Live @AlgoRave Lyon, Ground Zero, 2025.

Avec Pérégrine aux visuels 💜

Live@Algorave GroundZero 2025

Welcome to a little deep (haiku) space TidalCycles livecoding play! 😁😜

pulling light
from the other world . . .
the Milky Way

Yatsuka Ishihara (1919–1998) was a Japanese poet and co-founder of the journal Aki 秋 with Akira Matsuzawa. He also served as an advisor to the Modern Haiku Association (Gendai Haiku Kyōkai) and the Association of Haiku Poets (Haijin Kyōkai).

Haiku by Yatsuka Ishihara: https://www.brooksbookshaiku.com/MillikinHaiku/writerprofiles/JonesOnIshihara.html
 
To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF milkY [naviarhaiku601]

Another little TC livecoding experiment ... this time with a few sounds from my bathroom ...

More on the 706th weekly Disquiet Junto project, Tile One On — The Assignment: Make the most of your bathroom — at https://disquiet.com/0706/.

halF tileD [disquiet0706]

yet another little livecoding experiment ... enjoy! 😁

scent of plum
in a flash of rising sun!
the mountain path

This week's challenge features a poem by the greatest master of haiku, Matsuo Bashō.

Haiku by Matsuo Bashō: https://www.thehaikufoundation.org/omeka/items/show/206
 
To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

halF pluM [naviarhaiku602]

The "one sentence that in some manner describes your artistic practice", step two of this week's Disquiet Junto brief, is as follows:

I make music to explore sound and the boundary of what is considered ‘music’ … and I use chance so that, in turn, sound can explore me through the process, as well as, at best, anyone else who listens. 

Perhaps ironically, the SoundCloud algorithm doesn't consider this track 'music' enough to recommend to potentially interested listeners ... so it might actually be worth a listen! 😁😜

Great to be contributing to Musikfestival Bern again with this exploration!

More on the 707th weekly Disquiet Junto project, Chain of Practice — The Assignment: Make music from how you make music — at https://disquiet.com/0707/.

halF practicE [disquiet0707]

Au fond d'un tiroir
Un papier avec un cœur 
Et ton numéro

----
Master par Raylixir <3

Ton Numéro

Il famoso passo balanino, dedicato ad un insetto che entrò in camera mia, che purtroppo non era un balanino, però comunque ballava silly. 
24 righe di codice haskell, tidalcycles.

balanin walkar- step!!

a goobab jam - 8 june 2024
35 lines of code haskell-tidalcycles.

concentration!align your car

💊 QBRNTHSS (pronounced “quebrantahuesos”, meaning “bearded vulture” in Spanish) is the alias that Ramon Casamajó, musician based in Barcelona, uses for his solo works focused on experimental electronics. As QBRNTHSS he has released thr split LP “Harry Dean Stanton” (Call It Anything Records 2019), and the album "The Magic Words are Squeamish Ossifrage" (via the Sheffield label Interworld Media), and has performed live internationally. In his new album “Disorder” he follows the experimental stylistic line of wild textures and broken rhythms of his previous works, but introducing a twist to more synthetic, glitch and even rave sounds at times. He also incorporates the trumpet as a sound source in some tracks, a feature he has been using in his live shows for a while.

〰️ Album credits: 
Composed, produced and recorded by Ramon Casamajó (trumpet, effects pedals, tidal cycles, supercollider, ardour).
Mixed and mastered by Pablo Miranda at La Isla.
Artwork and design by Pau Magrané.

Released by Empty6Pack (E6P8.6) and Rotten / Trash (trash25).

😵‍💫 TRACKLIST 😵‍💫 
Ⓐ
1. Waves
2. Confident
3. Five
Ⓑ
4. Overwhelmed
5. Veiled
6. Overdue
7. Name your title

🥴 Contact  🥴
contact: rcasamajo@callitanything.org 
more info: callitanything.org 
booking/management: empty6pack.tapes@gmail.com
 ˚ ༘ ೀ⋆｡˚

Disorder 😵‍💫 by QBRNTHSS ˚ ༘ ೀ⋆｡˚ Snippet

自分が詠んだ俳句を生成AIにTidalCyclesのライブコードに解釈変換してもらって、何とかプレイしてみようという試み。

* 鳴神夜トンネルの先波の音
* 夕立が合図のように刻み降る
* ユウガオと夜秘密裏に歌舞くだけ

の3首をクロスフェード

うちのAIが俳句を詠むとこうなる謎(0624-0626)

Welcome to halF unusuaL, an evolving space inspired by play in the spirit of ‘hai’ (meaning “fun” or “unusual” in the word haiku). Here, improvisation connects the unexpected, mining the boundary between music and non-music to shape sound worlds that feel oddly familiar in their oddity. Listen freely, explore deeply, and for the sounds to live for your eyes as well as your ears, please stop by the YouTube channel. Thank you for joining this journey! Your support helps keep this afloat ... and is HUGELY appreciated 🥰

観る、聴く、遊ぶ、食べるをこよなく愛する、マイペースな一次創作してる人。ループミュージックからボードゲームまで色々考えてはゆるーく制作しております。

Magick can be FUN 🐈‍⬛🐈
Based in Barcelona 🌐🪩 Shipping to the whole Universe 🚀 Order by dm 👌🏻 or visit our BANDCAMP: https://linktr.ee/empty6pack.cassettes

ParVagues, c'est des ondes qui naissent dans un océan binaire pour parfois s'échouer sur vos plages sonores.

Codé avec TidalCycles, chaque enregistrement est issu d'une structure algorithmique, au code source libre et réutilisable. 

En particulier, ParVagues existe grâce :
- à Yaxu et la communauté TidalCycles
- à SuperCollider et les SC3-Plugins
- à SuperDirt et ses samples 
- au Santa Clara Laptop Orchestra (https://www.scu.edu/cas/music/ensembles/sclork/)
- aux projets BloodSport Samples (https://pickleddiscs.bandcamp.com/album/blood-sport-sample-pack) et Hydrogen (http://hydrogen-music.org/)
 
Le résultat final est publié sous license CC-BY-SA : vous êtes libres de les récupérer, modifier et repartager, tant que vous mentionnez leur origine.

Le code source final de chaque partition est disponible sur nech.pl/parvagues. Les enregistrements originaux sont disponibles sur demande.

New tracks tagged #tidalcycles