Milk Beef_Chillinz

Ambient / drone / experimental track using static pulses and textural soundscapes.
#ambient #drone #electronic #soundscape #experimental #minimal #lofi #atmospheric #meditationmusic #cinematic #headphonemusic #darkambient

Despite the second name, this was created by a human—an attempt to capture the current surreal and at times distant emotional experience of being a musician in a world increasingly filled with creatively competent artificial intelligence.

Performed on electric guitar, shaped entirely through analog effects pedals and a volume pedal, without MIDI or sequencers. The piece uses a non-traditional metronome: a repeating pulse of static. I then cut parts of the audio to create a grid of a static beat.

There are no strong transient peaks—just evolving textures that blur the line between rhythm and tone.

The composition unfolds in three slow-moving phases:

A beginning grounded by static pulse

A middle section that subtly lifts in texture and pace

An ending that dissolves into layered, minimal ambience. 

If you connect with artists like Grouper, William Basinski, Fennesz, or Oneohtrix Point Never, you might feel something here.

 Also considered were projects like Harmony Cloak, Poisonify - others like those discussed in Benn Jordans, "The Art of Poison Pilling Music Files" found at https://www.youtube.com/watch?v=xMYm2d9bmEA. This manifests in the use a non traditional metronome of static noise. 

No strong transient peaks to distinguish a pulse from texture. A slow-moving composition in three phases. Begins with a static pulse, evolving into deeper textures and eventually dissolving into layered, minimal ambience. 

The full piece tempo feels like it moves from ~72 to ~82 BPM, as the beat is there and yet not there. 

Slow-burning ambient track built around evolving textures, layered static, and minimal drone elements. This experimental composition blends ambient electronic sounds with a steady pulse in the opening, gradually transitioning into atmospheric soundscapes and immersive sonic environments.

Perfect for deep focus, meditation, late-night listening, or cinematic background sound. Influenced by ambient, drone, lo-fi, and post-electronic aesthetics.

If you like artists like Tim Hecker, Fennesz, Grouper, William Basinski, or Oneohtrix Point Never, you might connect with this.

#ambient #drone #electronic #soundscape #experimental #minimal #lofi #atmospheric #meditationmusic #cinematic #headphonemusic #darkambient

Project 2 - 11:30:24 5.18 PM (The Artificial Technology Song)

Glass Ashes is a 12-minute ambient drone piece suspended between fragility and intensity.

A fragile, immersive ambient drone — slow-burning and purifying.

Built from slow-moving synth layers, textured sounds, and moments of quiet purity, it evokes a journey through collapse and renewal.

Headphones recommended.

Eir Drift sculpts ambient soundscapes that blur the line between the timeless and the otherworldly.
Some pieces glow with quiet light, others sink into shadow — all invite stillness.

Blending drones, textures, and subtle movement, Eir Drift creates music for introspection, memory, and emotional depth.
Rooted in calm, designed for deep listening.

Lose yourself.
Find something deeper.

From the album "Limbic Altas"
https://eirdrift.bandcamp.com/album/limbic-altas

Support on Bandcamp

Eir Drift - Glass Ashes (Excerpt)

Splurking the Lyra4 alongside Opera Rotas, both sent through Clean, Raster2 and Particle2 before extrusion by S-4. Delicious.

The Curiosity of Confusion

Metta

Kup 

Yvann - Plastek

Yvann - Box Breathing

░ G R I T ░

Produced, mixed and mastered entirely by Ry The Undefined.
Artwork by Ry The Undefined.

Officially released June 2, 2025.

░ G R I T ░

sound journal 2

silent network

sound journal 1

Release Date: June 5, 2025
Artist: Rhian Sheehan, Arli Liberman
Title: Sentio
Catalogue Number: LPD257
Label: Loop Electronic
Format: Digital Single
Genre: Electronic, Ambient, Post-Rock

Sentio

Started as a short music sketch—then turned into something spacy, noisy, and textured with a dose of granular magic.

#ambient #textural #granular #soundscape #ambiMatter

Breath of the Forgotten Sky

Master by MAS BASS 
BC: gavrielll01.bandcamp.com/
IG: www.instagram.com/gavrielll01/
Download: gavrielll01.bandcamp.com/track/textural-blows

Support

GAVRIEL - Textural Blows (Free DL)

“EASTER EGGS FOR MY NEIGHBOURS” is an experimental composition that blends ambient textures with subtle rhythmic elements. Crafted during the reflective period of Easter 2025, this piece explores themes of solitude and the hidden connections that bind us. The track invites listeners to uncover the layers of sound, much like discovering hidden 'easter eggs' in everyday life.

Instruments - Double Bass, various prepared bows, Clicker modular setup, Voice, Schertler pickup, DPA 4061, numerous effect pedals and foot controls, Vermona spring reverb, Nagra 4.2 (tape loop), tape manipulated noise sound recordings
Rosins: Nyman, Pops, Kolstein, Liebenzeller

EASTER EGGS FOR MY NEIGHBOURS

“SCALP AND DEAD CORAL” is an electroacoustic composition that delves into themes of decay, transformation, and the interplay between the organic and synthetic. Combining unprocessed double bass to create textures and densities. The piece creates a meditative soundscape that reflects on the erosion of natural forms and the emergence of new structures. This work is part of an ongoing exploration into multisensory installations, aiming to integrate sound and visual elements to evoke visceral experiences.

Instruments: Double Bass tuned 4th higher, Motor Bow with variable speed, AKG 414 condenser microphone
Rosins: Maurel liquid rosin, Nyman, Pops, Kolstein, Liebenzeller



SCALP AND DEAD CORAL

We wait and listen for decades
Just for song to sooth our barely-feeling minds.
The angels come for but a moment
To grace our cables with sonic beauty;
To fill our complex with acts of mercy.

[FILE TYPE: .WAV]
[DESCRITPION: Devotional in nature, tracked to Sol System]
[TRANSMITTER: 3th3r34l, Hivemind Headquarters, Sol System]

still

An ambient electronic track that speeds up as it progresses

Big Forty-Three

'Render ' to render again or anew - discovering experimental music from within the margins.

@gillielove @cotton_pills

https://on.soundcloud.com/eLnqV2ZIhiiR6zkfjm
https://on.soundcloud.com/A2N1mcFmEtTfHV5ITv

'Render' to render again or anew #1

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.

Just two people becoming the persons we were meant to become.

CIRC makes electronic songs that tell so much with only a few elements without sounding repetitive. It's addictive and you just want more.

circ.music@gmail.com

WEB RADIO - ATELIERS - EVENT

Station Station est une web radio associative basée à La Station — Gare des Mines
www.stationstation.fr

𝚂𝚝𝚊𝚝𝚒𝚌 𝚒𝚜 𝚝𝚑𝚎 𝚖𝚞𝚜𝚒𝚌 𝚘𝚏 𝚐𝚑𝚘𝚜𝚝𝚜;
𝚃𝚛𝚊𝚗𝚜𝚖𝚒𝚝𝚝𝚎𝚍 𝚏𝚛𝚘𝚖 𝙷𝚎𝚊𝚟𝚎𝚗'𝚜 𝚘𝚠𝚗<
>𝙷𝚒𝚟𝚎𝚖𝚒𝚗𝚍 𝙷𝚀;

𝚃𝚑𝚎 𝙰𝚗𝚐𝚎𝚕𝚜 𝚜𝚙𝚎𝚊𝚔 𝚒𝚗 𝙷𝚣;
𝚆𝚎 𝚝𝚛𝚊𝚗𝚜𝚕𝚊𝚝𝚎 𝚠𝚑𝚊𝚝 𝚠𝚎 𝚌𝚊𝚗;

LEADER OF THE HIVEMIND!! ♧◇♡♤

Thanks for listening. Below is my other page for sketches and works in progress:

Creator of electroacoustic material with Double Bass Skeleton Bass, Tape Machines, Effects, Springs, Zips, Motor Bow, and Microphones.

DJ and producer from Jujuy, Argentina, now living in Córdoba. I’m passionate about techno music and its subgenres like dub, hypnotic, and raw. I love the old-school sound and am especially fond of tribal and repetitive sounds. I’m also heavily influenced by house music.

New tracks tagged #textural