I like to think of Indiana Jones entering decrepit temples when I listen to this.

Reptilian

What The Fluff?

You can't kill Bipedal. Bipedal will live on.

Bipedal

Another classic, this time from "Yeens of the Stone Age"

Fleas In Heaven

This is the song that plays when a hungry wolficus shows up at your door and threatens to eat your food, waste your time, and ruin your lifestyle.

Monstress

Let it never be said
That /HMoFA/ is dead
'Cause there's so little else
Occupying' my head.

Rooby

The shopping carts may as well be bumper cars when Morgan's around.

Costco Day

Awoo River

This is the title theme for Mal0's Mansion!
It's good to be back making chiptunes after all this time.

The Shadow of Your Snout

i do not own the rights to any of this music.

THROWBACK EPISODE! i made this in feb of 2023, the inspo was i wanted to make a mix to frat flick to tbh. i hope this gets you moving and grooving and gets that friday feeling going!!! peace

HEARTSTAR RADIO #006

Sonic - Chemical Zone (Elock Juke RMX)

Tail's Boss Defeated theme. Almost entirely forgot to make this one.
I was going to use an FLP of the original theme, but the one I did find doesn't have a working link anymore. So I just... Made this instead.

Bye Bye, Boss!

Tail's Satan's Choice theme.

Original Name: Heat Handling

Happily Ablaze

trumpoline the truzz

✨𝗚𝗟𝗢𝗪𝗟𝗔𝗕 𝗠𝗨𝗦𝗜𝗖✨
“𝑆𝑤𝑖𝑡𝑐ℎ 𝑜𝑛 𝐺𝑙𝑜𝑤 𝑜𝑛”
ᴛᴀɪʟ x ᴄʜᴏᴠʏ x ᴡᴀᴠʏ x ᴋᴇʏ:ɴᴀ

안녕하세요 저희는 4명의 DJ로 구성된 디제이크루 GLOWLAB (글로우랩) 입니다!
글로우랩 월간 믹셋 시리즈
Glowlab vol.2가 시작되었습니다!!

이번 세번째 주자는 TAIL(테일)입니다!!!
Vol.2의 주제인 'Commercial'에 맞춰 클럽 발작곡 위주의 셋을 구성해봤습니다아아~

앞으로도 매주 글로우랩 디제이들의 릴레이 믹셋으로 찾아뵐테니
많은 관심 부탁드립니다 !!!! 
7/5(토)에 사운드에서 글로우랩 파티가 예정되어있으니, 파티에 대한 세부 일정을 체킹하시기 위해
TAIL(@dj_tail)뿐만 아니라, Glowlab(@glowlab_music) 인스타도 팔로우 한번씩 부탁드립니다! 

Glowlab vol.2 - TAIL

(I'm very stressed out about my life):

mister dog instagram
https://www.instagram.com/mr_dog_boi/
mister dog tik tok
http://www.tiktok.com/@mr_dog_boi
mister dog Spotify

Pre-Hook
She caught me by the tail
She's casting all the spells
The devil knows me well
The devil knows me well

Hook
I'm the dog wagging its tail
She makes me happy when I'm not well
I'm the dog wagging its tail
She makes me happy when I'm not well

Verse 
I'm thanking god that I'm in hell
because heaven will always fail
Falling rain up in the sky
I know God hates lies

Pre-Hook
She caught me by the tail
She's casting all the spells
The devil knows me well
The devil knows me well

Hook
I'm the dog wagging its tail
She makes me happy when I'm not well
I'm the dog wagging its tail
She makes me happy when I'm not well

she caught me by the tail (prod. johnnyfriend)

Squirrel Boy Street Cred

Verse 1
You waited by the old stone well,
Hair like night and eyes that fell.
Your laughter danced on summer air,
A secret song, a silent dare.

Verse 2
I came to you with empty hands,
A restless heart, no promised lands.
You smiled and traced a line in dust,
Said, "Every wish begins with trust."

Pre-Chorus
Your fingers cold, your voice so near-
You whispered, "Come, there's nothing here
But water deep and stories spun,
And shadows waiting for the sun."

Chorus
Don't lean too far, don't let me go,
The well remembers all we know.
One kiss, one lie, one final spell-
Love is a whisper in the well.

Verse 3
We threw our secrets, coin by coin,
Watched silver vanish, yours and mine.
You pulled me close, I lost my name,
The water called, it knew our game.

Pre-Chorus
Your shadow tangled up with mine,
A promise made beyond the line.
You said, "The world won't ever tell
What lovers lose inside the well."

Chorus
Don't lean too far, don't let me go,
The well remembers all we know.
One kiss, one lie, one final spell-
Love is a whisper in the well.

Bridge
Night grew thin, the stars looked down,
You wore the darkness like a crown.
I reached for you, you slipped away-
The well still waits for us today.

Final Chorus
Don't lean too far, don't let me go,
The well remembers all we know.
One kiss, one lie, one final spell-
Love is a whisper in the well.

Outro
If you return, I'll hear you call-
A voice, a wish, a shadow's fall.

Old Stone Well (Dark Fantasy castle core)

Epic 2025 Vol 9

wagon tail

Pretty much just uploading stuff I made here for fun, or stuff from my videos.

keep trying, keep failing. thank you, i love you
222

Producer of delicious Chiptunes. 
Lover of Fuzzy Women. 
Married to a stunning vixen, and father of 3 beautiful kits.

GLOW LAB
✨𝗚𝗟𝗢𝗪𝗟𝗔𝗕 𝗠𝗨𝗦𝗜𝗖✨
“𝑆𝑤𝑖𝑡𝑐ℎ 𝑜𝑛 𝐺𝑙𝑜𝑤 𝑜𝑛”
ᴛᴀɪʟ x ᴄʜᴏᴠʏ x ᴡᴀᴠʏ x ᴋᴇʏ:ɴᴀ x who is next?

Welcome to Epic Hook's Official Soundcloud

 Epic Hook is a musical artist and DJ producer from England, blending diverse influences into pop music. They are known for incorporating elements of K-pop Rock  EDM, pop

get all the updates vs Epic Hook x

Epic Hook Use Logic Pro

I am a devoted admirer of medieval music, and for over two decades I have lived inside its echoes, its modes, drones, courtly dances, and sacred resonances, translating them into a modern voice that still feels as old as stone. My work is rooted in the Castle Core aesthetic: evocative, atmospheric, and architectural. I build music like one builds a fortress, by layering arches of melody over foundations of rhythm, by carving timbres that feel weather worn and timeless, and by letting silence act as shadow. The result is a sound world that is both cinematic and intimate, at once austere and richly ornamented.

I am a multi instrumentalist by craft and temperament, with the violin as my lifelong compass. Trained as a professional violinist, I treat the instrument not only as a melodic narrator but also as an engine for texture, bowed whispers, harmonics like candlelight, and double stops that carry the weight of stone walls. Yet the violin is only one voice in a broader choir. I play and record a range of instruments, strings, plucked and bowed, hand percussion and frame drums, drones and keyboards, sculpting each layer with a producer’s ear and a historian’s curiosity.

I handle the entire production process myself. Composition, performance, recording, editing, mixing, and mastering all live under one roof, which gives my music a coherent atmosphere, nothing feels imported; everything is grown from the same soil. Over the years, this self contained approach has evolved into a signature workflow: I begin with a pulse or a drone, something elemental that sets the scale of the room, and then I weave in motifs that move like lantern light through corridors. The violin often enters last, not as a flourish, but as a storyteller stepping into view.

My musical language draws on medieval modalities and rhythms, Dorian, Phrygian, and Mixolydian colors; isorhythmic hints; the grounded insistence of bourdon, as well as on the rough hewn beauty of folk traditions. I am less interested in historical reenactment than in living memory, the feeling that a melody might have been sung in a great hall, or hummed by a traveler at dusk, or carried by wind across a battlement. That is the soul of Castle Core to me, a sense of place made audible. The music does not describe the castle; it inhabits it.

After more than twenty years, I have learned to trust slowness. Some pieces emerge quickly, as if I had only to open a window and let them in. Others require patience, days of adjusting mic positions, repainting the sonic palette, moving from gut strings to steel, swapping a frame drum pattern for a subtler heartbeat. I welcome that process. It is how the music gathers depth. I tend to record in low light, with minimal screens, letting my ears guide decisions before my eyes do. When I mix, I aim for a breathing dynamic, peaks that feel like torch flares, valleys that feel like cloisters.

My influences are varied, but they all share a devotion to mood and materiality, early music ensembles, folk fiddlers, cathedral acoustics, and contemporary ambient composers who understand that a single sustained note can hold a landscape. I often imagine architecture while composing, gatehouses, keeps, chapels, stairwells, and I build arrangements to match them, narrow passages opening into vast chambers, concealed alcoves revealed by a modulation, a hidden door suggested by a counter melody.

As a performer, I value restraint. Virtuosity is a tool, not a destination. The violin can dazzle, yes, but it can also console, bless, and haunt. I am happiest when a line feels inevitable, simple, shaped by breath, aligned with the grain of the piece. When recording multiple instruments myself, I think in terms of ensemble etiquette, each voice knows when to step forward and when to recede. That is how the music keeps its dignity.

New tracks tagged #tail