Next Life is a cheeky farewell dressed up in a funk groove — a sarcastic “see ya later” to a love that never quite fit. With sharp one-liners, swaggering bass, and a chorus that bites as much as it bounces, it’s a bitter goodbye you can dance to. It’s funk with a smirk and a middle finger.

Next Life

A playful, funk-driven track powered by brass stabs and wah guitar riffs. Behind its groove and irony lies a sharp critique of arrogance and moral decay — a mock trial of the “bad boys” of our time. Delivered with wit, rhythm, and a knowing grin, the song dances on the edge between satire and swagger, never taking itself too seriously, yet never missing the point.

Bad Boy

GhostFace

“Aku Tak Peduli” bursts with the energy of 90s alternative rock attitude, crisp guitars, punchy drums, and a female voice that blends strength with sarcasm. The song walks the fine line between defiance and reflection, capturing the spirit of independence in a world full of noise. Each verse drips with irony, each chorus hits like an anthem of freedom and self-assurance. The tone is warm yet fearless, polished yet raw, echoing the timeless charm of 90s pop rock rebellion.

Aku Tak Peduli

What if existence, love, and gravity all came with fine print? "T&C Of The Moon" is an anthem about radical acceptance, set to a driving, euphoric Post-Shoegaze groove.

We use corporate jargon to break down the cosmos: Gravity is a subscription, and your laugh is a coupon that takes 10% off pain. This track is about confronting all the universe's rules and saying, "I accept—every clause of light." It’s a powerful, intimate journey that builds from a quiet whisper to a final, soaring commitment: Check the box for wonder, hit "send."

By continuing, you agree to: Fall in love with the sound and keep your hope within reach of hands.

T&C Of The Moon

Lyrics:
Rosemary came up to me at the
Glasnevin cemetery said she
Heard a thing or two about me that she 
Seemed to spread around with ease 

What did you say, won’t get away
They’ll come after you, you know it’s true
They’ll all see right through your bitter ways

Used to be the best of friends we would 
Travel round all kinds of bends now you 
Have a bone to pick with me but I just 
Shut you out, my minds at ease 

What did you say, won’t get away
I’ll come after you, you know it’s true
They’ll all see right through your bitter ways

Rosemary

"Why Don’t You Go Touch Yourself?" is an indie-rock slap to the face of performative morality — a tongue-in-cheek anthem for anyone tired of being judged by people who don’t know how to look in their own mirror. Mixing punk sarcasm, dreamy introspection, and drum-and-bass chaos, the track spins between playful rebellion and quiet truth.

It’s a whispered confession wrapped in a scream: a song about hypocrisy, projection, and self-love — the uncomfortable kind that starts when you stop policing everyone else. Underneath its teasing hook and frantic pulse, there’s a reminder that healing starts inward.

It’s messy, honest, and a little holy in its blasphemy.
For the sinners who meditate, the saints who rage, and everyone caught somewhere between.

Why Don’t You Go Touch Yourself?

The ultimate soundtrack for everyone who plans relaxation and protocols peace. Beach Regulation §1: Relax is a Bossa-Lo-Fi groove that calls the inner clock to order. With a wink, the track asks: What is the goal of this resting culture? The answer: Today nothing is in Excel, just sea. We put the must-do list beside us, let the thoughts fall into the sand, and write under Agenda Point C: Resolution: We stay.
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Der ultimative Soundtrack für alle, die Entspannung planen und Ruhe protokollieren. Strandordnung §1: Entspann dich ist ein Bossa-Lo-Fi-Groove, der die innere Uhr zur Räson ruft. Mit einem Augenzwinkern fragt der Track: Wo ist das Ziel dieser Rastkultur? Die Antwort: Heute ist nichts in Excel, nur Meer. Wir legen das Müssen neben uns, lassen die Gedanken in den Sand und schreiben in den Tagesordnungspunkt C: Beschluss: Wir bleiben.

Strandordnung §1 Entspann dich (Beach Regulation §1 Relax)

"Smile, It's a Trainwreck" 

(Lyrics)

(Intro)

(Verse 1) 

Fluorescent lights... they're 'too bright.'

I'm... in the corner... 'out of sight.'

Everyone's... 'shouting.'

No one's... 'listening.'

The... 'fake laugh'... is... 'glistening'

...under the 'veneer.'

I... 'hate it here.'

Just... 'plastic cups' and... 'cheap perfume.'

...'Suffocating' in the... 'fumes.'

(Pre-Chorus 1) 

And I'm watching the clock tick-tick-tick...

This whole damn scene is making me sick!

I gotta get out, I gotta get out, I'm gonna...

...I'm gonna... BREAK!

(Chorus 1) 

Oh, 'bless his heart,' he's... 'sufferin'.'

While everyone is 'shoutin'' and a-'pufferin'.'

It's... 'quite the show,' innit? It's... 'all a mess.'

So you... 'might as well' just... 'watch it,' I... 'guess.'

Smile, it's a trainwreck!

Pop the champagne, what the heck!

They're... 'all gonna crash,' so... 'grab a good seat.'

It's... 'all... so... 'tragic'... and... 'sweet'!

(Post-Chorus)

(Verse 2) 

...Ay.

...I see you by the... 'speaker.'

...Laughin' at the... 'preacher'

...in the 'kitchen'

...who's 'bitchin''

...'bout his 'stock portfolio.'

...You and me, girl... 'let's go.'

...We could... 'dip.'

...I'm... 'tired of this... 'trip.'

(Pre-Chorus 2) 

But you're not even looking, you're just... 'LAUGHING!'

You... 'think this is 'funny'?!

You... 'think it's a 'JOKE'?!

I'm... 'drownin'' out here, I'm... 'gonna... 'CHOKE'!

(Chorus 2) 

Oh, 'now' he's the... 'center of the 'show'.'

...'Thinks his 'drama's' all... 'that matters,' 'don't-ya-know'?

He's... 'startin'' to... 'fume,' he's... 'turnin' all... 'red.'

...He... 'really should've just... 'stayed home in... 'bed!'

Smile, it's a trainwreck!

Pop the champagne, what the heck!

They're... 'all gonna crash,' so... 'grab a good seat.'

It's... 'all... so... 'tragic'... and... 'sweet'!

(Bridge) 

I'M NOT A JOKE! I'M NOT YOUR PUNCHLINE!

YOU'RE NOT THE PUNCHLINE, 'LOVE,' YOU'R_E JUST A 'PART' OF IT!

THIS WHOLE NIGHT IS A 'WASTE' OF MY 'TIME'!

WELL, 'OBVIOUSLY!' THAT'S THE 'BEST' THING... 'ABOUT IT!'

IT'S ALL 'FALLING... 'APART'!

(Final Chorus / Outro) 

Smile, it's a trainwreck!

Pop the champagne, what the heck!

(...'plastic cups'... 'cheap perfume'...)

They're... 'all gonna crash,' so... 'grab a good seat.'

(...'gotta get out... of this... 'room'...)

It's... 'all... so... 'tragic'... and... 'sweet'!

Smile, It's a Trainwreck

"Room Key" is a bubbly, infectious anthem for low-stakes, high-intimacy love. Driven by a catchy stomp and clap rhythm and soft, playful bending pitches, the track turns the reality of small apartments and shared bills into pure romance. The dual male and female vocals trade talk-sung verses, charting the quiet victories of domestic life: "Bills stack like paperback spines," but "Every plan we couldn’t pay / turned to gold on a kitchen beam." This song is a promise—no high-drama belt, just a simple, unshakeable assurance that the lights are low, the score is forgotten, and "I’m here with the room key."

The Ultimate Cheerleading Vibe for Grown-Up Love.

Room Key (Leave the Light Low)

"Blue Hallway" is the addictive, high-energy soundtrack for all the nervous energy and quiet moments before a late-night rendezvous. Driven by a catchy stomp and clap rhythm and sparkling synth garnish, this Alt-Pop anthem locks the listener into the hyper-aware world of apartment waiting: counting the quiet like loose change, and letting the radiator tick the metronome. The male tenor and female mezzo trade witty verses filled with brat vibes and playful tension ("If waiting is a little crime, I’ll serve it gladly"). The chantable Chorus is a perfect declaration of intent: "Blue hallway—hold the door, two hearts, nothing more." This track is all about the electrifying power of what is not said, leaving one strip of light on for that perfect, inevitable moment.

Blue Hallway

“You Doin’ Too Much” by A.L.I.A.S.: A Lyrical Reality Check Wrapped in East Coast Swagger

“You Doin’ Too Much,” featured on A.L.I.A.S.’s highly anticipated album On Top of the World: Chapter 2 – The Takeover, is a clever, witty, and razor-sharp anthem that calls out the chaos, noise, and unnecessary antics people bring into everyday life. Built on the signature East Coast lyricism A.L.I.A.S. is known for, the song blends humor, cultural commentary, and street consciousness into a track that’s as entertaining as it is relatable.

At its core, “You Doin’ Too Much” is a musical mirror—one that reflects the extra, dramatic, over-the-top behavior people often display when trying too hard to impress. A.L.I.A.S. flips the concept with charisma, delivering punchlines and double-entendres that make listeners laugh, nod their heads, and reconsider the energy they welcome into their own lives. Inspired by real-life experiences, everyday encounters, and the fast-paced culture of doing-the-most, the track serves as both a warning and a celebration of staying grounded in a world that’s constantly trying to pull you off balance.

A Song Inspired by Real Life and Real People

The idea behind “You Doin’ Too Much” came from a combination of street observation and personal growth. As someone who has evolved from the struggles of the South Bronx to the entrepreneurial grind of modern life, A.L.I.A.S. has seen every version of “extra”—from flashy pretenders to loud talkers with no follow-through. Instead of addressing it with bitterness, he turns it into entertainment.

This song was inspired by those moments where you watch someone exaggerate their lifestyle, overreact to simple situations, or try way too hard for attention. A.L.I.A.S. captures these moments with funny, hyper-detailed storytelling and clever rhyme schemes, delivering each verse with the confident cadence of an artist who’s seen enough to know better.

Who the Song Is For

“You Doin’ Too Much” is for anyone who’s dealt with fake energy, unnecessary drama, or people who always take things a step too far. It resonates with:

Hustlers who stay in their lane

Professionals tired of workplace theatrics

People who value peace over chaos

Anyone who knows a friend—or enemy—who always exaggerates

Fans of witty, high-level lyricism with internal rhyme schemes

Whether you’re bumping it in your car, adding it to your gym playlist, or sending it as a subtle message to someone who needs to chill, the track delivers the perfect mix of humor and truth.

Inside the Making of the Track

A.L.I.A.S. approached the writing with precision, leaning into his signature storytelling while keeping the beat energetic and infectious. Inspired by the rhythmic cleverness of artists like Wale, J. Cole, and early Kanye, the flow is tight and filled with rapid-fire bars that reward listeners who catch the hidden layers.

The production carries a bounce that feels both modern and nostalgic, blending 90 BPM hip-hop percussion with crisp melodies and subtle harmonic textures. Every verse was crafted to elevate the narrative—telling stories of hustling, ambition, and old-school wisdom while poking fun at the characters who are “doin’ too much.”

Why This Song Will Stick With Listeners

“You Doin’ Too Much” is memorable because it’s undeniably real. It gives listeners a theme song for those moments when someone’s energy is off, exaggerated, or flat-out performative. It’s catchy, clever, and grounded in the authentic personality of A.L.I.A.S.—a storyteller who can turn everyday experiences into something cinematic.

Whether you love it for the punchlines, the wordplay, or the vibe, the track stands as one more reason why On Top of the World: Chapter 2 – The Takeover is shaping up to be one of A.L.I.A.S.’s most dynamic projects to date.

On Top of the World: Chapter 2 - The Takeover

You Doin' Too Much

You've heard MC Hammer and all the rest now listen to a rap about them from the best!

The Name Game

Pickup Line Delivered With A Grin

An explosive orchestral-country fusion bursting with pizzicato swing, brass banjos, and twangy detail.
Groovy, virtuosic, and wide-panned, it’s bluegrass gone symphonic.

Country

joyride

**"SUGATA NAKI SONZAI" (Formless Being)**

The lead single from the upcoming *WABI SABI FLo* mixtape is here.

This track is an immediate declaration of war against definition. Produced by **Soundguy Wicks**, "Formless Being" hits with raw, high-energy trap that refuses to be labeled.

Lyrically, ether.UNLIMITED is operating on a different frequency: Taino roots meet Greek Gods, **Fibonacci** patterns expand thru **Domain Expansion**. He is the "light being" who issues the challenge: **"Please don't mess with my form"** (私のフォームをいじらないでください).

This isn't just music—it's spiritual synthesis. Tune in.

**Mixtape *WABI SABI FLo* Coming Soon!**

---
**Follow:** https://www.instagram.com/ether.unlimited
**Produced By:** Soundguy Wicks

#FormlessBeing #SugataNakiSonzai #WabiSabiFLo #EsotericTrap #Taino #GlobalHipHop #Anime #Unbound

Formless Being

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

I use every tool available, human or machine, as an instrument.
Technology doesn’t replace creativity. It expands it.

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Beats for sale. DM for info.


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Profile Name: Tato-SU

Biography:
I am an author, arranger, and bassist. Crafting my music within the confines of my home studio, I intertwine influences from diverse genres. Each of my albums embarks on a unique journey through different musical landscapes, narrating a distinctive tale:

    Swing, despite its title, resonates with Funky inspiration and delves into the construction of interpersonal relationships.
    Love comprises ballads and traverses the theme of love, exploring it through various nuances and perspectives.
    Deeptown is imbued with Pop-Rock essence, addressing the intricacies of the human psyche, particularly in urban contexts.
    RH^, with a more Indie approach, serves as a humble tribute to Peter Gabriel, embodying an intimate quest for hidden truths.

Social Media Links:
To delve into my musical endeavors, you can find me across all major platforms, including Spotify and on YouTube

Junior is a young music artist from Australia gaining inspiration from popular artists such as Dro Kenji, Midwxst, Juice WRLD and underground artists such as ayowitty, skyte and bunii. He looks to become side to side with his inspirations making music with them and to inspire others to follow their dreams to become music artists themselves

This account here isnt for promotional purposes. Its just simple placeholder and a showcase for our internal group. Its not meant to be "marketed" in soundcloud. We also DO NOT SEEK ANYONE'S ACKNOWLEDGEMENTS HERE. If u like what u hear? Cool. Or else? Still cool =)

50% of the songs here have been AI aided in the production phase but one thing remain constant here, the chords used, the lyrics, the tune are all original. We record one Verse/PC/C, and then AI will "gacha". All inconsistencies are edited with DAW. None of the songs on this channel here are finished complete productions. By doing this, we can ready a sample in less 3~4 days. If u still do not understand how wonderful this is for busy people with day time job, then good for u. Which means u have already ascended to the level that u make a huge killing from producing music =) 

Our group have lawyers, engineers, doctors and even ecologist etc. So its pure hobby for now but we are planning for bigger things. Afterall, many of the music on this channel are pure nostalgia from the 80s to 2010s. We recreate songs that we crave since more than half the group are boomers. =[

So no. Dont have to like the songs. =) We aint here to hunt for likes. We have other motives in our own production circle for 2026.

Phase Chroma is a high-concept duo occupying the luminous, melancholic space between Progressive Structure and Ethereal Art-Pop. Formed around a striking duality—precise, structural synth work meets vast, dreamy vocal atmospheres—the project exists to explore emotional resonance through meticulous design. Their music sounds like the aftermath of a beautiful, systemic failure. Tracks like the digitally fractured "Neon Decay" and the liquid, intimate vastness of "Ripples in the Void" showcase their signature approach: cinematic soundscapes where every layered texture and subtle metric shift is intentional. Phase Chroma doesn't just make music; they manufacture deeply felt sonic tension for the quiet, empty hours.

Anbid Zaman is a queer activist and artist whose work rises from a life marked by displacement, resistance, and the insistence on living fully even when the world tries to deny that possibility. Born in Bangladesh and shaped by grassroots queer organizing from a young age, they grew into their voice through community struggle — learning early that courage isn’t an act, but a daily discipline.

Their journey from danger to refuge transformed them without erasing their origins. Living in Germany, Anbid continues to work at the intersections of identity, migration, and liberation, supporting queer people who face violence and navigating the complexities of chosen family, safety, and belonging. Their activism is guided by deep commitments: justice without compromise, solidarity across borders, and an unshakeable belief that marginalised voices should be heard not with pity, but with respect.

These values spill directly into their music. Anbid’s sound blends testimonial storytelling, emotional minimalism, and atmospheric layers shaped by memory — the quiet of hiding, the noise of protest, the ache of leaving, the thrill of surviving. Each track carries the weight of lived experience and the brightness of hope that refuses to die. Their art is not just expression; it is continuation, resistance, and a reminder that stories carry power long before the world acknowledges them.

"Every time I get in the studio, I feel like I wanna have some fun. My fun is not doing the easy work. My fun is doing what's me."


- NAS

🎵 Acoustark | Free AI Music for Creators 🎧
🔊 A place for epic beats and cutting-edge soundscapes.
💥 Delivering royalty-free tracks across all genres: from intense metal to relaxing chill vibes.
🎶 All music is crafted using the latest AI technology—designed for content creators, streamers, and music lovers.
🎧 Explore, download, and create with us. No copyright, just pure Sound.

🔗 Follow for the latest tracks, remixes, and exclusive drops.
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Listen!, I have alot to say!

I have been transposing music in Black Desert Online for years now, I am taking a break and trying something new!

AI-ASSISTED, multi-genre producer from Australia. I co-write concepts with chatGPT (I use AI mostly sanity check, style guides etc. the motives and core lyrics are my own), guide a Suno pass, then rebuild: swap/overdub parts, arrange, add, remove, mix & master, sound effects etc. 

References run from Level 42 and Mike Oldfield to KLF-era rave, drill, garage to the demoscene, I am not much of a fan of country and that hard core stuff, but everything else I <3

Music as a mirror: stories, satire, ideas, thoughts and feelings, From wit to absurdity, from glitch to groove, every track is an experiment in bending AI into something tangible.

If it makes you happy, then thats all that matters!

A.L.I.A.S. is an acronym for “Another Life Is Another Story.” He is “the man with many names, many faces.” One of his personas is Onassis Krown who created a Transformation Hub & Lifestyle Fashion Brand along with the podcasts – The Krown Affair & The Alphamist! A.L.I.A.S. has been a street hustler, veteran, financial advisor, life coach, serial entrepreneur & author of "Know Thyself," "The Golden Egg" & "Wear Your Krown." Explore more at www.onassiskrown.com

In the gritty echo chambers of the underground, where hip-hop remains raw, unfiltered, and real, one name continues to rise above the noise: A.L.I.A.S. Known by fans and followers alike as a lyrical prophet, street visionary, and spiritual soldier, A.L.I.A.S. is far more than your average emcee. He is the embodiment of struggle and triumph, pain and redemption, darkness and light.

Emerging from the storied South Bronx, the birthplace of hip-hop, A.L.I.A.S. is the definition of authenticity. His voice is not just heard—it’s felt. His lyrics don’t just rhyme—they awaken. With a style described as street, conscientious, soulful and moving, A.L.I.A.S. is redefining the culture from the underground up, powered by Worldz Finest Enterprises—the team behind the “Hottest Music on Earth!"

A.L.I.A.S. doesn’t just rap—he paints murals with words and conducts therapy with beats. His music explores themes like:

Survival in the hood

Rising above your environment

Confronting personal demons

Spiritual warfare and awakening

Love and loyalty

Dreams and destiny

One of the defining characteristics of A.L.I.A.S.’s music is his ability to balance the street with the spiritual, the raw with the refined, and the profane with the profound. Whether he's discussing the hardships of hustling, the pain of loss, or the triumph of self-mastery, you always walk away from his tracks feeling transformed. 
royalty@onassiskrown.com

New tracks tagged #witty