ROTA festival
produced by AADK Spain & Aldarrax Editions
Curated by Selu Herraiz /@selu_h
www.aadk.es / @aldarrax_ed /

Julia Eckhardt is a musician and organizer in the field of the sonic arts and at the intersection of composed and improvised music. She is a founding member and artistic co-director of Q-O2 workspace in Brussels.
As a performer of composed and improvised music she has collaborated extensively with composer Éliane Radigue, next to other artists such as Phill Niblock, Pauline Oliveros, between others, several of them being represented on recordings.
She has been teaching and lecturing at Lemmens Institut (Leuven), Transmedia (LUCA Brussel) and La Cambre (Brussels). She is author of The Second Sound, conversation on gender and music (umland), Grounds for Possible Music (Errant Bodies), The Middle Matter – sound as interstice, and Éliane Radigue – Intermediary Spaces/Espaces intermédiaires.

https://soundcloud.com/julia_eckhardt

Julia Eckhardt@ROTA 2021 || ambient-mic

ROTA festival, produced by AADK Spain.
www.aadk.es / @aadknetwork

Jorge Barco combina la faceta de artista con la Museología; desde hace varios años está vinculado al l Museo de Arte Moderno de Medellín, espacio en el cual ha ha liderado varios programas en torno a la cultura digital, los laboratorios experimentales y el arte sonoro en la última década, igualmente colabora con varios colectivos independientes y de Medellín y Suramérica en torno en torno a las artes electrónicas. https://jorgebarco.wixsite.com/maquinasmestizas

Artista radicado en Medellín (Colombia) que investiga desde una perspectiva sonora sobre la arqueología de los medios, el diseño especulativo y los materiales geológicos. Combina medios como la electrónica análoga, intervención de tecnologías low tech y objetos encontrados en instalaciones, además de la grabación de campo y el performance sonoro.

Curated by Elena Azzedin & Selu Herraiz
@elenaazzedin / @selu_h

Jorge Barco@ROTA 2021 || Geomancias

ROTA festival
produced by AADK Spain & Aldarrax Editions
Curated by Selu Herraiz /@selu_h
www.aadk.es / @aldarrax_ed /

RUDA@ROTA 2021 || Outro:live impro ||Excerpt

Get it here
https://terrek.bandcamp.com/album/allt-kan-bli-nytt-2012-2013-part-i

Allt Kan Bli Nytt (Everything Can Become New) is an anthology series of improvisations I have put together as part of the revitalisation of Terrorific Rekords, the 20 year old label I’ve been running on behalf of Lars Stūtzner and Schopenhauer.

Music by: Mattias Lagerkvist
Artwork by: Lola Wilson
Recorded in Stockholm, 2012-2013
Original release date: -

TERRORIFIC REKORDS 2025

murkla@email.com
https://murkla.bandcamp.com
soundcloud.com/murkla

ekolali@email.com
https://ekolali.bandcamp.com
soundcloud.com/ekolali

terrek@email.com
https://terrek.bandcamp.com
soundcloud.com/ter-rek
linktr.ee/terrek

2013.06.02 (jam 2.6.13-2)

2013.09.06 (loopjam 6_9)

A dark ambient soundscape that unfolds like a demonic insect rising from the depths. Crafted using the Behringer Wasp and a chain of pedals (reverb, distortion, overdrive, and echo), this piece creeps slowly and ominously through a fog of layered textures. It evokes the feeling of drifting through an abandoned industrial tunnel haunted by unseen forces. Perfect for fans of ritual ambient, drone, and sonic darkness.

Vesparum Nidum

Get it here https://ekolali.bandcamp.com/album/for-why-you-happy-2

Last year, under the moniker Murkla, Mattias Lagerkvist aka Ekolali took a more aggressive and fantasian approach to the repetitive style he's been carving out for himself over the last decade.  Despite the overall kosmische sound, and the absence of both of guitar and vocals, Leviata became something of a mirror, reflecting his roots in the 90s metal and hardcore scene of far north Sweden.

But now, in the wake of the sea serpent, with an album two years in the making, Mattias emerge once again as Ekolali.

Like trapped on the tracks of a merry-go-round, this freight-train of sound circles a lush landscape of pulsating drones and swathes of white noise. With it's arpeggiated guitar-licks and melodic bongo-like bass and drums as it's underframe, For Why You Happy takes you on an ouroboric ride of joy.

No seats, no belts, just hold on as it's chomping to chug.

Music by: Mattias Lagerkvist
Artwork by: Eira Lagerkvist
Mastered by: Mattias Lagerkvist
ekolali@email.com

For all your other digital and streaming needs, 
please check out linktr.ee/terrek

For Why You Happy

Another minor sketch with the Prophet 6 spiced by a 5" Reel to Reel Tape Recorder.

P5 a(RM)

This is the first piece I recorded with the Echo Fix tape delay made in Australia - a perfect modern version of the Roland Space Echo. 

Chiwo Electric Kutsinera


On a lazy day
In a gravity well
On the planetary plane
I can't tell what's up or down
The ground is over my head
The sky's beneath my feet
Spinning round and round
So very free
So very confused
So lost
So heavy

And it won't be too lengthy a span of time  
Until all avenues to the celestial skies are barred  
The myriad of objects, once propelled to the heavens,  
Return in chaotic descent  
And in their fiery downfall,  
They reduce us to embers on the scorched earth

A few errant fragments
Each as small as a fleck of paint
Move as fast as a speeding bullet
At a hundred times the rate
This creates more fragments
With each collision
A self-propagating disaster
This cascade
This syndrome
This chain reaction

And it won't be long
Until there's no way to the sky
The things we launch up there
Come falling down
And burn us to the ground


Kessler X XY

Captain Jack Parrow - Bounty Dub (RDN01)

Get it here https://terrek.bandcamp.com/album/det-gapande-svalg
---------------------------------- 
Recording for this began before Ekosymtom (around may 2011), and there was a cassette in the works for Animal Image Search. Despite album art having been made, the release fell through. 
---------------------------------- 
Terrorific Rekords was founded in 2004 by Lars Stützner and Schopenhauer, and curated since its inception by Mattias Lagerkvist. Read about it here
https://terrek.bandcamp.com/album/in-memory-of-real-music

You can find links to my other projects further down 
---------------------------------- 
Music by: Mattias Lagerkvist 
Artwork by: Eira Lagerkvist 
Recorded in Stockholm, 2011-2012 
Original release date: 2012.02.27 
----------------------------------
TERRORIFIC REKORDS 2025
----------------------------------
murkla@email.com
https://murkla.bandcamp.com
soundcloud.com/murkla
----------------------------------
ekolali@email.com
https://ekolali.bandcamp.com
soundcloud.com/ekolali
----------------------------------
terrek@email.com
https://terrek.bandcamp.com
linktr.ee/terrekrock

Gapande Svalg

When are you dead?
How many years have you been hiding in this body?
What killed you?
Was it fast, or did it drag on?
Who touched you last?
Do you still hear their voice?
Do you remember the taste of air, or only dust?
Why are your lips moving when no breath comes out?

Where is your grave?
Who visits it?
What flowers rot on it now?
Do you feel the soil above you pressing down?
Do you scratch the coffin lid in your dreams?
Or do you wake already buried?

Look at your hands.
Why don’t they tremble like the living?
Why don’t they sweat?
Why do they pass through the table when no one blinks?
Why does your skin stay cold no matter the light?

When you look in the mirror, what looks back?
Is it your face, or just an outline?
Where is your shadow now?
Does it still follow you, or did it stay where you died?
Why does glass refuse your reflection?

Who saw you last alive?
Do they still remember your voice?
Do they call your name in the dark?
Do you answer them?
Why can’t you stop?
Why do you keep haunting?

Do you walk through doors?
Do you rattle windows?
Do you whisper when you think no one hears?
What language do you speak at night?
Do the living understand you, or only the dead?

Tell me, what do you smell of?
Earth?
Smoke?
Blood?
Hospitals?
Rivers?
Every ghost carries its own perfume of death. Which is yours?

When was the last time you felt hunger?
When was the last time you felt pain?
When was the last time you felt anything real?
Or are you just echo now?

Who did you follow into this room?
Whose breath are you copying?
Whose seat do you steal when the lights go down?
Why are you pretending to belong here?

When are you dead?
Not if.
Not maybe.
When.
Say it.

Ghost Interrogation

A short piece of experimental music composed using a series of disintegrating delay processes, echoes, and ever fading warped piano.

Drift-Decay

I don’t care about the fame
Or the money, or my name
All the whispers that they say
Fade away, they fade away

My mind
It’s been a-hummin’, hummin’
I think it’s time for somethin’, somethin’

And I don’t know why
But I’m just happy
And I don’t know why
But I’m just happy
And I don’t know why
But I’m just happy
And I don’t know why
But I’m just happy

All the things that don’t exist
In the world, the universe
They don’t matter in the end
That’s a blessing, not a curse

My mind
It’s been a-hummin’, hummin’
I think it’s time for somethin’, somethin’

And I don’t know why
But I’m just happy
And I don’t know why
But I’m just happy
And I don’t know why
But I’m just happy
And I don’t know why
But I’m just happy

I’m not chasing what they chase
I just found my better place
I’m not running from the night
I’m just shining in the light

And I don’t know why
But I’m just happy
And I don’t know why
But I’m just happy
And I don’t know why
But I’m just happy
And I don’t know why
But I’m just happy

I'm just happy (Pure Rock reload)

➡️You are also welcome to subscribe to the JAYXINMELODY YouTube channel:https://www.youtube.com/@JAYXINMELODY

Neon Wave Corridor

A moment passes, but its outline stays. The room cools, voices fade, and what remains is the soft echo of movement: a trace on the retina, a thought that lingers half a step behind the present. “Afterimage” looks for what survives the blink—the slight delay between impulse and action, the hush between beats when decisions choose us back. It is the warmth that trails a touch, the color that refuses to leave the air, the quiet tilt of time when memory overlaps the now. Stay with the residue. Let it settle. What you keep seeing after the lights turn away is the shape of what matters.

Afterimage

Bass to WEM copycat to modular to cassette tape

ReverbRick - Zmiana Czasu (etude for bass and tape delays)

I work hard on computers, but after work I tune by ear.

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

I use every tool available — human or machine — as an instrument.
Technology doesn’t replace creativity. It expands it.

Bambino: One shop destroyed. Three heads split like overripe melons. One man wounded and one castrated. All in two hours. Just two hours I left you alone. Two hours.
Trinity: Well, you asked me to give you a hand.

Aldarrax is an experimental music and sound art label based in Blanca, a small oasis in the arid regions of Murcia, in southern Spain. The main objective of the label is to connect people and territories through sound, to build community and to make space for experimental sound practices. Half-made music, new collaborations and unorthodox recording techniques are at the core of the label’s editorial line. 

Occasionally, artists are invited to create specific works, proposing collective improvisation sessions to generate spontaneous music. Field recording, soundscape composition and DIY instruments which incorporate local materials are encouraged. We resonate with peripheral, dissident and strange music. Aldarrax holds music as a ritual and animistic tool that strengthens bonds and works on bodies to create altered states of consciousness in autonomous zones. We are interested in repetitiveness, broken rhythms, trance-inducing sounds and durational practices that search for these other realms beyond the human.

Live Sound Engineer / Dubstep, Garage and Jungle Vinyl DJ / Producer based in Manchester.

Terrorific Rekords was founded in 2004 by Lars Stützner and Schopenhauer, and curated since its inception by Mattias Lagerkvist. Read about it here
https://terrek.bandcamp.com/album/in-memory-of-real-music

You can check out my other projects 
here https://murkla.bandcamp.com and 
here https://ekolali.bandcamp.com or
here soundcloud.com/murkla and
here soundcloud.com/ekolali

My new album, 'For Why You Happy',  is now available here https://ekolali.bandcamp.com/album/for-why-you-happy-2

Check out my other projects 
here https://murkla.bandcamp.com and 
here https://terrek.bandcamp.com

If you contact me and don't get a response within a week, please check your spam folder.
ekolali@email.com

We are an open music collective from Dordrecht. We release, experimental and techno music and promote (local) artists.

New tracks tagged #tape delay