Rolling baselines, expansive atmospheres, relentless kick rhythms, hypnotic textures, and enigmatic melodic narratives that experimentally yet steadfastly sway through the grooves. It's not just the title of this monumental EP from Peru-based Luis León and his compatriot Unseener that elicits an uncommon sensation. Thoroughly technoid, yet consistently emotional, this entire release, comprising a total of 6 tracks, defies easy categorization.

Their creativity traverses various facets of electronic soundscapes, his present approach striving to transcend the prevailing norms of the dance scene while remaining true to the essence of the sound. The journey through the EP is underpinned by frontal techno percussions, with the kick rhythms striking the listener in swift and relentless succession. A wintry foundation, ultimately borne aloft by rooted atmospheres that infuse intricate emotions, lends a discerning sophistication to the release. Profound personal introspection and the courage to lay bare the uncharted territories are clear effects manifest in each track, offering a glimpse into Luis & Unseener's exploration of new sonic dimensions.

The music unequivocally transcends the overt purpose of dance music, inviting the listener into deeper realms of the sonic tapestry, where it can achieve far more than merely setting hips in perpetual motion to eternal grooves.

Luis León & Unseener - Blooming Path

Luis León & Unseener - Seahorse

WIEDer ins TAL 2024 (Live'Stream) 26 May 2024 - End

📅 𝗗𝗮𝘁𝗲: [26 May 2024 - End]
📌 𝗟𝗼𝗰𝗮𝘁𝗶𝗼𝗻: [Touristik Verband Wiedtal]

🎥𝐖𝐀𝐓𝐂𝐇 𝐋𝐈𝐕𝐄⭕► https://meys.etvsports.xyz/sports.php?live=WIEDer+ins+TAL+2024

░H░A░P░P░Y░ ░W░A░T░C░H░I░N░G░ ░E░N░J░O░Y░

❏ STREAMING MEDIA ❏

Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream identifies the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, instead of the medium itself. Distinguishing delivery method from the media distributed applies particularly to telecommunications networks, as almost all of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, music CDs). There are challenges with streaming content on the Internet. For instance, users whose Internet connection lacks satisfactory bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.

Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves with a television signal. Live internet streaming takes a form of source media (e.g. a video camera, an audio tracks interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.

Streaming is an option to file datvloading, a process where the end-user obtains the entire file for this content before watching or listening to it. Through streaming, an end-user can use their media player to get started on playing digital video or digital sound content before the complete file has been transmitted. The word streaming media can connect with media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are considered streaming text.

❏ COPYRIGHT CONTENT ❏

Copyright is a type of intellectual property that gives its atver the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the Touristik Verband Wiedtal.

Some jurisdictions require fixing copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders. These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.

Copyrights can be granted by public law and are in that case considered territorial rights

WIEDer ins TAL 2024 (Livestream 2024)

Florian Silberfisch - Immer wieder Samstag werf ich mir eine Pille ein!

Ich hoffe wir finden uns wieder

Volksheilstätte Ich hoffe wir finden uns wieder Electro - Version

Ich hoffe wir finden uns wieder Electro - Version

Es Gibt Wieder Nur Techno Zum Frühstück 08.08.2024

Verlierer

Ein Song darüber, wie ich wieder auf der Street bin

Wieder auf der Street

Volksheilstätte is a community of producers and artists who do not seek the spotlight. There are no faces, only sharp tongues and ideas. We have no financial interests; the only thing we wish for is that our texts and music spread around the world and move you. It’s up to you—you have the power to help us. Spread our idea, and we thank you. Love be with you!

Rene Bülow aka Freude am Hören aufgewachsen in einer kleinen Stadt nahe der Ostsee. Gründer & DJ von Freude am Hören und passionierter Musikliebhaber. Immer angezogen von den besonderen Vibes von elektronischer Musik
und Veranstaltungen dieser Szene. Als Musiksammler der sich von groovigen House Tunes bis hin zu  Techno gleichermaßen inspirieren lässt weiß er die zuhörer gekonnt mitzureißen und Erlebnisse auf die Tanzfläche zu zaubern. Freude am Hören platziert sich irgendwo zwischen House
Techhouse und Techno da er gerne die Grenzen der Genres aufbricht um Symbiosen zu kreieren. 
Gegründet am 16. Oktober 2011
★ Techno ,Techhouse Sounds ★




Rene Bülow aka Joy of Hearing grew up in a small town near the Baltic Sea. Founder & DJ of Joy of Hearing and passionate music lover. Always attracted to the special vibes of electronic music
and events in this scene. As a music collector who is equally inspired by groovy house tunes and techno, he knows how to captivate the listener and conjure up experiences on the dance floor. The joy of listening is somewhere between house
Techhouse and techno because he likes to break down the boundaries of genres to create symbioses.
Founded on October 16, 2011
★ Techno, Techhouse Sounds ★

straight outta Proletariat 
               ↘️                                                                                           
                   Abstellgleis

Haider Uppal's debut EP "Weak Sleep" now available:
https://niewiederschlafen.bandcamp.com/album/weak-sleep

Full Discography of Nie Wieder Schlafen on Spotify :
https://open.spotify.com/playlist/5FJhvtRozZNIutpPTaizVw?si=cd51668879b5425a

music label founded in 2017.

contact/booking 
info(at)niewiederschlafen(dot)de

demos
promo(at)niewiederschlafen(dot)de

A&R
@trustlessofficial
@quatrimusic


about us
http://niewiederschlafen.de/about

founded by 
@ama_ru
@angaro
@trustlessofficial

New tracks tagged #wieder