EDITORIAL CHANGE as of 6/26/2025: NEW Cover for Part 1 of this project (featured in this notification).

'SLAPOCALYPSE! (Part I): Another Brick in the Will'

This is Part 1 of a longform MetaMix Album project from Phineas Narco's creative project 'The HOPE Club' (THC) via his National Cynical Network all about rap singer and movie star Will Smith, his tumultuous and controversial relationship with and marriage to his wife Jada Pinkett-Smith, and the infamous 'Oscar Slap' incident when he slapped Chris Rock at The Oscars on live television on March 27, 2022. 

This program will be continued in Part II.

It can be downloaded here as one lossless .flac audio format file.

This is NOW also up at Mixcloud and freely streamable (in HQ sound):

https://www.mixcloud.com/pnarco/thc-slapocalypse-part-i-another-brick-in-the-will/

And it is up at my archive.org where it is downloadable in a more complete form (identical to the Bandcamp cut) all in one file, with complete ID3 tags filled out as one lossless .flac audio format file) at:

https://archive.org/details/thc-slapocalypse-part-i-another-brick-in-the-will

This program contains material and language that may be considered to be explicit and/or Not Safe for Work. Please use listener discretion.

SLAPOCALYPSE! (Part I​)​: Another Brick in the Will

SLAPOCALYPSE! (Part I): Another Brick in the Will

The Wall

'SLAPOCALYPSE! (Part III): The Trial'

This is the third and final Part of a longform MetaMix Album project from Phineas Narco's creative project 'The HOPE Club' (THC) via The National Cynical Network all about rap artist and longtime A-list movie star celebrity Will Smith, his tumultuous and controversial relationship with and marriage to his wife Jada Pinkett-Smith, and the infamous 'Oscars Slap' incident when he slapped star Chris Rock at The Oscars on live television on March 27, 2022. This overall project 'SLAPOCALYPSE!' deals with some of the history leading up to the slap incident as well as the aftermath and also how and why it occurred. 

This portion of the program deals with some of the personal biography of Chris Rock, including his history of being brutally and chronically bullied in school, his public approbation for his restraint, maturity, empathy and professionalism during, and in the wake of, the Oscars slap incident and how he 'slapped back' with a Netflix special 'Selective Outrage' (the first of its kind on that platform) where he at last broke his public silence on the matter and roasted Will Smith and his wife with his comedy after a full year after the Oscars incident. This program segment also describes in detail Will Smith's (well-before the 'slap) therapeutic encounter with the drug DMT. 

The main part of this 'Part III' segment (termed 'The Trial' as it is somewhat modeled after the track of the same name from the psychedelic prog rock band Pink Floyd's seminal 1979 rock opera 'The Wall') describes the skeptical and critical media fallout which came from Jada Pinkett-Smith (Will Smith's wife's) media tour (post-Chris Rock Netflix Special) to publicize her post-Oscars slap semi-autobiographical book 'Worthy'. The book was neither critically or commercially well received and was largely seen as a disingenuous, unnecessary and self-serving attempt to regain control of the narrative about the Oscars incident and the nature of her relationship with Will, which she only managed to muddy the waters even more of with her incomprehensible and ambiguous double-speak on the subject. 

The latter end of this 'Trial' sequence gives a different take on the mysterious phrase imparted to Will by fellow actor and Oscar winner and friend Denzel Washington at the Oscars that night (using AI audio technnology), speculates (via information from Will's longtime friend and employee Brother Bilaal) about what (else) Jada might have on Will and after one last 'The Wall' mashup piece actually (believe it or not) this final segment reaches a more uplifting, positive, hopeful and enlightening (we hope) conclusion.

This program contains material and language that may be considered to be explicit and/or Not Safe for Work. Please use listener discretion.

This program is available in 'tracked' form at Bandcamp in the audio file format of your choice (Name-Your-Own-Price):
https://nationalcynical.bandcamp.com/album/slapocalypse-part-iii-the-trial

This program is at SoundCloud (Free Download):
https://soundcloud.com/pnarco/slapocalypse-part-iii

Also freely streamable at Mixcloud in HQ Sound at:
https://www.mixcloud.com/pnarco/thc-slapocalypse-part-iii-the-trial/

It is also up at my archive(dot)org site:
https://archive.org/details/thc-slapocalypse-part-iii-the-trial/

My Patreon is at:
https://patreon.com/nationalcynical and is free to follow.

SLAPOCALYPSE! (Part III): The Trial

Naked Sushi x Resonance presents: Temakizushi Mix Series LEGENDARY GUARDIAN BEAST No.04 Genbu - The Black Tortoise ///  @dj_inspekt
手巻き寿司 
玄武
Elemental Nature: Water 
Season of Dominance: Winter 
Color: Black

The moonlight’s tail trails along the ocean’s shimmering surface to the sandy shores as The Guardian Beast of the North & Winter: Genbu, The Black Tortoise appears with his chosen DJ: @djinspekt

Resilient by nature & Gifted by practice, DJ Inspekt sets the tone in every room he walks in with unwavering resolve and charismatic charm. The Black Tortoise is different than the other Beasts for he has a Snake wrapped around its shell so too does The Wall stay ready & waiting, biding his time until the perfect opportunity to strike. A Beast of endurance and calculated action.

#DJ #music #storytelling #hype #ratchet #trap #jersey #kpop #nakedsushi #resonance #makizushi #mixes #honolulu #hawaiinightlife

Naked Sushi x Resonance presents: Temakizushi Mix - Genbu /// DJ Inspekt

The Barrier

Beyond Partisan Lines and Political Responsibility | Episode 161

Chapter Markers
0:00 Reading United States House of Representatives
8:32 Deportation of Migrants for Sex Offenses

Can the actions of our elected officials shape the very core of our nation's identity and values? Join me, Justin Alan Hayes, as I challenge conventional perspectives on the U.S. political landscape, weaving in insights from past conversations with David and Amanda Solomon. This episode of Voices for Voices® puts a spotlight on 158 members of the United States House of Representatives, acknowledging the complex roles they play in addressing pressing political issues. By reading aloud their names and states, I aim to create a deeper understanding of how their decisions affect us all, while encouraging listeners to stay informed and engaged with the political process.

In another compelling segment, we tackle the thorny issue of deportation for sex offenses, a topic that should ideally rise above partisan lines. My surprise at the lack of bipartisanship among 158 Democratic House members who opposed such measures spurs a conversation about the intersection of immigration, legal consequences, and second chances. Reflecting on the importance of accountability, I advocate for differentiating between a person’s worth and their actions, highlighting our collective responsibility to support those who have served their time. This episode is designed to provide clarity on these critical issues, urging thoughtful reflection on how our representatives stand for the interests of their constituents.

This episode explores the critical issue of migrant deportation related to sex offenses, focusing on the implications of a vote by 158 representatives against such measures. The conversation prompts reflections on the intersection of law, community safety, and ethical accountability in political decisions.

• Unveiling the context of the 158 names read
• Discussing the bipartisan implications of deportation policies
• Addressing the ethical responsibilities of lawmakers
• Examining the need for accountability from representatives
• Highlighting the effects of changes in trafficking laws

Please be a voice for you or somebody in need.

Voices for Voices® is the #1 ranked podcast where people turn to for expert mental health, recovery and career advancement intelligence.

Our Voices for Voices® podcast is all about teaching you insanely actionable techniques to help you prosper, grow yourself worth and personal brand.

So, if you are a high achiever or someone who wants more out of life, whether mentally, physically or spiritually, make sure you subscribe to our podcast right now!

As you can see, the Voices for Voices® podcast publishes episodes that focus on case studies, real life examples, actionable tips and "in the trenches" reports and interviews from subscribers like you.

If that sounds like something that could help you grow personally or professionally, then make sure to join me by subscribing!
—
Thanks for listening!

Support Voices for Voices®: https://venmo.com/u/voicesforvoices
Learn more about Voices for Voices®: linktr.ee/Voicesforvoices

#housecommitteeonthejudiciary #endoftheworld #whitehousepressbriefing #customsandborderprotection #sexoffenses #rape #politicaltheoryproject  #thenewspodcast #customsandborderpatrol #politicalhistory #deportationmoratorium# #deportations #icedirectorhoman #whitehouse #freedomofexpression #thewall #capitolhill #partisan #politicalparties #partisanpolitics #partisanpolarization #political #partisandivide #unitedstatespolitics #partisanship #lawandgovernment #republicanparty #politics #mexicancartelcrisis #geopolitics #newpodcast #donatetoday #nonprofitorganization #501c3 #charityorganization #help3billionpeople

Beyond Partisan Lines and Political Responsibility | Episode 161

Deep house mix of School (P) 2025 Villa Colina Records

Magic School

Magic School (Extended Mix) Giuseppe Toscana

Yeti Records – YR9744R
Vinyl, 12", Promo, White Label, 33 ⅓ RPM, 45 RPM, Stickered
Belgium
1997
Electronic
Trance

The Wall (Dub Wall Mix)

The Wall (Over The Wall Mix)

The Wall (Wall Of House Mix)

The Wall  || Rap HipHop Emotional Piano Stings Beat 2025

Apologies For Uploading yet another version of this but this should be the final version. I wanted to improve things more. such as tweaking some of the edits. 
Changes:
Added the intro of the live version of The Show Must Go On to better flow from SIde 3
restored an unused verse to The Show Must Go on
restored the extended intro to In The Flesh
Pitched up the chorus of In The Flesh slightly to match the rest of the track
Extended Run Like Hell using edits of the version of the track from the Off The Wall EP which features an extended version
added "It's not easy" to outside the wall

Pink Floyd - The Wall Side 4 Reconstructed Version 3

541 – 541416 500871
Vinyl, 12"
Belgium
August 19, 2002
Electronic
Progressive House

Pressurize (Corvin Dalek Remix) - Mr. Sam

The Wall (Saeed & Palash Knockout Mix) - Puncher

Show Me (Original Mix) - Forces Reloaded

Goodbye Blue Sky (Pink Floyd)

Steven Nadal - All instruments
Rod Nadal - Vocals
Fender '69/'83 Stratocaster David Gilmour "The Black Strat" Replica with a vintage Dimarzio FS-1 pickup in the bridge position
Pink Floyd cover

Father & Son Eclipse

Comfortably Numb

Remake made by https://soundcloud.com/artistiquemusic and me!

Visual remake on youtube: https://www.youtube.com/watch?v=9zRhowZ3LUc

ABIS & Signal & Tasha Baxter - The Wall (Buunshin Remix) [Porter Robinson Edit]
w/ Porter Robinson & Madeon - Shelter (Evil Edit)

This edit was played only once as the intro for Porter's Halloween DJ Set at Freaknight 2019

The Wall (Buunshin Remix / Porter Robinson Edit) [Artistique & Bagriel Remake]

From the covid-era show NCN did in 2020 called 'Don't Worry' which you can find here:

https://archive.org/details/ncn-dont-worry

and here:

https://www.mixcloud.com/pnarco/ncn-dont-worry/

This features a remix/recontextualization of the Pink Floyd song 'Empty Spaces' as featured in the 1982 Alan Parker film 'Pink Floyd - The Wall'.

Don't Worry

The Trump 'Empty Seats' Set

NCN - The Trump 'Empty Seats' Set (From 'Don't Worry')

Because a dream cannot be stopped 🎧💥🎤

https://www.instagram.com/mastrobeats/

💜We advocate for recovery.
501c3; EIN: 87-0932840💜

ᴍᴜsɪᴄ ᴀʀᴄʜɪᴠɪsᴛ, ᴄᴜʀᴀᴛᴏʀ, ᴅᴊ ᴀɴᴅ ᴠɪɴʏʟ ᴅɪɢɪᴛᴀʟɪᴢᴇʀ

- ʀᴀʀᴇ ᴇᴘ’s, sɪɴɢʟᴇs, ᴀʟʙᴜᴍs
- ʜᴀʀᴅ ᴛᴏ ғɪɴᴅ sᴏᴜɴᴅᴛʀᴀᴄᴋs ᴀɴᴅ sᴄᴏʀᴇs
- ʀᴇᴍᴀsᴛᴇʀɪɴɢ ᴅɪɢɪᴛᴀʟ ғᴏʀᴍᴀᴛs
- ᴅᴊ ᴀᴛ ᴠᴀʀɪᴏᴜs ɪɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟ ᴇᴠᴇɴᴛs ᴀs ᴅᴊ ᴘᴀᴄᴏ
- ᴍᴏʀᴇ ɪɴғᴏ ᴏɴ ᴍʏ ᴡᴇʙsɪᴛᴇ

Enjoying learning about all things music.  Every song teaches something

SCARS: FORM - OUT NOW
https://scullious.bandcamp.com/album/scars-form

You can contact me on 'sculliousmusic@gmail.com'

Phineas is the curator and primary creative force behind a multipronged 'Latent-Einstein Outreach Ministry' comprised mostly of 'mutated MetaMedia audio mixes' meant largely to be a therapeutic and sonic REPLACEMENT FOR DRUGS for the Masses and the 'Not-That-Reality-Oriented'. He is a self-styled 'MetaMediagician' in this respect, as well as a formerly official canonized (and carmelized) 'Church of the SubGenius' (lapsed) 'SAINT'.

The neologism (meaning literally a 'new word') 'MetaMediagician' is a 'Pre-Zuckian' use of the prefix 'Meta' (which may be confirmed through 'The Internet Wayback Machine's cached copies of Narco social media accounts so... 'nyyyah') and denotes an artist who utilizes content from the media at large like a 'painter's pallette' in order to make further developed or synthesized 'macro' media work out of that media content in a more or less 'collage'-type format. 

Phineas' efforts in this regard have evolved from the personally expressive to the social therapeutic and have been structured around more and more relatable 'universal themes' with the general goal of attaining a more enlightened understanding of the matter or matters at hand.

Phineas is a very late Baby Boomer (a 'Barely Boomer' as he terms it) and is a 'PROUD MENTAL PATIENT' (since 1984) who has never married and has no kids and who lives alone in Silicon Valley since age 9 after his family moved out to San Jose from the Midwest. He has been creating and distributing Experimental audio artwork of one sort or another SINCE THE 1970s. NOTE that the featured profiled pic is from 1983: the year right before he 'GOT SICK' and became disabled lifelong.

Phineas' birth name is James Scianna (surname is typically pronounced 'SEE-ah-na' although the proper Italian pronunciation is actually: 'SHIAHn-nah').

The alias 'Phineas Narco' was created by Phineas around the time of the onset of his overarching, disabling mental health condition at age 19 (guardedly referred to typically as 'the exact same diagnosis as had by Brian Wilson of The Beach Boys') and is serious.

Phineas' condition exists independent of and unrelated to his creative skills, artistic life and efforts although it often inspires the subject matter of those efforts that are about mental illness and its aspects.

The alias name 'Phineas Narco' was created around the time of the onset of Phineas' illness as a 'church name' for his inclusion in 'The Church of The SubGenius' an actual mind control cult that Phineas was involved with for many decades but resigned from in 2024.

The two names refer to figures in Greek mythology. 'Narco' is meant as a contraction of the name 'Narcissus' (in the non-pathological sense) and is not meant as a reference to drugs. The name 'Phineas' refers to an ancillary character in the story of 'Jason and the Argonauts'. In addition to this, there is some identification with the character Phineas from the John Knowles novel 'A Separate Peace' although the significance of this 'referential idea' would not fully blossom until life events from 2021 to 2024 had occured in Phineas' life.

In addition to his involvement in the SubGenius mind control cult, Phineas also had a months-long dalliance with The Church of Scientology in 1991 in San Jose, CA in order to see, from the inside, what it was all about, working for the organization for many months but cleverly 'escaping their clutches' by pre-programming into his brain, in the pre-indoctrination period, a predetermined 'escape response', in other words *Phinny's cue to 'exit stage left* when a Church representative uttered a certain inevitable phrase to him, which of course they DID.

Bye, bye Scientology.
They were NOT PLEASED.

Phineas's current religious identification is Christian. He considers himself to be a Man of God but does not ascribe to any particular 'church' organization, being perfectly comfortable with his own, personal sense, useful understanding and concept of God.

Phineas has had a robust, lifelong interest in Psychology and has earned a trained certificate in Peer Counseling which he has utilized in volunteer efforts in his local community. So he is 'certified and certifiable' simultaneously holding both 'consumer' and 'practitioner' status in the mental health community.

Phineas also has since childhood had a driven natural affinity for, and very keen interest in language and its usages, even studying vocabulary and etymology on his own as a child, long term as an interest. 

 When Phineas was given a standardized IQ test as a child, he was found to have a verbal comprehension score of 139 which is very, very high.

Phineas was also tested positively as being on the 'autism spectrum' in an official capacity much later in life although the severity of this was not deemed to be problematic enough to require treatment.

Phineas' post-Highschool educational efforts can be classified as 'some college' but also as 'MUCH some college' taking many, many courses of interest in a number of local community colleges all with no intention or desire of ever earning any sort of degree during his 20's and 30's. These self-interested,  self-motivated educational efforts typically resulted in high grades and included a number of efforts in artistic, drama, media production, Psychology and English courses and curricula. Otherwise, Phineas has  mostly acted as an 'autodidact' (a term meaning essentially someone who is 'self taught') in his extracurricular learning efforts.

Phineas has worked intensively and creatively with the likes of such groups and artists such as Negativland, Bran Flakes, TradeMark Gunderson of (The Evolution Control Committee), Doktors 4 "Bob" and Big City Orchestra with whom he has collaboratively help create online virtual theatrical video events for his 'musical mashup movies' for the 3-D immersive VR community environment 'Second Life'.

His work has been lauded by the likes of the late comedian George Carlin and mainstream media critics such as Brad Kava (The San Jose Mercury News) and Richard Von Busack (The San Jose Metro).

https://www.metroactive.com/papers/metro/09.05.02/midnightvoice-0236.html

Phineas has also worked extensively and creatively, for decades collaboratively, at the Pacifica Radio flagship radio station KPFA in Berkeley, CA as well as the prestigious, exclusive and critically-acclaimed college radio station KFJC located at Foothill College in Los Altos Hills, CA. These former creative efforts were reviewed favorably by the aforementioned mainstream media critics at the time.

Despite all this 'impressive display' of extraordinarily unique talent and brainpower, Phineas frequently has difficulty putting on his own pants.

Phineas notoriously once mailed a package containing one of his radio shows to Ted Kaczynski ('The Unabomber') in the mid-nineties to where the notorious insane criminal resided at the time at the Supermax Federal Penitentiary in Florence, Colorado after having secured the notorious serial bomber's exact mailing address through the help of a local (and quite amused) reference librarian.

The program in question was called 'Bombscare', the result of a year-long creative effort by Phineas and was broadcast mixed live around that time by Phineas and Negativland band member, the late Don Joyce on KPFA. The show was, in part, about Mr. Kaczynski, his schizophrenic illness, and the years-long federal investigation into his serial mailbombing crimes.

The program represented a 'high-watermark' in Phineas' creative efforts and the IRONY of Phineas' sincere (yet arguably more than a little irrational and probably uhm... misguided) motivation in going about MAILING A PACKAGE TO THE *FUCKING UNABOMBER* containing his SHOW which was *ABOUT THE FUCKING GODDAMN UNABOMBER* was eclipsed in Phineas's semi-deranged mind by a literally a genuine and curious desire to 'find out what Ted thought about it'. 

Uhhhh... YEAH.
We *wish* we were kidding about that, but we're actually uhhm... NOT.

The package in question was summarily and promptly returned to Phineas, by Supermax prison authorities via US Mail, unopened and without comment.   Which MAKE SENSE. After all, ANY PRISON which houses the *GODDAMN FUCKING UNABOMBER* that gets... *a package* for... UH...  *HIM*... 

...is CERTAINLY... 
** NOT GONNA FUCKING OPEN IT!!! ***

And so, that... as they say... was THAT.

Around this time as well, Phineas mailed an identical tape copy of the 'Bombscare' show highlights to a very different person: the late iconic and legendary comedian George Carlin under the somewhat disingenuous guise of procuring 'permission' for using a Carlin audio sample in the show. 

However there was, like with Kaczinsky, the somewhat diffuse motivation of 'wanting to know what he thought about it'. 

The somewhat 'ruse' of offering the tape up to Carlin 'for review' to 'get permission' arose when Phineas self-consciously realized Carlin was 'in the show' he wanted to send and was offset by the perceptive comedian 'understanding' most likely that Phineas really just wanted feedback. Also, Phineas too was in fact sincere in that he would have snipped out the Carlin sample if permission was not forthcoming from George. 

With that, Phineas procured permission to send the tape to Carlin through the comedian's publicist and a voicemail message from George. The sequence in the 'Bombscare' program that includes the Carlin sample may be heard here in a track from the album/show's full listing on Bandcamp:

https://nationalcynical.bandcamp.com/track/more-fun-for-me

Some weeks after sending that tape of the show to George, Phineas discovered a message response from George in his voice mailbox.

In the voicemail message, Carlin was almost 'beyond enthusiastic' about the tape Phineas had sent to him. His praise of the work was almost uncontainable and Carlin articulately and happily lauded and sang its praises sincerely for over a minute, with all the salty facility of language and attitude he was so well known for in is in his lifetime, waxing eloquent about how great and fabulous he found it, and specifically praising the 'middle ear' range of artistic efficacy in which the sonic power of the program had 'hit'.

The uncut recording of Carlin's enthusiastic voicemail message to Phineas about the show can be heard here:

https://nationalcynical.bandcamp.com/track/carlin-voicemail-to-phineas-narco-about-bombscare-c-1997-8

Phineas' immediate reaction to hearing this message of personal endorsement from this hyper-known source there in his own personal voicemail at the time was one not so much of elation, pride and happiness but rather an almost *stunned awe* as if he had thought of one day to get an interesting looking penny assessed by a pawnbroker only to suddenly learn that the coin was in fact worth TEN MILLION DOLLARS.

It is interesting to note in regard this phone call message that George started out his performative career as a radio DJ working at WINO in New York and that his brother the late Patrick Carlin (who George tells Phineas in the message his wants to send the show tape to) also worked in radio and ran a podcast. So, both men would have had a firsthand appreciation of the program as a live-mixed radio effort.

Also, and I have been unable to definitively confirm this, although I seem to recall hearing this from somewhere at one point: Carlin's brother Patrick also kind of lived 'out in the woods' Walden Pond style far away from the mainstream infrastructure of the more developed sections of society. So, if this were in fact true, his 'lifestyle' could be said to be not all that different than that of 'The Unabomber' himself.

Minus the 'exploding' part. *Ahem* 

WELL, A MAN NEEDS A HOBBY!! When he LIVES ALONE so what are you gonna do? Sometimes it's RUNNING A PODCAST and sometimes it's BLOWING PEOPLE UP!!

Further to this: in researching Carlin's life, it became known to Phineas that prior to him becoming the legendary, well-known mainstream comedic show business talent that he turned out to be (which he was rather forced to do in order to raise a family which was expensive to do and also ultimately to pay off his massive tax bills) Carlin originally only had the ambition or 'dream' or intention of being just an obscure artist doing abstract, weird art like in an apartment somewhere on his own merely for his own enjoyment and just living his life like that.

Sort of like... how... Phineas Narco... does.
Go figure.

The phone call from Carlin ultimately motivated and accelerated Phineas' artistic career at a crucial time of growth. It gave Phineas the confidence of knowing that his work had worth and was on the right track with an appeal to an audience, who was like George in terms of sensibility and values, and he was able to rest assured that this endorsement was one HUNDRED PERCENT genuine, no bullshit and SECURE because Phineas knew that Carlin was NOT the kind of guy for Hollywood bullshit. 

So, this ringing endorsement was like a shiny gold coin of the purest stock gifted to him right into his pocket. IT WAS HIS. And he was able to use that currency for capital in the artistic journey to come.

Thanks, George.

==================

To view, stream or download (at NO required cost) Phineas Narco's mediage artwork which is freely available to everyone online, go to any of the following sites:

YouTube
Mixcloud
SoundCloud
Bandcamp
or
archive.org

...and search for "Phineas Narco" [using quotemarks] and also 'NCN' and/or "National Cynical Network" [with quotes around as well] in combination if need be:

Recent interviews with Phineas on Youtube for 'Innerviews' with former Carlin and Zappa employee Gerry Fialka:     

Part 1: https://youtu.be/AsaZK74Qqu8
Part 2: https://youtu.be/0t9Suf8490o

Phineas Narco's ENTIRE DIGITIZED BODY OF BODY OF WORK (Including much special, rare and heretofore otherwise unreleased, unfinished. upcoming and never-heard before material) termed 'THE VAULT' is now available via DROPBOX in a 1.5TB-sized comprehensive online archive and can be now accessed using THE FOLLOWING LINK:

http://bit.ly/4dllBLQ

Enjoy!g

Owner of VILLA COLINA Records - International DJ. Old french residency "FOLIES PIGALLE Paris" - Old owner of "EL TEATRO" Rennes - Old owner of CLUB NEWS Paris music shops and music labels - Owner of VILLA COLINA Cannes - Owner of FRENCH RIVIERA RADIO - Played in France, Russia, Ukrainia, Moldavia, Spain, Holland, Italy, Belgium, U.K, Arabian United Emirats, Poland, Reunion Island, New Caledonia, Tahiti Island - Music played: HOUSE / AFRO HOUSE / TECH HOUSE / PROGRESSIVE HOUSE & CLASSICS HOUSE ... Booking: villacolinarecords@gmail.com ...

New tracks tagged #the wall