DC Promo Tracks #1663: "Parking" by Global Aphasia is part of the release "Kulture Galerie Volume Four" on Kulture Galerie @msmkulturegalerie @msmkulturegalerie  

Buy Now: https://kulturegalerie.bandcamp.com/album/volume-four 

 Kulture Galerie returns with its fourth vinyl compilation, showcasing a futuristic collection of Techno and Tech House tracks infused with hints of Braindance, Electro, and Acid.

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DC Promo Tracks: Global Aphasia "Parking"

Unending Reverie

Variations in B-flat Major

Mozart gets a mint makeover. 🙂 

One of his most earwormy tunes - the Rondo 'Alla Turca' - taken on a magical mystery tour by my trio project Cherry Mint Koala.

Appropriately playful visuals on YouTube here: 
https://youtu.be/Q3WPtaLkRj8

Out via Bandcamp and most streaming platforms. 

Taken from the forthcoming Cherry Mint Koala album 'Connections Drawn'.


A Series of Unnecessary Variations on the Rondo 'Alla Turca'

My first full orchestra piece since my very favourite Symphony of Bees (track 10 in this playlist).

This is different from how I've written everything else so far. It's the first time I've started with a single theme and developed it through the piece through 14 variations.

You can find out more about this piece, and hear Part II (which is very different) at heartfulhealing.co.uk/track17

Track 17a - Themes For Orchestra (Part I)

I try to approach the idea of using themes in 2 very different ways in these 2 movements.  Part I is more conventional and based on a traditional-style 8-bar melody, varied and developed in numerous different ways.  Part II is based on 5 more fragmented themes, combined in different ways at different points.  It's also more exploratory, and includes my most extensive and integrated use of microtonality to date.

You can find out more about this piece at https://heartfulhealing.co.uk/track17.

Track 17 - Themes For Orchestra, Parts I & II (May/June 2025)

A short set of variations based on the Mediaeval tune Orientis Partibus. This set explores many colours and textures of organ music, as well as many compositional styles. A show piece for both organist and the organ. This piece is found in my collection, Love and Rejoicing, published by Augsburg Fortress.

Introduction, Variations, and Finale on "The Friendly Beasts"

Track Part of Multi Part Album - Measure of Variations - Release Date: 14.09.2025

Preorder from the 04.09.2025 @ https://wash-music.bandcamp.com

Measure of Variations pt. 3

Fight or Flight

Shop @ Bandcamp

This composition, "Memoriae Gregorianae," features three "Kyrie Gregoriani" themes:
The first was sung (and notated by me) at the Mass for the enthronement of Pope Leo.
The second theme is the Kyrie theme from the Mass "Cum Jubilo" (IX. - In Festis B. Mariae Virgis).
The third theme is taken from the Mass "In Dominicis Adventus et Quadragesimae" (XVII).
The themes are prepared, introduced, and varied by me very freely.

Questa composizione, “Memoriae Gregorianae” presenta tre temi di “Kyrie Gregoriani”:
il 1° è stato cantato (e da me annotato) nella S. Messa di intronizzazione di papa Leone.
il 2° tema è il tema del Kyrie della Messa “CUM JUBILO” (IX. - In Festis B. Mariae Virgis).
il 3° tema è tratto dalla Messa “In Dominicis Adventus et Quadragesimae” (XVII).
I temi sono da me preparati, introdotti e variati molto liberamente.

Memoriae Gregorianae

Ballet after hours. Lo-fi beats glide under minimalist piano motifs and graceful, dance-inspired rhythms—adagio to allegro, plié to arabesque. Neon-sunset ambience and warm tape texture set a calm, focused mood for stretching, journaling, or late-night choreography notes. Classical elegance, modern groove—Drift Notion’s lo-fi ballet variations.

Whispering Shadows

Sands of the Clock

Sparse Chamber

Breathing Walls

Coda Last Train Home

This mix was part of a larger 4-hour mix called 'Pink Floyd Variations' broadcast on terrestrial radio live by Phineas Narco on KFJC 89.7FM at Foothill College in Los Altos Hills, CA on May 24th, 2018.

The larger program is available in its entirety at Mixcloud at:
https://www.mixcloud.com/pnarco/ncn-pink-floyd-variations-on-kfjc/

And at archive(dot)org at:
https://archive.org/details/Ncn-PinkFloydVariationsonKfjc

The overall program sought to present in a MetaMix style (a 'mix of mixes) covers, remixes, mashups and variations of the psychedelic 70's 'prog rock' band Pink Floyd's most notable works from the 'Syd Barrett Era' (which comprised the first half of the program) through the 'Waters and Gilmour' aka 'classic lineup era of Pink Floyd's discography (which comprised the latter half).

This 'Wish You Were Here' portion of the overall 'Variations' radio special deals with variations on songs and pieces from their album, 'Wish You Were Here' which was their follow up effort to 'The Dark Side of the Moon', one of the most successful albums ever made and is being released on a no-cost necessary basis on the 50th Anniversary of the release of 'Wish You Were Here': September 12th, 1975.

This 'Wish You Were Here' 50th Anniversary MetaMix set is also streamable in HQ Sound on Mixcloud at:

https://www.mixcloud.com/pnarco/the-wish-you-were-here-50th-anniversary-metamix/

And at Bandcamp as a high quality download buy using the 'Buy' link (again, it need not cost anything either to stream or download the set in the audio format of your choice) or by going to:

https://nationalcynical.bandcamp.com/album/the-wish-you-were-here-50th-anniversary-metamix

Artists and Titles on this program (in order of  play):

David Ari Leon - Shine On You Crazy Diamond
Christy Moore - Shine On You Crazy Diamond
Catherine Wheel - Wish You Were Here
The Orb - Have a Cigar (Remix) Abridged
Bobby Kimball (Toto) / Primus - Have a Cigar
Foo Fighters - Have a Cigar
Vinny Fazzari / Shadows Fall - Welcome To The Machine

You can follow what I do (for FREE!) at my Patreon:
https://patreon.com/nationalcynical

There is no prerequisite fee for anything that I do.

Thank You for Your Support!

-=-"PN"

Pink Floyd Variations (on KFJC)

The 'Wish You Were Here' 50th Anniversary MetaMix

a polyphia-like sound, but original. Climax is causing goosebumps (alert)

Echoes of the Wind

Minha homenagem póstuma a David Lynch, após duas semanas de sua partida... Esta é uma canção cuja letra é de Lynch e a parte musical é de Peter Ivers e foi incluída em "Eraserhead" em uma cena inesquecível... Espero que apreciem o tributo. Estas gravações foram originalmente incluídas no tributo "Who Is The Dreamer?" organizado pelo selo The Church of the Noisy Goat: https://thechurchofnoisygoat.bandcamp.com/album/who-is-the-dreamer-a-tribute-to-david-lynch

In Heaven Variations 1 (Ivers, Lynch, Vilela Pereira (arr.)) - Video: https://www.youtube.com/watch?v=UnljlmAraQs
In Heaven Variations 2 (Ivers, Lynch, Vilela Pereira (arr.))

#davidlynch #eraserhead #inheaven #peterivers

George Christian - In Heaven Variations 1

George Christian - In Heaven Variations 2

We are NOIR GRIS GRIS, a music band of Fred STZ (composer) and Kipanga Cha Radi (lead vocal), passionate about pop music, world music and rock. Our music reflects the world before our eyes—its shades of beauty, pain, tenderness, and cruelty. We believe in music without borders, open to all influences from around the world. Join us for a unique and authentic musical journey!

*** For better listening, use headphones ***

I'm Antonio Porrino (Tonino).
Graduated in Physics in March 1979, I was Researcher in Theoretical Nuclear Physics at the "Federico II" University of Naples until November 2019.
I studied music, initially at the Conservatory of San Pietro a Maiella in Naples and then self-taught piano, organ and composition.
I have been married to Anna since July 1982 and we have 5 children, Fabio, Luca, Francesca, Cecilia, Vincenzo and 3 grandchildren, Antonio, Sofia and Vincenzo, Fabio's children, married to Sara.
I founded the polyphonic choir "Vicus Novanensis" in 1992 and in 2019 "I Cantori di Maria", which have collected the legacy of the numerous "long distance adoptions" of the previous choir.
The musical activity takes place mainly at the "Pontifical Minor Basilica of Maria Santissima Assunta" in Santa Maria a Vico (Italy).
I have composed music of various genres.
My music would like to express and transmit feelings of peace, serenity and joy, contrasting those of war, hatred and oppression that seem to prevail on planet Earth, causing the degradation of the natural environment that guards us.

Sono Antonio Porrino, per tutti Tonino.
Laureato in Fisica nel marzo 1979, sono stato Ricercatore di Fisica Nucleare Teorica presso l'Università "Federico II" di Napoli fino a novembre 2019. 
Ho studiato Musica, inizialmente presso il Conservatorio di San Pietro a Maiella di Napoli e poi pianoforte, organo e composizione da autodidatta.
Sono sposato con Anna dal luglio 1982 e abbiamo 5 figli, Fabio, Luca, Francesca, Cecilia, Vincenzo e 3 nipoti, Antonio, Sofia e Vincenzo, figli di Fabio, sposato con Sara. 
Ho fondato nel 1992 il Coro polifonico "Vicus Novanensis" e nell'anno 2019 "I Cantori di Maria", che hanno raccolto l'eredità delle numerose "adozioni a distanza" del precedente coro. 
L'attività musicale si svolge prevalentemente presso la "Basilica Pontificia Minore di Maria Santissima Assunta" di Santa Maria a Vico (Italy). 
Ho composto brani musicali di vario genere. 
La mia musica vorrebbe esprimere e trasmettere sentimenti di pace, di serenità e di gioia, contrastando quelli di guerra, odio e sopraffazione che sembrano prevalere sul pianeta Terra, provocando la degradazione dell'ambiente naturale che ci custodisce.
Alcune delle mie musiche sono anche su youtube (porrinomusic)

My youtube channel: Mr. Bryse Music! I love to play the guitar, bass and Piano

Find out more about me and my composing journey at https://heartfulhealing.co.uk/music

Drift Notion blurs the line between past and future—mixing classical strings, piano, and whispered lyrics with lo-fi beats and ambient noise. Each track feels like a sonic collage: analog warmth fused with digital fragments. The result drifts between chill, focus, and late-night rhythm—music to think to, dream to, or disappear inside. Never static, never defined, Drift Notion moves like a thought half-remembered: familiar yet just out of reach. Music not made, but unearthed.

'An excellent composer with a firm grasp on what he wants to accomplish' ALTSOUNDS
'Marvelously crafted tunes' SPUTNIK MUSIC
'A maverick genius' RHYTHM & BOOZE
'A treasure' BLUESBUNNY

Mark Northfield is a maverick pianist, composer, arranger and singer from Berkshire, England. He is also the founder member of piano trio Cherry Mint Koala (alongside violinist Charlie Brown and cellist Tony Woollard).

He produces precise, thoughtful and frequently melancholic pop/rock with a prominent classical and theatrical streak, often in collaboration with guest vocalists.

His professional work as a pianist for dance has helped shape his eclectic output. Cherry Mint Koala developed as a result of collaborative performances at ArtsEd in London, where he's currently Head Ballet Pianist for the Musical Theatre degree course. (ArtsEd was named School of the Year at The Stage awards 2016.) He manages a team of class musicians there and has composed music for short films made by acting graduates at the school.

This working environment is an excellent laboratory for both developing new ideas and twisting existing tunes from various genres and eras into unexpected shapes. The latter approach is exemplified by Mark's new album 'European Dream', which brings darkness and emotional heft to the generally maligned genre of Europop.

To date, Mark has self-released several albums and EPs, and also shown his visually creative side through promo videos featuring his own stop-motion animation, choreography, puppetry and drag/zombie action. His latest video - for his slightly sinister version of Whigfield's 'Saturday Night' - is one of his most colourful yet.

Further info can be found at his official website: marknorthfield.com

Contact: northfieldmusic (at) gmail (dot) com

Phineas is the curator and primary creative force behind a multipronged 'Latent-Einstein Outreach Ministry' comprised mostly of 'mutated MetaMedia audio mixes' meant largely to be a therapeutic and sonic REPLACEMENT FOR DRUGS for the Masses and the 'Not-That-Reality-Oriented'. He is a self-styled 'MetaMediagician' in this respect, as well as a formerly official canonized (and carmelized) 'Church of the SubGenius' (lapsed) 'SAINT'.

The neologism (meaning literally a 'new word') 'MetaMediagician' is a 'Pre-Zuckian' use of the prefix 'Meta' (which may be confirmed through 'The Internet Wayback Machine's cached copies of Narco social media accounts so... 'nyyyah') and denotes an artist who utilizes content from the media at large like a 'painter's pallette' in order to make further developed or synthesized 'macro' media work out of that media content in a more or less 'collage'-type format. 

Phineas' efforts in this regard have evolved from the personally expressive to the social therapeutic and have been structured around more and more relatable 'universal themes' with the general goal of attaining a more enlightened understanding of the matter or matters at hand.

Phineas is a very late Baby Boomer (a 'Barely Boomer' as he terms it) and is a 'PROUD MENTAL PATIENT' (since 1984) who has never married and has no kids and who lives alone in Silicon Valley since age 9 after his family moved out to San Jose from the Midwest. He has been creating and distributing Experimental audio artwork of one sort or another SINCE THE 1970s. NOTE that the featured profiled pic is from 1983: the year right before he 'GOT SICK' and became disabled lifelong.

Phineas' birth name is James Scianna (surname is typically pronounced 'SEE-ah-na' although the proper Italian pronunciation is actually: 'SHIAHn-nah').

The alias 'Phineas Narco' was created by Phineas around the time of the onset of his overarching, disabling mental health condition at age 19 (guardedly referred to typically as 'the exact same diagnosis as had by Brian Wilson of The Beach Boys') and is serious.

Phineas' condition exists independent of and unrelated to his creative skills, artistic life and efforts although it often inspires the subject matter of those efforts that are about mental illness and its aspects.

The alias name 'Phineas Narco' was created around the time of the onset of Phineas' illness as a 'church name' for his inclusion in 'The Church of The SubGenius' an actual mind control cult that Phineas was involved with for many decades but resigned from in 2024.

The two names refer to figures in Greek mythology. 'Narco' is meant as a contraction of the name 'Narcissus' (in the non-pathological sense) and is not meant as a reference to drugs. The name 'Phineas' refers to an ancillary character in the story of 'Jason and the Argonauts'. In addition to this, there is some identification with the character Phineas from the John Knowles novel 'A Separate Peace' although the significance of this 'referential idea' would not fully blossom until life events from 2021 to 2024 had occured in Phineas' life.

In addition to his involvement in the SubGenius mind control cult, Phineas also had a months-long dalliance with The Church of Scientology in 1991 in San Jose, CA in order to see, from the inside, what it was all about, working for the organization for many months but cleverly 'escaping their clutches' by pre-programming into his brain, in the pre-indoctrination period, a predetermined 'escape response', in other words *Phinny's cue to 'exit stage left* when a Church representative uttered a certain inevitable phrase to him, which of course they DID.

Bye, bye Scientology.
They were NOT PLEASED.

Phineas's current religious identification is Christian. He considers himself to be a Man of God but does not ascribe to any particular 'church' organization, being perfectly comfortable with his own, personal sense, useful understanding and concept of God.

Phineas has had a robust, lifelong interest in Psychology and has earned a trained certificate in Peer Counseling which he has utilized in volunteer efforts in his local community. So he is 'certified and certifiable' simultaneously holding both 'consumer' and 'practitioner' status in the mental health community.

Phineas also has since childhood had a driven natural affinity for, and very keen interest in language and its usages, even studying vocabulary and etymology on his own as a child, long term as an interest. 

 When Phineas was given a standardized IQ test as a child, he was found to have a verbal comprehension score of 139 which is very, very high.

Phineas was also tested positively as being on the 'autism spectrum' in an official capacity much later in life although the severity of this was not deemed to be problematic enough to require treatment.

Phineas' post-Highschool educational efforts can be classified as 'some college' but also as 'MUCH some college' taking many, many courses of interest in a number of local community colleges all with no intention or desire of ever earning any sort of degree during his 20's and 30's. These self-interested,  self-motivated educational efforts typically resulted in high grades and included a number of efforts in artistic, drama, media production, Psychology and English courses and curricula. Otherwise, Phineas has  mostly acted as an 'autodidact' (a term meaning essentially someone who is 'self taught') in his extracurricular learning efforts.

Phineas has worked intensively and creatively with the likes of such groups and artists such as Negativland, Bran Flakes, TradeMark Gunderson of (The Evolution Control Committee), Doktors 4 "Bob" and Big City Orchestra with whom he has collaboratively help create online virtual theatrical video events for his 'musical mashup movies' for the 3-D immersive VR community environment 'Second Life'.

His work has been lauded by the likes of the late comedian George Carlin and mainstream media critics such as Brad Kava (The San Jose Mercury News) and Richard Von Busack (The San Jose Metro).

https://www.metroactive.com/papers/metro/09.05.02/midnightvoice-0236.html

Phineas has also worked extensively and creatively, for decades collaboratively, at the Pacifica Radio flagship radio station KPFA in Berkeley, CA as well as the prestigious, exclusive and critically-acclaimed college radio station KFJC located at Foothill College in Los Altos Hills, CA. These former creative efforts were reviewed favorably by the aforementioned mainstream media critics at the time.

Despite all this 'impressive display' of extraordinarily unique talent and brainpower, Phineas frequently has difficulty putting on his own pants.

Phineas notoriously once mailed a package containing one of his radio shows to Ted Kaczynski ('The Unabomber') in the mid-nineties to where the notorious insane criminal resided at the time at the Supermax Federal Penitentiary in Florence, Colorado after having secured the notorious serial bomber's exact mailing address through the help of a local (and quite amused) reference librarian.

The program in question was called 'Bombscare', the result of a year-long creative effort by Phineas and was broadcast mixed live around that time by Phineas and Negativland band member, the late Don Joyce on KPFA. The show was, in part, about Mr. Kaczynski, his schizophrenic illness, and the years-long federal investigation into his serial mailbombing crimes.

The program represented a 'high-watermark' in Phineas' creative efforts and the IRONY of Phineas' sincere (yet arguably more than a little irrational and probably uhm... misguided) motivation in going about MAILING A PACKAGE TO THE *FUCKING UNABOMBER* containing his SHOW which was *ABOUT THE FUCKING GODDAMN UNABOMBER* was eclipsed in Phineas's semi-deranged mind by a literally a genuine and curious desire to 'find out what Ted thought about it'. 

Uhhhh... YEAH.
We *wish* we were kidding about that, but we're actually uhhm... NOT.

The package in question was summarily and promptly returned to Phineas, by Supermax prison authorities via US Mail, unopened and without comment.   Which MAKE SENSE. After all, ANY PRISON which houses the *GODDAMN FUCKING UNABOMBER* that gets... *a package* for... UH...  *HIM*... 

...is CERTAINLY... 
** NOT GONNA FUCKING OPEN IT!!! ***

And so, that... as they say... was THAT.

Around this time as well, Phineas mailed an identical tape copy of the 'Bombscare' show highlights to a very different person: the late iconic and legendary comedian George Carlin under the somewhat disingenuous guise of procuring 'permission' for using a Carlin audio sample in the show. 

However there was, like with Kaczinsky, the somewhat diffuse motivation of 'wanting to know what he thought about it'. 

The somewhat 'ruse' of offering the tape up to Carlin 'for review' to 'get permission' arose when Phineas self-consciously realized Carlin was 'in the show' he wanted to send and was offset by the perceptive comedian 'understanding' most likely that Phineas really just wanted feedback. Also, Phineas too was in fact sincere in that he would have snipped out the Carlin sample if permission was not forthcoming from George. 

With that, Phineas procured permission to send the tape to Carlin through the comedian's publicist and a voicemail message from George. The sequence in the 'Bombscare' program that includes the Carlin sample may be heard here in a track from the album/show's full listing on Bandcamp:

https://nationalcynical.bandcamp.com/track/more-fun-for-me

Some weeks after sending that tape of the show to George, Phineas discovered a message response from George in his voice mailbox.

In the voicemail message, Carlin was almost 'beyond enthusiastic' about the tape Phineas had sent to him. His praise of the work was almost uncontainable and Carlin articulately and happily lauded and sang its praises sincerely for over a minute, with all the salty facility of language and attitude he was so well known for in is in his lifetime, waxing eloquent about how great and fabulous he found it, and specifically praising the 'middle ear' range of artistic efficacy in which the sonic power of the program had 'hit'.

The uncut recording of Carlin's enthusiastic voicemail message to Phineas about the show can be heard here:

https://nationalcynical.bandcamp.com/track/carlin-voicemail-to-phineas-narco-about-bombscare-c-1997-8

Phineas' immediate reaction to hearing this message of personal endorsement from this hyper-known source there in his own personal voicemail at the time was one not so much of elation, pride and happiness but rather an almost *stunned awe* as if he had thought of one day to get an interesting looking penny assessed by a pawnbroker only to suddenly learn that the coin was in fact worth TEN MILLION DOLLARS.

It is interesting to note in regard this phone call message that George started out his performative career as a radio DJ working at WINO in New York and that his brother the late Patrick Carlin (who George tells Phineas in the message his wants to send the show tape to) also worked in radio and ran a podcast. So, both men would have had a firsthand appreciation of the program as a live-mixed radio effort.

Also, and I have been unable to definitively confirm this, although I seem to recall hearing this from somewhere at one point: Carlin's brother Patrick also kind of lived 'out in the woods' Walden Pond style far away from the mainstream infrastructure of the more developed sections of society. So, if this were in fact true, his 'lifestyle' could be said to be not all that different than that of 'The Unabomber' himself.

Minus the 'exploding' part. *Ahem* 

WELL, A MAN NEEDS A HOBBY!! When he LIVES ALONE so what are you gonna do? Sometimes it's RUNNING A PODCAST and sometimes it's BLOWING PEOPLE UP!!

Further to this: in researching Carlin's life, it became known to Phineas that prior to him becoming the legendary, well-known mainstream comedic show business talent that he turned out to be (which he was rather forced to do in order to raise a family which was expensive to do and also ultimately to pay off his massive tax bills) Carlin originally only had the ambition or 'dream' or intention of being just an obscure artist doing abstract, weird art like in an apartment somewhere on his own merely for his own enjoyment and just living his life like that.

Sort of like... how... Phineas Narco... does.
Go figure.

The phone call from Carlin ultimately motivated and accelerated Phineas' artistic career at a crucial time of growth. It gave Phineas the confidence of knowing that his work had worth and was on the right track with an appeal to an audience, who was like George in terms of sensibility and values, and he was able to rest assured that this endorsement was one HUNDRED PERCENT genuine, no bullshit and SECURE because Phineas knew that Carlin was NOT the kind of guy for Hollywood bullshit. 

So, this ringing endorsement was like a shiny gold coin of the purest stock gifted to him right into his pocket. IT WAS HIS. And he was able to use that currency for capital in the artistic journey to come.

Thanks, George.

==================

To view, stream or download (at NO required cost) Phineas Narco's mediage artwork which is freely available to everyone online, go to any of the following sites:

YouTube
Mixcloud
SoundCloud
Bandcamp
or
archive.org

...and search for "Phineas Narco" [using quotemarks] and also 'NCN' and/or "National Cynical Network" [with quotes around as well] in combination if need be:

Recent interviews with Phineas on Youtube for 'Innerviews' with former Carlin and Zappa employee Gerry Fialka:     

Part 1: https://youtu.be/AsaZK74Qqu8
Part 2: https://youtu.be/0t9Suf8490o

Phineas Narco's ENTIRE DIGITIZED BODY OF BODY OF WORK (Including much special, rare and heretofore otherwise unreleased, unfinished. upcoming and never-heard before material) termed 'THE VAULT' is now available via DROPBOX in a 1.5TB-sized comprehensive online archive and can be now accessed using THE FOLLOWING LINK:

http://bit.ly/4dllBLQ

Enjoy!g

Find us at https://www.dreamchimney.com   
Out now: new Sim Fossil, Sorcerer, Sparkling Water, Perth Lewis albums and more 
https://dreamchimney.bandcamp.com/

Drum and Bass + Dubstep + Bass Music 
DJ/ Producer/ (ex)Promoter

Wash is the co-founder of Hong Kong’s premier Drum&Bass + Dubstep promoter Kongkretebass + Kongkast, a previously Hong Kong based crew which had been promoting events, a website, as well as the biggest drum & bass/dubstep podcast in the region between 2006 -2012.

Regarded as one of the best Drum & Bass DJs in Hong Kong, he has supported DJs such as Friction, Goldie, Breakage, SpectraSoul, Shimon, Big Bud, Chris Su & Jade, Lynx, Pinch, Goth-Trad, Distance, Kode9, Kryptic Minds to name a few.

Wash convinces the crowds with dynamic sets, tight mixing skills and a refreshing spectrum of styles in Drum & Bass, Dubstep and other Bass genres. 
Growing up in Sydney Australia and learning about Drum and Bass in the late 90s, Wash relocated back to his birthplace of Hong Kong in 2005 with his own unique take on DJing. Since his homecoming, he has headlined many of the city’s major Drum & Bass nights in addition to international guest performances in across Asia.

In 2012, having relocated to Dresden Germany, where he remain active until 2015, when he decided to slow things right down and took time away from music for a number of years. Fast forward to 2024, Wash is back in the studio with a new prospective in what his current sound should be. Varying genres from Drum & Bass, Dubstep, UKG, Bass House, Down Tempo. Continuing to push his studio work with productions with his own deep, dark, tech-style sounds.

Kongkast - Hong Kong’s Drum and Bass / Dubstep Podcast. Established in 2006, which ran Bi-Weekly for 239 episodes until 2014. During the broadcasting period, Kongkast was considered to be one of the best source of exclusive mixes from Artists around the world. An invitational only Podcast, each “Kongkast Podcast” showcased one-off studio mixes from names such as Digital, DJ Flight, Silent Dust, DLR, Octane, Alley Cat, Halogenix and many more, as well as regular hosting duties by Wash.

My name is George Christian, I was born in August 10th, 1981, and my homeland is the city of Salvador, capital of Bahia, in Brazil. I'm a self-taught composer and a guitarrist with more than 10 years of experience. Even with not much formal instruction, I opted to be committed with my own discoveries in Art instead of being a musician in the entertainment field. I'm also a writer with five reasonably finished books of poem, however not published, and graduate in National and Foreign Languages (English) at Federal University of Bahia (UFBa). My essential aim in Music is to develop a compositional approach that encompasses not only popular but also the classical fields in an equanimity, and creates a synthesized universe of its own. The songwriting and the improvisations living side-by-side with electroacoustic studies and compositions with a larger structure, and working all the styles with a lyrical universalist philosophy. The musical message wants to restore the faith in humanity outside the chaos and overwhelming situations, even bringing back a sense of adventure, terror and reflection. And it surpasses the subtle autobiographical aspects to seek what is worth to be shared with the cosmos inside our hearts. It's not about any kind of musical devices or styles, but it's a meditation on life, death, ressurrection and eternity through the organization and impact of sounds. (written in February 25th, 2010)

New tracks tagged #variations