Sinfonie Concertante
The famous pioneer of original Dutch wind music realised in the early fifties that the wind band had no classical repertoire at all. He thought this shortage should be completed with original compositions instead of transcriptions and arrangements. This little symphony was an immediate success and still belongs to the repertoire of many bands. We thought it was high time to publish a new edition with a full score.

https://www.molenaar.com/details/1/7891/en

Sinfonie Concertante - Gerard Boedijn

Grande Finale

https://www.molenaar.com/details/1/18211/en

Grande Finale (arr. Marcel Peeters) - Hugo de Groot

Halewijn
Symphonic Poem - Revised version
The medieval song ´Halewijn´ tells the fascinating story about a murderer of women who is finally killed himself. This subject is set to music by Gerard Boedijn in his symphonic poem ' Halewijn '. This work, with a very programmatic character, was considered as one of the highlights in his oeuvre by Boedijn. Molenaar Edition offers, more than seventy years after the appearance of the composition, a completely revised version by Eric Swiggers.
https://www.molenaar.com/details/1/19554/en

Halewijn (Symphonic Poem) arr. Eric Swiggers - Gerard Boedijn

Sinfonia Hamlet
The « Sinfonia Hamlet » is a quite original and contemporary musical representation of William Shakespeare's tragedy. The composer uses all kinds of effects causing quite some musical surprises (or discoveries). An extensive percussion section is a must.

https://www.molenaar.com/details/1/15411/en

Sinfonia Hamlet - Santiago Quinto Serna

Concertino for Piccolo and Band
Concertino for Piccolo and Band is a work commissioned by and dedicated to Fernando Marinho. Attempts to portrait musically a little of what Fernando is… Energetic, always willing to do more and on the other hand, romantic and nostalgic. The Concertino starts with energetic and jolly themes. Recall the Iberian heritage, through the sorrow of romantic, beauty and nostalgia of the intangible. And ending again energetic and bright. This is Pascoals way of honoring this great friend and Portuguese musician.

https://www.molenaar.com/details/1/19759/en

Concertino For Piccolo And Symphonic Band - Samuel Pascoal

A Trip to Cretaceous
Step into the time machine and travel back to the Cretaceous, a period when the Earth was inhabited by majestic and dangerous dinosaurs. "A Trip to Cretaceous" takes you on a musical journey through this fascinating world, where prehistoric creatures come to life.

The piece begins with a dramatic introduction that immediately places the listeners in the perilous world of the Cretaceous. Various scenes are then musically depicted, from the tranquil moments in the jungles to the thrilling confrontations between the dinosaurs.

An impressive composition by the French composer Guillaume Détrez

https://www.molenaar.com/details/1/21035/en

A Trip to Cretaceous - Guillaume Détrez

Black Sheep Squadron
This march is dedicated to the VMA-214 Squadron of the United States Marine Corps. Based on the Pacific island of Vella Lavella, it took part in the Guadalcanal campaign between 1942 and 1943 and was equipped with Chance Vought F4U Corsairs, also known as l'uccellaccio because of the folded wings on its W-wing. The squadron was commanded by Major Gregory Boyington, who was not only one of the Marines' best pilots, but also a tireless troublemaker: he loved to get drunk, gamble and challenge his friends to wrestling matches in the middle of crowded bars. in the middle of crowded bars. Pacific Command, eager to make the most of the human material available at this delicate moment in the war, entrusted Boyington with the task of forming a new wing. The unit was to become perhaps the most famous flying squadron in the Marine Corps, known as the "Black Sheep Squadron". The name came from the fact that all the pilots were 'orphans' and had not been assigned to a squadron when they were formed, and from the fact that they had few reliable aircraft and no mechanics. Boyington was nicknamed "Gramps" because, at 31, he was ten years older than most of the Marines who served under him. The name "Gramps" was later changed to "Pappy".

https://www.molenaar.com/details/1/21092/en

Black Sheep Squadron - Dario Bortolato

First Embrace
First Embrace is a beautifully composed ballad by renowned English composer Dean Jones. With a masterful balance of melody and harmony, this piece evokes deep emotions and offers a moment of subdued reflection in any concert programme. The woodwind section in particular plays a prominent role in the piece. A valuable addition to the repertoire, First Embrace offers musicians the opportunity to display their expressiveness and musicality to the full. Ideal for memorials or as a resting point in a concert programme.

https://www.molenaar.com/details/1/21111/en

First Embrace - Dean Jones

Brazilian Romance
The first idea of this work was composed for playing at my japanese friends' wedding party in 2015. The idea was used almost as-is for the ballad part. The first melody was written for the bride, a tenor saxophonist, and counter melody comes out after for the groom, an oboist. After ballad part, Bossa Nova part comes up next. The first melody in this part was a stretch of the bride's melody. I dedicate this work to my friends Sayako and Hiroki.

https://www.molenaar.com/details/1/20709/en

Brazilian Romance - Tohru Kanayama

“TETRA STREAM” 

This piece was inspired by photographs I had taken during my travels across different regions of Thailand. The country is traditionally divided into four main regions: the North, the Central, the Northeast, and the South. For this work, I selected one photograph to represent each of these regions.

The composition draws upon the emotions and atmospheres I personally experienced while visiting each place. Rather than aiming to capture a universally shared impression of the regions, the music instead reflects my own feelings and interpretations of those moments. Listeners may not necessarily associate the piece with the exact character or ambiance of each region, but what I sought to express was an honest musical portrayal of my personal journey and emotional response.The following notes describe the composer’s reflections in more detail:

Northern Region ( Bar: 1 - 43, Mark: A - E )
The North is often associated with mountains, mist, and a gentle sense of serenity. My photograph captured a quiet landscape at dawn, where the cool air and stillness left a lasting impression. The music for this section reflects that atmosphere—calm, spacious, and colored with subtle textures, like a gentle breeze moving across the hills.

Central Region ( Bar: 44 - 96, Mark: E - K )
The Central region, with its bustling cities and fertile plains, gave me a very different feeling. The photograph I chose was taken in a lively town, full of energy and movement. The music here is more rhythmic and bright, echoing the sense of vitality and everyday life that defines this part of Thailand.

Northeastern Region (Isan) ( Bar: 96 - 144, Mark: K - Q )
In the Northeast, I was struck by the warmth and resilience of the people, as well as the wide-open landscapes. My photograph showed a rustic, sunlit field that seemed endless. The music carries a rustic, earthy quality, with melodies that are both grounded and spirited, echoing the character of the region’s culture and traditions.

Southern Region ( Bar: 145 - 210, Mark: Q - End )
The South, with its coastlines and tropical atmosphere, left me with feelings of openness and freedom. The photograph I selected showed the sea stretching far into the horizon. Musically, this part is flowing and expansive, with a sense of motion that mirrors the ocean waves and the natural beauty of the region. I also recall an experience at a small bar in the South, where soft jazz was playing in the background alongside the gentle sound of waves breaking on the shore. The combination created a sense of comfort and a mood I deeply enjoyed, which I decided to weave into the music as well.

TETRA STRAM “Four Picture Regions of Thailand” 2025 (for Wind Ensemble)

Molenaar Edition is a publisher of sheet music for Concert Band, Fanfare and Brass Band. Molenaar Edition also has its own CD label, MBCD, that releases 3 to 4 CDs , a year.

The company was founded in 1933 by Pieter Jan Molenaar under the name Molenaar’s Muziekhandel. In the 1970s, his sons Jan and Bob joined the growing company. The name was changed to Molenaar’s Muziekcentrale, and later to Molenaar Edition BV.

Perapong Viriya (b.2001) is a Thai composer, conductor, and saxophonist. His works have been recognized in Thai Composer of Our Century and performed by prominent ensembles including the Million Wind Philharmonic, Hamonious Musikavier, Suranaree Girls School Bands, Nontri Orchestra Wind, and the Mahidol University Tuba Euphonium Studio. His music has also been featured internationally, reflecting his growing presence on the global stage.
Inspired by diverse traditions—ranging from Classical and Romantic music to late 20th-century styles, Jazz, and Blues—Perapong is particularly known for blending contemporary techniques with traditional Thai elements. This fusion creates a distinctive voice that bridges cultures and resonates with audiences across different backgrounds.
Much of his work is shaped by personal experiences and travels. He often draws on stories, places, and emotions from his own life, weaving them into musical narratives that invite performers and listeners to share in his perspective. For Perapong, music is both an art form and a way of expressing identity: a means for others to truly know him through sound.
He began playing music at the age of ten and soon discovered his passion for composition, especially in the setting of wind ensembles, orchestras, and concert bands. Currently, he is pursuing his Bachelor’s degree in music at the College of Music, Bansomdejchaopraya Rajabhat University, where he continues to refine his craft as a composer, conductor, and saxophonist.

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