lil mashup i cooked up for future dj sets.
-Flip

Yeat - Sorry Bout That Vs Ken Carson - Yale Instrumental - Flip Fantasia Edit

Dr. Albert Green has spent his career at the intersection of technology and economic development. 

“I often refer to myself as bilingual, because I kind of speak both languages fluently,” he told the CBIA BizCast. 

QuantumCT just announced Green as its new CEO.

The Connecticut public-private partnership is working to drive the adoption of quantum computing technologies and position Connecticut as a hub for research, technology development, and jobs.

The University of Connecticut and Yale University-led partnership is competing for up to $160 million in funding as part of a National Science Foundation competition.

“When I first learned about QuantumCT and what Connecticut was doing in this space, it just fit exactly what I'd done my entire career,” Green said.

That career includes a PhD in physics from Stanford, more than 20 patents, and leading several technology companies.

Green said it’s an exciting time to be part of the quantum ecosystem in part because of the building excitement surrounding the technology.

“If you look at popular culture, you see all these movies like Quantumania and stuff,” he said. “Leveraging that excitement is kind of cool.”

He compared the technology to what we’re seeing with the growth of artificial intelligence. 

““I'm a firm believer that quantum technologies and quantum computing is where AI was 10 years ago,” Green said. 

“The regions that really drove that have to turn away people. And the idea is for us to do the same thing with quantum technologies.”

With QuantumCT, Green said Connecticut is perfectly positioned to build an ecosystem that will make the region the Silicon Valley of the quantum economy. 

“It's higher ed, it's workforce, and it's our business community,” said Green.

“What we're trying to do is to create essentially a mechanism that allows these organizations to effectively collaborate in this area that we see is coming, and that's really the core mission of QuantumCT.”

Green said it was that workforce, higher education system, and culture of collaboration that attracted him to the role. 

“I've been a part of many different ecosystems,” he said. 

“The ability for those three elements to work together, I saw here in Connecticut—mainly the ability of the large R1 research institutions to work with the state government, and also the workforce to really bring these new innovations to the marketplace—was exciting.”

With QuantumCT, Green said he hopes to capitalize on that collaboration and engage with the business community to put a framework in place that will grow Connecticut’s quantum economy. 

He said some of Connecticut’s biggest industries like defense, advanced manufacturing, and finance give the state a leg up because they’ve been early adopters of new technology.

“Regions that tend to thrive, there is an ecosystem around large anchor corporations,” Green said.
 
“What's really, really important is that the large institutions, the large anchor organizations and companies, view and recognize the importance of those smaller new [companies]. 

“They recognize that importance by being early adopters, by being helpful and in partnering with them for government grants, engaging with them.”

Green said that while there’s a lot of work to do, he’s excited about what QuantumCT means for the future of Connecticut’s economy and workforce.

“Ultimately,” he said, “we win when the seven year old says, ‘Oh, wow, I want to work in something associated with quantum,’ when that's no longer a mystery.”

“The idea here is that QuantumCT really is about building that ecosystem that accomplishes that goal.”

Related Links:
QuantumCT
Website: https://quantumct.org/
LinkedIn: https://www.linkedin.com/company/quantumct/
Dr. Albert Green LinkedIn: https://www.linkedin.com/in/albert-m-green/

CBIA
Website: https://www.cbia.com/
LinkedIn: https://www.linkedin.com/company/cbia/

Driving Economic Innovation

yale remake cuz i was bored

RADIO SILENCE for 14 instruments. Performed live at New Music New Haven on November 7, 2024.

Performers:
Laurel Gagnon, violin
Josh Liu, violin
Ayano Nakamura, viola
Jiyeon Kim, cello
Patrick Curtis, bass
Sophia Jean, c flute & bass flute
Maren Tonini, oboe
Nikki Pet, clarinet
Darius Farhoumand, bassoon
Sam Hart, horn
Grace O'Connell, trumpet
Jude Morris, trombone
Chad Beebe, percussion
Miu Ishikawa, piano
Ezra Calvino, conductor

Album art by John Vaccaro

Program notes:
RADIO SILENCE represents the beginnings of an existential reflection on the brutality of modern imperialism and its representation in mass media. The metaphor of the screaming solo bassoon against an unflinching layer of “broken radio” noise represents an individual’s struggle to make sense of the world while being surrounded by unclear, interrupted, and/or disturbed communications. With textures ranging from subtly expressive to harsh and unrelenting, the piece aims to capture and distill complex and irreconcilable feelings, and to explore their inherent tensions in the framework of musical discourse.

RADIO SILENCE

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Los Titulares de Hoy - 23 de abril de 2025

Los Titulares de Hoy - 24 de abril de 2025

i know this bih so bad but i know imma end up to hate her - trxgyc 24'

trxgyc - peon

2 TIMES

Show U The World (prod. galiprodigy)

Et j'ai la vie à Cody, la vie a Zack
Ouais, et cette meuf, négro, elle s'la bute a la Prozac
Et j'suis à Ibiza, négro, j'me la coule douce
Sur un transat, sur un transat, négro
Pendant qu'tes putains de négros s'font tuer pour des transacs
Et j'suis dans le back, ouais, j'suis dans le fond
J'suis dans le fond, j'ai la main dans le sac
Tu sais ce qu'il y a dans le sac
Et j'me démarque, j'efface ces négros comme des taches
J'pense pas aux meufs, j'pense au cash
Et gros, j'prends pas Paylib, négro, paie en cash
Bébé, j'suis amoureux d'la street et ça j'veux que tu le saches
Ooh, ouais, ma vibe me fait des gâteries
J'ai mis Jimmy Choo, ouais, sur son sac (T'as dit quoi?)
Je sais pas de quoi elle me parle, négro, je ne sais quoi
Ouais, ouais, on rentre par-derrière, négro
Pendant que cette vibe, elle le fait boire
J'ai envoyé un tipeu sur un plavond, négro
Ensuite je lui donne le pourboire (T'as dit quoi?)
Viens, on va euros pour euros, négro, ouais, juste pour voir (Quoi?)
Ils se lèvent le matin et c'est moi qu'ils voient dans le miroir (What?)
Et ma chaîne, elle brille, négro, quand il fait jour et il fait noir
J'suis un GloGarçon, négro, moi j'veux que la gloire
Et j'vais dans le département de La Loire
Pour voir cette vibe retirer son peignoir
Ils croyaient pas en moi, négro, moi j'suis là, ouais
Dans la misère, est-ce que t'étais là?
Ouais, la miss, j'crois elle est tombée love
Négro, j'tire au hasard en mode tombola
J'ramène une meuf ratchet, ouais
J'lui dis tabasse cette meuf, ouais, togo la (T'as dit quoi?)
Versus Versace, si j'le fais pas, qui le fera? (Quoi?)
Ouais, en 2025, j'suis là pour niquer le peu-ra (Slatt, T'as dit quoi?)
Ouais, tes diamants, ils rouillent, tes diamants, c'est de la ferraille
Et j'reste sur ce putain de terrain, négro
Comme si mon nom est Ferran, négro

Tes diamants, c'est de la ferraille
Un mauvais regard, négro, et ça déraille (Ooh, what?)
Tout ce qu'on entend de toi, ouais, ça sent l'ail négro
J'fais du rap et non, j'fais pas du raï (T'as dit quoi?)
Une liasse de billets, ouais, qui fait ma taille, négro (Quoi?)
Sinon, on est pas dans les mêmes bails (Quoi? Quoi? Quoi?)
Et la concurrence n'est même pas de taille, ouais
J'suis dans l'équipe qui s'occupe de la maille (T'as dit quoi?)
C'est quoi les bails, négro, j'suis avec une vibe, négro
Et elle veut qu'on s'enjaille (T'as dit quoi?)
Nouveau design, négro, la pièce elle date de Vine, négro
J'attends pas qu'on me sign (Ooh, what?)
Entre eux et moi, y'a rien à voir, bébé
Il suffit que de me voir
2-43, je mets du respect sur l'habit
Et j'suis pas beau que le soir
Je suis dans le square et si t'as peur de nous, négro
Il faut pas sortir le soir (Ooh, what?)
J'suis provisoire, faut pas s'attendre à ce que je reste
Je peux partir sans te dire aurevoir
C'est la capitale, c'est pas les favelas
Mais j'envoie un tipeu parce qu'il ressemble à Pelé
C'est Kapital, ouais, ce que je porte sur moi, négro, ouais
Et ta vibe, elle me ride comme un poney
Ça vient du bas, négro, ouais
Comme les vendeurs de za, négro, ouais
Les négros, ils ont zoné
Depuis que j'envoie, négro, ouais
Les petits veulent être moi, négro, ouais
Je les ai rendus abonnés
(T'as dit quoi?)

Depuis Quand ‎ ‎ ‎ ‎ ‎ ‎Dave $aint

This conversation is about Kris Milligan's Fleshing Out Skull & Bones: Investigations into America’s Most Powerful Secret Society, which explores the history and alleged influence of the Skull and Bones secret society at Yale University, tracing its origins, rituals, and connections to prominent American families like the Bush family. The text investigates claims of the society's involvement in illicit financial activities, particularly with Nazi Germany, and its purported role in shaping U.S. foreign policy and intelligence operations. It also touches upon mind control theories, the assassination of JFK, and the broader concept of government secrecy and elite deviancy. The sources include historical accounts, personal anecdotes, and analyses from various authors, with a significant focus on the work and perspectives of Antony Sutton regarding the society's reach and impact.

A Discussion Fleshing Out Skull & Bones

This conversation covers the book "America's Secret Establishment, An Introduction to the Order of Skull & Bones" by Antony Sutton (https://amzn.to/45E0xQL) offers an extensive overview of a purported secret society known as "The Order," also frequently referred to as Skull and Bones, founded in 1832 at Yale University. The author, Antony C. Sutton, presents this as his "magnum opus," aiming to explain how this elite group has shaped American and global history through the application of the Hegelian dialectic. This philosophy, which promotes progress through controlled conflict (thesis vs. antithesis leading to synthesis), is alleged to have been used by "The Order" to finance and influence seemingly opposing forces like the Soviet Union and Nazi Germany, ultimately working towards a "New World Order" that prioritizes the state over the individual. The sources detail the society's hidden operations, its infiltration of key institutions—including education, finance, and government—and even the secret rituals and membership lists of Skull and Bones, with specific examples like the Bundy family's influence and the financing of communist and fascist regimes by Wall Street firms linked to the Order. The author emphasizes that this "unofficial history" challenges mainstream narratives, arguing that major historical events are not accidental but are rather the result of a calculated, long-term agenda by this select group.

America's Secret Establishment - The Order and Global Control

(FREE FOR PROFIT) Playboi Carti X I AM MUSIC Type Beat "BREEZYY"

shoutout martu$h.
Mixed and mastered by me 
Beat by Chenzo 

ON SOME N€W $HI.

uh yea
beatstars (SOON): prodzanec
i cant decide which genre i main

Music Producer, Songwriter, Video Editor & DJ. Based in Boston, MA.

Democracy Now! es un programa independiente de noticias internacionales y de difusión diaria  que se transmite a través de más de 1300 emisoras de radio y televisión en todo el mundo. Esta es la cuenta de nuestra programación en español.

A podcast for the business-minded in Connecticut. Interviews consist of business and community leaders who are shaping the future of Connecticut’s economy. The CBIA BizCast provides new content every other week, introduces members of the business community, and tells stories about how businesses are innovating and growing in Connecticut!

BizCast provides new content every other week, introduces members of CBIA staff, and tells stories about how businesses are innovating and growing in Connecticut!

New tracks tagged #yale