First track of our Halloween special. In the memory of a wonderful artist. Enjoy

Go directly in Jail (feat. Varinia Mandela)

Ron Voo - Light

Born as ufficial beginning of "NOMAAD Transmission series" where I record my Live hot takes and leave it on the platform. There will be a video on Youtube for every episode to display the long sound exploration. The Official EP will follow on 1. December 

Synthmission

100% Machines
0% Computer
78 % Improvisation
12% Fail
10% what ?

Fuzzy Unterwegs tram #1 – LIVE

Melodic Techno Snippet 
Only mixdown, not mastered.
Copyrights AlainPaco

*Storm*  MelodicTechnoSnippet 2025

Experimenting with my hybrid setup mixing samples, drum machines and a curation of tracks

Orange |

Recording of "Hammerhalle" closing November the 2nd 2025. Thanks for everyone who went on a trip with me. <3

Kenji Tanaka LIVE // Sisyphos // Hammerhalle // Berlin

Extrait d’une petite jam enregistré un après-midi de jour férié, construite autour d’une Roland TR-8S, d’une Korg Electribe 2, d’un Elektron Digitakt, d’un Sherman Filterbank et d’un Nemesis Delay.
Le tout passe dans une Tascam Model 12, qui envoie chaque piste séparément dans Ableton pour affiner le rendu.
Une impro à quatre mains, où l’on a laissé les circuits, les filtres et les séquences s’exprimer.

TRIBE CONFITURE - [ Extrack Live ]

FMT-RE

Early version of a new live set I'm working on. Digitakt, Digitone and TR-8S with Eventide H9 FX, all summed and routed through a small Behringer mixer and out through the OTO Boum for a bit of compression and grit. 

M0D3M Live Set - Run Through 27-11-25

Producer with a TR-8S, a TD-3 and a Helix expressing through music. Not that awesome, but true.

More to come soon.

NO A.I here!
If you like A.I. music, you're in completely the wrong place here! I'd rather make my own music than let some damn machine take away my creativity!

He was born as a small baby somewhere on the planet earth. After that he went through all known stages of development, which he completed more or less successfully!

Today he produces mainly electronic and also some kind of experimental music under this name.
He can live out his preference for chilled synthesizer sound, characterized by atmosphere and arps, quite well here. He loves to take his listeners on a sensory journey with his music.
Furthermore it fills him with joy if someone out there also likes his music and starts this musical journey together with him!

Thank you!
Alain Paco

..work in progress...

NOMAAD is the project of Erik Perrone, a full-time road dweller for over a decade.
Born in the free rave underground, his techno mirrors the way he lives: pressure, sweat, confrontation, and a relentless search for meaning. A self-built subculture in motion.
He sculpts sound in real time. His sets are unstable architectures — driven by instinct, tension and vast open space.
Years of dawless performance carved a signature: hypnotic, ritual, distorted, acid-soaked and atmospheric, pushing the floor into deep trance states. His expanding sound inventory has become its own language.
He now operates his hardware with surgical control:
a modded TR-8S driving the pulse, an APC40 commanding his sound bank, a Torso T-1 sequencing his synths, the System-1m and ASM Hydrasynth Explorer shaping the spectrum.
 
NOMAAD performs with total commitment: no playback, no safety net, no repetitions.
Every set is built from scratch, and every set is a question.
Just pure presence.
Techno as a lived experience.

https://www.nomaadmusic.com

UPCOMING: 
15.11. KitKat Club / Berlin (DE)

PAST:
16.08. Les Digitales / Porrentruy (CH)
05.09. 2300 Plan 9 Stand / Chaux-de-Fonds (CH)
06.09. Les Digitales / Biel (CH)
27.09. Jardin de la Main / Neuchâtel (CH)
03.10. Decalqu'ai / Montreux (CH)

IMPROVISED LIVE TECHNO
Psychedelic / Techno / Groove 
Berlin | Germany


If you love techno, you can't vote right. On a real techno floor, you can be free no matter who you are, if you respect the freedom of all others. Right politics stand for the opposite. if you want this culture to sustain, please get informed and stand up against this oppression.  
So FCK AFD! and be loud against all the populist, right-wing parties around the globe.  They promise you a better future, but history can teach you better. <3

🌎 Booking & Contact:
Kenji.Tanaka@loft.contact

View, Watch, Listen:
www.instagram.com/kenji_tanaka_official
www.youtube.com/@KenjiTanaka_LIVE
www.kenjitanaka.bandcamp.com

My Family: "BonkerSquad"
👉www.soundcloud.com/maldaneben
👉www.soundcloud.com/vaianamusic
👉www.instagram.com/bonkersquadberlin

Meet me here 2025:
01.03.25 BonkerSquad Salöön Berlin
06.04.25 Sisyphos Berlin
16.05.25 Rosa Greifswald
17.05.25 Secret Rave
24.05.25 Choose Jonny Knüppel Berlin
31.05.25 Accension Festival
27.06.25 Fusion Festival Tanzwüste
26.07.25 Coucool Festival France
03.08.25 Garbicz Festival Poland
16.08.25 Compact Madnass Festival Germany
22.08.25 Entropie Festival Germany
27.09.25 Exit Hamburg
11.10.25 Monopol Basement
18.10.25 Südpol Hamburg
02.11.25 Sisyphos Berlin
21.11.25 Jonny Knüppel Berlin
06.12.25 JAZ Rostock 
20.12.25 Reflected Radio
26.-29.12. CCC Hamburg (additional workshop on my liveset)


My approach to my music: 
I love loopy and trippy techno. When dancing, I love to let go of everything around me and enter into a deeper dialogue with myself. At this stage, I am 100% in tune with myself. This works for me when the groove drives me and the elements I hear are interesting but not too intrusive. That's exactly what I love to create on the floor.

To achieve this and also to create the necessary element of surprise, I combine different loops randomly and blindly. Since I never know exactly what will happen, I am also surprised and inspired by it. 

If you want to see how it works check out my youtube channel. www.youtube.com/@KenjiTanaka_Official




My instruments:
-Drums (TR8S)
-Bass (Modular)
-Rumble Bass (TR8S)
-Atmos (Fieldrecorder, Drumrack, Ableton)
-Synth 1 (MicroMonsta 2)
-Synth 2 (Polysix VST, Ableton)
-Vocal Samples (Ableton)
-Misc Samples (TR8S)


More nerdy Information:
For each of these instruments, I have prepared about 30 different loops, most of them 1 bar long.
Using the Streamdeck and a self-built ‘Max for Live Tool’, I can select a completely random loop for each instrument with the push of a button. The tonality can be set. To make sure it’s not completely random, I can choose between different categories, such as chords/arpeggiator.
I can control the complexity of the loop using controls.

All instruments run through Ableton (RME Fireface UCXii). With the help of ‘Launchcontrol’ and 2x ‘Midifighter Twister’, I can control all the parameters that are important to me. Filters, reverb, random delay and pitch effects glue everything together.

When playing, I rely on my intuition. I can sense what should happen 2-4 bars in advance. If I feel like I want to hear a new chord pattern, I press a button and let myself be surprised. If I like it, I develop it further. If I don’t like it, I move on.

Since the whole structure is improvised, I am correspondingly excited before the gigs. Because almost nothing can be planned in advance. My biggest clue is whether I dance. If I get myself to move and get lost, I am happy with what happens.

With parents who really loved the music in the 70’s / 80’s it wasn’t really complicated for Joel to fall in love with the music genres of these periods. As a kid for him it was a bunch of years to search and discover through the gigantic records collection some of the most fantastic and rare masterpiece of these decades. Nowadays these memories bring back a new kind of creation for him.
Music lover, DJ, producer Joel is active in the electronic music genre for more than 15 years.
All has begun with The Badgers back in 2002 with two second hand Technics turntables. He was party manager of big electronic music festivals in the east of France and after that he started to produce some dark techno / minimal tracks with his best friend as The Badgers.
After numerous music productions during more than 10 years in the dark techno / minimal branch with the Badgers (Creepy Finger Rec, Plankton Repellent, Momentum League, Killing Machine Rec. and many more) Joel decides to make a solo project to explore the another creative side of his personality, deeper and funkier.
“Nasty Preacher” is the new born of this choice.
“Nasty” was how some people portrayed the music his influences. “Preacher” is a nod to James Brown.
There is only one objective, to create a good workout for your hips…

🌀 TRIBE / MENTAL Live machine 🔊
🎛️[ Electribe 2, Electribe 2s, Roland TR8s, Sherman filterbank, Nemesis delay, Tascam model 12, ZOOM G3XN]
CONTACT : atraxi@icloud.com 📳

New tracks tagged #tr8s