A dark, melancholic theme conveying sudden shock and the tragic climax of a hidden narrative.
Suitable for: Film, Gaming, Documentary

Bloody Deer

“King of the Thrill” is a hymn to the reckless first love that brands you forever — that feverish blur between worship and ruin. Set against the soft haze of school corridors and stolen nights, the song captures the delirium of youth’s most dangerous obsession: the person who makes the world feel both infinite and doomed. It’s nostalgic, lustful, and a little tragic — like a page torn from a diary you swore you’d burned.


King Of The Thrill

KING OF THE THRILL

THE ILIAD — A Trap Motown Opera
64-track concept album adapting Homer's Iliad across two volumes: Vol. 1 The Rage and Vol. 2 The Grief.
The human world runs on 808s and Motown brass — Four Tops horns, Temptations energy, Marvin Gaye slow burn. Every track is one voice: Achilles, Hector, Helen on the walls, Andromache at the gate, Priam in the dark. When the gods show up the trap drops and full orchestral takes over, because the gods don't live in the same sonic world as the men they're destroying.
The first word of the Iliad is RAGE. The last sound of this album is silence. In between: ten years of war compressed into 64 tracks, from the plague on the beach through the death of Hector and the funeral that closes the poem.
The summit of the whole project is Track 61 — Priam and Achilles. An old king crawls through the enemy camp at night and kisses the hands of the man who killed his son. Two enemies weeping in the same tent. Two Motown horns and a single 808 pulse. The most honest moment in the oldest war poem in the Western tradition. It hits at 85 BPM the same way it hit three thousand years ago.

The Anger Ends Publicly

Achilles Lets Him Go

Night Raid

Thus They Buried Hector

Apollo Stops Patroclus

Hermes at the Gate

Hera Seduces Zeus

Let Me See My Son

Achilles Drags the Body

A piece of music that emulates the ambience of loss and grief. This song is created from my personal loss, and reflection of life.
Whether through listening, real-life reflection, or video games usage, this music aims to accompany moments of quiet sorrow.

Lukewarm Goodbye - An Ambience of Loss and Grief

BELOW THE LIGHT

An auction. A chandelier. A man who lived in the dark underneath a building full of people who never knew he was there. And a girl with a voice so pure it made the dark feel like it had a reason.

Below The Light is a 20-track dark phonk concept album that retells The Phantom of the Opera through everyone who got too close to the fire under the Paris Opera House. A genius who was born wrong in a world that punishes wrong faces and discovered that the underground has its own kind of power. A soprano who was told her dead father sent her an angel and believed it because she needed to and because the voice was that beautiful and because grief will accept any explanation that sounds like love. A viscount who loved the girl from childhood and came back to find her already claimed by something that lived below the floor. And a monster who was not born a monster but was made one — by a mirror, by a mask, by twenty years of being told that the only place he was allowed to exist was the place no one could see.

The music is dark Memphis phonk — opera samples processed through lo-fi grime, chandelier bass that rings and then falls, drums like footsteps in the catacombs beneath the city. Every track descends further until the underground feels like the whole world and the world above feels like something that happened to other people. The tension is this: he is the most gifted man in the building and he has to live under it. She is the only person who ever heard him as a person and she is going to leave with someone else. And the chandelier is up there in the dark above everyone who doesn't know it's about to fall.

The album ends with a man alone in a mirror room with a mask and a music box and the sound of two people rowing away into the dark. And if you listen closely — past the drums, past the opera bass, past the lo-fi crackle — you can hear the music he wrote for a voice that chose the light.

It plays on.


The Choice

Let Her Go

Lost in Emotions

All my mine
I never change my mind
I can't rewind

your my tragedy
fuck yeah
I ain't gonna lie

Sucidal 
always on my mind

I just pull me down
my self all my life

I never change my mind
I can't rewind

your my tragedy
fuck yeah
I ain't gonna lie

Sucidal 
always on my mind

I just pull me down
my self all my life

she's a savage mode
yeah treat me like im dirty 

when you suck me up
nothing either way to control me

all my friends are gone
yeah I feelin anxiety

All I got is bition
yeah Nobody can block me

I gotta keep it tho
I cannot sell my soul
Never forget what I want

How far I've been go
너무 멀리 왔어

I need some trophies
got me trolley
diamonds got me icey
got me icey

you tryna to me
nicely nicely
but it's to late
but it's to late

I'm so tired of that shit
I can't remember this shit 
Never change's that one thing
you can't never be my own

tragedy (prod.purc)

Blood

ya i suffer more
bitch i am ignored
alwayz on my own ya
artificial soul
wish i was nvr born ya
dont listen 2 my music
unless ur by urself at home
yaya dey dont want nomore
but i still give dem more
doin wat i gota do
evn if im sore
ion wana do it anymore
well i wont
yea yea i wont
yea yea i wont

yea yea deyre nevr sorry
ya im sorry mom
i kno u wana help me
ya im sorry im doin bad
im trying
ion wana live my life
im dying
im dying

Suffer More

Artificial soul (Prod Me)

handlee

Seiki Kunigami is a composer, pianist, and bassist living in Tokyo. 
He learned playing the piano from a korrepetitor.
The accompaniment of operas and songs has a certain influence on his style, and his music is basically repetitive.
He composes on the basis of piano improvisation. 
He says, "I caress, not play the piano."
His career as a composer began with participating in a working project of a contemporary dancer, but then he quit composition and worked for the local government. 
Recently after retirement, he decided to start composing again.

E-mail : imineleven@gmail.com
insta : https://www.instagram.com/kwonesyoung/

STATIC CHAPEL
================

Let's get this out of the way first: Static Chapel is a 100% AI-generated music project. Every lyric written by AI. Every beat generated by AI. Every vocal performed by AI. No human musicians were harmed in the making of these albums. No human musicians were involved in the making of these albums. This is an experiment in what happens when you point artificial intelligence at the oldest stories humanity has ever told and say: make it hit.

Static Chapel takes classic literature — the novels, the myths, the fairy tales, the sacred texts that have been sitting on shelves and in syllabi for centuries — and converts them into full-length concept albums. Not summaries. Not adaptations. Complete narrative experiences told through music, structured track by track, act by act, the way the original authors structured their chapters. Every album is a different story. Every album is a different genre. Every album is built to make these stories approachable, visceral, and immediate in a way that a 300-page novel or a 2,000-year-old scripture sometimes isn't.

This isn't a musical. There's no stage, no choreography, no intermission. This isn't an audiobook with a beat behind it. These are albums — real albums with hooks and drops and bridges and choruses — that happen to tell the most important stories ever written. The goal is simple: if you won't read Moby-Dick, maybe you'll listen to it. If Revelation feels like homework, maybe it hits different over dubstep. If Mary Shelley's Frankenstein has been sitting on your shelf since high school, maybe the Halloween trap version will make you feel what she was actually trying to say about fathers and sons and the things we create and abandon.

Classic literature is not dead. It's just been waiting for someone to turn up the bass.

Nate Daniels crafts cinematic, emotionally-charged indie-pop music that lives in the space between grit and glamour. With influences ranging from Hozier, Lord Huron, Lana Del Rey to Radiohead and Jeff Buckley his sound is brooding, sarcastic, and deeply introspective — a reflection of someone who never quite fit in, and stopped trying to. Raised in a house where folk, country, and '90s alt clashed beautifully, he started writing young, chasing truth over polish. His debut single, “King of the Thrill,” explores a dangerous crush and the infinite wrecklessness of youth, wrapped in old-world class, and emotional excess — Daniels invites listeners into a world that’s raw, reflective, and defiantly real.

A music producer with more than 10 years in production. Developing ideas & skills from ground up. 

Composing variety of music styles, aiming for good quality music that inspires listeners, maintaining creativity & genuity. 

Thanks for your listening & kind support:) 🙏

Youtube Link:
https://www.youtube.com/@audiocraftproduction2407

tragedyClub⸸
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New tracks tagged #tragedy