Short nonsense ballade with Nordlead A1 and Blofeld plus Ableton Live CR-78 kit. These two synths are what I have hooked up right now, back to the roots sort of. Covers a lot, from basic subtractive to musical FM tones and general psychedelic vibes with phasing and ensemble chorus. Some effects from Ableton and Valhalla but core sound from the source. Bass, lead, flanging keys at 1:00 and lush pad from the Nord. The Blofeld does the Rhodes FM piano figure, the vox choir and the melodic background plucks.

Data Fundamentals Ballade

They Took All Out Of My Hands

They Took It All Out Of My Hands

NIGHT BUS 

~Made this beat on the night bus from Tokyo to Osaka omw to @loserstoreosaka ~ recorded some vox when I got home ~

@swarvy on the one shots 
Big shouts to the new 🇯🇵 fam 🙏

@ableton nerds: limited myself to only wavetable ableton synth for the sounds coz I never tried it b4 - vry fun

keep making shi, nvr giv up, ultimate luv n respekt to u all, highr powr!

night bus

Fuck the rules

Another track made on the battery powered lunchbox portable eurorack modular,  using a Beehive, uBurst and Disting Mk4 modules to generate the sounds, a 2hp Kick, a Bastl Skis with a shortwave radio and an RD-6 (also powered by the battery) for drums and some effects. Mixing on the Korg Volca Mix

Happy Wasabi Wavetable

Adaptável

I wrote  the lyrics, but I don't have a good recording setup yet, so stay tuned!

Sorbets - Instrumental

Techno made of living matter.
Wavetable textures, hypnotic progression, and a pulse that breathes.
This track grows between machine and earth — every sound unfolding like a leaf in the sun.
Melodic, deep, and carefully crafted to evolve within you.

🔊 Best experienced with headphones.
🌱 Let it grow.

Organica

playing around with Ableton Live's wavetable instruments

Dead Cat Bounce

This is the first track I made on Push 3 Standalone. 

Main parts were written and sequences on P3, then project was moved to the computer for edits. 
I was very sceptical and P3 didn't look for me like a good choice for writing music but it didn't take me a lot of time to completely change opinion about it.

Rolling in the Horizon

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Experimental Electro, jungle, tech house W Rap Vox
Prod. RTLN

Been writing for a while, let me drop some bars on a beat or hit me up for the email for Collabs or beat requests.

Swallowed my pride, now I'm starving again...chasing my ghosts with a paper and pen

*KHΔOS K0113C71V3*

Ableton Live with a couple of va, analogs, fm, romplers and various hybrid synths via a MOTU 828 and of course vsts. Style includes all sorts of genres, I guess film and games is the theme. As long as it resonates in my head even if its sometimes only the gear talking. Anyway, thanks for listening.

Hello my dear friends. I seek and love music that gives me goosebumps.  I 'm looking for it through experiments with rhythms, sounds and harmony.  So far I haven't succeeded yet.  Music is my life. I’m Fred, 70 years, born in Diest, Belgium on August 8, 1954.  I am grateful for all the given likes and comments, for all the listeners and followers here on SC or on all the other streaming services where my music is publiced. I’m also grateful to all these artists and musicians who put their beautiful music on SC.  Thanks everyone.  Keep it healthy.  Take care of each other and sow peace!

From Wikipedia: In Greek mythology, a satyr, sater (UK /ˈsætə/, US /ˈseɪtər/;[1] Greek: σάτυρος satyros,[2] pronounced [sátyros]) is one of a troop of ithyphallic male companions of Dionysus with goat-like features and often permanent erection.[3] Early artistic representations sometimes include horse-like legs, but in 6th-century BC black-figure pottery human legs are the most common.[4] In Roman Mythology there is a concept similar to satyrs, with goat-like features: the faun, being half-man, half-goat, who roamed the woods and mountains.[5] In myths they are often associated with pipe-playing. Greek-speaking Romans often used the Greek term saturos when referring to the Latin faunus, and eventually syncretized the two. (The female "Satyresses" were a later invention of poets.)
With the characters A and T, my initials, stops every similarity between this description and myself.

Canadian Polyglot and polymath living in North Carolina, Francois is Head of Dion Research by day, & artist, maker of instruments & effects, musician, photographer & sound engineer by night.

His interest in music started at a very young age when he studied classical piano and electronics, both of these things would be quite influential on his future work.

He started composing electronic music as a kid in the early 80s and experimenting with sampling on an Apple //e, and would later use the Amiga, Apple IIgs and on the PC, the Gravis Ultrasound wavetable soundcard, and would publish soundbanks for it. Today, most of his music is done without computers, on modular synths and effects built by him, along with some commercial synths and effects.

From 1988 to 1997, he hosted a show on electronic music from its beginning in the early 20th century all the way to modern electronica, and the history of it and the technology that enabled it. He also did a stint at the Canadian Broadcasting Corporation and Videoway / Videotron in Montreal.

In parallel with that, he would continue releasing music through various media, including digital media before MP3 files (through MP2 and ADPCM WAV files on Hyperreal, IUMA etc). In those 30 years to now, he has produced an average of ~1 album (EP or full) a year

New tracks tagged #wavetable