Quinta y última pieza de la Suite Canaria para violonchelo, clarinete y flauta. Obra contenida en mi álbum de música de cámara "El camino andado"


El camino andado

Tanganillo

little did anyone, including my dear sweet overly-worried mother, know: this was about forms of government all along. the dreamland was a dreamLAND looking for a RULER, c'mon guys.

original composition by YugamiP
made and mastered in Musescore 4.5 and Audacity.

人柱アリス / Alice Human Sacrifice (Fan Arrangement)

Leró is a short work for cello solo that shares the composer's free spirit of composition, his interest in percussion, and above all, the rhythms of Puerto Rican culture. However, unlike his other works for cello that are inspired by salsa, (Soneo de la 22 and Rumbo), Leró is inspired by the Puerto Rican bomba. Leró serves as the title of this piece, but it is also meant to be sung with the voice while playing the cello. It is an option that can be omitted, but in the interest of presenting the work in its entirety, I have recorded it with the voice. While this technique is utilized in other works by Ortiz, in Leró, it references the popular songs of the Puerto Rican bomba. Another way in which he experiments with this genre is through the incorporation of percussion passages. These are performed on the cello's body and serve as attractive interjections within the rest of the material while alluding to the language of the bomba drums.


Leró

D minor capriccio for violoncello, written by Giuseppe Dall'Abaco. Transcribed for bass guitar.
Arranged, played, recorded, edited and mixed by me.
Photo: fragment of an etching, made by Rafael Ábrahám . 

Giuseppe Dall'Abaco - 4. D minor capriccio

Bb major capriccio for violoncello, written by Giuseppe Dall'Abaco. Transcribed for bass guitar.
Arranged, played, recorded, edited and mixed by me.
Photo: fragment of an etching, made by Rafael Ábrahám . 

Giuseppe Dall'Abaco - 5. Bb major capriccio

E minor capriccio for violoncello, written by Giuseppe Dall'Abaco. Transcribed for bass guitar.
Arranged, played, recorded, edited and mixed by me.
Photo: fragment of an etching, made by Rafael Ábrahám . 

Giuseppe Dall'Abaco - 6. E minor capriccio

Giuseppe Dall'Abaco - 7. Bb major capriccio adagio

G major capriccio for violoncello, written by Giuseppe Dall'Abaco. Transcribed for bass guitar.
Arranged, played, recorded, edited and mixed by me. 
Photo: fragment of an etching, made by Rafael Ábrahám . 
My favourite piece from the collection. 

Giuseppe Dall'Abaco - 8. G major capriccio

C major capriccio for violoncello, written by Giuseppe Dall'Abaco. Transcribed for bass guitar. 
Arranged, played, recorded, edited, mixed by me. 
Photo: fragment of an etching, made by Rafael Ábrahám.

Giuseppe Dall'Abaco - 9. C major capriccio

A major capriccio for violoncello, written by Giuseppe Dall'Abaco. Transcribed for bass guitar. 
Arranged, played, recorded, edited, mixed by me. 
Photo: fragment of an etching, made by Rafael Ábrahám.

Giuseppe Dall'Abaco - 10. A major capriccio

Puerto Rican composer William Ortiz was raised and educated in the United States, but his Latino identity plays a vital role in his music. Particularly, his experience as a Nuyorican in the 1970s have informed the aesthetics of his music, which transforms the sounds of the streets into art music. Unique in that respect is the use of instrumental and vocalized graffiti that are integrated in some of his works. A professor at the University of Puerto Rico at Bayamón, he has taught at the Puerto Rico Conservatory of Music and is Music Director of the Ateneo Puertorriqueño. 
He makes the following statement on his music: "I conceive of music as the 'violent beauty' of urban life; as the expressions of the cries and shouts of the street - cries and shouts that reflect the thoughts of those who are oppressed, of those who feel. It is my intent to convert the language of the street into a legitimate instrument".

New tracks tagged #violoncello