This track embodies a sense of resilience and optimism in the face of uncertainty. It begins with a reflective tone, acknowledging the challenges of navigating a rapidly changing world. As the music progresses, there's a gradual shift towards a more hopeful and empowering atmosphere, symbolizing the strength found in unity and adaptability. The melody is uplifting, with a mix of poignant moments and triumphant crescendos, mirroring the highs and lows of the journey. Overall, it's an anthemic piece that encourages listeners to embrace change and find the courage to transform themselves and their surroundings.

2025: One New World

Xennialpriestking - 2025: One New World(audio)

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EP: VA - Equinox Dreams v3 - Spring 2024 Compilation
LABEL: Uniting Souls Music
RELEASE: 2024-03-28
CATALOG: USM072

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Premiere: Cory Wells - AI Takeover | Uniting Souls Music

Composer and Pianist: Vahid Jahandari

This collection of miniature pieces for solo piano serves as a testament to the influence of George Russell's Lydian Chromatic Concept on the composer. Jahandari delves into Russell's theoretical framework, applying its principles to craft a series of works that navigate the harmonic landscapes, melodic trajectories, register, and various techniques based on those teachings.

In the context of 'chord scale unity' within the parent scale, the composer, inspired by Prokofiev's Visions Fugitive Op. 22, emphasizes its significance in each movement, despite the regular modulations soon after the introduction of each scale series. This way, the composer transitions from one space for expression to another harmonic mood with fresh exploration of the main motivic relationships, contributing to a dynamic and evolving emotional expression throughout the composition.

Immediate emotional responses are the primary guide in shaping Jahandari's aesthetic approach to composition. During the process, such as selecting the pitch series, horizontal and vertical relationships to the parent scales, voice leading style, and the transitions, when modulating, and in terms of formal structure, that there is a tendency for rapid changes of modes, from one way of expression to another, all are influeced from the Visions Fugitive Op. 22 series.

The composer, while adhering to the regulations of Russell's Lydian Chromatic Concept, infuses each piece with a distinct emotional logic and, therefore, a distinctive vocabulary—a reference to the means by which the overall shape of a sonic exhibition is built for outer observance. The composer views sonic exhibition as a form of emancipation—an artistic liberation that transcends conventional boundaries within language and ordinary forms of communication. 

This unfolds through the composer's navigation of the Lydian Chromatic Concept, allowing for the creation of distinctive and individualistically subjective expressive modes. This personalized approach permeates the sonic landscape, offering free means of articulating a􏰀itudes, interests, and beliefs. Through this lens, the composer elevates music beyond a mere auditory experience, transforming it into a resonant form of artistic expression. This allows the audience to experience the perspective, positionality, and emotional resonance, spatializing a virtual reality to communicate auditory procedures in the global climate of the early 21st century.

Beyond the realms of the needs for individuality and collectivity of emotional space, "Uniting Images" also delves into broader societal narratives. Jahandari reflects on themes related to race, gender, national origin, and various categories that have impacted him over the past decade of adulthood. The compositions serve as a medium through which the composer communicates his response to the complexities of the contemporary world. The emotional resonance extends beyond the personal, offering a glimpse into the inevitable confrontation of shared humanity.

The composer places a deliberate emphasis on the nuanced and regular use of the pedal throughout various movements of the composition. Acknowledging the complexities inherent in the harmonic relationships within this sonic exhibition, as well as the interplay of specific progressions and cycles, finger techniques, and the desired timbral character, the composer advocates for a thoughtful and considered approach to pedal usage by each piano performer.

Uniting Images I - Vahid Jahandari

Composer and Pianist: Vahid Jahandari

This collection of miniature pieces for solo piano serves as a testament to the influence of George Russell's Lydian Chromatic Concept on the composer. Jahandari delves into Russell's theoretical framework, applying its principles to craft a series of works that navigate the harmonic landscapes, melodic trajectories, register, and various techniques based on those teachings.

In the context of 'chord scale unity' within the parent scale, the composer, inspired by Prokofiev's Visions Fugitive Op. 22, emphasizes its significance in each movement, despite the regular modulations soon after the introduction of each scale series. This way, the composer transitions from one space for expression to another harmonic mood with fresh exploration of the main motivic relationships, contributing to a dynamic and evolving emotional expression throughout the composition.

Immediate emotional responses are the primary guide in shaping Jahandari's aesthetic approach to composition. During the process, such as selecting the pitch series, horizontal and vertical relationships to the parent scales, voice leading style, and the transitions, when modulating, and in terms of formal structure, that there is a tendency for rapid changes of modes, from one way of expression to another, all are influeced from the Visions Fugitive Op. 22 series.

The composer, while adhering to the regulations of Russell's Lydian Chromatic Concept, infuses each piece with a distinct emotional logic and, therefore, a distinctive vocabulary—a reference to the means by which the overall shape of a sonic exhibition is built for outer observance. The composer views sonic exhibition as a form of emancipation—an artistic liberation that transcends conventional boundaries within language and ordinary forms of communication.

This unfolds through the composer's navigation of the Lydian Chromatic Concept, allowing for the creation of distinctive and individualistically subjective expressive modes. This personalized approach permeates the sonic landscape, offering free means of articulating interests, and beliefs. Through this lens, the composer elevates music beyond a mere auditory experience, transforming it into a resonant form of artistic expression. This allows the audience to experience the perspective, positionality, and emotional resonance, spatializing a virtual reality to communicate auditory procedures in the global climate of the early 21st century.

Beyond the realms of the needs for individuality and collectivity of emotional space, "Uniting Images" also delves into broader societal narratives. Jahandari reflects on themes related to race, gender, national origin, and various categories that have impacted him over the past decade of adulthood. The compositions serve as a medium through which the composer communicates his response to the complexities of the contemporary world. The emotional resonance extends beyond the personal, offering a glimpse into the inevitable confrontation of shared humanity.

The composer places a deliberate emphasis on the nuanced and regular use of the pedal throughout various movements of the composition. Acknowledging the complexities inherent in the harmonic relationships within this sonic exhibition, as well as the interplay of specific progressions and cycles, finger techniques, and the desired timbral character, the composer advocates for a thoughtful and considered approach to pedal usage by each piano performer.

Uniting Images II - Vahid Jahandari

Composer and Pianist: Vahid Jahandari

This collection of miniature pieces for solo piano serves as a testament to the influence of George Russell's Lydian Chromatic Concept on the composer. Jahandari delves into Russell's theoretical framework, applying its principles to craft a series of works that navigate the harmonic landscapes, melodic trajectories, register, and various techniques based on those teachings.

In the context of 'chord scale unity' within the parent scale, the composer, inspired by Prokofiev's Visions Fugitive Op. 22, emphasizes its significance in each movement, despite the regular modulations soon after the introduction of each scale series. This way, the composer transitions from one space for expression to another harmonic mood with fresh exploration of the main motivic relationships, contributing to a dynamic and evolving emotional expression throughout the composition.

Immediate emotional responses are the primary guide in shaping Jahandari's aesthetic approach to composition. During the process, such as selecting the pitch series, horizontal and vertical relationships to the parent scales, voice leading style, and the transitions, when modulating, and in terms of formal structure, that there is a tendency for rapid changes of modes, from one way of expression to another, all are influeced from the Visions Fugitive Op. 22 series.

The composer, while adhering to the regulations of Russell's Lydian Chromatic Concept, infuses each piece with a distinct emotional logic and, therefore, a distinctive vocabulary—a reference to the means by which the overall shape of a sonic exhibition is built for outer observance. The composer views sonic exhibition as a form of emancipation—an artistic liberation that transcends conventional boundaries within language and ordinary forms of communication.

This unfolds through the composer's navigation of the Lydian Chromatic Concept, allowing for the creation of distinctive and individualistically subjective expressive modes. This personalized approach permeates the sonic landscape, offering free means of articulating a􏰀itudes, interests, and beliefs. Through this lens, the composer elevates music beyond a mere auditory experience, transforming it into a resonant form of artistic expression. This allows the audience to experience the perspective, positionality, and emotional resonance, spatializing a virtual reality to communicate auditory procedures in the global climate of the early 21st century.

Beyond the realms of the needs for individuality and collectivity of emotional space, "Uniting Images" also delves into broader societal narratives. Jahandari reflects on themes related to race, gender, national origin, and various categories that have impacted him over the past decade of adulthood. The compositions serve as a medium through which the composer communicates his response to the complexities of the contemporary world. The emotional resonance extends beyond the personal, offering a glimpse into the inevitable confrontation of shared humanity.

The composer places a deliberate emphasis on the nuanced and regular use of the pedal throughout various movements of the composition. Acknowledging the complexities inherent in the harmonic relationships within this sonic exhibition, as well as the interplay of specific progressions and cycles, finger techniques, and the desired timbral character, the composer advocates for a thoughtful and considered approach to pedal usage by each piano performer.

Uniting Images III - Vahid Jahandari

Uniting Images (Remix)

"I Am Light" is a transcendent anthem of empowerment and unity, blending elements of inspirational pop, cinematic grandeur, and uplifting EDM. This radiant masterpiece takes listeners on a journey of self-discovery and collective awakening, celebrating the divine light within us all. With soaring melodies, a powerful beat, and lyrics that resonate deeply, “I Am Light” inspires joy, hope, and a renewed sense of purpose. Perfect for moments of reflection, celebration, or simply finding strength, this song is a living affirmation of love, abundance, and the boundless potential of the human spirit.

A must-hear for anyone seeking light in the darkness. 🌟

I am Light

Carla and Annie sit down with the legendary Dr Marianne Jauncey, director of the medically-supervised injecting centre (MSIC) in Sydney's Kings Cross. The trio discuss the latest in harm reduction, the upcoming MSIC in Richmond, Victoria, Uniting's push for drug law reform and the transformative power of treating people with dignity and respect.

SpeakEasy S3 Ep3: Dr Marianne Jauncey

I'm a pop/gospel genre singer and rapper who plays the piano keyboard as an instrument of preference and choice and I'm from Canada

God gave me the gift of Ai to bring the Gospel to life through music. 

This is my Passion and your support helps, for my music does not qualify for monetization because it is Ai. I make no money here, and can use your help to grow this glorious platform. 

PayPal: thelightmentor@gmail.com
CashApp: $unseen1111
Venmo: @rebornfromash
Brandi Johnson


May God bless you with this music as much as he has blessed me 🙏💝



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Award-winning composer, producer, performer, and educator of ElectroAcoustic music, Vahid Jahandari is a dynamic transdisciplinary musician, specializing in global music studies. Award-winning composer of acoustic and electronic music, Jahandari's works have been performed and recorded in North America, Europe, and Asia. He has received awards, including first prizes at 2Agosto and Pejman competitions for His orchestral and chamber music, and commissions include the Grammy nominee ensemble, PubliQuartet.

Jahandari is a multi-instrumentalist and improviser who works across various genres and mediums. His music has been selected and performed at numerous festivals, including ISCM World Music Days in Estonia, the World Saxophone Congress in Croatia, SXSW, SEAMUS, SPLICE, and many more.

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