Check out the full lyrics here: https://docs.google.com/document/d/10-fGEJ9MkSm9c_sRPA1tIJ82y2KC60yFjlgrRHS8Clw/edit?usp=sharing

"Ladies’ Night" is a sprawling, layered exploration of modern love, weaving together themes of vulnerability, digital-age disconnection, and the messy beauty of imperfect relationships. The song juxtaposes romantic idealism with cynical realism, painting love as both a salve for loneliness and a source of chaos. At its core, it’s about two damaged individuals navigating intimacy in a world where past traumas and societal pressures (social media, materialism, generational baggage) threaten genuine connection. The lyrics are steeped in contradictions: the protagonist views his love interest as a “paradox,” a “kryptonite in a ripped Supreme coat” who is both “wifey material” and a “hurricane in fishnets.” These contrasts reflect the tension between craving stability and being drawn to chaos. The relationship is framed as a “sidepiece symphony” and a “glitchy app,” highlighting the instability of modern connections, yet there’s a persistent hope to “rewrite every wrong to right.” Cultural references (TikTok, Venmo, Uber) ground the song in Gen-Z/Millennial existentialism, where love is performative (“Postin’ ‘good vibes only’ but her eyes screamin’, ‘Help me’”) yet achingly real (“burnin’ toast at 3AM”). The chorus’s metaphor of “Ladies’ Night” symbolizes a liminal space where broken hearts temporarily glow—a club, a DM, a coffee shop—where vulnerability is masked by bravado. The song critiques transactional love (“Her love’s a flex, but my card’s maxed out”) while yearning for authenticity (“No NFT love, just real touch”). The narrative arc moves from infatuation to disillusionment to tentative commitment. By the outro, the couple’s “hashtag ‘Wifey’” moment—a messy, snotty beach proposal—embodies the song’s thesis: love isn’t a highlight reel but a “director’s cut” of mundane, raw moments. Generational curses, trust issues, and financial strain (“messy as the condos we can’t afford”) linger, but the resolve to “find peace” suggests resilience. The closing lines, “Love’s a vintage hoodie, faded, torn, but hell it still glows,” crystallize the message: imperfection is the essence of enduring connection.

Ladies' Night

Check out the full lyrics here: https://docs.google.com/document/d/10-fGEJ9MkSm9c_sRPA1tIJ82y2KC60yFjlgrRHS8Clw/edit?usp=sharing

You can find the full, uncut, 18:55 length song here: https://soundcloud.com/spiffyspitz/ladies-night

The second half unravels the relationship’s fragility, delving into distrust, societal pressures, and the weight of past trauma. Social media’s corrosive influence intensifies: “Is her smile for me? Or just brandin’ for the ‘Gram?” They become “ghosts in the club,” haunted by exes and insecurities. The line “Ladies’ Night’s just hell with a cash bar” reflects disillusionment—the glamorous facade crumbles, revealing emotional exhaustion. Generational and systemic issues emerge: “Her mama’s eyes in her smile, her dad’s temper in her fights” and “My folks said, ‘Don’t wife a dreamer’” highlight how familial cycles and class anxiety (“condos we can’t afford”) strain their bond. Trust erodes further with “Texts from her ex? I’m just the placeholder,” yet moments of vulnerability (“2AM ‘I’m sorry’s’”) suggest a clinging hope. The outro’s proposal scene—snotty, awkward, hashtagged—embraces imperfection as the relationship’s saving grace. The ring hidden in sunscreen and a sneezed “yes” reject fairy-tale tropes, instead celebrating love as a resilient, messy collaboration. The closing lines (“Love’s a vintage hoodie, faded, torn, but hell it still glows”) resolve the song’s tensions: authenticity trumps perfection, and scars become the fabric of a shared story. Even as “GPS still says ‘lost souls,’” their commitment to “reroute, rewrite” underscores the song’s guarded optimism.

Ladies' Night (2nd Half)

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Rose Villain Bop x Worth It X Instalova Gue //FILTER BY COPYRIGHT// (Paul Gavra Mashup)

Check out the full lyrics here: https://docs.google.com/document/d/109fYprIYt3Ngmoki4XBv6W02J2fOSyxgrIqLmlOO6nY/edit?usp=sharing

"Dope Shop Bop" is a hyper-saturated, dystopian carnival of consumerism, addiction, and escapism, using candy as a metaphor for society’s self-destructive cravings. The song paints a world where sugar is both salvation and poison—a neon-lit trap where pleasure and pain are indistinguishable. The protagonist is a Willy Wonka-meets-Wall Street antihero, peddling euphoric highs (literal and metaphorical) while exposing the rot beneath the glitter. Themes include capitalist exploitation (candy as commodified addiction), generational decay (diabetes of the soul), and the absurdity of modern excess (TikTok trends, corporate greed). The lyrics juxtapose childlike wonder (“walls drip honey”) with grotesque violence (“sour belts slice my wrists”), framing the candy shop as a sinister paradise where every treat is a Trojan horse for trauma. The chorus’s repetition of “simp for this candy crop” mocks consumerist loyalty, while verses like “CEO of cavities” and “marshmallow mortician” critique systems that profit from self-destruction. The outro’s reference to “Candy Chernobyl” seals the metaphor: indulgence isn’t just guilty—it’s apocalyptic.

Dope Shop Bop

Check out the full lyrics here: https://docs.google.com/document/d/109fYprIYt3Ngmoki4XBv6W02J2fOSyxgrIqLmlOO6nY/edit?usp=sharing

You can find the full, 10 or so minute song here: https://soundcloud.com/spiffyspitz/dope-shop-bop-3

The second half spirals into chaotic collapse, exposing the consequences of unchecked consumption. Verse 3 (“sugar turns to smoke”) strips away the fantasy, framing the shop as a confessional booth for societal sins. Trauma is commodified (“trauma-dipped Twizzlers”), and cultural icons (Biggie, Pac, Juice) are reduced to syrupy products (“Pac’s rage in the Fanta”). The Post-Chorus (“bury me in Skittles”) embraces nihilism, while Bridge 2 (“Life’s a crooked bakery”) ties the chaos to systemic failure. The Outro climaxes with apocalyptic absurdity: “Candy Chernobyl,” “sprinkle-blood diamonds,” and “cupcake grenades” depict a world where indulgence incinerates itself. The second half’s message is implosion: the shop’s excesses mirror late-stage capitalism’s inevitable crash. References to IPOs, hostile takeovers, and “dividend whore” critique how even rebellion is monetized. The final lines (“lick the screen, you wanna cop it”) indict the listener—complicit in the cycle.

Dope Shop Bop [2nd Half]

Check out the full lyrics here: https://docs.google.com/document/d/109fYprIYt3Ngmoki4XBv6W02J2fOSyxgrIqLmlOO6nY/edit?usp=sharing

You can find the full, 10 or so minute song here: https://soundcloud.com/spiffyspitz/dope-shop-bop-3

The first half introduces the candy shop as a seductive hellscape. The Intro bombards listeners with chaotic imagery (“sugar shards in my veins,” “cavity deity”), establishing the shop as a locus of addictive power. Verse 1 escalates the allure: rainbow walls, TikTok-breaking cakes, and Skittles “poppin’ drama” create a hyperreal fantasy. Yet beneath the whimsy lies violence: “sour belts slice my wrists” and “Starburst shivs” hint at self-harm masked as indulgence. The Pre-Chorus (“flavors overflowin’ right up through the floor”) mirrors sensory overload in a digital age, where endless choices paralyze rather than satisfy. The Chorus (“you’ll simp for this candy crop”) mocks blind consumerism, reducing loyalty to a transactional addiction. By Verse 2, the shop’s facade cracks: “diabetes of the soul” and “marshmallow mortician” reveal the cost of escapism. The first half’s message is seduction as predation—the shop lures with nostalgia (“50s malt shop”) but operates as a corporate dystopia (“lollipop’s NASDAQ-listed”).

Dope Shop Bop [1st Half]

Check out the full lyrics here: https://docs.google.com/document/d/1J7Xd4t0jbD_PySiyp_rkyqidBOLaMRyuuOaZicXuSmg/edit?usp=sharing

Check out the full, 12 and a half minute long song here: https://soundcloud.com/spiffyspitz/legends

The first half of Legends establishes the artist’s origin story, juxtaposing Brooklyn’s harsh realities (“born in the gutter, where the dreams are shattered”) with ascension to mythic status. The intro’s “afterlife’s my office” reimagines death as a career upgrade, blending street hustle (“trap-ethos”) with tech dominance (“bars stream in 4D”). Verses oscillate between vulnerability (“scars on my soul”) and defiance (“Legends write forever”), using hip-hop bravado to mask existential wounds. The chorus’s “phantom pain” and “paper planes” symbolize the emptiness of material success and the fragility of fame, while tech allusions (“NFTs,” “AI clones”) mock modern culture’s obsession with virtual validation. Biggie’s ghost haunts the track, serving as both inspiration and rival—a reminder that legends are reborn, not buried. The bridge’s “three kings, one mic” nods to hip-hop’s triumvirates, but here, unity is digital: a collective “glitch in the streams” fighting erasure. This half frames struggle as a prerequisite for legacy, where pain is encrypted into art and survival is a viral code.

Legends [1st Half]

Check out the full lyrics here: https://docs.google.com/document/d/1J7Xd4t0jbD_PySiyp_rkyqidBOLaMRyuuOaZicXuSmg/edit?usp=sharing

Check out the full, 12 and a half minute long song here: https://soundcloud.com/spiffyspitz/legends

The second half plunges into the chaos of digital immortality, exposing the cracks in the artist’s self-made mythos. Success becomes a paradox: “Tesla Cybertruck” wealth clashes with emotional desolation (“sauce tastes sour”). The bridge’s “NFT tombstones” and “Roblox server” metaphors reduce legacy to transactional tokens, critiquing a culture that trades authenticity for algorithmic clout. References to “ChatGPT drip” and “deep-fake pep rallies” satirize AI’s erosion of human creativity, yet the artist adapts, weaponizing tech to outpace obsolescence. The outro’s “Gen Z prophet” persona embraces meme culture as scripture, turning pain into viral content (“Cashapp the reaper”). Even love and death are gamified: lost relationships become “VR wills,” and the afterlife is a buffering signal. Yet beneath the bravado lies existential dread—demons DM-ing, “silence screams louder”—hinting that digital immortality cannot mute human frailty. The closing lines (“we transcend the digital”) reclaim agency, asserting that true legends outcode their platforms, blending analog soul with binary dominance.

Legends [2nd Half]

Check out the full lyrics here: https://docs.google.com/document/d/1J7Xd4t0jbD_PySiyp_rkyqidBOLaMRyuuOaZicXuSmg/edit?usp=sharing

Legends merges the raw grit of Brooklyn’s streets with the boundless possibilities of the digital future, crafting a narrative of eternal legacy. The song grapples with the duality of human vulnerability and technological transcendence, positioning the artist as a bridge between mortality and immortality. Themes of resilience (“crown forged in chaos”) and reinvention (“Legends don’t die, we just lag in the matrix”) dominate, framing fame as both a burden and a weapon. The lyrics weaponize modern tech metaphors—NFTs, AI clones, crypto—to critique superficiality while embracing their power to immortalize artistry. References to Biggie Smalls (“Life After Death on a SSD”) anchor the song in hip-hop’s lineage, suggesting legends evolve rather than fade. Pain is commodified (“minted my tears as a meme coin”), and death is trivialized (“Death’s just a subreddit”), reflecting a generation that treats trauma as data and legacy as code. The outro’s “buffer, buffer, buffer…” becomes a mantra for persistence, asserting that legends endure not through physicality but through perpetual digital resonance.

Legends

Check out the full lyrics here: https://docs.google.com/document/d/10Jn2tY4gJFiu_QKTH5uNAC8MTgjXihFyTDFj24-kqx8/edit?usp=sharing

"Starless Psalm," clocking in at 6 minutes and 56 seconds, is a raw, immersive journey through the aftermath of a toxic romance, where love, betrayal, and addiction intertwine in a neon-lit haze. It’s a modern lament, a cry into a void where hope has been extinguished, yet it finds power in its unflinching honesty. The song doesn’t shy away from the messiness of heartbreak, instead diving headfirst into the pain, making it a cathartic anthem for anyone navigating their own emotional ruins. The narrative centers on a protagonist ensnared by a charismatic figure met in the chaotic pulse of a party. This person, a whirlwind of wild energy, promises a thrilling escape but leaves behind devastation. What begins as an intoxicating connection reveals itself as a mirage, built on deception that shatters the narrator’s trust and sense of self. The story isn’t just about a failed relationship—it’s about grappling with the kind of love that burns bright and then consumes, leaving only ashes and a haunting sense of betrayal. The title, "Starless Psalm," encapsulates the song’s essence: a prayer sung in darkness, devoid of guiding light. Unlike traditional psalms that seek divine connection, this one mourns the loss of something once sacred—love, trust, innocence—replaced by a disorienting emptiness. The "starless" void reflects the narrator’s isolation, surrounded by the artificial glow of nightlife yet utterly alone, haunted by memories that refuse to fade. It’s a song about surviving when the universe feels drained of meaning. Addiction is a relentless undercurrent, both to the toxic relationship and the substances used to numb its fallout. The narrator chases highs—emotional and chemical—only to crash harder, trapped in a cycle where relief mimics the very pain it’s meant to erase. This struggle is laid bare, not glamorized, showing how the search for escape can become a new kind of cage, each attempt at forgetting only deepening the wounds. Betrayal cuts deepest, turning love into a weapon that leaves lasting scars. The party scene, vibrant yet hollow, becomes a graveyard of illusions where sincerity is drowned out by superficiality. The narrator’s disillusionment extends beyond the personal, shaking their faith in connection itself, leaving them to question if anything real can survive in such a deceptive world. Yet, amidst the despair, "Starless Psalm" pulses with defiance. The narrator embraces the darkness, not as defeat but as fuel, transforming their pain into a fierce anthem. This isn’t a tidy redemption—it’s a gritty refusal to be silenced, a reclaiming of power through raw expression. The song’s length allows this emotional arc to unfold fully, offering no easy answers but affirming the strength found in owning one’s scars. It’s a testament to enduring the night, a beacon for those lost in their own starless voids. The flow was influenced by Juice WRLD and Kee Nola, if anyone is curious!

Starless Psalm

**Paul Gavra - DJ & Producer**

Paul Gavra è un DJ e producer specializzato nel genere urban. Il suo talento dietro la console lo ha portato a suonare in alcuni dei locali più rinomati, tra cui 24 Mila Baci, Ombelico, Felix, Cancun, Smaila’s, Divina, Garden, Qube, Ten Gallipoli, Guendalina, Class Club e molti altri. La sua capacità di fondere ritmi coinvolgenti tra HipHop, Reggaeton , Dembow e Funk ha reso le sue performance un appuntamento imperdibile per gli amanti della musica urban.

Nel corso della sua carriera, Paul ha collaborato con numerosi artisti di spicco della scena urban, contribuendo sia come DJ che come produttore musicale. Queste collaborazioni gli hanno permesso di affinare ulteriormente il suo stile, caratterizzato da un mix perfetto di energia, innovazione e profonda conoscenza dei suoni contemporanei.

Per INFO & BOOKING 

paul.gavra.deejay@gmail.com

I like to make music and help my fellow artists! I encourage you to check out those I'm following as well!

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