“FOOLED THREE TIMES by TXC888” marca o terceiro capítulo do projecto - Techno from Coimbra 888!

“FOOLED THREE TIMES” é um murro no estômago. Um confronto directo entre industrial e uptempo, onde o som rasga sem piedade, carregado de frustração e raiva.
Aqui não há espaço para redenção, só ruído, distorção e uma batida implacável.
Uma rave no meio da ruína sem filtros e sem travões.

TXC 888

FOOLED THREE TIMES (FREE DL)

The Blues is based on the 12-bar Blues chord progression and is the I, IV, and V chords of a key, This is what makes it distinct from other genres. Originating from passed down oral traditions in the African-American community between the 1860s and 1890s. Blues can also be recognized by its lyrics, bass lines and instrumentation. The lyrics are where the Blues name came from, It tackles the hardships, misery and oppression after the Emancipation Act of 1863 and the phrase is basically used to describe a depressed mood but can also be humorous and dirty. The Blues often uses the 'AAB' lyrical structure, This means a line is sung over the first four bars, then repeated over the next four and then a longer line concluding over the last bars. They are sung in a rhythmic talking style. For bass lines Blues shuffles, a pushed 'shuffled' 8th note groove and is played 1 & 2 & 3 & 4 so on and so forth alternating between your two fingers on the '1' and the '&' etc. then move the same feel/pattern to all the notes in the 12-bar blues chord progression with the root note. 1 3 4 6 flat 7. Also Walking bass lines, good to play over a minor blues. originating in Baroque music in the 17th and 18th centuries, and then used by African-American communities it in the 19th century for the origins of Jazz, Ragtime and the Blues. We played 12 bar blues in A, and I went for a simple yet foundational bass line to maintain a rhythm section without drums in the instrumentation, Tobey came up with the guitar chords which were bluesy and dancey while Imani came up with powerfully written and performed lyrics. 

The Blues


The most boiled down definition is Raw, DIY and Politically charged. A musical revolver to be pointed at the statis quo, pointed to the sky and a warning shot fired. A truer and more audience orientated take on rock and roll preformed by the youth of the 1970s. Simple song structures, fast tempo's, a few chords used and power chords which had been invented by Link Wray and surf rockers, to be the foundation of Punk and other heavy music genres. There is contention on where or who started punk in the 1970s whether it was the Ramones and New York Dolls in New York City or whether it was the Sex Pistols in London, Malcom Maclaren was the visionary, manager  and agent for both the New York Dolls and Sex Pistols. The New York Dolls (1971) predates the Sex Pistols (1974) by a few years, he dressed them up in provocative outfits like ' Hammer and Sickle' imagery in the USA during the height of the cold war to scare and provoke the American public but ended up falling out with them because of their gender non conforming appearance which gave them their anti establishment reputation. He moved back home to England with his partner Vivan Westwood and met Steve jones while he was shop lifting in her shop 'Sex' an outlet for clothes that looked like a combination of homeless attire and bondage gear, The Sex Pistols were known for their anti monarchy and pro anarchism politics and began a movement that had been brewing since the world wide attitude change of the 1960s towards the statis quo. The Ramones (1974) weren't working class like The New York Dolls and The Sex Pistols, they met in high school in Queens, New York City. Their fashion was inspired by New York rent boys and they wore crop tops and tight jeans which gave them their signature look. Punk as always been an instrument for political commentary and speaks to a new demographic of kids born on the world after World War 2, Documenting and criticizing America's rise and Britain's decline in the decades after and the beginning of 20th century ideals and ideologies continuing to brew in the minds of the new youth. The New York Dolls fought for the acceptance and awareness of gay and gender non-conforming people who had inhabited the city since the 1920s. The Sex Pistols were experiencing Britain's economic and cultural decline after the country's dominance in the 19th century, The country had changed and the existence of a monarchy and the class system evidently didn't work anymore. 

Punk

"I am the fire, and You are the frost,
You thought you could beat me, but look how you've lost.
Thought You could freeze me, now you've burnt in the flame,
'Cos You are a loser,...
...and No-one's my name!

No one ever listens, it's a lonely road,
You keep your distance, but I'm in the fold,
Think you know all the answers, but you’re just a ghost,
You’ve lost your way, man, and the truth hurts most.

No one’s coming, you’re all alone,
You thought you were tough, but look how you've grown.
Looking for something, you don't understand,
You are nobody, and No-one's my name

You wear your pride like a worn-out shield,
But inside you're breaking, got wounds that won't heal.
You run with shadows, but the light's closing in,
You’re playing with fire, and you don't know where it's been.

No one’s coming, you’re all alone,
You thought you were tough, but look how you've grown.
You're rolling the dice, but you don't know the game,
'Cos You are a loser, ...and No-one's my name!
Yeah!

You face the mirror, but you can't look away,
Chasing your fears, in the light of the day,
You thought you were a king, but crowns don't shine,
In the end, my friend, you’re running out of time.

No one’s coming, you’re all alone,
You thought you were tough, but look how you've grown.
Now you’re just a memory, fading like a flame,
You are nobody, and No-one's my name!

You wrecked your chances, left 'em in the dust,
Thought you were a player, turned to rubble and rust.
Running out of stories, lost in your own game,
You call for salvation, but God won't know your name.

No one’s coming, you’re all alone,
Thought you had heart, but you can't find a home.
Fighting the shadows, but you're losing your claim,
'Cos You are a burden, ...and No-one's my name!"

© Scott Kincaid

THREE

No One

SKERM - TEXAS *INSTRUMENTAL*

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IMMA STAY

WASHONTAVIOUS

The guys were delighted to welcome special guest Juliette Scott from Openreach, following their half-term break. Openreach is the UK’s biggest wholesaler of telecoms infrastructure, including all the legacy stuff, and Juliette is one of the people responsible for migration from old to new. So they start by talking about that, as well as the broader UK fixed line telecoms environment. They eventually move on to acknowledge the completion of the merger between UK MNOs Vodafone and Three, before concluding with a spot of light AI doom-mongering.

Openreach, Threedafone and AI

fortnite tutorial trimmed down

"In shadows deep, I linger here
With whispers calling, drawing near
In this dark dance, I'm entwined
For the thrill I now find

Don't let me go
Into the light again
Take me to hell
And I will heed thy call

Don’t let me go
Back to that mundane life
To the shadows
I give my soul

I let you in, I want you here
I burn in Hell, embrace the fear
You condemn me, light my fire
But this torment, takes me higher

My soul is yours to keep
Take me down, take me deep
Don't let me go back there
My life was in despair

Don't let me go
Into the light again
Take me to hell
And I will heed thy call

Don’t let me go
Back to that mundane life
To the shadows
I give my soul

A heart in chains, I wear them proud
In this abyss, I stand unbowed
You call my name, a siren's song
With every sin, I've felt so strong

Don't let me go
Into the light once more
Take me to hell
Where I can feel the raw

My soul is yours to keep
Take me down, take me deep
Don't let me go back there
My life was in despair

Don't let me go
Into the light again
Take me to hell
And I will heed thy call

Don’t let me go
Back to that mundane life
To the shadows
I give my soul

Don't let me go
Into the light again
Take me to hell
And I will heed thy call

Don’t let me go
Back to that mundane life
To the shadows
I give my soul"

© Scott Kincaid

Dont Let Me Go

Don't Let Me Go

The lads were delighted to welcome special guest, Analyst Paolo Pescatore, to the latest pod. Iain and Scott had already downed a couple before recording, so discipline was especially challenging. Luckily all the podders had been at the grand launch of VodafoneThree so they’re able to bang on about that for a bit. They eventually turn to the latest news from Apple, with Paolo having attended the supporting event in California earlier in the week, before concluding by pondering the role of emerging technologies in consumer devices.

Threedafone, Apple and AI

Put it right there1

Union Three proudly presents "Right Now", a powerful new techno single from Demon Noise and Emi Allende. Fusing relentless energy with emotionally charged vocals, this release captures the essence of peak-time euphoria while maintaining a raw, underground edge.

Demon Noise delivers a driving, high-impact production layered with sharp percussion, deep basslines, and hypnotic synth textures. Emi Allende's captivating vocals elevate the track to another level, blending passion and urgency into the groove and commanding attention from the first beat.

"Right Now" is a bold statement from two rising talents who are redefining the modern techno sound. Designed for late-night floors and high-energy moments, this track is built to resonate with both the crowd and the consciousness.

Available on all platforms June 20 via Union Three.

Right Now

Demon Noise, Emi Allende - Right Now

wtfukky

0̷͓̙͈̂͑1̸̧̙̦̹̙̱̈́̀̿̈͋̅͜1̶̢͛̌̆̒̂̇0̴̳͙̜̳́̈1̵̡͎̂͗͊͒0̵̟̱̯̯͗̈́͘ͅ0̶̦̫̪̝̦̿̂͆̅̒̓̌0̴̨̥̲̣̖̂́̍̿ ̴̬̻̘̭̓0̷̙̺̳̣͙͈͑̑̚1̷̨̢̞̙̺̜͗̄͘1̸̰͙̋́0̷̢̢̛̹͓̫̱͙̈́̂͌̀̈͠1̴̣̝̩̤̝̜́̇͗͐̒̓̊0̵̤̋̋̌̕͠0̵̱͚͇͉͈͗̌͑͛̿͠͠1̶͇̝̀ ̵̠͕̳̀0̴͖̮̈́͛̔͘1̵̡̪̻̺̪̑̇͊̈̀̚͝1̸̢̥̞͈̈́̈͠͠0̶̼̭̘͓̱̀͐͗̍͊͜͝0̸̢̪̥̮̉̽͘͝1̵̧̯͚̯͒̌̃̽͑̿ͅ0̴̖͙̥̺̟͙͆̀̐̃̌̾̐0̴̦́̅́̽̉ͅ ̷̡̯͈̳̙̙̓̾̈́̈͌̾̀0̵̡͇̞͓͕͔̔̎̓̄̏̋̓1̶̧̉͂1̵̧̰͋̊͘͝͠0̴̛̪̞͍̥̳̖̯͝0̸̱̲̤͚͉̀̅1̷̜̞̏̿͐́̐0̷̨̳͖̈́͋0̵͈̗̰̆̃̀͝ͅ ̸̯͍̄̅͗̈̚͝0̶̧͖͓̪͓̻͛̀̍͠1̴̧̡̤̲̮̔̌̈́͜͝͝1̷̱̪̮̤̻̀̽͆̚ͅ0̷̨̭̬̺͈͕̹̿́́͋̅̊0̴͉̤̏͛̐͝1̸̛̰̱̖̳̀͠0̸̖̼͕̋̂̋͝1̸̡̣͖̰̯͑̎̀̂͆͝ ̸̳̠̺̿́̀̏̔0̸̫̺͆̔̂̄̀̚1̶̨̛̬̼̜͈͙͙̑̎1̵͇̩́͒̓̉́̈́0̵͓̀́͗̋͊1̸̢͓̻͉̩̐̈́͒̔͊͌1̸̛̙̤̲̩̯̠̺͑̍̌1̴̯̹͔̜̳͐́0̸͚͍̒ ̵͈̇0̷̡͔̬̺̪̼̫̈́̿͂͠0̸̠̼̯̰̾̃͘͘͠͝1̸̢̥̱̯͕̱̈͛̏͗0̷̹̯̭̌̐̽̍͑̚͝0̶̨̟͚̅̊̄̏̋̀͐0̷̧̙͒͆͆͜0̷͎̭̼̹̈̐̍͜͠0̶͎̳̤̃̿̋̇̔ ̶̗͓͂͋̃̔͠0̷̭͕̰̳̝̹̹͂̈́͋́̅̀̚1̶̙͓͍̥̬̟̖̈́̈̆́͠͝1̸̭̂̄̽̌͝0̴̜̘̰̞͐0̷̫̦̬̥̻̽ͅ0̸̨̯̘̮̰̙͂̐̅̀͆̔͝1̴̧̟̥͕̣̌0̴͙̮̙̣́̉̒̍͒͘͝ͅ ̸̳̖̬̓͠0̵̯͔͖͈̮͔̱͒́1̶̠̖̆͌̓̂͝1̸̼̗̘̓́1̷̳̎͌̒͆̋1̸̪̗̻̹̪̙͌͐0̵̧͖̜̰͇̹̗͊̐̇0̶̢͎̤͍̳̖͗̓̔1̵̩̦͆̄͗̄̑̕͠ ̸̡̩̼̟̜̮̰́̈͊͒̑̀͝0̶̤̞͙͎̠̀͜0̴͍̪̱̫͚̟̮̀̃͋́1̵̲͇͆̄̚0̶̝̈͊͂̕0̴̫̣̠̖̽̒̆̈́̓͂̀0̸̬̪̬̲͔͇̅͛͒ͅ0̸̧͖͊͒̀͛͂̎͝0̷̡̩̦̐̽̀̚͝ ̴̨̹͈̙̰̥̻̇͘0̵̹̬͚̺̣͊̈́1̷̡̤͙̙̏̏̄̋̾̈́͠1̴̪̺̋̇͋0̵͉͉͙̹̆̾̐0̵̢̹̥͉̎͜1̷̧̨̟̠̭̭̩̈́̽̋͘1̵̛̰̤͚̇̒̊̋1̷̮̘̘͈̦͉̆͋̕͘ ̴̟̮̱̗̘̞̌̈͗̈́͑̚̚0̷̮͓́̀͐͝1̷̟͇̼̩̠͍̉1̶͉̱͕̙̫̥̖͘͠͠0̶͚͙͍̅̄̿̾͜1̴̛͍̥̬̖̍̈̾͘1̶̗̳͉̟̥͈̹̒͂́̅̍̐1̴̝̦̯̱̒̾1̴̮̘͘ ̵̯͗̚0̶̡̘̱̳̠̭̯̌̎͒̂͠1̷̨̺̫͕̊͠1̴̦̾͊̆̅̅͆͝0̴͔̔̃̒͑̿͠0̸̛̘́̃̍͗1̸̲̜̬̜̦͆0̶̢̻̠̙̒̚0̵̹̱̩̘͕͇̽̈́͑́̽̋͝ ̶̧̗͙̈́̌̾̿͐̕͠0̷̢̙̠̹̄̾̚0̶͓̙͂͌1̴̨̢̦̝̦̗̼̓͛́́̉͊̕0̴̲̹̠͊̀̽̓ͅ1̸̲̜̅̓1̶͈͈̜̓̊1̵̫̠̠̲͓̞̜̀̓̒͘0̷͎̤̩͍̙̹̆͠

FEEL FREE TO USE MY TRACKS ANYWHERE, JUST GIVE CREDIT 🥰😜

💗 ty for listening… dropping a song every week!!

DM ME TO REMIX YOUR SONG OR TO COLLAB 🔥

Once a week we get together in a studio somewhere in London to take the piss out of telecoms and technology for an hour or so.

New tracks tagged #three