Exu Ferrabraz 2

Keyboard/Synthesizer Techno Rock and Country Fusio

KICK THE BUCKET

The girl caught on fire and after she healed the fire deformed her.  She was now able twist and turn in the most bizarre way.  Quite a spectacle really.

THE GIRL'S ON FIRE

They say she wants to be a real party goer
She doesn't like to sit at home
She sits around the parlor with her french hair blower 
Lickin' ketchup off of polished chrome

She's got a twtichin' and her legs all furry
She's floppin' on the Styrofoam
She keeps a cooler in her pocket loaded with her  favorite beverage
And the stuff inside'll make ya groan
Dear God!

Sad how she twists and turns but never really gets enough
Who would have thought the burns would produce 
the proper muscle for such magical stuff?

THE GIRL'S ON FIRE
THE GIRL'S ON FIRE
DA DA DA THE GIRL'S ON FIRE
THE GIRL'S ON FIRE

The girl's got no respect for food and fine religion
No sense of what is wrong or right
I caught her just the other day with my new rosaries in the kitchen 
Strappin’ turkeys down with all her might

Is there nothing sacred in this world of lust and degradation?
How’'s this scuzzy kind of crab cake for a friend?
She always leaves the windows open even when we're on vacation
Gets mascara in my perfect coffee blend
Dear God!

Sad how she twists and turns but never really gets enough
Who would have thought the burns would produce 
the proper muscle for such magical stuff?

THE GIRL'S ON FIRE
THE GIRL'S ON FIRE
DA DA DA THE GIRL'S ON FIRE
THE GIRL'S ON FIRE

ND: Keys and drum programming
JT : Backups
Gerry Palisi : Electric Guitar
Recorded at Suburban Hermit Studios 1, St. James NY
2025 re-mix by JT at Suburban Hermit Studios III, Ronkonkoma, NY


The Girl's On Fire (Original 8 track version 2025 re-mix)

First of all--the algorithm has done yesterday's track a bit dirty.  Maybe the unpronounceable name has limited the number of people it gets recommended to--but "Xylyl" is a track deserving more listens than just 14 (which it has as I type this)...so, even before checking out today's Interbay track, take a couple moments to give that one a listen...then come back here and give that same love to "I Can See The Light."  

Now then...(thank you, for those of you who actually did that!)...here's a little bit about "I Can See The Light".  This is synth pop with horns (both synth horns and heavily filtered 'real" brass) and a rock song structure.  In other words, once again, it's an Interbay track.  

I think what will get the most attention in this track are the vocals.  No spoken word narrators on this track, this is proper singing from a proper singer...bluesy and full of emotion.  (And taken completely out of context, which I hope is enough to keep Icarus safe for their efforts here.)  

My favorite part is probably the tom tom heavy drum break with chopped up vocal samples flying back and forth.  Reminds me of the sometimes dubby sounding middle breaks found in certain Led Zeppelin songs--which, you have to admit, is an odd thing to say about a synth pop tune made in 2025.    

So, if you like the poppier or rock-leaning Interbay tracks...or you're a trainspotter who might be shocked by the audacity displayed here...or you just enjoy the crazy rollercoaster that Interbay takes you on every single day (so far!)...I think you'll like "I Can See The Light".  (I also think that you'll like "Xylyl"--though they are quite different adventures entirely.)  

So, all the usual requests:  Listen, like, repost, share, playlist, comment...and follow.  
Thank you!

"I Can See The Light" *SoundCloud Exclusive*

Fix the system - Loco Bousek

Entre cerros - Loco Bousek

Tierra amante - Loco Bousek

Skywatchers

Kick up the tempo with a little synthpunk on a Thursday.  

There are no guitars on this track, but otherwise, it is all punk rock (so, you know that Lois Lane is a fan.)  Aggressive and angry, politically minded, taking no prisoners.  

And still 100% Interbay.  

Hold on tight, this gets bumpy.  How do you get that punk rock spirit out of a bunch of machines?  You crank them up until they start smoking--and they you put them up to eleven!  (Which is one louder, innit?)  

i'm a big fan of this one, folks...so much so, I don't have much to say about it.    Just go ahead and listen to it--it is a blast of energy, at a perfect time to get blasted!  

Listen, like, repost, etc.  And please follow, because there'll be a new track tomorrow--and it is going to sound a lot different than this one, I'm sure.  (Though, now I kind of want to head back down into the Labs and come up with "Knockdown Again!"--but, I'm still loopy...yes, even today (I'm such a lightweight, even, or especially, at my age.)

"I've got to believe that we're better than this!"

"Knockdown" *SoundCloud Exclusive*

Energetyczny miks techno, edm, house i drum and bass oparty na pulsującym beatcie i chwytliwym basie. Echa i delay’e na wokalach i synthach budują przestrzeń. Solo gitara dodaje rockowego pazura, pojawiają się breaki perkusyjne z conga i słowiańskie harmonie, refren wpada w ucho i zachęca do tańca.

Biały wilk

Pulsing techno and EDM rhythm underpins layered house and Drum and Bass grooves. Catchy synth leads and hook-laden choruses drive each section, while bursts of electric guitar add a techno rock edge. DJ-style remix transitions, echo effects, percussive conga breaks, and hypnotic trance textures sustain high energy.

Magia kłamstwa

Utwór łączy techno, EDM, house oraz drum and bass w dynamicznej aranżacji. Startuje z pulsującym beatem, dodaje intensywny bas i chwytliwe syntezatorowe melodie. Chwytliwy refren podkreślają echa wokali, techno rockowe gitary, sekcja conga buduje groove, a DJ-ski remiks podkreśla transowy klimat.

Magia kłamstwa (wersja 2.0)

You've got your dance pop in my metal/punk!  

Well, you've got your metal/punk in my dance pop!  

Yes, once again...Interbay has become the Reese's Peanut Butter Cup of music, shared exclusively here on SoundCloud.  So, let's kick up the tempo, turn those amps up to eleven, overclock the synthesizers and make Icarus VERY nervous...for today's latest drop, "Xelebration."  

(And yes, we are at the point where most of the tracks that have titles that start with the letter "X" are more and more likely going to be made-up words...but, in this case, I do think it actually sounds like the title in the processed vocal sample used.)  

So, Interbay has dropped synthpunk tracks in the past--this time, I think there's more of a metal vibe in the guitars, rather than strictly punk.  I grew up in the Midwest, the metal thing is part of who I am, even if I leaned more towards the punk/post-punk and pop/dance scenes.  

And, as you already know if you've been following Interbay for any length of time, I do love tossing lots of ingredients into the pot as it cooks on the stove...even those that you wouldn't think should go together.  

Even if those ingredients really don't go together--how else can I learn?  

If you're feeling slightly sluggish this weekend, this might be the injection of energy you need to kick start your day and get to the projects you've been putting off too long.  Hook up your bluetooth speakers (which, being bluetooth, really don't need to be "hooked up"--I am so old) and crank up a little "Xelebration" and see if that doesn't put a little pep in your step.  (I just used the word pep--again, I am so old.)  

Give it a listen, at least.  See if you like it (and give it a like if you do!)  You could repost it, share it,  add it to a playlist, leave a comment on it.  

And follow this page--even if "Xelebration" isn't your particular cup of tea.  Every day, there's some new tea, perhaps a flavor you'll like.  We're only a handful of tracks away from 500 consecutive days of dropping an original Interbay track here on SoundCloud.  

That's probably worthy of a Xelebration, right?

"Xelebration" *SoundCloud Exclusive*

A neon-soaked journey into sound. Slip the Dip blends abstract electronic textures with a pulsing retro-futuristic vibe, channeling the energy of Tron-inspired visuals and late-night cityscapes. Hypnotic rhythms and glowing synth layers drive the track forward, slipping effortlessly between intensity and atmosphere.

Slip the Dip

INTRODUCING METALLECON:
an American, genre-defying metal band with a twist: they turn the world of economics into face-melting riffs and growls. METALLECON delivers a unique education—Policy Economics 101 meets Hybrid Metal 201. Their songs tackle everything from supply and demand to market crashes, making the most intimidating graphs & charts feel like an international mosh anthem.
------
LYRICS:
------
Why Coffee Beans Be Double?  
Listen close, I’ve got a story to tell,  
About a little bean we know so well.  
It fuels our mornings
Our late-night schemes,  
But the price keeps climbing
Or so it seems.  

The world is shifting, the weather’s strange,  
And yet we pay, we bend, we change.  
So let’s take a moment, cup in hand,  
To learn the lesson, to understand.  

To learn the lesson, to understand.  

We grow no beans, we import the dream,  
Every morning addicted to sacred caffeine.  
The heat is rising, the harvest is thin,  
The climate is breaking, 
The taste wearing thin.  

Demand climbs higher, like a wildfire,  
Everyone chasing that daily wire,  
The fields are failing
The crops run dry,  
But the price keeps soaring 
To the open sky.  

WHY COFFEE BEANS BE DOUBLE?!  
WHY COFFEE BEANS BE DOUBLE?!  
Madman plan, the head of the table,  
We drink, we shake, 
We’re broke, unstable!  

Step one: the people who sell it pay.  
Step two: the people who move it pay.  
Step three: the people who buy it pay.  
Step four: everyone loses in the fray.  

By the time it hits my hand,  
That cup is four times 
What it should have been.  
This isn’t growth — 
It’s chains on our wrists,  
Policy written with an iron fist.  

TAX IT! STACK IT! 
BREAK OUR BACKS WITH IT!  
FOUR TIMES THE PRICE 
FOR A BEAN IN A BAG!  

Madman smiles with the pen in his grip,  
We scream, we burn, but we still sip!  

You don’t study it, you repeat it.  
You don’t fight it, you eat it.  
And you’ll pay double for the privilege!  

WHY COFFEE BEANS BE DOUBLE?!  
WHY COFFEE BEANS BE DOUBLE?!  
Madman plan at the head of the table,  
We drink, we shake, 
We’re broke, unstable!  

Class is ending, 
The story’s told,  
You listened, maybe, 
You’ll remember, or not hold.  
The price keeps climbing, 
It's all the same,  
Double, triple, quadruple — the game.  

Step by step, cup in hand,  
Lesson learned, try to understand.  
Coffee economics, madness by design,  
Now go pay the price, and call it fine.

Go pay the price 
And call it fine.

----------------------------









METALLECON | WHY COFFEE BEANS BE DOUBLE?

Standing at the edge of the unknown, Precipice Beyond captures the tension between collapse and ascension. A journey through pulsing beats, atmospheric textures, and cinematic soundscapes, this track is built for late-night drives, futuristic daydreams, and moments where the horizon feels just out of reach.

Precipice Beyond

Bobbie Winston is a world renowned award-winning American artist, as well as musician, keyboardist, composer, producer, publisher, recording artist, performer...currently living in Rio de Janeiro, Brazil.

She´s known worldwide as "La Femme Bobbie" to the ever-growing fan base of her strikingly colorful and imaginative paintings.  Bobbie created all the artwork for her tracks and albums.

All her music tracks are available to be used as SOUNDTRACKS, TV, COMMERCIALS, SHOWS and reflects the organic adventurism in her music - hypnotic, exotic and certainly erotic.  She is self-described as a female disciple of Jean-Michel Jarre, Vangelis and Rick Wakeman.  Then, again, she is quite an original in her own right. 

Born and raised in New York City, Bobbie's initial musical training began at the CBS School of Performing Arts when she was four years old. 

Her breathtaking electronic artistry on the keyboard is quite familiar to club-goers in Rio where she has performed for years in ensembles with many of that city´s leading-edge musicians. 


She has been living and painting out of a lofty apartment atop a high rise with an extraordinary ocean view on the beach in Copacabana.  Bobbie took her music from the clubs and begin recording original tracks in her home studio for the internet.  It didn´t take long for her already existent art following to quickly pick up on the appealing sounds emanating from the same fertile mind that gave birth to her paintings.  Then as time passed, a whole new international audience started discovering her deeply appealing music. 

Bobbie´s musical stylings are varied and eclectic combining the fusion of different beats and rhythms that span the musical spectrum as well as the globe.

These past few years, Bobbie composed and produced 139 new tracks and 6 albums.  They fall into the category of what she calls, "Dancing in the Twilight Zone".  They are as cerebral as they are infectiously rhythmic, erotic, exotic and hypnotic.
You can find her recordings on all the international music streaming platforms and on most social media sites...so check her out and enjoy! 

Check out Bobbie´s artwork on Facebook at the link below: 

https://www.facebook.com/lafemmebobbie

John Tabacco is an American composer, singer songwriter, producer, recording engineer, multi instrumentalist and graphic artist. He has engineered /mixed and mastered music for hundreds of New York recording artists as well as projects released on BMG: The Kemelions, RCA: Faze, Rampage/Rhino: Rhett Forrester, Columbia: Rebbie Jackson, Rykodisc : Bob Marley, Columbia: Chris Jasper, Electra: Sonia Dada and Nickleodeon’s Are You Afraid Of The Dark? He is the CEO of It Iz What It Iz Music Publishing which currently holds over 750 songs in its catalog. He has been an associate producer for IndiMusic TV and hosts a bi-weekly radio program (CLAM RADIO) on college radio WUSB.fm since 1999. He is currently the head of A&R at Modern Voices Digital Distribution.

His musical background consists of extensive study of orchestration with noted 20th century composer John Lessard, harmony with the late electronic music maverick Bulent Arel, and composition with Stony Brook University professor Peter Winkler. He received his BA in Music from Stony Brook University in 1983. 

Like an unfolding musical diary / puzzle, Tabacco’s music and art are constantly being re-worked, juxtaposed and intertwined. His style is a melding of pop - jazz -rock - avant garde / aleatory, classical and comedy.  He has been recording his music non stop since 1979.

Of note: In 1989 the satirical, absurd house song "Go House Yourself" co-written by Tabacco, Pati and DiMauro reached position 39 on Billboard's dance chart. 

In 2014 Tabacco signed a record deal with Texas, indie label, Muffin Records. They released his CD “Unfulfilled Shopping Carts Syndrome” internationally.

Loco Bousek, artista crossover, oriundo de Valparaíso, Chile.

SINCERE IMPOSTER writes, performs and/or produces a curious mixture of New Wave, Dance, EDM, Folk Rock, Metal, Art Pop, Electro, Dreamwave & Experimental World Pop. Collectively, it's a genre known as QUIRKPOP --- Music that makes you say, "What the hell is this?"

The band currently consists of two members, both living within the same body, sharing a similar existence. They identify as Danielle & Dave. They are both psychologically and musically confused. However, both are extremely and unapologetically sincere. 

Influences include Weird Al, Nathan Fielder, David Lynch, Rosalia, Monatik, Atarashii Gakko!, Rammstein, T-Pain and T-Swift. Their favorite inventions are the vacuum and the peach pitter. Their father is simply known as Vessel... who may be an entity or a god.



Studio2800 | Detroit Experimental Sound Blending Detroit’s industrial grit with rock, electronic, and experimental chaos. Born from the city’s raw pulse.

Post-punk, dance, indie, electronic, and mutant pop in various styles (seriously!)--new tracks being posted daily (every day for over a year, so far!)

Interbay is the new project of Peter Greyy (previously of Cremation Dance and DangerScience), based out of Seattle and Phantom Laboratories West.

New tracks tagged #techno rock