(encym | Hanrath | Kitzmann | Sharbaugh)
Andreas Kitzmann [ https://soundcloud.com/andreas-kitzmann-27370936 ]: [electric?] guitar loop improvisation
encym [ https://soundcloud.com/encym ]: acoustic and electric guitars improvisations
Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ]: editing, mixing, and 'found sounds'
W:I:L-o´the-wisp [ https://soundcloud.com/flyingtonefish ]: 'theremin' and synthesizer 'solo' improvisation
Composed and Recorded ca. April 19 to 21, 2023.
sm13-02 [eM 03] [24WAV].

-+-

"I was completely enthralled by Andreas', Roland's, and Wilfried's musical 'answer' to the last Junto assignment (0593 -- a trio recorded at 'asynchronous' times and places). I lovingly dissected their sonic opus, and concocted My own answer to this week's Junto challenge -- 0594, the 'Threemix.'

I first diced the intro of Andreas' initial, guitar loop, kept only its first two 'notes,' expanded and looped them to 64.35 BPM -- and repeated them throughout the piece.

encym's guitar meanderings were sliced into brief phrases. I ended up with thirty of them, yet used only two of them to offset Andreas' forceful drones. Also featured are two improv sections of His at very low volumes, in order to suggest an subtle 'undulation' in the piece.

encym's tonality was originally pitched one semitone higher ('Western-scale'); thus, I lowered (pitch-shifted) it a single semitone. The result is consonance.

(One of My fave 'happy accidents' occured while isolating a brief, percussive 'dink' during encym's guitar part [a fingering error?]; that dink -- when saturated, and run through a slap-back and ping-pong delay series -- provided a 'drum' beat that backed the piece.)

As the work nears its cadence, enter Wilfried, with His wond'rous 'theremin' riff, of which I isolated one recorded flourish, and repeated it four times. The motif He played introduces itself at a low volume level, fed through two delays and a reverb, which deepened in intensities as the motifs progressed. 

What makes this piece special for Me is the highly complex -- and joyfully painstaking -- effects automations I crafted throughout it. It took hours of mathematical computations, and programming, in order to make the piece -- itself seemingly 'simple' and 'droney' -- to 'sound' so complex."

~ Michael

-+-

"Disquiet Junto Project 0594: 'Threemix'

The Assignment: Remix an asynchronously produced trio.

Step 1: You’re going to make a remix of a track from the most recent Disquiet Junto project, which was a collection of trios constructed over the course of three weeks. Listen through the playlist, and check out any additional tracks in the discussion forum:

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0593

https://llllllll.co/t/disquiet-junto-project-0593-the-charm/

Step 2: You might elect to use some of the constituent parts of the series, so do seek out the solo and duet that led to your chosen trio and feel free to employ those, too. Check out the respective llllllll.co threads:

https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/

https://llllllll.co/t/disquiet-junto-project-0592-better-than-one/ "

~ Marc Weidenbaum

-+-

"The complete work from which this remix borrowed constituent parts can be found here:

https://soundcloud.com/flyingtonefish/wilfried-hanrath-with-andreas-kitzmann-encym-encounters-in-the-disquiet0593

-

The subsequent duet penned by Andreas Kitzmann and encym can be found here, at disquiet0592:

https://soundcloud.com/encym/tete-a-tete-disquiet0592

-

Andreas Kitzmann's lone, discrete track, which was destined for the initial Disquiet Junto assignment, "disquiet0591," can be found here:

https://soundcloud.com/andreas-kitzmann-27370936/disquiet0591 "

~ Michael

-+-

Trinkets + Tatters (feat. encym  Wilfried Hanrath &amp; Andreas Kitzmann)

"Trinkets + Tatters" - Michael Ash Sharbaugh (ft. Andreas Kitzmann, encym, and W:I:L-o´the-wisp)

BONG RIP! BONG RIP! BONG RIP! BONG RIP! BONG RIP! BONG RIP! BONG RIP! BONG RIP! BONG RIP! BONG RIP! BONG RIP! BONG RIP! BONG RIP! BONG RIP! BONG RIP! BONG RIP! BONG RIP! BONG RIP!

Solar Skull Fucking to The Nth Degree

Up-tempo, arpeggiating solo piano, with a strong feel of anticipation. Moody and stunning.

Momentum - Solo Piano

Relentless

A touch of sweetness and quiet contentment for solo piano and ambient background. 

Image kindly supplied by Bruno Horwath

License available through Thermal Music

As She Dances

The Dark Sea

John C. Buttigieg is a British-Maltese neoclassical artist, broadcast composer, and contemporary solo pianist based in London. Known for his cinematic approach, John’s sound is meditative, experimentally abstract, and leans toward minimalism.

John regularly writes music for the production and broadcasting music industry. His contemporary piano compositions and albums have been featured on national television and radio, including on the BBC and ITV. 

Though technically neoclassical, John’s improvisational and experiential styles eclipse genre boundaries. His creative instincts are fuelled by self-expression and the search for connection, exploring freedom, harmony, and romance in his compositions. Probing for meaning amidst life’s chaos, John’s work mirrors filmic narrative, intense and melancholy, with subtle glimpses of joy and optimism.

John holds a number of degrees, including a Bachelor of Arts in Philosophy and Psychology (University of Malta), a Master of Science in Psychology (University of Nottingham) and a Master’s in Music Therapy (Anglia Ruskin University, Cambridge). During his time in Malta, he worked under piano tutor Julian Dyson, studying Chopin, Rachmaninoff, and creating his own compositions (specifically, his solo piano suite ‘Uncharted’). He partook in several piano masterclasses (hosted by the Johann Strauss School of Music, Malta) with visiting piano professors from various countries. They were
all receptive to John’s playing and his interpretation of Chopin’s Ballade No. 2.

Apart from the odd piano lesson as a child, John didn’t have a classical foundation, nor did he complete any grades or exams. He started his musical journey alone, initially tackling Chopin’s work independently. John first discovered Chopin as a teenager whilst looking through his father’s cassettes. He listened to ‘My Favourite Chopin’, a curated playlist, and fell in love with music after hearing ‘Ballades’, ‘Etudes', ‘Impromptus' and ‘Barcarolle’. Seized with a need to play these pieces, he began devoting more time to piano. After finishing his A-Level in Music, John found that music was the only means by which he could express himself fully - and thus he pursued a more ‘non-traditional’ route to developing his musicianship and artistic career.

Deeply influenced by classical pioneers including Rachmaninoff, Chopin, Debussy, and Satie, John’s music seeks to express the inexpressible, and to find meaning and peace in the jumble of the everyday. 

Listen now, and follow John C. Buttigieg for new music.

DARK WAVE | SPACEROCK | VAPORTRAP | TRIP-HOP
AMBIENT | EXPERIMENTAL

the PERSON, the SOUND : Since 1985, Philadelphia-born Michael has composed and released hundreds of audio recordings, and published dozens of [erotic] poems.

His 'sonic-sojourn' began suddenly when he was just a teen -- feet splashing rhythmically through puddles leftover by a seaside rainstorm. Having just parted ways with the then-love-of-his-life, Michael composed his first ballad [and first song] ever -- "Tina." He rushed to his beach-side home to record his visceral 'awakening' on a tiny micro-cassette recorder, and vowed -- from that day on -- to create art for the rest of his life.

He began zealously amassing used music equipment, and had built a modest home recording studio by age seventeen, all the while crafting simple pop, ambient, and experimental works that HE had wanted to listen to -- that HE had wanted to hear, affectionately emulating the works of his then-idols, Duran Duran and Brian Eno.

Now, decades later, he has relocated to a small village outside Atlanta, Georgia, and continues to voraciously attend to his dream as a young, heartbroken boy -- to create and release music that he, himself, wants to hear.

Although no longer sequestered to pop and ambient musics, Michael's signature sound has merged the two, having integrated the R&B, hiphop, and psychedelia he has grown to love as a older gent -- having absorbed the edgy rhythms and dreamy soul of the southern United States (Atlanta and Miami).

Michael still puts forth ample amounts af ambient musics, but his recent 'sound' hovers elsewhere -- somewhere amidst the genres of vaportrap, spacerock, and trip-hop.

-+-

the INFLUENCES : Duran Duran, The Weeknd, Blondie, Depeche Mode, Billy Idol + Steve Stevens, Stone Temple Pilots, Dead Can Dance, Siouxsie & The Banshees, This Mortal Coil, Air, Naked Eyes, Tears for Fears, Alice in Chains, John Barry, Leslie Bricusse, The Chameleons [UK], Brian Eno, The Cocteau Twins, ABBA, The Bee Gees, Claude Debussy, Frederick Chopin, Guillaume de Machaut, Early Music, Renaissance music, Baroque music, and Joe Meek.

- + -

#duranduran #theweeknd #blondie #depechemode #billyidol #stevestevens #deadcandance #siouxsieandthebanshees #air #tearsforfears #johnbarry #lesliebricusse #claudedebussy #mauriceravel #frederickchopin #eriksatie #brianeno #thecocteautwins #abba #beegees #joemeek #chameleons #octoberproject #patbenatar #haroldbudd #lindseybuckingham #nakedeyes #aha #ceefarrow #omd #thismortalcoil #stonetemplepilots #aliceinchains #baroque #renaissance #earlymusic #theweeknd #skeler

Here you'll discover a huge range of music I have composed, performed and produced. I work as a composer for film, games and animation with a large catalogue of soundtracks commissioned by production libraries. 
Alongside these pieces is a growing collection of songs created for pure enjoyment that reflect my eclectic tastes in music, opinions, observations, musings and sometimes mindless nonsense. 
Thanks for listening.

New tracks tagged #undulating