Official trailer: https://youtu.be/Wn-nPby2pUo?si=NFXoDrD9VTom2HJV
This track is taken from the original motion picture “VAKHIM” by Francesca Pirani, screened on September 6, 2024, at the 81st Venice International Film Festival – Giornate degli Autori (Notti Veneziane). I composed and produced the original soundtrack, basing all the work on the search for sounds capable of representing and evoking the deep memories of the protagonist’s early years in Cambodia, and connecting that world with the Western one into which he was projected after being adopted by the same director at the age of four. The soundtrack moves between thematic lines linked to the emotional realities of the characters and indeterminate sounds, with detailed spatial design created through the Dolby Surround 5.1 system. This piece, combining symphonic orchestra and Cambodian ethnic instruments, represents a sonic synthesis of the entire soundtrack. It was conceived and mixed in Dolby Surround 5.1, where the Western orchestral sounds are positioned in the front and the Southeast Asian instruments behind, creating an immersive spatial dialogue between the two musical worlds. My compositional poetics clearly emerge in the relationship between music and image, where sounds become part of the visual movement itself, treated as “images within the scene.” The most intense moments are interpreted by the beautiful voice of Lavinia Mancusi. The film received numerous awards, including the Special Mention at the 34th African, Asian and Latin American Film Festival, the Signum Audience Award at the 18th Salina DocFest, three recognitions at the Cambodia Town Film Festival (USA), the official selection by the University of Auckland (CINEDANTE), and the Audience Award at the Rome International Documentary Festival – RIDF. It also achieved great public success (sold out at Cinema Farnese, Rome), attended by the director and several renowned figures, including Maestro Marco Bellocchio.

Questo brano è tratto dalla colonna sonora del film “VAKHIM” di Francesca Pirani, proiettato il 6 settembre 2024 alle Notti Veneziane – Giornate degli Autori (81ª Mostra del Cinema di Venezia). Ho composto e prodotto la colonna sonora originale basandomi sulla ricerca di sonorità che potessero rappresentare ed evocare le memorie profonde dei primi anni di vita del protagonista, vissuti in Cambogia, mettendo in relazione quel mondo con quello occidentale nel quale è stato proiettato dopo l’adozione, avvenuta a quattro anni da parte della stessa regista. La scrittura musicale si muove tra linee tematiche legate alle realtà emotive dei personaggi e suoni indeterminati, con un accurato lavoro spaziale realizzato in Dolby Surround 5.1. Questo brano, con orchestra sinfonica e strumenti etnici cambogiani, rappresenta una sintesi sonora dell’intera colonna sonora: gli strumenti occidentali sono disposti in primo piano e quelli del Sud-Est Asiatico sullo sfondo, creando un dialogo immersivo tra i due mondi musicali. Nel rapporto musica-immagine emerge la mia poetica compositiva, dove i suoni diventano parte integrante del movimento scenico, trattati anch’essi come immagini nella scena. I momenti più intensi sono interpretati dalla splendida voce di Lavinia Mancusi. Il film ha ricevuto la Menzione Speciale al 34° Festival Cinema Africano, d’Asia e America Latina, il Premio Signum del Pubblico al Salina DocFest, tre riconoscimenti al Cambodia Town Film Festival (USA), la selezione ufficiale alla University of Auckland (CINEDANTE) e il Premio del Pubblico al Rome International Documentary Festival – RIDF. Grande successo di pubblico (sold out al Cinema Farnese di Roma), alla presenza della regista e di importanti esponenti del cinema, tra cui il Maestro Marco Bellocchio.

LA SPERANZA NEL FUTURO  - from the original motion picture VAKHIM (feat. Lavinia Mancusi)

Tony Monta, Pirlo, DFZM, Topboy, Akapellah - Un Dia En Mi Barrio Remix

True Friends Synth Version

mtngoat audio (60BPM)

VIAGGIO NEL PASSATO - from the original motion picture VAKHIM

Recording Date: November 17th, 2025

Tony Conley interviews Teresa Tarn, Senior Professional Pickleball Player and Coach.

https://teresatarnpickleball.com/

The sport and popularity of pickleball is exploding around the globe and especially right here in Michigan.

On Pickleball Michigan and Beyond, we’ll talk with amateur players who play for fun, exercise and competition, the pros who play on the professional circuit for money, pickleball facility owners, the tournament promoters, pickleball equipment and clothing leaders, and most importantly the communities that encompass pickleball.

Thank you for listening to Pickleball Michigan and Beyond!

Pickleball Michigan and Beyond intro and outro music by Motor City Skyline.

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Teresa Tarn - Senior Professional Pickleball Player

The Xavier Beat

FCKN

Chris Holman speaks with Tony Stamas, President and CEO, Midland Business Alliance, from Media Row, at the Grand Hotel, while at the 2025 Mackinac Policy Conference.

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Michigan Business Beat | Mackinac Policy Conference 2025 - Tony Stamas - #MPC25

2025 Thanksgiving Day Podcast Special

Tony  (prod. @ryo0o @vividly)

ENG - “Meditango” is a piece I wrote for a choreography by Maria Teresa Dal Medico, a well-known Italian choreographer. It was created in a very particular way, because it was written while watching the choreography itself — as if the choreographic movements were already a kind of score of movements, to which I simply added sounds. It’s like I orchestrated those movements, working in my usual way: creating a symphony of visible movements and invisible movements.

ITA - “Meditango” è un brano che ho scritto per una coreografia di Maria Teresa Dal Medico, che è una nota coreografa italiana. È stato scritto in un modo particolare, perché è nato guardando la coreografia, come se i movimenti coreografici fossero già una sorta di partitura di movimenti alla quale io ho aggiunto dei suoni. È come se avessi fatto una sorta di orchestrazione di questi movimenti, lavorando nel mio solito modo: creare una sinfonia di movimenti visibili e di movimenti invisibili.

MEDITANGO - Original music for the choreography by M. T. Dal Medico

Original Song:

wieder mal - Sampagne, YUNG SAINT PAUL, CRO

Disclaimer:
I take no responsibility for any music uploaded on this channel. Any content uploaded to this channel is for entertainment purposes only. Do you want to delete a song? Just leave me a message and I will remove your content as soon as possible.

wieder mal - Sampagne, YUNG SAINT PAUL, CRO (TONY Disco Piano House  Remix)

ENG - This is an excerpt. Due to publishing and label agreements, I cannot upload full tracks on SoundCloud.
You can listen to the complete version for free on Bandcamp.

First movement of Oltre le note. The piece introduces the core compositional idea: a continuous alternation between the two hands, from which melodic fragments emerge naturally — not as traditional melodies, but as thematic shapes born from the physical motion of the pianist. The material is not sung: it rises and disappears inside the gesture.

ITA - Questo è un estratto. A causa di accordi editoriali e discografici, non posso caricare le versioni integrali su SoundCloud.
Puoi ascoltare gratuitamente la versione completa su Bandcamp.

Primo movimento di Oltre le note.
Qui viene presentata l’idea compositiva centrale: un’alternanza continua delle due mani, dalla quale emergono frammenti melodici — non pensati come linee tradizionali, ma come forme tematiche che nascono dal movimento fisico del pianista. Il materiale non “canta”: affiora e scompare dentro il gesto.

Tu Che Mi Puoi Capire

Ascolta/Acquista

OLTRE LE NOTE - 1ST MOVEMENT  (Worldwide Release 2025) - excerpt

ENG: This is an excerpt.
Due to publishing and label agreements, I cannot upload full tracks on SoundCloud.
You can listen to the complete version for free on Bandcamp.

Second movement. A rhythmic structure where the piano becomes a percussive instrument. The whole movement is built on pulse, articulation and timbre, using quartal harmonies as a structural color.
A piece that explores the piano as pure physical energy and resonant space.

 ITA: Questo è un estratto. A causa di accordi editoriali e discografici, non posso caricare le versioni integrali su SoundCloud.
Puoi ascoltare gratuitamente la versione completa su Bandcamp.

Secondo movimento. Una struttura totalmente ritmica, dove il pianoforte viene trattato come uno strumento a percussione.
L’intero movimento si costruisce su pulsazione, articolazione e timbro, usando armonie quartali come colore portante.
Un brano che esplora il pianoforte come energia fisica e spazio di risonanza.

AscoltaAcquista

OLTRE LE NOTE  -  2ND MOVEMENT - (Worldwide Release 2025) - excerpt

ENG -  This is an excerpt. Due to publishing and label agreements, I cannot upload full tracks on SoundCloud.
You can listen to the complete version for free on Bandcamp.

Third movement. An oneiric space that revisits the material of the first movement, transformed through subtle frequency variations and timbral shifts.
The piece moves toward a progressive fading — a slow dissolution where the gestures become lighter, until the whole work gently disappears.

ITA - Questo è un estratto. A causa di accordi editoriali e discografici, non posso caricare le versioni integrali su SoundCloud.
Puoi ascoltare gratuitamente la versione completa su Bandcamp.

Terzo movimento. Uno spazio onirico che riprende il materiale del primo movimento, trasformandolo attraverso leggere variazioni frequenziali e cambi timbrici. Il brano procede verso uno svanire progressivo — una lenta dissolvenza in cui i gesti si alleggeriscono fino a far scomparire l’intera opera.

Acolta/Acquista

OLTRE LE NOTE 3RD MOVEMENT (Worldwide Release 2025) - excerpt

fin d'un été ...

As a media veteran with more than 25 years of working experience working in television, radio, print, and social media platforms, Tony and his guests will explore Rising and Falling Stars - the world's movers and shakers who serve others and/or who serve themselves.

Founder of Newton smith records.
im a powerful guy.

I’m a composer, songwriter, arranger, orchestrator, orchestra & choir conductor, music producer, mentor, writer, and researcher.
My work moves freely across different forms of expression — from Progressive Rock and Modern Symphony to Classical Piano, Songwriting, and Cinematic Music.
Over the years, I’ve shared projects with remarkable artists — including collaborations with Francesco Di Giacomo and Rodolfo Maltese of Banco del Mutuo Soccorso — and composed original scores for film, television, and symphonic productions that have reached international audiences.
As a mentor and educator, I’ve created the ANORA method, together with formative paths and musical laboratories exploring music as a uniquely human language — expressive, relational, and representative of inner experience.
In my poetic vision, sound itself becomes an image — a mental landscape that connects the composer’s inner vision with the listener’s imagination.
Each work blends tradition and innovation through orchestral writing, progressive structures, and storytelling soundscapes.
Every “side” of my music reflects a different perspective — all parts of the same creative vision.

Peace Under An Illusion Is Not True Peace

Geek Boy
17

The Home of Business in Michigan. Get on-demand access to audio programs, articles and resources presented by savvy business leaders and industry experts.

No te quedes atras, pautate en con la asociacion mas grande de soundcloud, para que el mundo conozca de ti en un instante.

🕺📸

House Music >>>

Dm me for DL links

New tracks tagged #tony