Step into a neon-fueled adventure with this high-energy drum & bass track, combining vibrant synths and pounding rhythms. Perfect for gaming montages or futuristic gameplay. © Slxt 2025. All rights reserved. For sync licensing enquiries, contact: info@slxt.co.uk

Neon Catalyst 177bpm Bmaj

Unleash a digital storm with this electrifying trap track, where sharp rhythms and epic crescendos collide. Perfect for futuristic game trailers, high-intensity battles, or tech-inspired visuals. © Slxt 2025. All rights reserved. For sync licensing enquiries, contact: info@slxt.co.uk

Binary Blitz 168bpm Gmaj

Dominate the virtual world with this hauntingly powerful drum & bass beat, blending sharp electronic beats and cinematic crescendos. Ideal for stealth gameplay or high-stakes action trailers. © Slxt 2025. All rights reserved. For sync licensing enquiries, contact: info@slxt.co.uk

Phantom Override 175bpm Fmaj

Command the battlefield with this epic drum & bass anthem, where bold orchestral swells and intense beats create a larger-than-life soundscape. Perfect for boss battles or esports moments. © Slxt 2025. All rights reserved. For sync licensing enquiries, contact: info@slxt.co.uk

Titan Protocol 178bpm Dmaj

First drop of the new wave. Raw cut from the vault recorded, arranged, and mixed by me. This is what it sounds like in the deep end.
Demo format. Full version may surface soon. Let me know what you hear in it.

Connect:
campbellrambo.com
IG/TikTok: @campbellrambo

DEEP END (DEMO)

“Cat Claws” is a playful and rhythmically driven electronic track with strong forward momentum and a bright creative edge.

Built on tight grooves, melodic details and a pulsing structure, the track keeps evolving while staying fun, energetic and focused.

⦿ Genre: Electronic / Electro / Experimental
⦿ Mood: Positive, Playful, Driven


Cat Claws

Philosophical Analysis of "How Much Does Love Pay"
________________________________________
Core Themes
1. The Cost of Love vs. the Illusion of Freedom
At its heart, the song explores love as a transactional and existential burden rather than a purely emotional or romantic experience.
•	The protagonist ("Baby King") initially lives with the illusion that love (and sex) are free, endless, and without consequences.
•	Reality shatters this illusion: true love or intimacy demands a cost — emotional, physical, financial, existential.
Philosophical link:
•	This reflects Jean-Paul Sartre's existential view that freedom brings weight: choices define existence, but every choice brings irreversible consequences.
•	It's also a play on Nietzsche's idea of eternal return — you cannot escape the consequences of your repeated actions.
________________________________________
2. Identity vs. Responsibility
The song paints the main character as "still a boy himself" while being a father to five children.
•	Identity crisis: he is biologically a creator of life, but psychologically still immature.
•	Responsibility forces him to confront a version of himself he neither planned for nor understands.
Philosophical link:
•	Kierkegaard discussed this tension: the leap from aesthetic (pleasure-seeking) life to ethical (responsibility-laden) life.
•	The protagonist is stuck between these two stages, symbolized by his inability to "pause" or "breathe" even as life demands he grows.
________________________________________
3. The Gothic Choir – Collective Lament
The repeated Gothic chant ("la, la, la... ohhh whoah...") functions like a Greek Chorus.
•	It's the voice of society, ancestry, or destiny, constantly mourning in the background.
•	It emphasizes the idea that his personal choices are not isolated; they echo in the wider world, in his children, their mothers, his community.
Philosophical link:
•	Heidegger: we are thrown into a world we didn’t create, and yet our existence becomes intertwined with it.
•	The choir gives the sense that the tragedy was set in motion long before he realized it — almost fated.
________________________________________
4. Money, Multiplication, and Loss
"Love was free till the bills had fees,
Now the only thing shrinking... are his peas."
This brilliantly condensed line tackles materialism and the harsh reality of economics.
•	Love seemed abundant and without cost in youthful freedom.
•	But with reproduction (both literal — the children — and metaphorical — the multiplying of consequences), the illusion of infinite growth collapses.
•	He is materially poorer but also spiritually poorer: "no sleep, no peace."
Philosophical link:
•	Marxist theory would see this as the commodification of human relationships — even something "free" like love eventually fits into systems of debt, property, responsibility.
•	Stoic philosophy would note how attachment leads to suffering: uncontrolled desire (eros) leads to pain when reality asserts itself.
________________________________________
Deeper Existential Question Posed
"How much does love pay?"
This is not just about money. It's about the metaphysical cost of intimacy, desire, and irresponsibility:
•	Love demands sacrifice.
•	Freedom demands weight.
•	Pleasure demands payment — not just in cash, but in years, sleep, identity, peace.
Thus, the song is asking:
Is the fleeting feeling of "freedom" worth the enduring weight of its aftermath?
What happens when we are children in the face of adult consequences?
________________________________________
✨ Summary
•	"How Much Does Love Pay" is an existential, tragic song masked in braggadocio.
•	It grapples with freedom, consequences, responsibility, and the price of youthful illusions.
•	It’s deeply Sartrean, Kierkegaardian, and touches on Marxist critiques of commodified life.
________________________________________

Velocity

How Much Does Love Pay

Dark Matter is my cinematic soul — ambient, moody, and charged with cosmic emotion. 🌌
This track blends delicate acoustic textures with haunting harmonies, evolving like a galaxy in motion.
Perfect for: film scores, deep focus, or that 3AM existential vibe.

🎧 Headphones HIGH. Emotions ON. Let it pull you in.

💬 Drop a comment if it made you feel something.

Maryam Mirbagheri - Dark Matter

🩸 NOVA RUE | ENTRY // Ghost of a Man 🩸

This song was the bruise I kept covering. Ghost of a Man is what happens when you finally say it out loud:
You gave your softness to someone who was never really there.
You kept trying to build a body around an outline — dressing up shadows in promises they never spoke.

It wasn’t rage that wrote this — it was the quiet realization that I’d been holding empty space and calling it love.
I stayed in the doorway long after he left — replaying half-spoken words, unfinished touches. It made me question if I was the ghost or him.
Turns out, I was the one haunting myself.

So I put it in a song — the ache, the confusion, the tenderness you feel for someone who was never whole enough to hold you.
When you hear it, know I’m not singing to bring him back.
I’m singing to let myself go.

If you’ve ever danced with an absence — this is for you.
A slow confession that sometimes the haunting is the only thing that feels real.
So we name it, we sing it, and we set it free.

🩸 — Nova Rue

Ghost of a Man

🩸 NOVA RUE | Haplessly Ever After 🩸

I wrote Haplessly Ever After for the part of me that still wants a fairytale, even when I know better.
It’s the ache you carry when you realize you’re not the chosen one — not this time, not by them. It’s sitting in your room, scrolling through old messages, waiting for a phone that doesn’t ring.

This one came to me on a night when I felt stupid for wanting so much. I thought about every wish I made on people who didn’t stay, about every time I dressed up my hope just to watch it slip out the door.
And I laughed — not because it’s funny, but because it’s true. Some of us were built to love too much.

It’s not bitter. It’s not angry. It’s just a soft confession that maybe my “ever after” was never meant to be neat or pretty. Maybe it’s a little hapless — a little sad, a little sweet.
But at least it’s mine.
And at least I’m still here, humming the wish, even if no one comes to grant it.

🩸 — Nova Rue

Haplessly Ever After

“Ninja Boy Quest” is a high-spirited instrumental adventure bursting with imagination. With playful beats, cinematic flourishes, and a sense of movement, the track evokes a young hero on a secret mission—part stealth, part wonder, and all heart.

Composed as part of The Journeyman’s extended universe, this piece blends nostalgic video game vibes with narrative tension, making it perfect for animation, film, or sync licensing. It’s the sound of bravery in motion—where curiosity meets courage and the quest begins.

The Journeyman II

Ninja Boy Quest

Safe Place is my chill Afro pop R&B groove about real love and self-worth. Soft, sexy, honest — a reminder I’m okay, flaws and all.

Safe Place

Safe place

🩸 NOVA RUE | Too Much, Not Enough🩸

I wrote this one on a night when my brain wouldn’t shut up.
Not poetic — just real. I kept looping the same thought: Did I say too much? Did I love too much?
It’s funny how something that felt so big in the moment ends up being the thing that drags you under.

I didn’t want the beat to be pretty — I wanted it to stutter, to glitch like my mind does.
Trap-house, UK garage, hi-hats swinging like my nerves.
I wanted you to feel like you’re stuck in that late-night warehouse, no exits, just you and the echo in your chest.

This song isn’t tidy. It’s not here to fix you or fix me.
It’s just the truth: I think about it too much. Still do.
So if you’re up at stupid hours, stuck in your own head —
I hope this keeps you company.

That’s all it was ever meant to do.
Too much. Not enough. Still here.

🩸 — Nova Rue

Too Much, Not Enough

🩸 NOVA RUE | False Kings 🩸

I wrote False Kings because I was tired of bowing to ghosts.
Tired of worshipping empty crowns they handed me in the dark — all thorn, no gold.
I grew up believing in heaven if I was good enough, in fire if I wasn’t.
I built shrines out of my doubt, let them reign over me with fear dressed up like love.

This song is a confession:
I begged. I prayed. I held tight to lies that kept me small.
I wore my guilt like a crown, let their rules break my back.
But the truth? Their thrones were built on bones that didn’t belong to me.
Their kingdoms were crumbling before I ever got there.

So I write it now — slow, like a blade in my mouth:
No more false kings.
No more prayers for empty hands.
If I’m gonna bow, I bow to the ache that made me.
If I’m gonna worship, I worship the truth that’s left.

They can keep their crowns.
I’d rather wear my ruin and call it mine.

🩸 — Nova Rue

Nova Rue

False Kings

🌧️ “Tennessee Rain”
This one’s not just a song — it’s a memory soaked in reverb. A modern folk-electronic blend that drips with loss, longing, and that unmistakable feeling of driving through the South with nothing but headlights and heartbreak. Built on acoustic guitar, rolling percussive textures, and emotional topline energy, Tennessee Rain is where EDM meets the soul of country storytelling.

For anyone who’s missed a moment, a person, or a place that used to feel like home — this one’s for you. Whether you're under city lights or a wide open sky, this track hits deep when the night gets quiet. Turn it up, close your eyes, and let the rain bring it all back. 🌙🎶

J.D Walker - Tennessee Rain (DJ JD Produced)

🌌 “Drifting”
This one lives in the space between reality and memory — a laid-back, melodic blend of acoustic textures, emotional topline, and atmospheric drops. Drifting captures that quiet feeling of letting go, surrendering to the current, and floating toward something unknown but beautiful. Acoustic guitar meets warm pads, vocal chops echo like memories, and every beat feels like a breath you didn’t know you were holding.

If you’ve ever felt lost — or free — somewhere between what was and what might be... this track is yours. It’s sunrise energy. Headphones in. Eyes closed. Let go and let it pull you. 🌫️🎶

J.D Walker - Drifting (DJ JD Produced)

A raw and emotional dive into pain, perseverance, and purpose. Raindrops captures the feeling of being caught in life’s storm—each drop telling a story of struggle, growth, and survival. With haunting melodies and powerful lyricism, Carolina Murk paints vivid scenes of reality while reminding listeners that even in the darkest skies, there's beauty in the rain.

#hiphop #emotionalrap #CarolinaMurk #Raindrops

Raindrops ft. Lil Fooley

Lost In Music

YYMG (Ya’ Yo Miziki Global) is a pioneering international record label dedicated to producing and releasing premium, boundary-pushing music for the global stage. Specializing in world music and genre fusion, from Afrotrap and Afrofusion to Samba, Dancehall, and unexpected experimental blends, YYMG brings a bold, innovative sound that resonates across cultures and continents.

At our core, we believe in the transformative power of music. Through high-quality production and genre-defying artistry, we aim to elevate listening experiences, stimulate cultural curiosity, and contribute to the mental and emotional growth of our audience.

Whether we’re developing emerging voices or collaborating with global talents, our mission is clear:

> To craft timeless music that challenges borders and sets new standards for creativity and sonic excellence.



YYMG music is globally distributed and available on all major digital streaming platforms, including:

🎧 Spotify, Apple Music, iTunes, YouTube Music, Amazon Music, Tidal, Deezer, Boomplay, Pandora, iHeartRadio, Saavn, Tencent Music, NetEase, ClaroMusica, Yandex Music (beta), Triller (beta), MediaNet, Twitch Soundtrack, and more.

Socially engaged and digitally active, you can also connect with YYMG via: 

📱 Instagram, Facebook, TikTok, Resso, and YouTube


Slxt Sync delivers precision-crafted sound across hip hop, trap, cinematic, ambient, lo-fi, drum & bass, Pop, Latin beats and more. From sync-ready music for TV, film, and advertising to hard-hitting beat packs for artists, every release is designed to inspire and deliver.

We support recording artists, beatmakers, and content creators with royalty-free melodies, curated producer toolkits, and DSP-ready production - built for maximum creative freedom.

For producers:
🔥 Grab the FREE Loop Pack – 10 royalty-free melodies to unlock your next idea.
🎁 Download: slxtofficial.gumroad.com/l/mddqei

For artists:
🎛 THE VAULT is open – 20 trap beats. $20. Royalty-free. Yours forever.
🔓 Unlock it: slxtofficial.gumroad.com/l/vszwy

For visual storytellers:
🎬 Discover our catalog of sync-ready music, curated for film, television, branded content, and digital media.
🎧 Browse now: pond5.com/artist/slxtsync

📦 Browse all royalty-free tools, beat packs & melodic kits:
🛒 https://slxtofficial.gumroad.com/

📩 For licensing & custom production: info@slxt.co.uk
⚡ Sync-Ready Beats | Royalty-Free Loops | Tools for Artists & Producers

Cleo Antaeus is an independent songwriter, singer, and producer based in Honolulu, Hawaiʻi, whose music drifts between cinematic pop, soulful indie, bossa nova flips, and raw, sync-ready confessions that feel like secrets whispered at 2 a.m.

In just seven months, Cleo has written over 160 original songs, each one shaped by their poetic storytelling and fearless experimentation. Since April alone, their self-released tracks have pulled in 25,000+ organic streams worldwide, with multiple songs crossing 1K–2K+ plays on SoundCloud — proof that Cleo’s garden is alive and echoing.

At the heart of this work are Cleo’s alter artists, Nova Rue and Sunni — soulful, cinematic branches of their voice that bring each story to life in new shades and textures.

Cleo’s songs are 100% original, self-owned, fully cleared, and crafted for TV, film, and brand syncs — perfect for supervisors, artists, and listeners seeking music with real depth and a timeless global soul.

Good songs rise — and so do I.

Genres: Cinematic Pop, Indie Folk, Neo-Soul, R&B, Bossa Nova, Alt-Pop
Based: Honolulu, Hawaiʻi
Sync/Publishing/Collabs: cleonytus@gmail.com

Drummer. Producer. Writer. Certified Audio Engineer . Sonic Architect. CampbellRambo is a genre-bending artist and sound engineer whose roots trace back to playing drums at the age of three for the legendary Rev. Della Reese. Based in Los Angeles, he’s spent the last decade refining his artistry across R&B, Hip-Hop, Jazz, Gospel, and Pop—both on stage and in the studio.

As a performer and creative director, he’s shared stages and studio space with icons like Stevie Wonder, The Temptations, Judith Hill, and Korean Soul. Whether laying down drums live, sculpting vocals in Logic Pro, or developing an artist’s brand, CampbellRambo blends technical mastery with emotional depth and a fearless creative vision.

His production credits span sync-ready compositions for TV and film, major live performances, and full-spectrum artist development. From underground cuts to polished commercial work, CampbellRambo curates a unique sound with every project—merging analog soul with modern edge.

Joshua Duerksen, renowned by his DJ name DJ JD, was raised in the Mid-West and California, where his musical tastes were shaped by a diverse range of genres, spanning from Classic Rock and Country to Hip Hop and 90's Dance. He firmly believes that "Good music knows no genre."

Following his graduation from high school, JD enlisted in the United States Navy, dedicating a decade of service to his country. While stationed in Norfolk, Virginia, he had the privilege of meeting several influential DJs who became his mentors, imparting invaluable knowledge about the various aspects of DJing.

In between deployments, JD diligently honed his mixing and performance skills, gaining experience as a Club DJ, Mobile DJ, and Dive Bar DJ. After completing his naval service, he relocated to Idaho and founded a mobile disc jockey entertainment company, specializing in providing exceptional DJ services for weddings, birthday parties, and school dances.

In 2009, JD embarked on a new venture, joining XMiX DJ Music Pool as a video editor. In this role, he skillfully re-edited music videos to match the remixes produced by the talented editors and producers at XMiX, catering to the needs of Video DJs and facilitating seamless music video mixing. During his tenure, JD significantly enhanced his audio editing prowess and mastered the art of creating audio edits and remixes. These creations have been featured in nationally syndicated country mix shows and embraced worldwide, wherever country music finds appreciation.

Maryam Mirbagheri aka “Maryama” is an award winning Iranian American composer/performer/music producer currently residing in Los Angeles, California. 
Born and raised in the middle east to an art loving family, she was surrounded by great music from early childhood. Growing up she studied guitar with rock stars Ardavan Anzabipour and Homayoun Majdzadeh. 
Maryama has performed in prestigious international music festivals such as Fajr International Music Festival and Monterey Jazz Festival(student)and have competed and placed in competitions such as Iranian International Youth Competition : Music Composition category(semi-finalist) and Music Association of California(2nd place in state of California). She has won a Jazz Downbeat Award with ARC Advanced Vocal Jazz Ensemble, was nominated for two Hollywood Music in Media Awards and has worked with prestigious figures such as Deborah Lavine, James Franco, Michaell Skloff(composer of FRIENDS), prestigious groups such as Vox Musica Vocal Ensemble and many more.
She holds two Associate Degrees in Jazz Voice and Music Composition from ARC where she studied with one of her biggest inspirations, Joe Gilman. She holds a Bachelor of Fine Arts (Music Composition, Film Music) and a Master of Fine Arts from the California Institute of the Arts where she studied with Ulrich Krieger( Lou Reed), Pirayeh Pourafar, Houman Pourmehdi, David Rosenboom, Larry Koonse , Miroslav Tadic and many more. Maryama has studied with Usher and Christina Aguilera through MasterClass inc.

Maryam’s musical style is derived from a fusion of jazz, soul, persian and classical music and inspired by endless number of artists. She has been the featured artist of the month in renowned publications such as GIRLTRIP, Muzik magazine, HuffingtonPost, DW Germany, POPDOSE, Obscure sounds, Girls underground, VENT Magazine, Celebrity cafe and many more. She is said to be one of Los angeles’s most unique and up and coming acts and has been compared to the likes of Sade, Dido, Natalie Merchant, Lianne Lahavas and Adele. 

in 2017 Maryama's new music video/single “Where The Mermaids Are” gained spectacular feedback making it one of the artist’s most critically acclaimed piece of work. Maryama’s record with the same name mixed and mastered by GRAMMY award winner Marc Urselli and Scott Hull, was released August 2017.
As of November 2017, the album has been nominated for a Hollywood Music in Media award, won a Music California Award and has been playlisted amongst artists such as Hozier, Beck, Brion Eno, Gustavo Santaolalla and many more. 
As of 2022 Maryama's music has been performed and play-listed internationally.  She is currently working with the iconic Universal Music Group and is a proud member of female lead groups Shesaid.so and Sheisthemusic.

I'm an independent music artist and producer who loves crafting underground electronic tracks.  Enjoy the vibes and thank you for your support!

Producer & Composer for cinematic, electronic and emotionally driven music – from dark film scores to high-impact trailer cues.

🎶 Tim Cooney | SunTurtle Studios 🎨

From the windswept shores of Massachusetts to the vibrant creative pulse of California, I’m Tim Cooney — singer-songwriter, multimedia artist, and lifelong storyteller. My work weaves together raw honesty and melodic soul, capturing moments of truth, reinvention, and resilience. Whether you’re hearing echoes of folk-rock, whispers of indie pop, or the rhythm of personal revelation, my songs reflect a life lived boldly and an artist’s heart laid bare.

🎙️ Explore original songs, live performances, and the stories behind the music that power my memoir, The Journeyman — a journey of love, loss, and reinvention.

💫 Follow for new releases, rare recordings, and a front-row seat to my evolving creative world.
https://substack.com/@thejourneyman1

New tracks tagged #syncready