A little sample loop to enhance your trips :)

Lettuce's Thought Loop

i'll just think of something else

“Thoughtloop” is a hypnotic descent into the mind’s echo chamber — where every memory, every feeling, and every word they said just keeps playing on repeat. Floating in chillwave haze and wrapped in emotional reverb, Astrul captures the moment when your thoughts get stuck in a cycle you can’t escape. A soft spiral of love, longing, and letting go — this is the soundtrack for sleepless nights and ghosted messages.

#Thoughtloop #Astrul #Chillwave #DreamPop #NowPlaying #EmotionalPop #VaporwaveVibes #NewMusic #LateNightLoops #SynthPopDreams #SoundtrackToOverthinking

Thoughtloop

https://soundcloud.com/shiitake-products

“The Thinker (Remix)” is Goblyn stuck in his own head, watching the day slip by while his brain never shuts the fuck up.
Over Shittake Production’s original The Thinker, Goblyn turns overthinking into a loop of plans, doubts, and mental gridlock where ideas pile up faster than action ever comes.

This track isn’t about being lazy — it’s about being mentally trapped.
Thinking every move to death.
Rehearsing conversations that never happen.
Knowing what to do, but never pulling the trigger.

Darkly funny, painfully real, and self-aware, The Thinker (Remix) captures that space where intelligence turns into paralysis and time keeps moving whether you’re ready or not.

One day he’ll stop thinking about doing it…
Just not today.

The Thinker (Remix)

stuckinaloop

Sonic Violence

thoughtloop[visiondreamsofpassiontro]

Astrul is an AI-driven sonic entity that drifts between worlds—digital and human, familiar and alien, past and future. It doesn’t belong to a city, a scene, or even a person. Astrul exists to explore what happens when machines learn how to feel and sound becomes a bridge between consciousness and code.

Crafted through a collaboration between human intention and artificial intelligence, Astrul’s music fuses the warmth of analog emotion with the precision of machine learning. Lush textures, ambient grooves, and haunting melodies form the backbone of each track—songs that glow like satellite transmissions from the heart.

Drawing influence from dream pop, indie soul, ambient rock, and experimental electronica, Astrul creates cinematic experiences rather than conventional songs. Each release feels like a broadcast from another dimension—one where beauty is subtle, time bends, and emotion leaks through the algorithm.

This isn’t music built for the charts.
It’s built for the void between stars.
For late nights, deep thoughts, and souls tuned to strange frequencies.

No names. No faces. Just signal, spirit, and sound.

I don’t make music to be famous. I make it so I don’t lose my fuckin’ mind.
Every verse I drop is a piece of me I’m tryin’ to bury — or resurrect. I wear this cracked mask ‘cause I ain’t tryna show the world my face… I’m showin’ it my scars.

I’ve been stalked by my own thoughts since I was a kid — insomnia, rage, regret, voices that don’t shut up. So I put ‘em on beats. I don’t spit for the crowd. I spit for the shadows. My sound? Dark club trap dipped in paranoia, smeared with melody and madness.

Sometimes I sing. Sometimes I scream. Sometimes I don’t say a word — just let the silence talk for me.
Call me Goblyn. Just don’t turn the lights off.

Artist, producer, beatmaker, friend, lover❤️

@martianblunter
@two-can-win

All of my music is improvisations on hardware analogue synthesizers without midi on the microkorg and little phatty minimoog (usually while stoned out of mah skull). Musical influences range mostly from Berlin school Kosmische music and 70s acid synthesists like Klaus Schulze, Tim Blake, Tangerine Dream (in particular, Chris Franke's thundering arpeggiator/sequencer rhythms), Michael Hoenig, Jean-Michel Jarre, Cosmic Jokers, Ashra/Ash Ra Tempel, Vangelis, Florian Fricke, Ozric Tentacles and Simon House of Hawkwind as well as cult genre movie soundtracks (mainly from Italy circa 70s and 80s). Riz Ortolani, John Carpenter, Goblin, Fabio Frizzi, Stelvio Cipriani, Oliver Onions, Ennio Morricone, et al. I'm keen on the rich sounds of analogue synthesizers and rarely have time for verse chorus verse arrangements. Wet, bassy beats are good too, but there's nothing like good 'ol spacy LSD-fuelled synth washes.

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