Made by W.D.C, Gent
Alias TRigg
Work in progress, unfinished

TRigg - work in progress, unfinished (2024)

Composed and recorded in 1991 with lo-fi gear [notes below] this track was varyingly titled "Scapegoats / The Witch Craze / Inquisition / The Burning Times" ... It was the first original song that EYE made, to reach the stage of being considered "finished". Whether it is singing, thus a song, hmmm, well, the vocals are more like a distorted robot rap & chant; inspired in part by Nivek Ogre of Skinny Puppy. 

The lyrics were motivated by a documentary called "The Burning Times" ~1990. That was about the Inquisition of the middle ages - of how dark triad psychopathic-tyrannic people seize and maintain power by demonising and scapegoating people as "witches" or other labels that essentially mean: "hey everyone let's scapegoat and be evil to this person, or these people, and act like we are the good people in doing so!" 
Along with The Inquisition, history is filled with horrendous examples of what mobs do to individuals.  

I related on a personal level to it, the documentary topic, via: 
a] being singled out and harassed frequently through my teenage years for looking different, for having rare and different colours in my phenotype, to 95% of people around; and centuries ago, people who looked like me were often among those who were singled out, bullied and burnt-to-death as "witches"; 
b] for having suffered for 7 years at a religious school, experiencing and witnessing terrible abuse being done to children by adults who posed as if they were "God's People" and therefore good people; and the bullies among the children noticed who the adults abused and would also bully the victims; 
and c] I sought to recognise and honour the many people [women and men] through history, around the world, who suffered when authorities such as religious leaders and the society around them would rally to have them tortured and killed; their bloodlust frenzy fueled on by prejudice, jealousy and gossip. 

I was 18 when I wrote this track and recorded it. I had left that school about two years prior.  

I sought to offset the heaviness of the topic with the upbeat techno-rock music and a mix of somewhat humorous samples of dialogue from several flix and cartoons; that referred to witches &/or the Inquisition. One of the last samples of dialogue, near the end, is from the documentary:
"... the Witch Craze is a kind of an answer for institutions which feel threatened ... if one could convince the lower classes that their difficulties arose from the fact that witches were present ... it would sort of take the pressure off the establishment ..."  

The earliest EYE/Aphazia tracks like this one were created during 1990-1992; recorded and mixed at a home in Canberra Australia; on the limited equipment available - a 4-channel cassette machine, a synthesizer, a guitar, a microphone, some FX pedals, some household objects as percussion, and a tape machine to play the movie-dialogue samples which had been copied from VHS tapes. I didn't have a computer until 1993 nor a sampler until 1996. 

The 4 channel tapes were mixed-down to a stereo cassette. And that audio was copied to computer sometime in the 2000s. Hence the audio quality isn't so great. ;)
But for the time - for a lofi home recording - it wasn’t too bad. It was one of my first experiments. So it was the best I could do! And as such it actually sounded better than most of the local indie-rock bands who spent significant $ to record in an 8-track studio, but their recordings had less clarity than this! So, as bad as this sounds today, back in 1991 it was what could be achieved as an independent DIY project making first demos.

Hopefully when I get a month spare, I can focus and make cleaner better mixes on a computer DAW. But in case I never get around to it, here is the original demo mix, 35 years later, with all its flaws. 

Prior to this the people who heard this were some friends who got a tape of tracks in 1992-93.

with best wishes,
DJ Robot Citizen, March 2025

Scapegoats: Witch Craze - The Burning Times [1991 4-track demo mix]

Make no mistake we are in a dystopia and industrial techno is a form of dystopian music. The pulsating rhythms and mechanized beats lend to an authoritarian type stomp even for the anti-authoritarians who sway to it with shoulders like pendulums and arms that press down, kneading on the oppression. It may not be the tone of the season or the color of April as we once knew it, but it's the truth and how I felt like expressing it right now. 

Harsh Times

2and2

---CROSS TO BEAR---

DISORDER

I Cant Stand It

The Silence

The Silence - [FREEDL]

NEW RELEASE SIBLINGS DYSTOPIAN LABEL PRESENT:

VOSY - Do or dont do, you will regret both 

DYSTOSINFONIA-032

Artist: VOSY 
Title: Do or dont do, you will regret both 
Catalog: DYSTOSINFONIA032
Release Date: 16/04/2025
Format: Digital
Mastering: The Cave Studio

SUPPORT US:
VOSY SC: https://soundcloud.com/vosy/
VOSY IG: https://www.instagram.com/vosyy_/ 

SUPPORT MASTERING:
THE CAVE STUDIO SC: https://soundcloud.com/thecave-studio/
THE CAVE STUDIO IG: https://www.instagram.com/the.cavestudio/

SUPPORT SIBLINGS DYSTOPIAN:
SC: soundcloud.com/siblingsdystopian/
IG: www.instagram.com/siblingsdystopian/
Label Bandcamp: siblingsdystopian.bandcamp.com/music/

FREE DL

VOSY - DO OR DON’T DO, YOU WILL REGRET BOTH

Let Your Body Learn presenta esta serie de Podcast, donde la finalidad es dar a conocer a Dj's y productores, en su mayoría mexicanos; Para estrenar este canal presentamos a Saúl Rosas Aka NO-BODY, Dj originario de CDMX, perteneciente al colectivo Let Your Body Learn.

Tracklist:

1. Spring Nostalgia - Vioflesh
2. Desolation - Evil Dust
3. No Truth In Flesh - BHPL
4. When Villains Have The Power - Downwell
5. Against My Faults - Nightly
6. NAUSEA - Evil Dust
7. Disillusioned - Semantix
8. Terror - Downwell
9. Infectious Waste - Happy707
10. FETV - Nuxx Vomica (Confines Remix)
11. Hidden Things - Bootblacks (Visceral Anatomy Remix)
12. FM o.O - Happy707
13. Mass Destruction - Delectro  (Bloody Mary Remix)
14. Panic - Evil Dust
15. Dance Cadaverous - Happy707
16. Dispersione Emotiva - Downwell
17. To be Controled - Ohota
18. À Travers L'Achéron - MIND | MATTER
19. Ode à La Foudre - MIND | MATTER
20. Welcome to slavery - General Dynamics
21. Trap - Fairground Of Tears (The Undertaker's Tapes Remix)

Redes sociales:

https://www.instagram.com/saul.nobody?igsh=NGNuZTkzMWttM2Ju
https://www.instagram.com/let_your_body_learn?igsh=MWVlcTk3OWd3ZWN0Mw==
https://www.facebook.com/share/1FHtVUtvgq/ (LET YOUR BODY LEARN)


LET YOUR BODY LEARN- PODCAST 01 (NO-BODY)

The Sociopath

Podcast TeckjoOnAir Episode #012 | 
-Enjoy To the future
 I AM Billy Teckjoon in the mix! ♫
THIS IS MY PODCAST EPISODE NUMBER 012 I HOPE YOU LIKE IT. Set | Billy Teckjoon
18 april 2025 !

-Labels en colaboración: Prospect Records, IAMT Red Zeca Records, Eclipse Recordings, terminal records and MORE LABELS

My Social Networks
Ig ‣ https://www.instagram.com/djbillyteckjoon/
fb ‣ https://www.facebook.com/profile.php?id=61550842804121
Ig ‣ https://www.instagram.com/billy.teckjoonmusic/
Mix ‣ https://www.mixcloud.com/billy-teckjoonMusic/

#TeckjoOnAir #billyteckjoon #billyteckjoonmusic #lifestyle #desing #Podcast #newMusic #DetroitTechno

Podcast TeckjoOnAir Episode #012 | Podcast music set by #BillyTeckjoon

This is a hard techno, industrial, raw mix

Kitchen Gaff DJ Comp - ADN

Meerkat - Techno Santo

risk

TRigg - Retro Rave 7 (2020)

TRigg - Sprengkopf (2020)

Industrial Italian HARDTECHNO 🇮🇹
Based in Rome





GROUNDZERØ is an italian techno/hardtechno DJ / producer based in ROME
He startene experimenting live techno music in 2021 collaborating with the event organizer LISTEN_TM starting several gig around Rome.
In 2023 he played for hardzone at the IMPERIAL club. 
He is currently playing for HARDBOILED ROME at the Rashomon Club.
His dark industrial mood is mainly present in his song but his discografy is various including Reverse Bass style, Schranz, Psy, Hardcore, Frenchore and gabber 



Linktree
https://linktr.ee/groundzer

Insta & tiktok- adn.techno
📍Dundee, Scotland

Colectivo nacido en Ciudad de México, enfocado a géneros como Italo, Indie dance, EBM, Techno Industrial, Acid house y demás sonidos underground. 

Industrial Modular Techno & Rave
PM for Contact & Bookings

- INDUSTRIAL TECHNO RECORD LABEL & EVENT SERIES -

• STRICT INDUSTRIAL ORDINANCE - HYPNOTIC SONIC DOCTRINE - RAW RHYTHMS & ABSOLUTE LAW OF SOUND •
____________________________________________________
SIBLINGS DYSTOPIAN LABEL es un sello discográfico independiente, somos la vanguardia del Techno Industrial y el epicentro de la magia de productores que están revolucionando la escena global, estamos comprometidos con la promoción de la música Industrial Techno con sus diversas expresiones, la diversidad sonora y la energía pulsante del groove, nos destacamos como el hogar de artistas que desafían los límites de lo convencional, ofreciendo un refugio para mentes inquietas y amantes del Techno Industrial. 

Bienvenidos familia distópica, este viaje no tiene freno, somos la disonancia, la rebelión sonora, el pulso Industrial retumba con fuerza, en Siblings Dystopian el caos se convierte en arte y la música en revolución.



SINTONIZA EL CAOS ELECTRONICO!
Aquí te ofrecemos una experiencia sensorial única donde vibramos en la esencia pura del techno industrial underground.
https://instagram.com/siblingsdystopian/

▼--------彡ᗷIᒪᒪY TEᑕKᒍӨOᑎ彡-----▼
                                     
彡ᗷIᒪᒪY TEᑕKᒍғOᑎ彡
Mi Historia ♫
Billy Stalin, nombre tan característico. Empezó a los 4 años gustos hacia la cultura electrónica.
Billy reconoció su talento localmente desde el 2014 con Deep House y electro house, etc.
Fue identificando más profundamente cada sonido e influenciándose con el estilo electrónico al detalle de cada uno.

Tiempo después a lo largo del 2010 se puso manos a la obra con la Mezcla desde entonces Billy empezó con sus sets característicos a los 10 años desde entonces y cada vez su acercamiento era más sincero.

En el 2019 dio un giro inesperado a la industria del techno ya que irrumpió en el 2019 con sonidos explícitos y fuertes desde la principal capital del Ecuador (Quito), Capital aclamada como la ''Carita de Dios''. (MITTLE OF EARTH)

ᗷIᒪᒪY TEᑕKᒍүOᑎ quiere llevar la experiencia del deejay a otro nivel experimental, un espacio donde la percepción en los decks... sea una sola (sonido moderno).
Esto lo llevó a fascinar a su audiencia, dando lugar a un nuevo talento con su gusto y fascinación en el mundo del Deejay y en conjunción con su estilo. "Me estoy modernizando, haciendo que esta experiencia sea agradable, con una actuación profunda pero manteniendo el control fundamental del género". #Rave #ElectronicTechno con cultura musical en Techno y hard techno futurista.
autorización: 彡ᗷIᒪᒪY TEᑕKᒍүOᑎ彡
Manager (Booking artístico): billy-teckjoon@hotmail.com
Declaraciones de copyright están abiertas a mi correo electrónico.

Hi there,
All the music on this page is original, produced, mixed and mastered by Dashwood616. Hope you like it and thank you for listening.

https://livingisregretting.bandcamp.com

Www.instagram.com/livingisregretting

YouTube: @ Livingisregretting 

Goth  Techno  Electronic  Industrial
Experimental  Rock  Audio Project


Consume-Abuse-Decay is made up of :
 Nekoda

ALBUMS at: http://www.EYEmusic.info ::: Some REVIEWS: "... imagine a mix between NIN, the Chemical Brothers, Atari Teenage Riot, the Aphex Twin &amp; Negativland..." Canberra Times daily newspaper ::: ::: "original... punk ethic... tech-industrial... influences from acid to drum and bass ... atmospheric &amp; spooky to in your face... " DRUM Media, Sydney's music newspaper ::: ::: "... chilling yet hilarious... intense... full-on techno... industrial sounds, samples and chants to make non-mainstream political statements... trance-inducing... intelligent and outspoken..." D.B. music, Adelaide city's music newspaper ... 
Some EYE tracks on Youtube & DailyMotion - http://www.youtube.com/EYEmusique &amp; https://linktr.ee/EYEmusic

New tracks tagged #techno industrial