Gardishe Chashme   Urdu , English Lyrics   Slowed Reverb   Cover Song   Female Version

Tareeki is about giving into darkness and growing out of it.

Vocals, Lyrics, and Composition by Maliha J. Khan
Find Maliha on
Spotify: https://open.spotify.com/artist/63RTNEI59osbMZHgd9FUTl?si=N7FvnyTJTc628sLPXBx8jA
Instagram: www.instagram.com/malihaj.khan/

Music Production by Shameer Ali
Find Shameer on
Spotify: https://open.spotify.com/artist/2YOWil5rDregv3GVz4BFwi?si=A8-0gTIQTfm0vAHSO6lx3g
Instagram: www.instagram.com/shameermusic/
SoundCloud: on.soundcloud.com/uqPBuv7pHoeVcU7x5

Video Production by Cirrus
Find Cirrus on Instagram: www.instagram.com/cirrus.impact/

Tareeki - Maliha J. Khan and Shameer

Raza is best known for writing the screenplay and dialogues for the television series Mahabharat, which was based on the ancient Indian epic, the Mahabharata.

Ajnabi Shehar Ke Ajnabi Raaste | Bharathi Vishwanathan

Gulbahar Bano (born 1955) is a Pakistani ghazal singer. She started her singing career in 70s and early 80s from Radio Pakistan, Bahawalpur station. Irfan Ali, station director of radio Pakistan Bahawalpur first gave her a chance on radio and then helped her move to Karachi. She moved to Karachi in 80s and moved her focus from Kafi to ghazal singing. Later she moved to Lahore. She achieved Presidential Award for Pride of Performance in 2006.

She is currently living a very vulnerable life with her brothers family in Khanqah Sharif, Bahawalpur District. She has lost senses since last few years and is not able to spend an ordinary life. (Wikipedia)

Chahat Mein Kia Dunya Dari: Gulbahar Bano

Tasawar Khanum is a Pakistani Ghazal and playback film singer. She is mostly known for singing in Urdu and Punjabi in Pakistani films and television during the 1970s and 1980s. (Wikipedia)

Tu Meri Zindagi Hai | Tasawar Khanum

Shikwa ("Complaint") and Jawab-e-Shikwa ("Response to the Complaint") are two renowned Urdu poems by Allama Muhammad Iqbal, written in 1909 and 1913 respectively. These poems are foundational pieces in Iqbal's literary legacy and address the state of Muslims in the early 20th century, exploring themes of faith, identity, and the spiritual and social decline of the Muslim world.

In Shikwa, Iqbal voices his grievances to God from the perspective of the Muslim community, questioning why Muslims are struggling despite their devotion and contributions to history and civilization. The poem articulates frustrations with the community's decline and the apparent lack of divine support, contrasting the glory of the past with the hardships of the present.

In Jawab-e-Shikwa, God responds to the poet's complaint, reminding Muslims of their responsibilities, the power of true faith, and the importance of unity and selflessness. The divine voice highlights how Muslims have strayed from the path of righteousness and forgotten their spiritual roots. This poem serves as a call for renewal, urging the community to reclaim its dignity through faith, hard work, and a sense of purpose.

Both poems, celebrated for their lyrical beauty and philosophical depth, hold a special place in Urdu literature and are revered for their inspirational messages. They continue to resonate with audiences today, inspiring introspection and revival among readers.

Shikwa and Jawab-e-Shikwa | Muhammad Iqbal

"Dil-E-Nadan Tujhe Hua Kya Hai" is a renowned ghazal by the iconic Urdu poet Mirza Ghalib, expressing the complexities of the heart and its struggle with unfulfilled desires and emotional turmoil. Known for his ability to convey intense emotions with depth and elegance, Ghalib uses this verse to question the vulnerabilities of the heart, often seen as symbolic of human frailty and the struggle for understanding in a world filled with pain and longing. The ghazal poignantly reflects on themes of love, loss, and introspection, showcasing Ghalib's mastery of using simple words to evoke complex emotions.

Ghalib's poetry, including "Dil-E-Nadan," often dwells on existential musings and the intrinsic suffering of life and love, and he remains celebrated for bringing psychological and philosophical depth to Urdu poetry. His style blends classical Persian influences with his own distinct wit and irony, making his works timeless in South Asian literature. This ghazal remains widely appreciated and has been set to music by many prominent artists, underlining Ghalib's lasting impact on Urdu culture and poetry.

Dil-E-Nadan Tujhe Hua Kya Hai | Mirza Ghalib

"Ye Kis Khalish Ne Phir Is Dil Mein" by Faiz Ahmad Faiz is a poignant piece that conveys a deep, unsettling longing in the poet’s heart. In this ghazal, Faiz speaks about a mysterious ache and unfulfilled desire, which seems to resurface despite efforts to forget or suppress it. His words touch on themes of loss, separation, and yearning. Faiz uses powerful metaphors to express the complexity of these emotions, suggesting that this pain, which appears inexplicable, is a part of the human experience, tied to memories of love and personal history that linger even as time passes.

In essence, the poet captures the essence of an inner restlessness—an unhealed scar that subtly speaks to him of something significant that he once had or sought but couldn’t fully attain.

Ye Kis Khalish Ne Phir Is Dil Mein | Faiz Ahmad Faiz

"Har Taraf Har Jagah Beshumar Aadmi" is a contemplative poem by the renowned Urdu poet Nida Fazli, brought to life as a ghazal with a soulful musical composition by Jagjit Singh. The song was beautifully performed by two legendary voices, Jagjit Singh and Lata Mangeshkar. In this piece, Fazli reflects on the overwhelming presence of humanity in every corner, yet paradoxically captures the isolation and disconnection people feel within this crowd. His words highlight the alienation and individual struggles people face despite being surrounded by countless others.

Nida Fazli’s lyrics are deeply introspective, delving into themes of existentialism, solitude, and the search for meaning. The lines explore the complex human condition, pointing out how people may physically exist among others but often live isolated within their own minds, burdened by personal challenges and emotional scars. Fazli’s nuanced phrasing touches on the sense of futility and disconnect that urban life can evoke, questioning the purpose of a life surrounded by “innumerable people” yet feeling deeply alone.

The musical composition by Jagjit Singh enriches Fazli’s words, blending classical ghazal elements with modern touches, creating a melancholic yet serene backdrop that complements the reflective nature of the poem. Jagjit Singh and Lata Mangeshkar’s emotive delivery brings depth to the lyrics, with each note resonating with the sorrow and beauty embedded in Fazli’s verses. This collaboration results in a moving piece that speaks universally to the human experience of searching for connection and purpose amidst a crowd.

Har Taraf Har Jagah Beshumar Aadmi | Nida Fazli

I Can Help You In 𝗦𝗼𝘂𝗻𝗱𝗰𝗹𝗼𝘂𝗱 𝗠𝗼𝗻𝗲𝘁𝗶𝘇𝗮𝘁𝗶𝗼𝗻🎶🎶
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DJ, Singer, Song-writer. Making music as a first love, nothing more.

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