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Vortex Runners

A Beat of Science - The Centre (demo)

A Beat of Science - Carpenter of Darkness (excerpt)

A Beat of Science - Nerves 2 (demo)

Waysun

Bit of music from my time in Prague:) Composed by Owen Grey

Holešovice

In the heart of a decadent city, a wave of vicious stabbings baffles both police and high society. Rumors point to a mysterious killer—a silent figure who wears black gloves and leaves behind remnants of luxurious, bloodstained silk. As the murders escalate, an intrepid journalist discovers that each victim shares a secret link to a forbidden affair, and the killer’s twisted obsession reveals itself

Red Silk, Black Blade

In the heart of a dark, alien forest, metallic-like trees stretch skyward, their glowing green veins faintly illuminating the dense, swirling fog that blankets the ground. A towering obsidian pillar rises ominously from the earth, its glossy black surface gleaming as its sharp, pointed tip pierces the misty sky. The monolith exudes an ancient, otherworldly power, its presence both awe-inspiring and foreboding.

Forest Theme (Photorealistic Graphics - Action Adventure)

The score for my new short film I Just Want to Feel Better.

Getting Better

The Beach

We're not Friends Anymore (Original Version)

Tape Piano (Unused Track)

5. Blackhole

"Shadow Signal" is a dark, atmospheric synthwave piece inspired by retro horror and 80s science fiction. Built around pulsing analog synths, haunting arpeggios, and cinematic textures, the track evokes the feeling of tuning into a mysterious broadcast from another dimension. It’s the opening theme to a show that doesn’t exist — yet — where secrets hide in the static and the unknown is just a frequency away.

Shadow Signal - Demo Version

Santo City

Margin Call

The Hunt of Wolves is my most experimental and electronic work to date — a dark, intimate score composed for the theater play by Becca Hoback and Mihail Bonev.

Set in a post-Soviet dystopia, the music explores surveillance, fear, submission, and resistance through fractured melodies, ambient textures, and dissonant electronic landscapes. Each track echoes the emotional shifts of a man trapped under the gaze of invisible eyes, hunted not by beasts — but by systems.

This is not background music. It is a sonic stage.
A poetic descent into control, chaos, and what remains of the self.

The Administration

Bosques de mi Mente is the moniker of Spanish composer Ignacio Nieto Carvajal, a minimalist composer of contemporary and cinematic music. He launched the project in 2007 in Spain, focusing on evocative, nostalgic soundscapes that explore the tension between noise and silence, memory and present reality.

Bosques de mi Mente blends piano, strings, found sounds, and electronic textures to craft music that pushes the boundaries of ambient, cinematic, and experimental genres. His compositions often evoke childhood memories and emotional landscapes, creating a fragile balance between chaos and calm . Several of his works are entirely improvised, captured in single takes to preserve their raw intimacy.

His compositions have been featured in films and theater productions, and performed internationally at festivals such as ROJO/Nova in São Paulo and events across Iceland and Brazil. His work has also been recognized with awards for best soundtrack in both stage and film contexts..

Owen Grey is a Los Angeles-based film composer and violinist. His work weaves classical instrumentation with modern textures, creating scores that resonate with emotion and depth.

“Music is a complement to visual media, adding nuance and dimension. With thoughtful, seamless integration, visual storytelling can be expanded, amplifying atmospheres and underscoring emotion.”

A = S² - B
Chiptune / Chipmusic / IDM / Bitpop / 16 bits Synth-Pop / Beat loops.

New tracks tagged #synthscore