Your budding jazz drummer will sound like a star on “Stick With It!” This “Jazz Starters” chart by Todd Phillips is the perfect opportunity to feature your drum set player, and the easy accompanying parts (written with limited instrumentation in mind) will come together in a snap. Short solo passages are written throughout that feature other players. This should be a toe-tapper for the players and audience alike. “Stick With It” is a guaranteed hit!

Recorded by The Studio “A” Big Band, Ed Petersen, conductor

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Stick With It

"The mission of the organization is to bring the world's most renowned (and)the world's greatest chamber music ensembles to the city of Dallas," says John Batchelder, Executive Director of the Dallas Chamber Music Society. The organization opens its star-studded season with the acclaimed Orion Quartet ahead of the group's retirement after 36 years. In this feature, WRR's Amy Bishop speaks with both Batchelder and violinist Todd Phillips, one of the quartet's founding members for a look back... and a look forward.

WRR 101 Focus on the Arts: The Orion Quartet comes to Dallas before retiring after 36 years

Recorded by The Studio “A” Big Band, Ed Petersen, director

Salsa Ye Merry

Cronch cronch cronch, walking on dried leaves and bark, a ramble in the woods to start October’s Scare You Movie Mad run, we’re looking at the conceptual killer movie of 2024 about… walking. And sometimes a li’l murder for fun. Andrew eggs Johnny on to be more like the Johnny of the movie, and Johnny sings us his thoughts of new films including Joker: Folie A Deux, Megalopolis, The Substance and The Outrun. Andrew, though, slams down on some Salem’s Lot for good measure. We’re coming into Halloween month swingin’!

293 - In A Violent Nature

On this episode, we discuss the latest from Todd Phillips and Joaquin Phoenix in JOKER: FOLIE À DEUX!

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Review: Joker: Folie à Deux

2019's Joker, which gave the iconic supervillain an all-purpose mental health disorder, a tragic origin story, and a name - Arthur Fleck - was never meant to have a sequel. But it made a billion dollars, so Joker: Folie à Deux is here. And, being a jukebox musical based primarily on show tunes from the mid-20th century canon, we ask who it's for. The first film took risks in eschewing so many trappings of the comic book genre; did the filmmakers hope that their audience would respond similarly to further experimentation? Or is it a means of punishing an audience they attracted but loathe?

If the film hates its audience... well, so does Mike, which might explain why he got on with it. José, on the other hand, liked the first film, and is happy to see more of Joaquin Phoenix and hear those classic songs. Joker: Folie à Deux is far from a great film, not that close to a good film, and doesn't have much of interest or intelligence to say about its themes - but it's fascinating that it exists.

Recorded on 7th October 2024.

429 - Joker: Folie à Deux

Welche lieblichen Stimmen singen auf melancholische Weise, durch die dreckigen Straßen Gothams tänzelnd, die vergessenen Töne von Sinatras "That's Life?" Tobit und Dennis. Wer auch sonst? Mit einem Lächeln auf dem Gesicht werden heute wieder Filme exorziert! Wie viel französisch steckt im Franchise-Nachfolger JOKER: FOLIE À DEUX? Welcher Franzose beschießt Pyramiden zum kompensieren eigener Impotenz? Und was verspricht die französische Kulinarik von Käfersaft? Wenn euch das interessant, dann watschelt wie ein Pinguin direkt zur Folge!

184: Joker und anderer Klamauk

Join Andrew Dunn and Chris Triebel as they discuss Joker 2.

Then stick around for a review of Autonomous G.U.I. by by Odidious Mixzoplex. I have no clue how to pronounce his name, but he makes a good comic!

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IS JOKER: FOLIE A DEUX BAD??? Plus a review of Autonomous G.U.I. - 152.2

Why did I say E3? This is and was 5! I still recall being upset by the horrible marketing for this movie, one YT interview channel said director Todd was too embarrassed to be interviewed about the third entry. I've only seen the movie once, I think it's what they thought the first movie was going to look and feel like, it was dark, funny but pretty underwhelming. The first movie had so many laughs packed in, wasn't disturbing or unsettling. Nope, no hangover, nothing intriguing to reel in audiences. Going back to Vegas works fine but shows that it relies on the first movie nostalgia.

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The Hangover Part 3 - RPC #5 from March 2013

EPISODE THREE HUNDRED!
Wow!
Woah!
What?
Wee!
Yep, we made it. Finally. Here is a big extravaganza and Andrew is all-singing-all-dancing through Johnny’s second-favourite film of 2024, a sequel to a film Andrew truly despised. Will Johnny convert Andrew to the Todd Phillips Joker sequel or will Andrew’s brain melt trying to make it through the panned flop film?
All will be revealed (as it is every episode).

300 - Joker: Folie À Deux

Musical Masterworks, Season 33 | December 2023 performances recorded at the First Congregational Church of Old Lyme, CT featuring Carmit Zori, Violin; Todd Phillips, Violin; Tessa Lark, Violin/Viola; Robert Rinehart, Viola; Julia Lichten, Cello; Tony Rymer, Cello and Michael Thurber, Double Bass.

Bach, Invention No, 3 in D Major, BWV 772-786 _ Tumble Time

Thurber, Wooden Soldier

Are You Movie Mad? Is the podcast that asks the most difficult question one man has ever faced. Cinephile Andrew Jones is perpetually flabbergasted that Johnny Ellis uses the online moniker 'Movie_Mad' yet at any given moment seems not to understand any movie references. Join Andrew as he journeys through a collection of films to educate Johnny and ask if Johnny is Mad about the movie he watched or remains Movie Mad.

The Media Lunch Break is your best resource for geek news, reviews, comedy, and the Oxford comma! We'll argue the oldest of debates: DC vs Marvel, Mac vs PC, Michael Bay vs our collective childhoods.
We're here to serve YOU!
And ourselves.
Mostly ourselves.
But hopefully you like it too! So sit back, relax, and listen to two idiots riff on topics they know nothing about.


"I have this romantic idea of the movies as a conjunction of place, people and experiences, all different for each of us, a context in which individual and separate beings try to commune, where the individual experience overlaps with the communal and where that overlapping is demarcated by how we measure the differing responses between ourselves and the rest of the audience: do they laugh when we don’t (and what does that mean?); are they moved when we feel like laughing (and what does that say about me or the others) etc. The idea behind this podcast is to satiate the urge I sometimes have when I see a movie alone – to eavesdrop on what others say. What do they think? How does their experience compare to mine? Snippets are overhead as one leaves the cinema and are often food for thought. A longer snippet of such an experience is what I hope to provide: it’s two friends chatting immediately after a movie. It’s unrehearsed, meandering, slightly convoluted, certainly enthusiastic, and well informed, if not necessarily on all aspects a particular work gives rise to, certainly in terms of knowledge of cinema in general and considerable experience of watching different types of movies and watching movies in different types of ways. It’s not a review. It’s a conversation." - José Arroyo.

"I just like the sound of my own voice." - Michael Glass.

The best movie reviews, news, and podcast out there! Two guys that know movies and love talking about them!

Host of the Forever Fast and You Got The Ron Dude podcasts. My music albums and singles are available in digital stores under RonJammin22. Animated short films on Youtube. Gaming content on social media. Former Producer for Reza Rifts Podcast.

Das "Must Listening" für alle Fans von Filmen, Serien und allem anderen Gedöns. Wir verpacken das Ganze mit einer Menge Humor. Also schaltet ein, egal ob Filmnoob oder Filmnerd!

New tracks tagged #todd phillips