This is the Expanded Edition of Ennio Morricone’s "Il gatto a nove code" (The Cat o' Nine Tails) soundtrack for Dario Argento’s 1971 Giallo film. This release includes additional previously unreleased tracks, expanding the original soundtrack to capture the full range of Morricone’s haunting and atmospheric compositions. Known for his innovative use of dissonance, tension, and melody, Morricone’s score expertly amplifies the suspenseful mood of the film.

Placcaggio (Original Single Version)

1970

Passeggiata notturna (Alternate Version)

2025-03-19 09_58_52 Make Noise

From the Four Winds - IV Bossa Tango Mambo Salsa

2025-03-23 09_52_37 make noise

Bossa Tango Mambo Salsa v8 Full Orchestra for playback

HE IS RISEN! Alleluia! Composed, Produced, Arranged, Mixed, and Mastered by Ryan Louis.

EMA (Part I)

2025-04-20 18_48_39 ios looping

052525005

052925004

Sun Compass for wind ensemble and rhythm section takes its primary inspiration from desert navigation and, more broadly, from the idea of the exploration of an “imaginary landscape.” I am drawn to solar navigation because of its propitious, mystical overtones in ancient cosmology. There are many forms of sun compasses, such as those invented by William Austin Burt and Ralph Bagnold, which make use of the sun’s direction rather than magnetism to calculate one’s bearing on the earth. Their complex calculations serve as an aid to explorers traversing long distances in sunlit landscapes such as the desert, the arctic, or grassland steppes and plains.

Sun Compass seeks to navigate sonic “deserts” through the cooperation of its diverse instrumental parts, namely a rhythm section of jazz players and a small wind band. On its journey, the ensemble confronts many differentiated musical objects, which reorient the ensemble and listener to different styles, feels, and textures. Through repetition, juxtaposition, and variation, these objects are recast and reconsidered as the band traverses imaginary landscapes of the mind and the soul.

Sun Compass was written for Bill Drury in celebration of his decades-long tenure as a conductor of New England Conservatory's Wind Ensembles, a role in which he has dedicated himself to the service of his students and touched many lives through music and his ineffable good nature.

NEC Symphonic Winds
Frank Carlberg, piano
Bob Nieske, bass
Dor Herskovits, drums
Bill Drury, conductor

Sun Compass

3 CRÉATIONS ORCHESTRALES ET VOCALES - Musique contemporaine, musique mixte "Third Stream" jazz, jazz de création
3 ORCHESTRAL AND VOCAL PREMIERES - Contemporary music, Third Stream and Jazz
 • FLASH 
 • VERNISSAGE - dialogues et bavardages 
 • LIBR’AIR 

All compositions by PATRICK-ASTRID DEFOSSEZ - SACEM France

De l'écriture à l'improvisation, de l'opéra (avec électronique) à la musique mixte improvisée contemporaine (Third Stream) au jazz de création.
From musical composition to improvisation, from opera (and electronics) to                                                                                  
contemporary mixed improvised music (Third Stream) to contemporary creative jazz.                                                                                                                           

Enregistrements de création live / All live premieres recordings
 • Time : 00,00 - 09,23 - Orchestre de Bayonne (64) - Auditorium-Chapelle du Conservatoire CRR Maurice Ravel de Bayonne
 • Time : 09,23 - 15,08 - Orchestre de Chambre de Champagne (51) - Auditorium du Conservatoire CRR de Reims
 • Time :  15,08 - 23,52 - Mission Jazz 93 (Bagnolet) - Le Triton Les Lilas Paris

MUSIQUE CONTEMPORAINE / CONTEMPORARY MUSIC
FLASH - 2015 - extrait - Patrick-Astrid Defossez - SACEM France
Musique de chambre pour ensemble (flûte, clarinette, saxophone, violon, percussions, harpe, piano, clavier additionnel, live electronic et spatialisation sonore) et voix soprano soliste Julie Calbete, sur un texte poétique original en Allemand "Ein Wind weht" de Myriam Blom (Hambourg-Bayonne) - Orchestre régional ORBCB de Bayonne Côte-Basque (programmation 2015) … « musique vivante et mouvante, musique poétique, musique fantastique » ... dans le cadre de la semaine « les Arts d’aujourd’hui - Soleils d’Hiver » / direction Iker Sanchez.
Chamber music for ensemble (flute, clarinet, saxophone, violin, percussion, harp, piano, additional keyboard, live electronics and sound spatialization) and soprano soloist Julie Calbete, based on an original poetic text in German ‘Ein Wind weht’ by Myriam Blom (Hamburg-Bayonne) - Bayonne Côte-Basque Regional Orchestra ORBCB (2015 programme), conducted by Iker Sanchez ... "... lively, moving music, poetic music, fantastic music..." ... as part of "les Arts d'aujourd'hui - Soleils d'Hiver" week ... as part of the "Les Arts d'aujourd'hui - Soleils d'Hiver" week.

MUSIQUE MIXTE THIRD STREAM CONTEMPORAIN/CONTEMPORARY MUSIC - THIRD STREAM JAZZ
VERNISSAGE - dialogues et bavardages - 1999 - extraits - Patrick-Astrid Defossez - SACEM France
Pour 19 cordes solistes pour la partie contemporaine écrite et 3 improvisateurs de Jazz/Musique improvisée.
Création par l’ensemble orchestral Orchestre de Champagne / direction Gilles Nopre - Grand Auditorium du Conservatoire de Reims-France
For 19 string soloists for the written contemporary part and 3 jazz/improvised music improvisers.
First performance by the orchestral ensemble Orchestre de Champagne / conductor Gilles Nopre - Grand Auditorium du Conservatoire de Reims-France

JAZZ - MUSIQUE IMPROVISÉE / JAZZ - IMPROVISED MUSIC
LIBR’AIR - 2004 - extraits - Patrick-Astrid Defossez - SACEM France
Pour grande formation hétéroclite de jazz 
Sur un texte poétique d’Allen Ginsberg
Soliste : Geoffroy Tamisier (trp)
Direction : Anne-Gabriel Debaecker
Dans le cadre de Mission Jazz 93 - Bagnolet - France
Enregistrement live au Triton Les Lilas - France
For a large, heterogeneous jazz band 
With poetic text by Allen Ginsberg
Soloist: Geoffroy Tamisier (trp)
Direction : Anne-Gabriel Debaecker
As part of Mission Jazz 93 - Bagnolet - France
Recorded live at the Triton Les Lilas - France

10-PATRICK-ASTRID DEFOSSEZ-NOUVELLES CREATIONS ORCHESTRALES-VOCALES : NEW ORCHESTRAL-VOCAL CREATIONS

10 Studies on irregular rhythms for piano, 2011, performed 2012 by Frank Abbinanti.
In 2012, I visited Chicago to see Frank, who was going to perform some of my music in an upcoming concert. During my stay, Frank and I shared a loft in downtown Chicago that belonged to a friend of his and Frank played piano all day long. One evening, he just switched on the hard disc recorder and played my piece. I had heard him play it several times before, and each time it lasted between 10 and 15 minutes. But this time he took a completely different approach, bringing more of his own musicianship to the piece and thus raising it to a new level. However, the score is very open to improvisation; the parts for the right and left hands are notated separately and can be freely combined.

10studies

Three Preludes (George Gershwin Piano & Bass Cover)

In mirrored halls where two worlds meet
Order rising under instinct’s heat
Columns breathing in a quiet glow
Wings of impulse pushing me to grow
Half in structure half running free
Shaped in tension where I want to be
Hybrid spirit forming in the air
Scaffold lifting music everywhere

Measured lines pulling at my spine
Freedom calling past the gate’s design

Here in the architecture of sound I rise
Wood and steel moving into single lines
Elegance drifting with a hidden fire
Two hearts beating in a shared desire
Scaffold of sound
Scaffold of sound
I build my truth and let it drown

Light and shadow fold across the beam
Two identities walking through a dream
One foot steady in the chamber’s dome
One foot dancing where the wild tones roam
Walls expanding into open space
Discipline framing every daring phrase
In this balance I return again
Elegance moving through the wind and grain

Bound by form yet ready for flight
Paradox glowing in the quiet night

Here in the architecture of sound I soar
Symmetry bending into something more
Elegance rising from the floor below
Hybrid spirit in a gentle glow
Scaffold of sound
Scaffold of sound
In the space between I find my role

Strings hold shape while horns reshape the line
Silence cradles swing as the tempo unwinds
Cathedral of tone where I stand unconfined
Contrast and harmony fully intertwined

In the architecture of sound I refine
Discipline warming in freedom’s shine
Elegance rooted in the grand design
Duality merging into one clear sign
Scaffold of sound
Scaffold of sound
My voice enduring my spirit unbound

Scaffold of sound

LISTEN TO THE SHADOW MAN.

GOAL: 1,000 FOLLOWERS BY THE END OF THE YEAR!

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

I use every tool available, human or machine, as an instrument.
Technology doesn’t replace creativity. It expands it.

Nikolaus Gerszewski is a trained visual artist and self-trained composer of experimental music, born 1964 in Hamburg, currently living in Budapest, Hungary, where he has been teaching experimental soundproduction at the university of fine arts, since 2014. 

"The term ‘experimental music‘ means to my understanding, music that results from an experimental arrangement. The notation follows a procedure model, which substitutes the compositional decision making process. Depending on the listener’s mindset the sounding result may be found intersting or boring, beautiful or annoying. I have never been very much interested in sound as such, or even beauty as such, whatever that means. The sound of music is the trace of a thought process, and all that matters, is that the idea takes shape as clearly as possible." Since 2021 Nikolaus is a member of the composer's collective Frog Peak Music

multi-instrumentalist located in New Orleans, LA
focused on keyboards, saxophones, and harpejji

Follow 👉 Cinema Hotel Studios. We are a team fully dedicated to Cinema and the music within. Classical pieces, Soundtracks, Ambients and Instrumental melodies. 

We bring cinematic atmospheres to each listener, and beloved fans to the Cinema & TV screens experience.  

Sonorities from the elegant retro 60s sounds till nowadays art of creating movie scores. 
"Cinema Hotel Studios, is for (film) music lovers". 
Thanks for joining us, we welcome you!

Pianist-composer-improviser, he develops a vast field of protean creations (Ensemble Intercontemporain, ...) and concerts combining classical, contemporary music, jazz and free improvised music, ranging from solo piano to extended ensembles. He is part of the AUTRES VOIX de PIANO Duo with the pianist-composer-improviser ANNE-GABRIEL DEBAECKER.
SCORES/PARTITIONS => babelscores.com/fr/PatrickAstridDefossez
PRESENTATION => en.wikipedia.org/wiki/Patrick_Defossez

New tracks tagged #third stream