Next to u

Ultimate Freedom

Beunplaat voor de liefhebbers, gewoon gas geven.

Bakplaat - Lost in the feeling

floyd 313 - icebreaker (prod @floyd313)

Just a quick idea that I shart out of my arse. Kinda sorta goes hard I suppose. (also sorry for that lame ahh cover picture, "It's late and I have work tomorrow" core ong hehe.)

LETMEOUT

Enjoy the sounds of the clouds. happy listening.

Silver Surfer 134 bpm

Wild (Stinga Remix)

recorded during Oramics SAME BABY on 08.03.2025 💅🏻

status quack [Oramics SAME BABY MIX]

Listen to my mashup, which I discovered during my DJ set. Let me know what you think, and if you like the song, please leave me a like.😆🎉

Apache 207 - ROLLER prod. by Lucry & Suena x Blaze U - Intoxicated

JOYRIDE

Check out the full lyrics here: https://docs.google.com/document/d/1Ez2b8qmRr-BKmp0quMzhJv6gLU4PgfC06uopMBO6VbY/edit?usp=sharing

"Stellar Cartel" is a dense, kaleidoscopic tapestry of hip-hop bravado, cosmic mythology, and existential rebellion, blending hyper-referential lyricism with a self-mythologizing narrative. The song positions the artist—Spitz—as a celestial outlaw, a paradoxical figure straddling divine ambition and nihilistic chaos. At its core, the track explores themes of power, legacy, and identity through a lens of astronomical and pop-cultural symbolism, weaving together references to rap legends (2Pac, Biggie, Juice WRLD), My Little Pony (Twilight Sparkle, Nightmare Moon), and scientific concepts (quantum physics, Newtonian laws) to create a mythos where the artist is both god and antihero. The "Stellar Cartel" itself functions as a metaphor for a cosmic mafia—a collective of rebels operating beyond societal and moral constraints, trading in "cash constellations" and "comet ash" instead of earthly riches. This cartel symbolizes the artist’s rejection of conventional success, framing the grind as a cosmic heist where material wealth is intertwined with existential defiance. Lines like "I’m the comma in God’s sentence—punctuation with a Tec-9 complex" juxtapose grammatical precision with violent rebellion, suggesting the artist disrupts divine order itself. The recurring motif of eclipses (solar racks, bullet holes replacing MLP cutie marks) underscores themes of obliteration and rebirth, positioning Spitz as a force that blots out light to create his own. The song’s standout quality lies in its audacious fusion of incongruent worlds: My Little Pony’s utopian "Friendship is Magic" ethos is subverted into a dystopian trap universe where Twilight Sparkle’s grace is replaced by Nightmare Moon’s vengeance. This contrast mirrors the duality in the artist’s persona—balancing vulnerability ("Juice’s voice in my veins") with brutality ("snortin’ comet ash"). The references to deceased artists (Biggie, Pac, Pop Smoke, Juice WRLD) serve as both homage and omen, framing Spitz’s ambition as a torch passed through a lineage of martyred legends. Meanwhile, scientific nods (Hawking, Einstein, Fibonacci citals) elevate the street hustle to a cosmic scale, suggesting the artist’s grind defies universal laws. Lyrically, the song thrives on paradox: "thug life" tattoos coexist with quantum physics; MLP’s innocence collides with Pac’s "Hit ‘Em Up" aggression. This dissonance reflects a fractured identity—a "sinner" and "savior" grappling with fame’s hollowness ("homies turned holograms") and the grind’s Stockholm syndrome. The bridge’s "Burn Friendship is Magic scrolls, replace ’em with hieroglyphic hexes" encapsulates the track’s ethos: erasing naivety to inscribe a darker, self-authored legacy. Ultimately, "Stellar Cartel" stands out as a chaotic ode to self-deification, where the artist weaponizes cultural detritus—cartoon ponies, rap lore, scientific jargon—to craft a universe where power is measured in defiance of gravity, morality, and death itself. It’s a manifesto of existential trap, where every bar is a supernova—destructive, luminous, and collapsing into its own myth.

Stellar Cartel

recording homeofficepianist          recorded March 20th 2025
please visit my website for more information and recordings:
homeofficepianist.de

"My wild irish rose"   American traditional song   (freely after the arrangement of Keith Jarrett)

GUNPOP

Another tribute to a great era of the Italian Hardstyle genre!

This time tracks from halfway the noughties. Are you ready for some reverse bass and uptempo beats?

Tracklist;
01 - Fuck It Up (Zatox & Tatanka vs Tat & Zat mix) - Wild Motherfuckers	
02 - Mad Lay Number Three - Automatic DJ'z	
03 - Junior (Hardstyle Masterz rmx) - Speedwave	
04 - Phenomena (Zatox rmx) - Machinehead	
05 - The Creation - Atlantic Wave (Silvio Aquila cut)	
06 - Biological Chemistry (Black & White rmx) - Zanza Labs	
07 - Another Shout (mix 2) - The Navigator		
08 - Raw - Acti & Vorti			
09 - Hardbeat Market (Original Soundmachine - Builder		
10 - Smokin 'n Pourin - ZTX & Kingsman			
11 - Drop The Bass 2008 - Midi J				
12 - Into Dub - Technoboy				
13 - Trust (DJ Amon mix) - Hardfaze			
14 - Borderline (Parto mix) - Tatanka				
15 - Don't Let It Go (Baco mix) - Zatox & Activator		
16 - Unexpected (mix 1) - Ivan Carsten				
17 - Dirty Games (Tatanka rmx) - Black & White				
18 - Kame Hame Ha - KAT				
19 - Domination - DJ Activator				
20 - Stand Up High (Silvio Aquila dj edit) - Zatox	
21 - Straight On 2007 (Tuneboy Wackie rmx) - K-Traxx		
22 - My Bass (Acid Step mix) - Brain Ovulation			
23 - Equensu Ocha - DJ Act vs DJ Mani			
24 - Maniak Psyko - Francesco Zeta			
25 - Radio Alarm (Zatox rmx) - W.A.S.H.		
26 - DJ Revolution (Kay Em version) - Bad Elements		
27 - People Strong (Hard mix) - Sisma DJ ft MC Tr3no			

A Tribute To Italian Hardstyle [3]

6'2 POLE

Check out the full lyrics here: https://docs.google.com/document/d/1x-HQ1moZDSfqoEEgS5XUWLJTAoc_tn_Aox3Rk0NqOkY/edit?usp=sharing

Autoclave Abyss is a harrowing epic of corporeal and societal collapse, blending confessional rage with allegorical critique. Structurally, it mirrors the healthcare system’s cyclical violence: the first half diagnoses the disease (profit-driven care), while the second half autopsy reveals metastatic corruption (familial ruin, legislative complicity). The song’s title metaphor—an “autoclave” sterilizing truth—encapsulates its core tension: institutions that cleanse themselves of accountability while infecting patients with debt and neglect. Recurring motifs—pharmaceutical predation, algorithmic dehumanization, and spiritual bankruptcy—paint healthcare as a Gothic horror where bodies are “franchises” and pain is a “stock ticker.” The narrator’s transformation from “naive” teen to “cadaver with a pulse” mirrors capitalism’s consumption of innocence, with medical jargon (“prior authorization,” “ICD-10”) repurposed as poetic weapons. Stylistically, the lyrics fuse hip-hop bravado with slam poetry’s rawness, using internal rhyme (“cha-ching”/“abyss”), alliteration (“Profit’s the pulse in this noose”), and cultural references (Sacklers, Pfizer) to bridge personal and political. The chorus’s anaphora (“Autoclave Abyss”) becomes a liturgical dirge, mourning both individual and collective death. Ultimately, the song is a eulogy for the Hippocratic Oath, reimagining healthcare as a dystopian liturgy where healing is heresy, profit is sacrament, and the only cure is systemic annihilation.

Autoclave Abyss (Uncut)

Check out the full lyrics here: https://docs.google.com/document/d/1x-HQ1moZDSfqoEEgS5XUWLJTAoc_tn_Aox3Rk0NqOkY/edit?usp=sharing

You can also check out the full, 16-or-so minute song here (I highly recommend): https://soundcloud.com/spiffyspitz/autoclave-abyss-uncut

The second half escalates the critique into a broader societal indictment, weaving familial and systemic collapse. It expands beyond individual suffering to depict generational debt—a brother’s hair sold, a niece’s college fund drained for IV drips—framing healthcare as a “hostage” crisis where love becomes a “down payment on a hospice bed.” The bridge’s corporate monologue (“Q3 profits need a 20% infection spike”) explicitly links Pharma greed to legislative complicity, while verses delve into opioid epidemics (“OxyContin’s safe!”) and alternative medicine scams, exposing holistic healing as a hollow capitalist ploy. The narrator’s deterioration—now a “Zoloft zombie” and “biopsy punchline”—mirrors systemic collapse, with medical jargon (“autoimmune civil war,” “CT’s a Rorschach test”) weaponized to obscure accountability. The post-chorus and outro amplify existential dread, reimagining death as a transactional afterlife (“Heaven’s HMO denies my soul’s claim”) where even corpses are monetized (“ashes sold as dietary supplements”). Dental neglect and GoFundMe despair ground the surreal in visceral reality, while digital metaphors (“NFT health portal,” “blockchain biopsy”) critique healthcare’s dehumanizing technocracy. The second half’s climax—a morgue tag as a “barcode,” autopsy as a “sales pitch”—underscores the system’s reduction of life to data and profit, leaving the narrator a “glitch” in the machine.

Autoclave Abyss (2nd Half)

Check out the full lyrics here: https://docs.google.com/document/d/1x-HQ1moZDSfqoEEgS5XUWLJTAoc_tn_Aox3Rk0NqOkY/edit?usp=sharing

You can also check out the full, 16-or-so minute song here (I highly recommend): https://soundcloud.com/spiffyspitz/autoclave-abyss-uncut

The first half of Autoclave Abyss establishes a visceral, dystopian critique of the American healthcare system through a lens of personal and systemic decay. The narrator’s journey begins with a disillusioned reflection on the Hippocratic Oath’s betrayal, framing their body as a commodified entity—veins as ATMs, pain as a “cash register’s cha-ching”—juxtaposing innocence (“blue cross meant angels’ wings”) against the grim reality of insurance bureaucracy. Metaphors of medical exploitation proliferate: the body becomes a “EULA” (End User License Agreement) where profit supersedes care, while diagnoses like “conversion disorder” and “idiopathic” critiques the system’s gaslighting of marginalized pain. The bridge’s sarcastic dialogue (“Have you tried essential oils?”) satirizes dismissive, profit-driven care, while the pre-chorus contrasts childhood medical simplicity with adult financial ruin, lamenting healthcare’s shift from compassion to “hedge fund theology.” The chorus, “Autoclave Abyss,” serves as a refrain condemning sterilization of truth—hospitals as sterile, dehumanizing factories where profit “pulses” like a noose. The first half’s imagery—phantom joints, MRI glows, and sepsis fever dreams—paints a visceral portrait of physical and financial erosion, blending corporeal decay with institutional rot.

Autoclave Abyss (1st Half)

Bassline Producer From Wolverhampton, I Do Occasionally Venture Into Other Genres

Hi, I'm Andrej and  I love to create music.
When I compose I like to range in different genres, I like to represent different emotions with my music and I hope my music can create feelings for the people who listen to it. Now I'm at the beginning of the way but I'll continue to walk to achieve my goals.
Here on SoundCloud, you can find all my songs and my experimental projects.

𝙄𝙖𝙢 𝙈𝙪𝙣𝙣𝙖𝙈𝙪𝙨𝙞𝙘 𝙛𝙧𝙤𝙢 𝙄𝙣𝙙𝙞𝙖 

Spotify:-
https://open.spotify.com/artist/4GDou8NXQMAGRBLX3abuAv?si=qTDwaE9yTluIjH-5KDsAOQ

"Always seen, but hardly noticed." 

Based in the US, L1NE is an aspiring electronic music producer with a unique and evolving style. L1NE releases on many music streaming platforms such as Spotify and Apple Music, among many others.

Sinth Entertainment Productions
YOUR SOUND YOUR SUCCESS
Contact:
sinthentertainment@protonmail.com

- Filmmusik
- Sound Design
- Foley 
- Beats

Ich bin Dj seit 2019 und habe vor kurzer Zeit angefangen eigene Remixe zu erstellen.

Purchase dope beats here:https://payhip.com/thewicher999

Coming out of the Hardcore period, Silvio Aquila (Arend Hebers) started listening to (hard)trance, hardhouse, techno. But then he discovered Hardstyle!

Silvio Aquila started mixing in 2003 in a local youth centre on the holy Technics turntables.

In 2006 he was asked to join a dj team consisting of 4 dj's & 1 mc, thanks to this he got a chance to present himself to the 'outside world'. Unfortunately this dj-team decided to split up and everybody went their way in 2007...

Afterwards Silvio explored more places in the north of the Netherlands and slowly build his reputation. In 2008 he became a resident dj of the well-known online Harder Styles radio FearFM. 

Left his mark on party's like Vroeger Was Alles Beter, Hardclassics, Back2school, Indicator, Decibel and more.These days Silvio Aquila still performs, in the Netherlands and abroad.

For bookings, please contact:
arendglas@hotmail.com

Main Soundcloud is @floyd313. Find exclusive floyd313 best verses,mixtapes,unreleased music,etc and more here !!

Welcome to Dj Side Affex’s Sound Cloud.

Dj Side Affex, has been performing in front of crowds since early 2000’s as a young aspiring Dj Performer / Music Producer.

He is able to create live flawless mash ups on the fly well taking you on a musical harmonic journey thru your evening and mixing his styles up thru out the night.

Big shout out goes out to all of you who have stuck with the Us from day one , thru all these years we love and appreciate you guys. 

Known for his High Party Energy Vibes brought to his performance DJ Side Affex creates fun nights that the crowd will remember for years to come..!


The Reason he is in the industry is to Make sure you have one of the Best Nights of your Life!

Catch Dj Side Affex Live 
Mon-Fri on TWITCH
@djsideaffex 
See you there !

Thank You

Follow me @ 
http://www.twitch.tv/djsideaffex

www.facebook.com/theofficialdjsideaffex

Www.instagram.com/djsideaffex 

www.twitter.com/djsideaffex1


Latest mix drop 

https://youtu.be/nFjgojvM15E

Dj Side Affex

I like to make music and help my fellow artists! I encourage you to check out those I'm following as well! Check out my other profiles:

Apple Music: https://music.apple.com/us/artist/spiffyspitz/1796628306
Spotify: https://open.spotify.com/artist/41j7PkwG3r5AEuZquDFjrD?si=Ck_r01O-Q8C6aO75Ew4Ldw
Ever wanted to chat with Juice WRLD? I've carefully constructed a scenario with him here: https://janitorai.com/characters/fa8a3915-e145-40f4-b3e2-5d3516803bd8_character-juice-wrld

please visit my website: https://homeofficepianist.de

About three years ago, utilising the time at home afforded by the pandemic's lockdown restrictions, the homeofficepianist embarked on an expansive exploration of the musical universe, with each journey catalogued in a collection of periodic recordings. 

Initially, these recordings were made as a tool to self-monitor practice progression. However, these humble recordings capture something of the feeling of performance, and therefore the homeofficepianist began to share them with friends and colleagues. The positivity of this experience has inspired him to create a platform to welcome you into this musical exchange, joining him on a mystical and enlightening path.

New tracks tagged #wild