“Warner Bros. is a deranged attempt to capture the personalities of four of my favorites
characters from the WB cartoons of my youth. When I was growing up, some of my
earliest memories are of Bugs Bunny shaving Elmer Fudd to Rossini’s “Barber of
Seville”. Classical music was fun for me. I didn’t find it formal, stuffy, or any of those
other pejoratives. I thought it was the coolest stuff in the world, so recently I decided to
compose a tribute to some of my earliest heroes.
The first piece composed was the last movement “Daffy”. Out of all the Warner Bros.
characters, Daffy Duck was my favorite. He’s simply crazy. I wanted that in the music.
When “Daffy” was finished, it was obvious that he needed company. I decided to write
three more movements caricaturing Bugs Bunny, Wile E. Coyote, and Elmer Fudd. Bugs
was first, after all it is his show. Wile E. Coyote is second. While many people will
disagree with me, I found Wile E. Coyote to be much more interesting and poignant than
the Roadrunner. Elmer Fudd is next. He is such a sad character; I decided to have him
be the slow movement.
I hope that these pieces bring back memories of characters from your youth, your current
Saturday morning preferences, or simply make you smile.

Warner Bros.-III. Elmer

Warner Bros.-I. Bugs

The title for “Letting My Freak Flag Fly”, and the titles of the individual
movements, was taken from the lyrics of a song off Crosby, Stills, Nash, & Young
album “Déjà Vu”. I grew up listening to, amongst other pop groups, CSN&Y, and
especially loved the David Crosby song “Almost Cut My Hair”. I find the lyrics to
be so ironic and tongue-in-cheek that they border on profound. While “I find a
place inside to laugh”, “It increases my paranoia”, and “I’m not giving in an inch
to fear” were perfect labels for each separate movement, “Letting My Freak Flag
Fly” was just the right title for the whole thing.
The first movement, “I find a place inside to laugh”, is a humorous short piece
that never fulfills, but sometimes extends, a short bass line common in many rock
songs. “It increases my paranoia”, the second movement, is a calm, tranquil,
slow movement that someone from the 60’s, enhancing their life through
chemical supplements, might perhaps find threatening. The final movement is a
virtuosic display of digital fortitude for both the cellist and the pianist. The title
“I’m not giving in an inch to fear”, I felt, was an apt designation for a movement
that must be played fearlessly if it’s going to be played at all.
Since the entire piece is simply freaky, “Letting My Freak Flag Fly” fit all three
movements as a whole.
I hope you get a smile out of them.

Letting My Freak Flag Fly_ I. I find a place inside to laugh

Letting My Freak Flag Fly_ II. It increases my paranoia

Letting My Freak Flag Fly_ III. I’m not giving in an inch to fear

I always liked the cello - because of its warm and deep tones and probably also because my father used to play it. Here is a concerto for that instrument.

Concerto for Violincello

CELLO : IMAN OLIAII (AKA MADVNI)  
MELODY /COMPOSE / IMPROVISE : MADVNI
MIX & MASTERING : MADVNI 

RECORD LABEL : MADVNI RECORDS

MADVNI CELLO IMPROVISE IN G MINOR AUTUMN UPROAR

華やぐ晩冬

sarvatmanaha manogatat richaha kendrat
richaha saranthu lokartham sarvamanava manase
diptihi samayathu bhumao

sarvatmano hridayagatat premakendrat
prema purassarathu naranamm hridayeshu
kalki atma mahatmacha bhumau punahatishtathu

yatra devasya sankalpo bhavati tasmat kendrat
parama gatirnayathu dhiyo naranam
yad rishayo vidanthi kurvanthi cha

yamtcharanthi jatir naranam
tasmadavarohatu visvaprema pranalika
ayathu rupaam apanudatu mrityum sada
kantihi prema cha saktischa
samasthapayathu bhumau pranalika

Maheshani

Ardhanarishvara

Born in a musical family, Gilles made his debuts on the Ottawa scene as guitar player. After some university studies in musicology and research in semiotics, his interest for descriptive music developed through his meeting with Canadian composer Robert Fleming of the National Film Board (NFB). 

After a career in computer engineering and software development, Gilles now returns to the composition of descriptive music and the pleasure of orchestral writing. Good listening!

P.S. Please use headphones for better sound fidelity.

Biography 
I studied piano from 5 years old. Composition from 15 years old. 
I studeid under prof.miyoshi keiji,the professor of hiroshima university and tokunaga 
takashi,same. 
I won prizes such as 24th tiaa composition competition minister prize,4th youg composer`s 
composition competition that was held by hisaishi jo finalist,3rd k composition competition 3rd 
prize.  
I `m a member of contemporary music society. 
I  love hindu mysticsim and philosophy. And I wrote many work under such line of esteric 
philosophy. 
I have a passion to express my philosophy and emotion. 
Thanks for participating to roma prize!!

Ken Walicki is an American composer who is widely recognized and acknowledged for his dramatic, and engaging music, which reflects the times in which we live. Because of his unusual and interesting background, his sound world has evolved into a unique combination of Art, Pop, Jazz, and World music. Walicki‘s influences include Gyorgy Ligeti, the Beatles, Led Zeppelin, Public Enemy, and much more. He was one of the first composers to use turntables in his music and the first composer to have turntables and a D.J. as regular members in a standing ensemble. His music has been performed throughout the world by, among others, the Kronos Quartet, ETHEL, the New Century Saxophone Quartet, the Soldier String Quartet, the Divan Consort, and members of the New York Philharmonic, The Los Angeles Symphony, The Los Angeles Chamber Symphony, The Detroit Symphony, The Pacific Symphony, the Istanbul Borusan Orchestra, and the SWR Kaiserslautern Orchestra. He is the composer-in-residence for the new music ensemble The Divan Consort. Walicki has received grants and commissions from a variety of organizations and performing ensembles including the American Composers Forum, the National Endowment for the Arts, the Jerome Foundation, the Kronos Quartet, the Mary Flagler Cary Trust, and Meet the Composer.
Growing up playing guitar in local Detroit garage bands, Walicki decided, at early age, he wanted to dedicate his life to music. His education included a two-year period in Germany as a Fulbright scholar where he studied with Karlheinz Stockhausen, Helmut Lachenmann, and Rolf Hempel. He was also an active participant in master classes with Aaron Copland, Samuel Barber, and William Schumann. After returning from Germany, he studied with Jere Hutcheson at Michigan State University where he received his Ph.D. Walicki enjoys traveling and finds it to be a fantastic source of inspiration. After
spending a large amount of time in the Middle East and the Indian Subcontinent, he has found these cultures to be particularly close to his heart. Together these experiences have made him a composer of diverse, accessible, physically, and spiritually moving, yet intellectually rigorous music. In addition to his music being presented in traditional concert music venues such as Lincoln Center in New York and the Liszt Academy in Budapest, his music has also been performed in new music clubs such as CBGB’s, the Knitting Factory, and countless cafes and storefronts throughout the world. Without compromising his values, he has made a point of writing music that relates to people and their situations. Walicki has collaborated with a variety of artists in the classical, pop, theater, film, and dance worlds, including Lydia Lunch, Dora Ohrenstein, the Doug Elkins Dance Company, Emmy winning producer/director Mark Obenhaus, American Opera Projects, Bermuda Triangle, Bang on a Can All-Stars, the Kronos Quartet, Divan Consort, and Ensemble Green. He was the founder and composer of the Ken Valitsky Ensemble, which included Regina Carter and Thomas Chapin as members. Previously, besides being on the faculty at New York University, Walicki has taught composition in Istanbul, Turkey at the Center for Advanced Music Techniques(MIAM), a department of Istanbul Technical University. Currently, he lives in Southern California with his son, and the family dogs. His music is available on Knitting Factory Works, C.R.I., CRS Artists, Channel Records, Albany Records and Ravello Records.

New tracks tagged #violincello