It goes even harder now.
I added a bit more pizazz and made a visualizer for this one~
where are my D&B girlies at?

In A Fuckin Tank! [Drum & Bass]

i made drill lol

Puk Future IM DAT N***** remix prod godpack

Barbados performed by The Sarah McDonald Quintet at The Cool Room at The Northern Arts Hotel in Castlemaine featuring Kumar Shome on guitar, Ron Romero on sax, Luke Andresen on drums, James Lockwood on bass and me, Sarah McDonald on voice. I wrote the lyrics imagining what Charlie Parker would have been like on holiday..

Barbados Northern Arts 5th Oct 24

Bemsha Swing by Thelonious Monk with lyrics by yours truly performed by The Sarah McDonald Quintet at The Cool Room at The Northern Arts Hotel in Castlemaine featuring Kumar Shome on guitar, Ron Romero on sax, Luke Andresen on drums, James Lockwood on bass, Sarah McDonald on voice.

Bemsha Swing live at The Coolroom 5th of Oct 2024

Gypsy Blue by Freddie Hubbard performed by The Sarah McDonald Quintet at The Cool Room at The Northern Arts Hotel in Castlemaine featuring Kumar Shome on guitar, Ron Romero on sax, Luke Andresen on drums, James Lockwood on bass, Nigel Maclean on violin and me, Sarah McDonald on voice.

Gypsy Blue live at The Coolroom 5th of Oct 2024

I had the pleasure of being feature artist on Electric Lovers Episode 63 on Main FM 94.9 last night, hosted by the the excellent dj and human, Luqman Latif, and played some of the new production works in progress in progress of an older and a brand new song of mine and several pirate collabs I've done making vocal flips / mash ups of tracks by producers with my songs with live vocals and flute. One of them was the premiere broadcast of a song of mine, 'The shape of it all', with a strident environmental message to corporate CEO's, with Monkey Marc's lush track Sufi Dub. One was a vocal flip of Abstract Sonnances' flip of 'What can I do" by Cøntra and Saturna and I also flipped my song, Cloud - about the seductive allure of digital technology, with the masterful sound design of Kwisma's Dunecraft. And then I did an obnoxious bass music set featuring lots of Arabic harmony with starting at 60bpm and ratcheting it up to 175. Enjoy!

Electric Lovers Episode 63 on Main FM featuring iiiiilk

Been Musicing The Music Since '21
16 years old (august 23rd 2009)
argentina
===============================
cults / collectives i am in;
@manegang-collective
@ambient-infantry
@memorial-cult (CO-OWNER)
@nova-posse
https://soundcloud.com/bedrockbustas
=================================
fl 24.2.2
banner made by HOKAHEKI 
================================
OTHER ACCOUNTS:
@xenophoid-unreleased where upload i unreleased stuff
@tokyovisitorx breakcore account (ABANDONED)
@rustydustymfocka old account
@deltathekillah heavy ambient only account (ABANDONED TOO)


ITS PRONOUNCED SEE NO PHOID!!!!






owner of melodic deephouse phonk

if u a rapper, i make free beats, hmu on discord or in insta

"Sarah McDonald effortlessly segues from applying a dash of tropical swelter to thirties standards, tinkering with Thelonius Monk torch songs to a soul jazz rendition of an Amy Winehouse classic." 

Joel Shortman, Rathdowne Records.

"..deceptively laid back and self-assured, with an undercurrent of emotions waiting to sweep you by. When she sings “Rusted brandy in a diamond glass”, it’s the rust she focuses on, not the diamond. Tom Waits would approve...

..There’s a lot of nostalgic glamour associated with the ’20s and ’30’s era. Singers who choose to sing this material often end up as replicas of the sultry divas of the past, dressing up in satin gowns and pearls and stale femininity. Not Sarah McDonald. She approaches her material with a tomboyish attitude, phrasing the classic jazz and obscure torch songs that comprise her set list with a punk sensitivity and a kind of modern-day angst delivered by this beautiful, soulful chili-infused chocolate voice of hers. When she opens her mouth, she showers her audience with raw emotion. No pretense, no polished femininity, no nonsense. It helps that she’s sexy as hell when she does it; and that she’s surrounded by a killer band: Ron Romero on tenor sax, Kumar Shome on guitar, Ben Hanlon on the bass and Lewis Pierre-Humbert on the drums. As these musicians spew fire from their instruments, people get up and dance to her singing, even if she sings Monk’s “I mean you” (not the most danceable song out there)."

Nikos Fotakis, australianjazz.net

Sarah McDonald evokes cool smoky jazz club atmosphere with expressive melifluous phrasing contrasting with rhythmic dexterity.  She is a singer who has been as influenced by horn players and drummers as she has by the great vocalists. Having delved deeply into music, she draws from the greats of the history of jazz, blues and soul and selects choice standards, along with original, contemporary and more esoteric repertoire that she infuses with a soulful authenticity.

She has had a wealth of experience performing original music in various guises, playing in a range of contemporary original bands, world music ensembles and playing music for circus, theatre and film.

She also plays flute and sings in Tarab Ensemble, playing classical Arabic music:

https://www.facebook.com/thisistarab/


For bookings contact: iiiiilk.type.kind@gmail.com

Just a sad girl on the internet with unrestricted access to a DAW.
This is where most of my brainrot lives. 
[[demos, Instrumentals and scraps]]

New tracks tagged #vocal flip