Dive into the soulful depths of melodic house and balearic techno with this mesmerizing 2+ hour journey. Featuring progressive rhythms, emotional vocals, and hypnotic tribal elements that transport you straight to Ibiza's most intimate venues. Perfect for deep focus, gym sessions, or transcendent late-night moments.
Barcelona-based DJ Claudio Ferrone (25+ years experience) curates pure melodic magic featuring tracks from respected labels including Helix Records, Insomniac Records, Reborn Music, National Sound Records, Sounds Of Meow, Perspectives Digital, and more.
Featuring music from legends: Jamie Jones, BLOND:ISH, Sean Finn, Asher Swissa, Jordan House, HUGEL, Topic, Arash

🎵 TRACKLIST:
Dmitry Kostyuchenko - Retroville (Original Mix)
Fundamental Harmonics - Space Caladium [Lepton Quark]
Gindi - Resurrection [Copyright Control]
Holly - Hold On (Original mix) [Album Only]
SEA 23 - Iskona [National Sound Records]
Sean Finn - Calinda (DJ Soulstar Extended Remix) [Mukoko Groove]
Vladis Cue - Actias Luna (Original Mix) [Sounds Of Meow]
Chris Schambacher - A Different Realm (Extended Mix) [Last Arrival Records]
Wes - Alane (Hoax (BE) & Daniel Etienne Remix) [1001Tracklists]
Cumbiafrica, Artespo, MORENITA, Alé Kumá - Canto Del Pilón (Extended) [Producciones AléKumá]
Dj KID - SO(u)NDER (Original Mix) [Adesso Music]
Vladis Cue - Actias Luna (KARPOVICH Remix) [Sounds Of Meow]
Asher Swissa, Zvika Brand Ft. Blayberg - Toxic Reality (Extended Mix) [Reborn Music]
BLOND:ISH & Night Tales - Shout It Out (Extended Mix) [Insomniac Records]
Bohm & Ark Nomads - Waiting For You (OIBAF & Gulec Extended Remix) [Perspectives Digital]
Jamie Jones & Miluhska - La Musa (Adam Ten & Rafael Remix) (Extended Mix) [Helix Records]
Jordan House - It's Our Time (Extended) [Wyldcard]
HUGEL x Topic x Arash feat. Daecolm - I Adore You (Raphael Palacci & Cesaar Extended Remix) [Virgin]

🔥 FEATURED LABELS:
Helix Records | Insomniac Records | Reborn Music | National Sound Records | Sounds Of Meow | Perspectives Digital | Last Arrival Records | Adesso Music | Mukoko Groove | Lepton Quark | Wyldcard | Virgin Records | Producciones AléKumá

🎧 GENRES: Melodic House | Balearic House | Melodic Techno | Progressive House | Deep House | Tech House | Tribal House | Afro House

📍 Barcelona-based | Ibiza resident | 25+ years DJ experience
🌐 Connect: @claudioferronemusic
📧 Bookings & collaborations welcome!

Melodic House & Balearic Techno Journey #002

This is not an album. It’s a ritual. A saga carved in breath and silence.

The Flame That Spoke in Silence is a 20-track mythic folk journey through exile, grief, and the quiet power of memory. It follows the flameborn—cast out by his warband, forgotten by his village, erased from the stone. But he does not burn with vengeance. He walks with silence.

Each track is a chapter of emotional reckoning:

He descends into the cave where silence first chose him.

He returns to the village that forgot its name.

He sings for the warband that broke their oath.

He carves the final rune—not for glory, but for those who were never named.

This is music for those who’ve been cast out. For those who carry grief like a blade. For those who walk alone, not to escape—but to remember.

There are no gods here. No kings. Only breath. Only flame. Only silence.

If you’ve ever felt forgotten, this album remembers you.

The Rite of Those Forgotten

The Hall That Forgot My Name

The Breath Beneath the Ash

The Silence That Became Us

The Village That Forgot Its Name

The Breath That Binds Us All

The Frostlands Remembered

The Warband That Forgot Its Oath

The Flame That Spoke in Silence Part 2

The Rune That Spoke in Silence

‘Oberton’—a 432 Hz odyssey where a St. Petersburg-tuned Oberton Pro jaw harp sings with golden pulses, chants of sacred god names echo, and a coffee sugar bag shaker grounds the cosmic dance. A gift of gratitude.

Oberton

Don’t wake me up — I’m already under

Footsteps in felt, counting my breaths
Teeth of the clock chew through the rest
Blanket of dust tucks in my name
Pillow remembers, I don’t feel the same
Hands like rooms, empty of guests
I hear the mattress relearn my weight
Night kneels down, asks what I’ll trade

Whisper it slow — time takes everything
Lay me this still — hear the hinges sing
Open the dark — I stop resisting

My body decomposes
Under quiet roses
Counting down in doses
What the earth reposes
My body decomposes

inventory: breath / light / noise — gone
keep what you keep — let the rest move on

Label the edges — thread by thread
Names unspool — stitch instead
Glass in the window — learns to blur
I turn to soil — you call it “sir”

Say it again — time takes everything
Fold me to loam — hear the hinges sing
Open the dark — I stop resisting

My body decomposes
Under quiet roses
Counting down in doses
What the earth reposes
My body decomposes

Entropy is patient, a librarian of silence
It files my heart under dust and science
If love keeps records, it will find the pages faded
If I return to ground, remember: nothing’s wasted

My body decomposes
Under quiet roses
Counting down in doses
What the earth reposes
My body decomposes

Turn out the room — leave the door ajar
I’ll be the moss that learns your name tomorrow

My body decomposes

Smiling Children of Gaza – أطفال غزة المبتسمون is a song born from both heartbreak and awe — a tribute to the unbreakable spirit of Gaza’s children who, even after losing limbs, homes, and families, continue to smile with divine courage.

In their faces, the world witnesses a love and light that no war can extinguish. Their laughter, rising above the rubble, becomes an act of faith — a living sermon in the language of innocence and endurance.

Musically, the piece blends Arabic soul and Appalachian folk in a gentle, reverent dialogue. The arrangement’s soft oud, acoustic guitar, and children’s choir carry the melody like a prayer, while a rising frame drum pulse mirrors the heartbeat of Gaza itself — fragile, brave, eternal.

This song is not a lament; it is a hymn of gratitude for the children who still smile when the world has given them every reason not to. It is love, pure and unshaken — the laughter of Gaza.

Smiling Children of Gaza

fluctuating pathways

“Frequency of the Soul” by Pick’s Hideaway Players is a transcendent cosmic-folk anthem exploring vibration, consciousness, and the law of resonance. A spiritual companion to Mathematics & Resonance, it moves from dark dissonance to radiant harmony, mirroring the shift from fear to love. Appalachian roots instruments fuse with psychedelic soul, cinematic rock, and ethereal jam textures to form a living spectrum of sound. Each verse ascends the emotional scale toward awakening; every chord hums with sacred geometry. The song reminds us that the universe responds not to words but to frequency—what we feel, we attract. “Change your thought, the world will shift; tune yourself to what is true.” Frequency of the Soul is both meditation and movement—an invitation to tune inward, raise vibration, and become the music of the cosmos.

Frequency of the Soul

See the acid rain fallin’ on this soul of mine,
Crystal drops of reason in a tempest of time.
Roots dig deep where the fire won’t burn,
In Jah’s garden we wait for the new dawn to turn.

Acid Jah – cleanse the night, bring the morning light,
Acid Jah – break the chain, lift us through the pain.
Acid Jah – in the unknown we’ll find our home,
Acid Jah – hold us strong when the wild winds blow.

Shadows flicker under Babylon’s heavy reign,
Mind in haze, heart ablaze, seeking freedom from the chain.
But the drumbeat calls from the mountain side,
And Jah’s thunder echoes where the truth can’t hide.

Acid Jah – cleanse the night, bring the morning light,
Acid Jah – break the chain, lift us through the pain.
Acid Jah – in the unknown we’ll find our home,
Acid Jah – hold us strong when the wild winds blow.

In the acid storm we find the seed of grace,
Through the burning mind, Jah reveals sacred space.
Rise up, rise up, from the ashes of defeat,
Let your roots connect, let your spirit meet.

Acid Jah – cleanse the night, bring the morning light,
Acid Jah – break the chain, lift us through the pain.
Acid Jah – in the unknown we’ll find our home,
Acid Jah – hold us strong when the wild winds blow.
Acid Jah – hear the call, feel the rising soul,
Acid Jah – keep the faith, let the story unfold.

*(dub echo fade – “Acid Jah… Jah… Jah…”)

Acid Jah

“Murúchs call” drifts through dark waters.  An hypnotic drum & bass piece where deep basslines meet celtic echoes. Named after the Irish sea spirit, it carries a nocturnal pull: mysterious, melancholic, and quietly powerful, like a legend whispered beneath the waves.

Murúchs Call

“Redeeming Grace: The Awakening” unfolds like a cinematic prophecy — where divine power meets alien revelation. Built on a pulsing synth bass and metallic percussion, the track surges with industrial energy as orchestral strings and bold brass from the orchestra rise like a storm.

Heavy guitars drive beneath angelic soprano harmonies — ethereal voice floating like light breaking through clouds. The operatic chant echoes across cathedral-like reverb, blending Slavic folk and sacred mysticism into something both haunting and holy.

It’s a moment of reckoning — humanity’s judgment day, painted in sound. The mood is divine, emotional, and transcendent… a slow evolution from fear to grace, from darkness to awakening.

This is the AI version of Redeeming Grace, taken from the Stage 1 production by Dan Cooper of my original demo. The finished original version will appear on my 2027 album “A Human Odyssey.”

An anthem for those who believe salvation might come not from heaven — but from the stars.

REDEEMING GRACE

[Verse 1]
They hide, waiting so patiently
Waiting for Gods to leave
Abandon this place and leave us
So I beg, forsake our humanity
Please don't forsake us here
Are we so lost, are we so blind?

[Instrumental]

[Verse 2]
The lights that I see in the sky
They're watching us close, it's almost time
To face the truth of man
Has this all been planned?

[Chorus]
They come from far off lands
They are now here to claim the soul of man
And so now I see our judgment day
All I can do is cry, we need redeeming grace

[Verse 3]
So we fear the things we can't explain
Throughout the years, the wars and the pain
We'll stand before you, Gods
All we can do is hope and pray

[Chorus]
They come from far off lands
They are now here to claim the soul of man
And so now I see our judgment day
All I can do is cry, we need redeeming grace

[Bridge]
Can you save us from all we see?
Do you watch from eternity?
Are you so broken and cold with all that we've shown?
Are we now so lost to the cause?
If there is something we change, could we now be saved?
Or are we to face this alone?

[Chorus]
They come from far off lands
They are now here to claim the soul of man
And so now I see a judgment day
All I can do is cry, we need redeeming grace
(Oh-oh-oh-oh-oh)
(Oh-oh-oh-oh-oh)

[Instrumental]

(Oh-oh-oh-oh-oh)
(Oh-oh-oh-oh-oh)

Redeeming Grace

Redeeming Grace: The Awakening

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

I use every tool available — human or machine — as an instrument.
Technology doesn’t replace creativity. It expands it.

Crafting immersive soundscapes that span from liquid drum & bass to Creating immersive sound journeys that flow between liquid drum & bass, ethereal electronica and  mystical cinematic realms, always chasing fresh textures and emotional storytelling through music. 



About

I’m Dean R. Chandler — a London based songwriter, recording artist, and storyteller. My music is rooted in a lifelong search for meaning, weaving together themes of love, loss, faith, alien contact, and humanity’s future.

My upcoming double concept album Human Odyssey (set for release in January 2027) is the culmination of decades of writing and reflection. It’s a narrative journey that begins with a search for God and ends with an encounter with extraterrestrial intelligence — exploring not only what it means to be human, but also where we might be heading as a species. Musically, it draws inspiration from the epic storytelling of Jeff Wayne’s War of the Worlds, the synth-driven edge of Gary Numan, and the emotional depth of artists like Tori Amos and Chris de Burgh.

I previously released Time Machine – Reflecting Shattered Dreams (2014) and continue to revisit my archive of songs written across 35 years, reimagining them with today’s tools and sounds. Some pieces remain intimate and acoustic, while others expand into dark rock, industrial, or orchestral landscapes — but all are connected by a focus on emotional honesty and cinematic storytelling.

Beyond music, I’m fascinated by the intersection of creativity and technology. I’ve been experimenting with AI-driven composition and production to bring old demos to life and to spark entirely new works. For me, these tools are not replacements for human artistry but extensions of it — ways of unlocking stories and emotions that otherwise might have remained hidden.

At its heart, my work is about connection: to the past, to the future, and to the unseen mysteries of existence. Music, for me, isn’t just entertainment — it’s a chronicle of transformation, a conversation between spirit, science, and sound.

https://www.linkedin.com/in/dean-r-chandler-b19715382/
www.deanrchandler.co.uk

⚪🎶 Musick 🌌 to 🙏 thank 🌍 the ✨ Universe🎶⚪

New tracks tagged #transcendent