Samhain XXIV at Tangent, Oct 26 in Detroit. Erika did a captivating under 120 bpm techno set to launch the night, Wata Igarashi was on directly after me, with Mike Servito following Wata and ultimately Scott Zacharias closing the 12 hour party. In the other room the Luv NRG Soundsystem raged as T4T did their thing. 

For this set I took the approach that at this time of year, in the Halloween time period, that feelings morph and change, how we feel about music on these nights is different, the context is altered. What is stern, scary, and stark can be very exciting at this time. What is warm and funky also takes a new shape and can be oh so freaky. I felt an impeding doom in the air and I wanted to channel that into solid sound system experience that was transformative and immersive. A sonic description of another world, the true power of techno. I am extremely excited about the shifting of eras happening within techno right now, and there was so much fresh music that fit the No Way Back concepts, but within a more pure techno language. I was also thinking of Mike Huckaby, who I worked with in the Record Time Dance Room, and his theories that a few amount of sounds makes a record the most powerful. There’s so many thrilling jams with only 4 sounds right now, this set gave me a special chance to explore that. 

Technically I used 4 CDJ-3000s and a Pioneer V10 and its internal effects with lots of layering with a new approach to mixing. If I’m doing something historic, it has to fit perfectly within the sonic context of what I’m playing, and for an older cut that can be very hard with today’s sonics, so I spend time remastering the older songs through my mixer and outboard equipment to give them a way to be played and allow them to glow within this new and living context. It’s all experimental at this point, a work in progress. The ones called QM are an older “quick master” technique that I did with software. Enjoy this journey to the other side. 

Podcast mastered by BMG.

Monks of the Drukpa Kagyu Order–Doungchen And Gyaling
Architectural — Rare Ceremony Tapes
Edit Select — Translate - Backward Signal
Terrence Dixon — Unconditional Love
The Vision — Detroit: One Circle (BMG Remaster)
Psyk — Disconnected
Mod21 — Childlike Wonder (Rrose Remix)
Feral — Flare
Orbe — Bronze
Feral — Chez Driss
Neel — Riflesso
Yan Cook — Cipher
Gene Hunt — Wildside Danny Dubb (BMG Remaster)
Shlomi Aber & Kashpitzky — Bazement
Troy — Awakening
Innersha — Emeralds
Dialog — Better Way (Feat. Benji)
Helena Hauff — Humanoid Fruit
Mod21 — Will You Ever Stop
Sexual Harrassment — I Need A Freak (BMG edit)
Psyk — Fear Of Sleep (Edit)
Allana Letm — Temois Multiplos (Centrific Remix)
Wata Igarashi — Collision
Erika — Wandering Mountain (Mike Parker Remix)
Mike Parker — Heat Inducer
Perfo — Muse
Luigi Tozzi — Spiral (Rrose Remix)
Kerrie — Replicants 
Andy Toth — Sycorax ver.1 [forthcoming IT]
Acid Junkies — Design The Future (BMG Remaster)
808 State — Flow Coma (BMG Remaster)
Aphex Twin — Isopropophlex (BMG Remaster)
CHBB — NBKE (BMG QM)

BMG at Samhain XXIV

Tangent - Arabia [MST]

Tangent - Arabia (Sakdat & Felix Remix) [MST2]

Felix & Tangent - Hypertonic (Original Mix)

Tangent - Dirty Duck (Felix remix)

Felix & Tangent - Cake Cutter (Original Mix)

Tangent - Dirty Duck (Original Mix)

For this set I played on 4 CDJ 3000’s and a V10 mixer, using both of its internal effects processors. For every No Way Back set, and for most sets, I try to prepare new hardware remasters and edits of things that I think would be fascinating recontextualized in this setting. But for NWB, it is even more special, a peak moment, so I try to have new records I’m working on in the studio to test out. For this set that means the hardware mixes I’ve been working on for Torrvo and for Andy Toth can be tested, I’m working on this hardware mixing and remastering tone palate, so I spread that to some edits to give them a whole new power. Playing at No Way Back cannot be put into words, though we try every year, it really is inexplicable without experiencing it. It’s the environment you most want to be in, the space is totally transformed, the sound is dialed in, the audience is so ready, very giving and open, and the feedback you get is incredible. People are up for a ride – we start at the Tangent and end up going to the other side of the universe. Freedom within and without. There’s no place I’d rather be, so I thought I’d share this much sooner than we usually do. Enjoy the ride. 
– BMG @bbmmgg

Pink Floyd – Welcome to the Machine (BMG edit)
Refracted – Beneath The Surface
Torvvo – Carrier (BMG NWB Mix - forthcoming on Interdimensional Transmissions)
Pause – Exode X
Sciahri – Glow
Shed – EMCZ
Amotik – Peela
Erika – Wandering Mountain (Mike Parker Remix)
Translate – Shifted Communications
Dino Sabatini – Peuceus
Feral & Luigi Tozzi – Enigma
PALEMAN – Quarry
D-Leria – Voodoo Magic (Polygonia Remix)
Lory D – Mantrosax 2
Surgeon – Forgotten Gods
Peter Van Hoesen – Definition by Absence
Steve Bicknell – Easing Info Tomorrow
Resonance – Yellow Train (BMG Hardware Remaster edit)
The Fantasy – Soft Space (2025 Hardware version) forthcoming
DJ Funk – House The Groove
Ottagone – Ottagone 021
Andy Toth – Mind Lock (forthcoming on Interdimensional Transmissions)
AgainstMe – Into The Dome
Giordano – Electric Stardust
Alex R – z50
808 State – Flow Coma (BMG Hardware Remaster edit)
Wee Papa Girls – We Know It (KMS mix) (BMG Hardware Remaster edit)
Aphex Twin – Isopropophlex (BMG Hardware Remaster edit)

IT Podcast

IT.podcast.s14e04: BMG at No Way Back 2025

Mike Servito's closing set from 10:30am until noon at No Way Back, May 25, 2025, Day 2 of Return to the Source at Tangent, Detroit. 

"Mike Servito is an artist intertwined with his Detroit origins. No matter how far he travels and how long he lives elsewhere, the essential imprint of this city remains in everything he does.

If you asked where this mix was recorded, I would say "Detroit" without hesitation and if I thought about it for a bit, I would guess that it was most likely one of Mike's legendary closing sets at No Way Back at Tangent Gallery. The level of care and reverence that go into these sets is very evident in this mix from start to finish. The track selection moves effortlessly from past to future playing with darkness and light, depth and joy, tension and release. It's a remarkable demonstration of taste and skill but also a paean to Mike's personal artistic history that calls to the creative power center that Detroit comprises. This mix provides a true glimpse into Mike's long-term dedication to the art of working in tandem with the dancefloor, creating a shared journey where the challenge is to let go and just trust the DJ." 
– Michelle Erfer, Beyond Booking / The Bunker


Buy Cassette

IT.podcast.s14e05: Mike Servito closing No Way Back 2025

Haruka x Craig Gonzalez opened the Dance Room at I.T. presents The Bunker, May 26, 2025, Day 3 of Return to the Source, at Tangent, Detroit.

Craig Gonzalez – @craig-gonzalez:

It's one thing to hop on the decks with someone during peak time at a party in a packed room like the first time Haruka and I played together in NYC but it's another to open a party during the last leg of RTTS weekend. So we started talking about the set a couple of months beforehand, but nothing really prepares you until you're in the middle of RTTS weekend itself. We were texting and chatting about the setup and direction throughout the weekend and eventually landed on keeping things a little funky and fun.  Playing with someone with a similar approach to DJing and also range really made the set feel so effortless for me and I feel that cohesion and the fun we had translated quite well to those that were in attendance.


Haruka – @haruka_ptc:

2023, Good Room (Brooklyn)
We were both booked to play a Bunker party that night and with an hour left before our room was about to shut down, I asked Craig to jump on for an unplanned B2B.  Craig had already set the room up with a deep, super-diverse selection and then vibe in our room was so good, I will never forgot it. So when IT asked us to do it again we got hyped.

RTTS, Detroit
Our slot opened the last day of the three-day marathon, and other parties were running in the daytime too, so it felt like one long 72-hour session. Craig also played Movement. It was my first time in Detroit, so I wandered around, popped into a bunch of events, but spent every night back at Tangent Gallery with Craig—talking, listening to other artists, and getting a real feel for the room. That helped us lock in the vibe and refine the ideas we’d been tossing around for months.

The set
Two words kept coming up: funky and fun (maybe sexy too). I played only a few recent tracks but most were older finds with some electro slipped in naturally. In hindsight the whole thing was a back-and-forth between electro and deep, psychedelic techno, with extra flavours layered on top.




IT.podcast.s14e06: Haruka x Craig Gonzalez

https://tangentro.bandcamp.com
https://www.instagram.com/vladdombici/
https://www.facebook.com/tangent3ca1
https://www.facebook.com/treica1

BMG is the founder of cult label Interdimensional Transmissions, a central figure in Ectomorph, a Detroit based DJ that also performs live with modular gear. 

to book live or DJ: michelle@thebunkerny.com

New tracks tagged #tangent