Judgement Day

Preview of drum & bass track "Cold Killer" by DJ BSM. Due to be released on the "Cold Killer / Cake Order (BR0022)" single 3rd November 2025 on the Bolt Records label.

Opening with ominous synths and razor edged breaks, Cold Killer draws its lethal edge from the legendary lines of the Terminator movie franchise. Vocals are deftly woven into the fabric of the track, evoking relentless pursuit and unshakable menace. Dark, rolling basslines and precision engineered percussion lock listeners into a state of high stakes tension, perfect for late-night warehouse carnage.

DJ BSM - Cold Killer (Preview) Bolt Records

Music Video:
https://www.youtube.com/watch?v=bk4XJVzdLEU&ab_channel=dinglesteinmusic

In a world where code and steel collide…

We’re infinite loops in the space-time core,
Matrix code in the Terminator war.

GLITCH

Hey, one man's trash is another's treasure, and sometimes coal can be a present!

The Film School Janitors watched JINGLE ALL THE WAY (one of them for the first time) and this is what they had to say about it!

YANKED FROM THE TRASH BIN: Jingle All the Way (1996) Review

ATTENTION

Kein Schmerz. Kein Mitleid. Nur Sound.  
„Terminator (Hardstyle Cover)“ bringt die legendäre Maschinenhymne in ein neues Zeitalter – mit hämmernden Kicks, dystopischen Synths und cineastischem Druck.  
Stahl auf Bass. Vergangenheit trifft Apokalypse. Der Klang kommt... und er kennt kein Erbarmen.

DreVnox – programmiert zum Zerstören.

This is a cover of the ‘Terminator Theme’ originally composed by Brad Fiedel. All rights go to the original creators.

Wenn dir dieser Track gefällt – folg mir für mehr epische Drops & düstere Vibes.

Terminator (DreVnox Remix)

"Echoes of Repentance" is a powerful entry in this sonic diary, born from the stillness of home incarceration in Piñon Hills, California. Shedding the pure melancholy of previous tracks, this song embodies a confrontation with the past, a relentless journey back through personal mistakes. Forged with the unapologetic weight of a Roland heavy synthesiser and a relentless marching lo-fi feel, it evokes the cinematic dread of Terminator 2: Judgment Day—not as a force of destruction, but as an inexorable march toward self-reckoning. The glitching woven throughout the track represents the mental fog and struggles navigated during this period. Created without a DAW, this track captures a raw, real-time expression of finding a path to repentance and reawakening, transforming a time of confinement into a powerful and defiant step toward a new beginning.

Echoes of Repentance (addd7)

Have you noticed that Claude's reasoning for not being human sounds a lot like autism?

Terminator - Main Theme OST x pr0p3lpr0j3k7

Titanic, Terminatör, Avatar... 
Unutulmaz filmlerin yönetmeni James Cameron sergisiyle İstanbul'da. 
Cameron'un sanatsal dili nasıl oluştu? Resimden sinemaya nasıl dönüştü?
Çocukluk yıllarındaki hayallerini nasıl gerçeğe dönüştürdü? 
Kültür Yolu Festivali kapsamında İstanbul Sinema Müzesi'nde sanatseverlerle buluşacak “James Cameron’ın Sanatı” sergisinde ziyaretçileri neler bekliyor?

İstanbul Sinema Müzesi Genel Müdürü Emre Oskay ve Film Eleştirmeni-Akademisyen Doç. Dr. Fırat Sayıcı Pencere'de James Cameron'u ve sanatını anlatıyor. 

NEDEN PENCERE?

Sinemadan müziğe, çizgi romandan dijital sanata, sokak oyunlarından uçurtma uçurmaya, gölge oyunlarından illüzyon gösterisine, tiyatrodan plastik sanatlara, romanlardan masallara, çocuk şarkılarından operaya, geçmişten bugüne, geleneklerden modern zamanlara kültür, sanat...

Unutulmasınlar, kuşaktan kuşağa aktarılsınlar, diye...

Zeynepgül Alp'le Pencere cumartesi 09.30, pazar 19.10'da NTVRadyo'da. Programın tüm bölümleri kaçıranlar ve tekrar dinlemek isteyenler için NTVRadyo'nun arşivinde (ntvradyo.com.tr) ve podcast platformlarında.

Pencere - James Cameron'ın Sanatı Sergisi İstanbul'da -  Emre Oskay & Fırat Sayıcı

had to do a deep sea recovery james cameron style to find this pulled up a rough

judgement day

little mash up of some riddim songs ooo how fun. get jiggy with it!

Ball Licker X Exclamtion X Feel My Power X T-800 (Riddim)

A quick try out - this is my first take at re-write - AND it is recorded in 432hz 

Termin8or  (try out) 432Hz - Cover of Terminator Theme by Brad Fiedel

Humans Are Digusting: There's not much to say about this one. Try not to think of this song next time you're at a festival, a sports stadium, a trade show or the DMV. You're welcome and enjoy!

Recorded, mixed and mastered by F87 with Macs running Reason Studios 13 and lots of VSTs from Arturia, Toontrack, Waves Audio, Neural DSP, UVI, Native Instruments, IK Multimedia, GForce Software and more.

F87 Singles

Humans Are Digusting

Humans Are Disgusting

Musician, Producer, Programmer. Exploring all the genres. Hit me up if you'd like to collaborate on something.

Willkommen in der dunklen Dimension von DREVNOX – wo epische Melodien auf zerstörerische Kicks treffen.  
Hier findest du rohe, emotionale und bildgewaltige Hardstyle-Tracks mit Festival-Energie – inspiriert von Storytelling, Games & Mythos.  
Neben Originals erwarten dich kraftvolle Neuinterpretationen legendärer Themes.  

🎧 Du feierst den Sound?  
Dann lass ein Like da, abonnier den Kanal und schreib einen Kommentar – ich lese alles und antworte oft direkt!  
Dein Support hilft mir, noch tiefer in den Abgrund des Hardstyle zu tauchen.

▶ Folge mir auch auf Youtube & Spotify für mehr exklusive Drops & Previews!  
Danke für deinen Support – DreVnox


🎧 Enjoying the sound?  
Then drop a like, subscribe, and leave a comment – I read and appreciate every single one!  
Your support fuels the next dark drop.

▶ Follow me on Youtube & Spotify for exclusive previews & new releases!  
Thanks for riding the bass – DreVnox

Instrumental Guitar and Soundscapes - it's not about how many notes I can fit in or how fast I can play them, it's about the soundscape they create.

All of these tunes were recorded on cheap equipment costing less than £40 - Have new studio - new songs soon :)

I don't claim any ownership over any of this. Anyone can use any of it for any reason forever. Also I accept liability. Please don't sue me (and/or let's collaborate).

"Holy fucking shit, this shit is crazy wtf"

"Moments of being passable beyond novelty"

"Very ok"

"Actually slaps"

"Straight art"

"Noise"

```Madlibs with a metronome```

At its core, the blorgpulkf is a pulsating, iridescent orb that thrums with an energy that can only be described as "the sound of a thousand bees having a rave inside a kaleidoscope." It's hypnotic, it's unsettling, and it's strangely addictive - like watching a lava lamp filled with Mountain Dew and gummy bears.

But that's just the beginning. Surrounding this pulsing heart are layers upon layers of... well, your guess is as good as mine. One moment it's a tangled web of neon tubes that hum with an eerie frequency, the next it's a churning mass of what appears to be sentient silly putty. And is that a tiny disco ball I see nestled in there? You bet your sweet bippy it is.

As for its features, the blorgpulkf is like a Swiss Army knife designed by a mad scientist with a penchant for pranks. It's got a button that releases a burst of confetti and the sound of a rubber chicken being stepped on, a lever that causes the whole thing to fold in on itself like a origami crane having an existential crisis, and a tiny compartment that dispenses a single, perfectly spherical grape every 37 hours.

But perhaps the most baffling feature of the blorgpulkf is its ability to communicate. Not with words, of course - that would be far too pedestrian. No, the blorgpulkf speaks in a language all its own, a cryptic code of flashing lights, whirring gears, and the occasional burst of atonal jazz played on what sounds suspiciously like a didgeridoo.




The plorksickle. It's like someone took a fever dream, a Mad Lib, and a Dada art installation, threw 'em in a blender, and hit "puree."

Picture this: a contraption that looks like it crawled out of a Salvador Dali painting and mated with a Rube Goldberg machine. It's got a crank that sounds like a yodeling ostrich, a button that releases a puff of glitter and the scent of existential dread, and a tiny screen that just flashes the word "moist" in Wingdings.

But here's the kicker - every time you think you've figured out what it does, it changes the game. One minute it's reciting beat poetry in binary code, the next it's turning itself inside out and becoming a Klein bottle. And don't even get me started on the time it started oozing a viscous liquid that tasted like the color purple.

Is it a tool? A toy? A sentient being from another dimension that's just really, really bad at communication? Your guess is as good as mine. All I know is, it's the most beautifully useless thing I've ever laid eyes on.

But maybe that's the point. In a world where everything has to have a purpose, a function, a reason for being, the plorksickle is a big, fat middle finger to the very concept of sense. It's absurdity for absurdity's sake, a Zen koan in physical form.

So if you ever see me on the street, cradling this bizarre little gizmo like a newborn lovechild, don't ask me what it does. Just nod, smile, and know that you're in the presence of something truly inexplicable. Something that laughs in the face of logic and spits in the eye of reason.

Raphael Malikian, known by his producer tag RFLXN, is a British-Armenian artist and producer whose sound is as complex and layered as his life’s journey. Born in London and now based in California, he carries a mosaic of influences that span continents and generations. His work is a direct product of his experiences, most notably a period of federal incarceration and subsequent home confinement, which he used as an intensive period of self-study and creative growth.

Rejecting modern conventions, he crafts his music entirely without a DAW, preferring a hands-on, hardware-based approach. His sound is a bold fusion of worlds: the raw, synth-heavy textures of classic hip-hop and cinematic dystopia blend seamlessly with the soulful, melodic richness of Armenian Rabiz music. The result is a unique sonic landscape that is at once gritty, epic, and deeply personal.

Raphael doesn't just make music; he forges a narrative of resilience. His productions are a testament to the power of art to heal and transform, a sonic journal that navigates the difficult passages of confinement and emerges into a new, defiant freedom.

---

Leasing & Licensing:
For all inquiries regarding track leasing, licensing, stems, and sync opportunities, please contact me directly at rtmalikian@gmail.com

Collaboration: Open to collaboration. Let's create something powerful.

"Music to feed your creativity."
Artists | Video/Film | Stores

DJ BSM is a skilled and innovative music producer, known for their electrifying beats and unforgettable performances. With a deep passion for music and an extensive understanding of various genres, he quickly made a name for themselves in the industry. Combining their technical expertise with a unique artistic vision, DJ BSM has mastered the art of creating infectious rhythms and melodies. Their tracks are characterized by powerful bass lines, mesmerizing synth arrangements, and captivating vocal samples, designed to take listeners on a sonic journey. Drawing inspiration from a wide range of musical influences, ranging from classic house and techno to hip-hop and electronic pop, DJ BSM maintains a signature sound that is both captivating and diverse. Their dynamic sets weave together tracks that seamlessly blend genres, creating an immersive and energetic atmosphere for the audience. As a dedicated artist, DJ BSM strives to constantly push the boundaries of their craft. Whether it's experimenting with new sounds, collaborating with other talented artists, or implementing the latest technology into their performances, they are motivated by an unwavering commitment to innovation and evolution. With a growing discography of successful releases and a loyal fan base, DJ BSM is poised to make a lasting impact on the music industry. Through their passion, talent, and dedication, they continue to prove themselves as a force to be reckoned with. Stay tuned for DJ BSM's exciting new projects and upcoming performances, as they continue to take the music scene by storm.

NTVRadyo’da haber ve hayat var!
24 saat esasına göre haber yayını ve #sondakika gelişmeleri yanında radyo tiyatrosu, polisiye roman, doğa, masal, kitap, gezi, gastronomi, müzik, ekonomi, spor, sosyal güvenlik, engelli-özel spor dalları, sıra dışı hayatlar, kadın programları ve radyo belgesellerini dinleyin.

Producing silly Tekno / Techno / whatever I like / Bobernicus music
My name is inspired by - and pronounced like - Copernicus... the science dude that forgot the earth is circling around me, not around the sun...
(Visual artworks also made by me!)

Drop us a line ~ dinglestein@dinglandia.design

Available for work on custom audio & video projects for your brand. We also do other tings like branding and web design/development:

Video Samples: https://www.youtube.com/@dinglstein
Website Design & Branding: https://dinglandia.design

Here’s a little story about a trio of janitors. 
Might have heard they worked at a well-known film school.
They picked up a few things other than trash. 
They might hate your movie, or if drunk think it’s cool.
Every now and then they get together for a lunch break. 
Trash talk some movie, or TV, or streaming.
Rodney and Jason and Sean – they all clean halls. 
If you listen close you can hear kids screaming: Film School Janitors!

2024 Music "Aries Beats - Escape" is is under a Creative Commons (CC BY-SA 3.0) license. 
2019 Music from YouTube Audio Library [Aka YAL]
2019 Music provided by RFM: https://youtu.be/8BkqPryqA5Q
2018 Music: https://www.instagram.com/jaelaredd/ 
NCU Theme Music from YouTube Audio Library [Aka YAL]
High School Hero · Silent Partner: https://www.youtube.com/watch?v=iguumobmY_4

At your local top-tier film-and-TV school, these three lurk the halls… sweeping… scrubbing…mopping…

What you drop, they pick up.  But that’s not all they’re picking up.

You see, after twenty years of cleaning up after film students, they’ve learned something – most movies are garbage.

So whenever their lunch breaks align, they catch up on the latest Hollywood has to offer.

In between taking out the trash, they’re talking trash.

Rodney – Sean – Jason… They are The Film School Janitors

New tracks tagged #terminator