His background includes classical and improvised technique on the piano, diverse vocal methods, performance with a gospel choir, electro-acoustic composition, and experimental pop construction.

His discography features albums IN KOREAN WILDS AND VILLAGES (as dogr, 2009), produced by Andi Toma and published by Sonig Records; and two Bayerischer-Rundfunk-2 broadcast commissions with Sung Hwan Kim, HOWL BOWEL OWL (2013) and ONE FROM IN THE ROOM (2010, for which the two won the Karl-
Sczuka-Förderpreis).  

His major concerts include Van Abbemuseum, Eindhoven; Pirelli HangarBicocca, Milan; New Museum, New York; Barakat Gallery, Ilmin Museum, and Insa Art Space, Seoul; De Nieuwe Kraakgeluiden and STEIM, Amsterdam; IFFR, Rotterdam; Huis aan de Werf and BAK, Utrecht; the Images Festival, Toronto; Project Arts Centre, Dublin; etablissement d’en face, Brussels. Group concerts include MoMA PS1 and Danspace Project, New York.

Group exhibitions include Small at Galerie Ferdinand van Dieten—d’Eendt, Amsterdam, 2006; BRILLIANT COLLABORATORS at Ilmin Museum, Seoul, 2013; New Habits, CASCO, Utrecht, 2014; and THE SHADOW OF THE BODY OF THE COACHMAN, Kunstsaele, Berlin, 2016. His film, COVER, has been exhibited for the 2022 collection show at Nam June Paik Art Center, Korea. His composition was included in Ari Benjamin Meyers’ Kunsthalle for Music Ensemble at Kunstinstituut Melly (formerly Witte de With), Rotterdam, 2018.

DiGregorio has collaborated since 2006 with Sung Hwan Kim, initially through development of the IN THE ROOM series. Later works include HAIR IS A PIECE OF HEAD, exhibited at the Busan Biennale 2022 and the Hawaiʻi Triennial 2022; the Venice-Biennale-commissioned film LOVE BEFORE BOND, 2017; composition and performance in the operatic experiment 피나는 노력으로 한 [A WOMAN WHOSE HEAD CAME OUT BEFORE HER NAME] (2015), commissioned for the Asian-Arts-Theatre, Gwangju; music for the Tate-Modern-commissioned 2012 film TEMPER CLAY, which has also been shown in an extended installation version at Kim’s solo exhibition at the Museum of Modern Art, New York, in 2021. DiGregorio also has collaborated with artists Danai Anesiadou, Rosa Barba, Byungjun Kwon, Martín Lanz Landázuri, Otobong Nkanga, Jewyo Rhii, and Haegue Yang.

http://dogr.org; ig: @dogr_music

I’m Not Good In Description. But I Like you already Thank You For Being Here Sorry

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