Something completely different for me. Less focus on melody, more on atmosphere  and diving deep. Enjoy.

Density

Recorded, mixed and mastered by Paul Giroux
Lights by Pierre Cruz and Juliette Luangpraseuth
Produced and written by Paul Giroux and Jeremy Weisman 
Costume design : Capucine Gautier
Costume creation : Capucine Gautier, Nolwen Duquenoy & Billie Davis
Photo by Anthony Lnd

Performed by KAWANH
Julie Cail : Vocals
Vivien Cheneveau : Bass/Vocals
Quentin Lefèvre : Drums
Juliette Lemas : Vocals
Héloïse Martin : Guitar/Vocals
Jeremy Weisman : Guitar/Vocals

© All rights belong to the respective copyright holders

KAWANH - Gwachi Dekai [Live Excerpt]

KAWANH - Namewa [Live Excerpt]

KAWANH - Keirineyah [Live Session]

Live performance: University of Illinois Symphony Orchestra, Victor Ho Yip, Conductor. 
“Comet Coggia” (2024) for Orchestra was inspired by the path of the Great Comet of 1874 (C/1874 H1). Discovered by the French astronomer Jérôme Eugène Coggia on April 17, 1874 in Marseille, it was visible to the naked eye by June 1874 and attentively observed in both hemispheres. As Coggia’s comet gathered strength, it caused quite a stir in the United States, and even a panic among some, so much so that Mark Twain satirized the comet in his short story "A Curious Pleasure Excursion” which was published July 6, 1874 in the New York Herald. There are many historical accounts of the comet’s path and observers noted a beautiful naked-eye tail lengths reaching 70 degrees as the comet passed closest to the Earth on July 23, 1874. 

There are many composers throughout history who have written music inspired by comets, planets and the stars. For me, in addition to the music being inspired by the path of the comet, I was also envisioning the global connectedness and unity that comes with such an event. It serves as a reminder that no matter our nationality, beliefs or location on this planet, we all look up and share the night sky and the vastness and power of the universe. 

“Comet Coggia” was commissioned by the University of Illinois Symphony Orchestra to mark the 150-year anniversary of the orchestral program at the University of Illinois Champaign-Urbana. 

Comet Coggia for Orchestra

StarMelt

u dont really wanna know *prod universe*

Galaxy Drift is a cinematic electro soundtrack by ØLYNDRØM —
an instrumental journey through the vast silence of space aboard the Titan-Class starship HYPERION.

Blending futuristic synths, ambient textures, and emotional atmospheres, this piece captures the feeling of drifting between stars — calm, majestic, and infinite.

 Listen & Follow ØLYNDRØM:
 https://linktr.ee/olyndrom
© ØLYNDRØM - 2025

 Genres: Cinematic Electronic · Ambient Space · Sci-Fi Soundtrack

#ØLYNDRØM #GalaxyDrift #SciFiSoundtrack #CinematicElectronic #AmbientSynth #SpaceJourney

Galaxy Drift

This song is about questioning the purpose of the universe and one's role in it. It is a dreamy, distorted pop song.

universe?(universal)

A leaf in the stream of creation🍃🔮

Internal Affairs to Stardust💽 25-10-2025

Born Woolfinius Jackson Whürl to two itinerate circus gymnasts, Woolfin would grow tired of the performance life and would go on to seek quieter pastures as a painter and later a writer.

Le Helai, énergie immanente de la Terre, est vitale au peuple Kawanh. Sur scène, les membres du groupe incarnent les légendes et mythologies de leur monde.
Dans une forme créative de rock metal progressif se mêlent des riffs puissants, des polyphonies envoûtantes, une langue fictive, des rythmes complexes et des textures sonores variées. 
Kawanh vous embarque dans un univers offrant un vaste imaginaire par un spectacle immersif et une musique riche et frénétique.

Composer Ingrid Stölzel has been described as having “a gift for melody” (San Francisco Classical Voice) and “evoking a sense of longing” that creates “a reflective and serene soundscape that makes you want to curl up on your windowsill to re-listen on a rainy day.” (I Care If You Listen)  

Stölzel’s compositions have been commissioned by leading soloists and ensembles, and performed in concert halls and festivals worldwide, including Carnegie Hall, Merkin Concert Hall, Kennedy Center, Seoul Arts Center, Thailand International Composition Festival, Festival Osmose (Belgium), Vox Feminae Festival (Israel), Dot the Line Festival (South Korea), Ritornello Chamber Music Festival (Canada), Festival of New Music at Florida State (USA), Beijing Modern Music Festival (China), Festival of New American Music (USA), and SoundOn Festival of Modern Music (USA). Her music has been recognized in numerous competitions, among them recently the Suzanne and Lee Ettelson Composer's Award, Red Note Composition Competition, the Robert Avalon International Competition for Composers, and the Kaleidoscope Chamber Orchestra Competition. Recordings can be found on various commercial releases including her portrait album “The Gorgeous Nothings” which features her chamber and vocal chamber music. Stölzel teaches composition at the University of Kansas School of Music.

New tracks tagged #universe