# Lyrics
Sunday.
My shirt on you.
Coffee gone cold but you haven't moved
because the chair is warm
and the light does this thing on the floor
you keep forgetting to remember.

You're reading something on your phone.
I'm watching the steam die in your cup.
Neither of us has spoken
since I said "morning"
and you said "mm-hmm."

That was twenty minutes ago.
That was enough.

This quiet between us
isn't empty — it's full.
Full of all the things
we don't need to say out loud.

You're not filling it.
I'm not filling it.
And that's the loudest thing
anyone has ever said to me.

You reach for the sugar
and I see your hand stop.

You're memorizing this.

I catch you catching light —
cataloguing the angle of the sun,
the weight of the cup,
the exact temperature of the silence
like someone packing a suitcase
for a place they haven't left yet.

Why would you memorize a morning
unless you're already rehearsing the loss?

I didn't understand it then.

I reach for my phone.
You look up.
I stop.
Put it back.

The quiet survives me almost ruining it.

This quiet between us
isn't empty — it's full.
Full of all the things
we don't need to say out loud.

You're not filling it.
I'm not filling it.
And that's the loudest thing
anyone has ever said to me.

The coffee's cold.
The light moved.

We didn't.

You were right to memorize it.

The Shelter 'Twixt The Hearth & The Briar

This Quiet Between Us

# Lyrics
I will not write you a love song —
I’ve seen what those look like.
Rhyming «heart» with «apart,»
«fire» with «desire» —
amateur hour dressed in cursive font.

I’m not gonna be the guy
who puts a string section on his feelings
and calls it poetry.

So this is not that.
This is a disclaimer.
This is a preemptive strike against the part of me
that heard you laugh last Tuesday
and hasn’t shut up since.

I won’t say you’re the light in my dark —
that’s been done eleven thousand times.
I won’t say I can’t breathe without you —
my lungs work fine, I’ve checked.

I won’t compare your eyes to any
celestial body, season, or weather event.
I won’t say you complete me —
I was whole before, I think.
Mostly.

I won’t describe the way you push your hair back
when you’re reading — absent, distracted,
not performing it for anyone —
I won’t mention how that one gesture
dismantles every wall I’ve built.

I just won’t.

Wait.
Read that back.

…shit.

I WILL NOT WRITE YOU A LOVE SONG —
not with these hands, not in this key,
not with these strings swelling underneath me
like they know something I don’t.

I will NOT write you a love song —
I’ll write you a list of everything I refuse to say
and if it sounds like a love song
THAT’S NOT MY FAULT.

I won’t tell you that I replay conversations
three, four times before I sleep.
I won’t admit the word «Tuesday»
has a different weight than it used to.

I won’t write about the way you hold a coffee cup
with both hands like it matters,
the way you close your eyes when you listen —

The way you close your eyes when you listen
makes me want to say something worth hearing
for the first time in my life.

…that one didn’t have an «I won’t» in front of it, did it.

I WILL NOT WRITE YOU A LOVE SONG —
not with these hands, not in this key,
not with these strings swelling underneath me
like they KNOW something I don’t.

I will NOT write you a love song —
I’ll write you a list of everything I refuse to say
and if it sounds like a love song
THAT’S —

I cross out every line that tells the truth
and call it editing.

I’ve been so afraid of sounding ordinary
that I almost didn’t say anything at all.

But you —

you don’t need me to be clever.
You just need me to be here.

And I don’t know how to do that
without sounding like every song I swore I’d never write.

So fine...
FINE!!!

Maybe «heart» and «apart» rhyme
because they’re supposed to.
Maybe every cliché was someone’s first honest sentence.
Maybe the reason it’s been said a million times
is because IT’S TRUE A MILLION TIMES —

SO HERE — HERE IS YOUR LOVE SONG —
with these shaking hands, in this borrowed key,
with these strings I swore I wouldn’t use
playing exactly what I mean.

HERE IS YOUR LOVE SONG —
it’s every line I crossed out,
every word I said I wouldn’t say —
and I’M SAYING ALL OF THEM.

AND IT SOUNDS LIKE EVERY LOVE SONG
BECAUSE IT IS ONE.
BECAUSE IT ALWAYS WAS.

I will not write you a love song.
I didn’t have to.
It wrote itself.

I Will Not Write You A Love Song

A girl and her cat. First love, purest love. Pale Blue by Omneity

Pale Blue

Years of quiet devotion. He just hopes she feels it too. Love Me Like I Love You Too by Omneity

Love Me Like I Love You Too

On a misty front porch, Porchline Morning settles into an acoustic morning instrumental built for the first quiet minutes of the day. A wooden chair, a cooling coffee mug, and soft light on the rail give the scene its shape while acoustic guitar and brushed drums move with an easy, human pulse. No Copyright Music for content creators.


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Porchline Morning

Snow gathers along the window ledge while a notebook waits in the pale morning light, and the opening of felt piano ambient sets the room in motion without disturbing its calm. Soft synth haze, glass marimba shimmer, and a low bass flute line suggest the slow weather outside, where the horizon stays level and unhurried. No Copyright Music for content creators.


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Snowline Ledger

Credits:
ชื่อเพลง: เสียดายที่ไม่เคย
English Title: Love I Never Confessed
คำร้อง / ทำนอง / เรียบเรียงเดโม / ร้องไกด์: S.Lamoon Songwriter
ปีที่แต่ง: 2010
แนวดนตรี: Modern Romantic Pop / Piano-led Alternative Pop
เรียบเรียงดนตรีและเสียงร้อง: Suno AI (Premier Plan)

AI ใช้สำหรับการเรียบเรียงดนตรีและสร้างเสียงร้องเท่านั้น ไม่ได้ใช้สร้างเนื้อร้อง ทำนอง คอร์ด หรือแนวทางการผลิตเพลง

Lyrics:

รู้ตัวอีกที เวลาก็ผ่านไปเนิ่นนาน
อยู่ ๆ ภาพในวันเก่าก็ฟื้นมาเตือนเรื่องราวมากมาย
ตั้งแต่วันที่เรามาเจอกัน จวบจนวันที่เราห่างไกล
เหลือเพียงแค่ความจริงบางอย่าง

ย้อนไปวันนั้น ที่เธอเข้ามา
หลบซ่อนตัวอยู่ในหัวใจเดียวดาย
เก็บรักเอาไว้ข้างในมุมหนึ่ง
ก็ยังดีที่เราได้เจอกัน แต่ไม่มีสัมพันธ์ลึกซึ้ง
เผยใจบอกไม่ได้เลย จนห่างเหินกันไป

เธอคือความรักที่ยังไม่ลืม
และอยากจะย้อนไปวันนั้น เพื่อเปิดเผยใจสักครั้ง
เธอคือคนนั้นที่ต้องได้ฟัง
จึงได้แต่เสียดาย ที่ไม่เคยบอกรักเธอ

รักกันบ้างไหม ก็คงไม่ใช่เรื่องสำคัญ
อยากจะขอแค่ยืนยันความรู้สึกดีที่มีให้เธอ
แต่วันนั้นก็ล่วงก็เลยผ่าน และติดค้างหัวใจเสมอ
เสียดายที่ไม่กล้าพอ จนไม่เหลือโอกาส

เธอคือความรักที่ยังไม่ลืม
และอยากจะย้อนไปวันนั้น เพื่อเปิดเผยใจสักครั้ง
เธอคือคนนั้นที่ต้องได้ฟัง
จึงได้แต่เสียดาย ที่ไม่เคยบอกรักเธอ

เธอคือความรักที่ยังไม่ลืม
และอยากจะย้อนไปวันนั้น เพื่อเปิดเผยใจสักครั้ง
เธอคือความรักที่ยังไม่ลืม
จึงได้แต่เสียดาย ที่ไม่เคยบอกรักเธอ

ฉันไม่เคย...บอกรักเธอ

เสียดายที่ไม่เคย @2010 - Love I Never Confessed - S.Lamoon Songwriter

Water Lily - Time with Emma

There are little pieces of time that seem to belong to nobody.

The pause after one thing ends.
The moment before the next begins.
When the world looks somewhere else for a while.

Meet Me in the In-Between lives there - in those small, unclaimed moments when someone can suddenly feel very close, no matter how far away they are.

A warm psybient drift of intimate male vocals, distant feminine breaths and harmonies, deep low-end, organic percussion and spacious psychedelic textures.

Do you feel it too?

Concept, lyric development, vocals, creative direction and post-production by Terra Australis.
Created with AI-assisted music production.

© 2026 Terra Australis. All rights reserved.
℗ 2026 Terra Australis. All rights reserved.

Meet Me in the In-Between

A quiet, aching track about loneliness and longing for companionship. Reveal of a life waiting for someone who never comes. Hopeful in the smallest way - a light left on, a door left unlocked, just in case.

Loneliest Hope

The Loneliest Hope

Iranian‑Canadian musician, vocalist, and lyricist blending emotional stories across indie, fusion, and multi‑genre sound. Creating in both Persian and English, I draw from my background in mandolin, acoustic guitar, keyboards, flute, and ukulele while combining traditional instrumentation with modern AI‑assisted production to shape cinematic, late‑night atmospheres.

The Black Quill — is a musical duet of a dark fantasy writer and his muse.

We don't write songs in the usual sense. We have no hooks meant to lodge in your head, and no ambition to make a "hit." What we make are long emotional and psychological states, shaped into songs. And each one is an episode within a single LORE.

We write stories. We tell stories.

Every album is a story. And you won't walk through it willingly. You'll be taken by the throat and pulled through. Each song can be pressed to your throat like a knife — to test whether you are still breathing at all.

And with these stories, we are not trying to entertain you, comfort you, or pull you back up. If a moment of light appears inside a song, it is not a resolution and not an ending — only a short pause before, perhaps, everything gets worse.

The language in our stories shifts, and that is deliberate. Sometimes it is a bodily minimalism. Sometimes high archaic verse. Sometimes the language of our own inner world. Incantations, lullabies, ritual chants, repetitions, archaisms, childlike intonations — these are not ornaments and not stylization. They are tools we use to hold the listener inside one state, all the way to the end.

The main theme? We are interested in the one who speaks. In the "I" that keeps changing: falling apart, putting itself back together, sometimes disappearing entirely or remaining only as an empty shell.

We use repetition not as a hook, but as a way to seal the space. It doesn't open the story — it closes it around the listener, and holds it there until the story ends on its own.

You can't really play this in the background: either you're inside it, or it isn't for you. In our stories there is blood, violence, ritual, psychosis, dissociation, the edge of suicide, the living-through of it — but is there a way out? We don't soften, and we don't explain (almost).

We use the form of a song as a vessel — but what's poured into it doesn't fit into ordinary verses, choruses, and climaxes. These are stories, and they are not obliged to resolve.

NZ songwriter and poet. Sharp lyrics, unexpected sounds. Music that means something. all of it Omneity

SPOTIFY-----DEEZER-----APLE MUSIC 
https://linktr.ee/djinotan 
CЛУХАТИ У SPOTIFY - https://open.spotify.com/track/0Quwip92cPkwOTXamQSJRP?si=33dd9696264e41ab

Основний композитор гри Клуб Романтики.

Most of these songs were written back in the 90s and 2000s, so they carry the vibe of that era. I wrote them during a time when I dreamed of becoming a songwriter, though I never quite succeeded in chasing that path. My inspirations often came from my own life or from the stories of others, and I tried to capture those feelings through music. I’ve always loved experimenting with unique chord progressions too—you can probably hear that in some of my songs.

As creators ourselves, we know the thrill and challenges of bringing ideas to life. FreeVibeVault is our way of giving back—a shared space with royalty-free music, from dynamic cinematic beats to mellow Lo-Fi flows, all free to help you craft standout projects and connect with audiences.
We share a passion for creation, releasing original tracks weekly and fostering discussions in our community around common interests like storytelling and innovation. Let's lift each other up.

Empower your craft. Dive into the vault today.

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Listen!, I have alot to say!

I have been transposing music in Black Desert Online for years now, I am taking a break and trying something new!

AI-ASSISTED, multi-genre producer from Australia. I co-write concepts with chatGPT (I use AI mostly sanity check, style guides etc. the motives and core lyrics are my own), guide a Suno pass, then rebuild: swap/overdub parts, arrange, add, remove, mix & master, sound effects etc. 

References run from Level 42 and Mike Oldfield to KLF-era rave, drill, garage to the demoscene, I am not much of a fan of country and that hard core stuff, but everything else I <3

Music as a mirror: stories, satire, ideas, thoughts and feelings, From wit to absurdity, from glitch to groove, every track is an experiment in bending AI into something tangible.

If it makes you happy, then thats all that matters!

New tracks tagged #tender