alsndrrst - fast spit @ 150bpm
made on ROLAND TR-8S, Behringer TD-3 (internal effects, no daw)
headphones recommended
🙌like & follow🤍
https://www.youtube.com/watch?v=i3SYj6zVvQQ 🔴

spit

fast spit

bandcamp

alsndrrst - slow spit @ 128bpm
made on ROLAND TR-8S, Behringer TD-3 (internal effects, no daw)
headphones recommended
🙌like & follow🤍
https://www.youtube.com/watch?v=Jx2fg11hCKU 🔴

slow spit

You can enjoy it on Youtube, me performing this dawless Live Set, expect deep ambients and never ending groove with a strong presence.
My new setup with the mc707 as mixer, sampler, and midi controller; is followed by the TR-8s as drum machine and layering; getting the TB-3 and the SYSTEM-1 in mono sidechain inside it as acid and evolving basslines.
The SYSTEM-1m as a semi modular sinthetizer is directly controlled by the MC-707 where I get a double midi output to play and sequence the modular device, it takes the gate control from the TR-8s getting a groovy side instead of the ambient soundscape I'm usual to produce with that.

Astral Waves - Live Performance

Hall Marker

The TEST Machine

My latest recording of a Jam-Session - TR-8S, Vhikk X, Noise Plethora, Plaits, Viol Ruina.

Lazy Loading - DAW-Less Modular Recording 03.2025

Fairly jackin techno track made up of a set of recordings made from my tr-8s and minilogue x-d through my oto boum and eventide space. 
A couple of elements were created 'elsewhere' at my mates house while we had a bit of a jam session and I incorporated them into this track. 

elsewhere

An undistinguished jam-session, finalized with Bitwig. Proudly presented by TR-8S and Quadrantid-Swarm & Viol Ruina, Noise Plethora.

Many thanks to https://soundcloud.com/paul-michel-918293880 (Nebelform Records) for mastering support!

Unbespielt - Modular Techno

Moj pierwszy trak 😅 ## my first track. enjoy 

Dejro Sante X Radiohead - Everything in

From my YouTube Description:
Just a quick after work dub techno inspired jam. 

Practice Practice Practice... maybe I'll get enough skills to perform a live jam a set out in the wild again. Been a while since Phoenix Landing and Electric Highway live sets.

Setup is pretty straightforward here.
All Drums just 1 pattern on the TR-8S, a few faders nudged up/down to bring in the parts. Need to do more here with additional alt patterns and more probability to steps.

For the Synth lead, just running Braids through a Mosaic 1U filter and out to Sealegs for delay/verb. 
Braids is sequenced by TB-3PO hemisphere applet off an Ornaments & Crime (Phaserville Firmware of course). Some modulation of the VCA with Maths for that funky envelope groove and Ochd for subtle Braids Timbre / Color manipulation.

A little manual control of the TB-3P0 with the WMD 4TTEN for slight pitch and note density in the pattern.

Sounds pretty full with just these few modules and certainly could have continued evoloving the patch, but thought that this lil groove sounded cool enough as is and wanted to capture one performance.

Dub Techno - Edit

Jam Session #1

Jam session #1 was recorded May 11 2025 using the Moog Subharmonicon Semi Modular Analog Synthesizer, Roland TR-08, Roland TR-8S Drum Machines.

This was all performed in real time recorded as is. No post production EQ or Mastering. 
This was performed and manipulated in real time by Studies In Comfort - Ian Levack





Studies In Comfort - Jam Session 1

🔥 BIG CHUNE ALERT! 🔥

🎶 "I WANNE SEE U FREAK" – B-SPLIXX 🎶

Dis ya one nah normal—it’s pure vibration, straight from da source of creation! 🌍⚡️
Di riddim tun up, di bass a shake, an’ di frequency align fi wake up di whole dancefloor!

👁 ROOT 9 VIBES 👁
Jah know—dis music ain’t just fi move yuh body, it’s fi unlock di code!
From Mayan pyramids to di Great Pyramid, to di Yuga cycles, everyting line up pon root 9—divine order, seen? 🔺✨

🔥 When di drop hit, yuh gon' FEEL it—'cause dis ain't jus' music, it's sacred mathematics pon di riddim! 🔥

⚡️ So free up yuh mind, let go di ego, an’ freak out pon di divine frequency! ⚡️

👊🏾🔥 Press play an’ let di cosmic bassline guide yuh! 🔥👊🏾

I WANNE SEE U FREAK

🎤 Yow massive, hear mi now!

Dis yah one a nuh normal riddim –
B-Splixx come mash up di scene wid a Tribal Dancehall Dub House crossover weh ago bun up di speaker and light up di dance!

💃🏾🔥 It hot like di sun pon di zinc roof!
It deep like a dubplate from King Tubby lab,
And it roll sweet like herbs inna dancehall grab!

👣 From di bush drum dem to di 4x4 floor stomp,
Bassline a quake, and di hi-hats dem chop —
It’s like Shaka Zulu link up wid Shabba Ranks inna Berlin club, seen?

🎶 Dis a fi di warriors pon di frontline,
Di gyal dem weh bruk waistline,
And all di freedom dancers weh know seh riddim a life, not crime.

🎧 Mi use real analog fyah — TR-8S and Minilogue XD,
Widdout no preset foolery — pure roots machine energy!
Mix wid sample dem sharp like cutlass,
And virtual synth dem float like chalice puff pass.

🌴 From di jungles of Afrika to di rave inna Rotterdam —
Dis track a global chant, bredrin — tribal and grand.
A riddim weh bring man an’ woman together,
Like Nyabinghi priestess inna House weather.

🔊 So wheel up di riddim!
Drop it loud fi di dance, di beach, or di street cyah calm —
B-Splixx ah bring back di dubhouse charm.

🎯 Dis a di Summer Anthem fi di Rebel Heart!
🔥🔥🔥 One drop, one love, one blast — from start to last!

BLAZE UP [B-Splixx Twisted Old School Vibe Version]

BLAZE UP [B-Splixx Twisted Old School House Vibe Version]

🔥🔥 WARNING: NOT FOR THE FAINT-HEARTED 🔥🔥

Old-school rave meets tribal war cry in this brutal floor-filler — “Left For Di Slaughter” is here to dominate every system, every sub, every soul.

A raw fusion of heavyweight house rhythms, earth-shaking basslines, and electrified Rastaman vocals forged in the fires of pure dancefloor carnage. It's not a track. It's a ritual. A return to the primal pulse.

🎧 Drop it loud. Watch the crowd erupt.
🚨 Basslines so filthy, you’ll need a spiritual cleansing.
🔊 Vocals so hyped, they resurrect the jungle inside you.
⚠️ Once it starts, there’s no turning back. You’ve been Left. For. Di. Slaughter.

Left For Di Slaughter

Live performance on the Roland TR-8S to celebrate 808 Day 🎛

Minimal groove crafted with the legendary sounds of the Roland TR-808.

The full jam is available on YouTube 🎥

808 Day 2025 - Dawless Live Jam Minimal Techno

TR-8s 808

Erik aka NOMAAD
His statement of techno is the way he lives, sweating and grinding in search of answers, living his own subculture on the road.
Sculpting sound in real time, his sets are unstable structures, shaped by pressure, instinct and space.

Years of dawless performance forged a signature sound, hypnotic, distorted, acid soaked to atmospheric turning into deep trance. His large sound inventory became a language.

Today he mastered the TR-8S as main instrument and adopted an hybrid setup:
Ableton Live drives the sonic quality to its peak where all the signal get mastered and before coming out to the Xone96.
APC40 controls the scenes like a groovebox.
The Xone K2 as hardware effect controller and internal pad to control a secondary drum machine.
Torso T1 sequence his synths, System-1m or Erikasynth Streampipe along with other integrated synths


Just pure presence.
Every set is a question. Every drop is a cut through time.

https://www.nomaadmusic.com


(mostly) DAWless Hardware Music
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Techno ♦ House ♦ Dub ♦ Acid
Homemade production since 2024
Snaredrumfetishist
Endless experimental phase
Born in '86
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I like Underground Dance and Electronically Based Music, primarily. Located in Dobbs Ferry (prior, I lived NYC and Boston before that). I use a mix of Analog and Digital Hardware Devices from across the decades and of course anything I can load up inside of Ableton Live (whatever the current version is). 

Back in the 1990's I release a few track under the name Sedona (https://www.discogs.com/artist/16184-Sedona) with Dale Charles (https://soundcloud.com/compago) releasing work on Boston's OHM Recordings (https://www.discogs.com/label/36574-OHM-Recordings-2) and LA's Rampant Records (https://www.discogs.com/label/3435-Rampant).

Live DJ Sets Fridays 5-8 pm ET on twitch.tv/blancodisco

Are you an electronic musician looking to elevate your music to the next level? Look no further than Rasart Records, the leading recording studio for electronic music in Utrecht, The Netherlands. With over 30 years of experience in the industry, Rasart Records has been the home to the legendary producer B-Splixx since 1992, providing unparalleled quality and innovation to electronic music production.

Our passion lies in the early nineties house music and its timeless vibe. At Rasart Records, we are committed to helping you create the perfect sound for your tracks using the latest technology and equipment in our state-of-the-art recording studio. Whether you need mixing, mastering, production or post-production, our team of experts is dedicated to making your music stand out.

Don't miss the chance to record your next electronic music masterpiece at Rasart Records. Our studio is always ready to help you bring your music to life. Whether you want to book a recording session or schedule a performance with B-Splixx, we're here to make your musical dreams come true.

As the great musician Louis Armstrong once said, "Music is life itself". That's why we at Rasart Records are committed to helping you bring your music to life. Whether you're an experienced professional or just starting out, Rasart Records is the ultimate destination for electronic music production. Contact us today to schedule a studio tour and discover how we can help you take your music to the next level.

To get started, send us an email at info@rasart.nl.

Dawless/Hybrid Techno producer 🎛️
Intersection of Minimal and Hypnotic Techno.

My setup is built around the Roland TR-8S, SH-4D, and Ableton, in search of altered perception through rhythm.

Studies In Comfort is the study of ones comfort levels and emotions. 

All forms of art are studies in comfort

Studies In Comfort, a duo which began with Ryan Nyenhuis &amp; Ian Levack, specializing in experimental music and sound manipulation in January 2007, has since become a brand of creative outputs, including: photography, painting, digital art, writing and mixed media.

Studies In Comfort is a registered business with the province of Ontario.

Follow us on Facebook: <a href="http://www.facebook.com/studiesincomfort" rel="nofollow" target="_blank">Studies In Comfort</a>

Hello, I'm B-Splixx, a passionate producer and the creative force behind Rasart Records, based in the vibrant city of Utrecht, The Netherlands. Since embarking on my musical journey in 1992, I have been adventuring through the boundless realms of sound, infusing my work with a unique blend of genres that have come to define my artistic identity. From electronic and hip-hop to ambient and beyond, my productions are grounded in the belief that music is a universal language capable of transcending barriers and bringing people together.

I have had the privilege of collaborating with an array of talented artists and producers, whose influence has enabled me to continually evolve my sound. These partnerships have been instrumental in shaping my style, which artfully merges rhythmic innovation with melodic depth. My background in sound engineering has also allowed me to craft every piece with precision, ensuring each track is both a sonic exploration and an evocative experience.

My story is one of relentless passion and innovation, inspired by the rich tapestry of the global music scene and my own cultural roots. Each project is a testament to my dedication to emotional honesty and sonic originality, and I am constantly seeking new ways to bend and shape my sonic landscape.

I invite you to dive deeper into my musical universe. Visit my complete portfolio on https://rasart.nl/B-Splixx/ to hear more of my journey and discover what makes my sound truly unique.

New tracks tagged #tr-8s