vanishing domenance

Someday

“Breathless”
121 bpm // synth-laced melancholy // late-night memory loop

What started as a voice note turned into a track about finding someone and realizing they were never lost.
Wrote this with the windows open. Ocean noise in my ears. Probably crying, not sure.

Put this on when you're walking home, half-healed. Or standing in the dark, thinking too much.
Let me know if it finds you.

💫 written / produced / mixed by p.m.warner + Sunset Sky
🎧 headphones = bonus pain

Breathless

Buy on Bandcamp

transmissions from the static between worth and noise

You Are Of Infinite Worth

The Measureless Jewel of Being

Beneath the Algorithm

Just a hometown girl I know
At the motel outside.
Just a hometown girl I know,
At the motel outside.

(A couple sneaky links in the fun—chika!)

Just a hometown girl I know,
At the motel outside.
Just a hometown girl I know,
From the motel outside.

She's the only girl I know
At the hotel I go,
At the hotel I go,
At the hotel I go,
At the hotel I go,
At the hotel I go,
At the hotel I go,
At the hotel I go.

Verse:
She tryna run the race like a bronco.
You need your own face that is not yours.
You grew up in a place that is not home.
You can't stop the rain—need a poncho.

I'm wide awake, not by choice.
Separation is segregation just by force.
Public transportation when I hear that quiet voice
In my deepest sleep,
Cannot be bothered by a noise.

Like a world tour, or a nice divorce,
Twice a month when I come in to say hi to the boys.
I'm twice as sharp as a porcupine in the forest, bitch.
And by the end of this record,
I'll have some more to give.

Hook/Bridge:
You smell like death,
And I'm to death with rigor mortis, is—
Bitch, I'm euthanasia, you a motherfucking orphanage.
Teleport your ass back to Asia, some Rick and Morty shit.
I'm building this brick by brick, some brick and mortar shit.
You don't like it? Suck my dick,
And here's some more of it.

Verse:
How you 'bout to fuck my bitch
When I got four of them?
Taking out a hit on me—
Bitch, I perform 'em.

And if they don't know about me,
You better warn them.
A hunnid racks is gon' be my fee
When I perform, and
I'm doing this shit religiously,
Just like a Mormon.

And to every MC in this industry,
This is a warning. I'm warning you.
I was born with Lucifer's horns, I'm the wrong
Nigga, I don't rock with you.

Get you popped, leave you shocked
Like you got shot up until tomorrow.
By the way, motherfucker, I don't need a crystal ball
To see them bullets in your future—
Pokémon, you catch them all.

Outro:
That was all, murder that she wrote,
Now it's set in stone.

MURDER, SHE WROTE

Kindness

Building Specially

Angels Cry Our Song

It’s Never Too Late to Choose Love

Sunset Sky creates melodic house for people who cry at sunrise and dance at dusk. Synths, sentiment, and shimmering sadness.
Formed in the twilight between nostalgia and neon. Based wherever hearts ache and beats drop.

lottydarko's discography as a breakout act, already boasting a twisted and warped staircase of a record with #WICKED's 33-track-long journey into AETERNAL, a 14-track digital opioid of a record, featuring smooth vocal flips and impressive production value—but far from the end. Caught between the crossfire of what seemed to be two ultimately standalone records, AETHER, an aggressive and explicit-laced album, rings true to the vulgar origins of #WICKED that seemed to serve no use in AETERNAL, a seemingly innocent and reverent project. AETHER is a divisively contrasting piece of work, with lines such as "F*ck I look like? A walking b*tch?" from AETHER's "SNITCH," reminding the listener that lottydarko may be nice and even quite polite, but he is not one to be played with. David still reminds us of his playfully freakish and outright odd utterances, such as "They can just eat you alive like a cannibal" from AETHER's "NINTENDO."

Meanwhile, AETERNAL opens with VILLA, inspired by the Alexander Hotel on 94th Street in Manhattan, where lottydarko stayed during his time as an extra in Power: Raising Kainan. The track draws inspiration from readings on John Lennon's death and lottydarko’s admiration for Jordan Peele, who grew up on the same side of Manhattan. Peele’s horror genre has heavily influenced the eerie utterances in lottydarko’s music. On VILLA, lottydarko asserts, "I'm up in your hometown, I'm up in your old town," setting a reflective yet assertive tone for the album.

In GOLIATH, track six of AETERNAL, lottydarko combines humor with luxury references: "Yes, I have a floppy disk, and yes, it is removable / Yes, I have a sloppy wrist because my jewelers do the most." The "floppy disk" reference ties back to old-school technology, with "removable" suggesting flexibility or adaptability. The "sloppy wrist" refers to the weight of high-end jewelry, implying that his wrist appears loose because of the extravagant pieces. "Because my jewelers do the most" emphasizes the opulence of his jewelry, blending tech nostalgia with modern luxury in a playful, confident manner.

lottydarko credits his "time at Brooklyn's Bedford Atlantic Shelter" and hardships in Maryland and New York, where he had no access to recording equipment, as key influences: "The life in between what I’ve recorded gives life to the music I craft today."

Jolaade Adeleye’s musical journey began at the age of 10, using Audacity, Apple headphones, the Hokusai app on the iPad, AUXY beat program, and GarageBand. His debut album, *Vintage Depression*, a 14-track lo-fi classic, became a teenage summer favorite among classmates. At this stage, Darko, then known as Marshall Bleu, was in the early stages of his evolution, which continues to unfold at age 24.

His path to artistic maturity was marked by a series of intense and transformative experiences. Jolaade faced significant challenges, including time at the Shepard Pratt Psych Ward in Towson, MD, where he encountered frightening spiritual and supernatural events. Financial setbacks, a repossessed car, and personal instability led to a tumultuous period. A trip to New York resulted in being kicked out of his aunt’s house for bringing weed, followed by a pattern of being kicked out and trying to quit situations that seemed inevitably doomed.

Despite these setbacks, Jolaade’s resilience shone through. He survived at a shelter in East New York, where he was jumped, and eventually recorded an album in Manhattan. His journey included a role as an extra on *Power: Raising Kanan* through Central Casting New York. Following these trials, Jolaade returned to Maryland for the summer of 2024 with plans to move to Los Angeles that fall, marking the next chapter in his evolving career.

Schantell Wharton-songwriter/music producer 

#singer/songwriter  #r&b  #storyteller  #lovesong  #OriginalSong #LyricVideo #NewMusic #viralsong  #indiemusic #songwriterforhire #originalsongwriter #musicvideonew , #newmusic ,#newmusicalert , #songwriterforhire #originalsongwriter #LyricVideo #NewMusic #viralsong  #indiemusic

What's the funk straight out of the underground of Baltimore as a DJ within the midst or SF and Baltimore elegantly rocking the distinctive breaks in vinyl and digital form now into the producing arena within the midst of Ableton rock it out , now I'm a Russian Eastern Orthodox Christian , Don't STRESS me out ! PLUR check out my first release under Mojoheadz Records https://www.beatport.com/release/ripple-of-life/3681718

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