W czym tkwi magia muzyki do gry Chrono Trigger? Dlaczego dla wielu z nas kompozytor Yasunori Mitsuda niezaprzeczalnie jest autorem najważniejszej ścieżki dźwiękowej w historii japońskiej branży elektronicznej rozrywki. Wspieraj nas na Patronite ► https://patronite.pl/gamemusic​ ◄

Magia Chrono Triggera - Słuchaj gier #80

I think this mashup is a really good example of my pop culture.
Due for a redo though.

Small Two of Pieces - Xenogears,
Here We Go - Digimon The Movie,
Daydream - Hard Maybe,
GRAND DAD, 
The Way - Xenoblade X, 
Can't Say Goodbye to Yesterday - Metal Gear Solid 2, 
Run Around - Digimon The Movie,
Touch-Tone Telephone - Lemon Demon, 
D.R.A.M. Sings Special - Chance The Rapper

Small Daydream Of Pieces

Like most RPG fans who played games from the 90s, I absolutely adore the Chrono series.

Last year I decided to experience Chrono Cross again via the new remaster.  During my playthrough, a short 6/8 piano idea for the song, “Burning Orphanage” popped into my head, and after playing around with it, I decided to try building it up into a full song.

It eventually evolved into this, what I think would be classed as a kind of haunting and wistful prog rock song with piano being the main driver, but also accompanied by the usual fair of rock drums, bass, synth leads, organs, both layered and lead electric guitar parts, strings, and mellotron choir.  Some parts of the song are perhaps faintly influenced by bands like King Crimson, some of Steven Wilson's solo music, as well as stuff by The Black Mages.

Once most of the first half was fleshed out (which was originally just going to be the whole arrangement), I realized one night that I could smoothly transition into the song “Silent Light” from Chrono Trigger, so I incorporated that as a slower second half.  Eventually I figured out a way to transition it back to Burning Orphanage with a mellower tone to close out the song.

The progression of the arrangement is recounting Kid’s trauma of fighting and surviving Lynx’s attack on the orphanage (first half with "Burning Orphanage"), but then wandering alone after her escape (second half with "Silent Light") and eventually finding peace (back to a slower "Burning Orphanage"), but not necessarily closure.

The actual scene from the game is one of the most heart breaking and climactic events from the whole series, IMO, and I wanted to try giving it even a fraction of justice.

Lost Orphan (Chrono Cross & Chrono Trigger "Burning Orphanage" & "Silent Light" arrangement)

Original song by Yasunori Mitsuda from Soma Bringer. Arranged for Resonant Union's Xeno series arrangement album, Perfect Arrange Works ~Episode 1~!

Full album video (and DL): https://www.youtube.com/watch?v=wHjv8pEAvDM

Find me elsewhere:
https://sincx.xyz/
https://twitter.com/sincx__
https://www.youtube.com/@sincx
https://sincx.bandcamp.com/
https://iiiypad.bandcamp.com/album/a-world-divided
https://cohost.org/sincx

Perfect Arrange Works ~Episode I~

Free Download

Ring Tower

This is a mostly-finished but still-being-polished arrangement of "Sealed Door", "Wind Scene", and "Schala's Theme" from Chrono Trigger.

I originally made this in 2006 as "Belthasar's Ambition", but have recently decided to remake it into a better version.  Feedback is greatly appreciated!

Original 2006 version (warning: muddy mix):
https://azurekevin.github.io/music/remixes/belthasarsambition.mp3

Belthasar's Determination (Chrono Trigger remix: Sealed Door, Wind Scene, Schala)

I love this track. Here's an FM Arrange by me. Enjoy! :)

Chrono Trigger- Wings That Cross Time (FM)

https://otomado7.com/music/1st-albm-release/
音魔導士達がそれぞれ好きなゲーム音楽をイメージして作曲した作品集となっております。
各々がイメージしたと言われるゲームは以下の通りです。
・メタルギア
・クロノクロス
・キングダムハーツ
・ストリートファイター
・ファイナルファンタジーⅥ
是非ご試聴してイメージしてみて下さい。そして今回、素敵なジャケットデザインは絵師のばっきーぬさんに描いて頂きました。
普段は日本画を描き、個展なども開かれているので興味のある方は是非チェックして見て下さい！

おとまど!

時の邂逅

The Hair of the Dog

8081

Originally Composed by Yasunori Mitsuda (1999)
Arranged and Performed by Brian Butts

Image Generated by http://hotpot.ai

Dream of a Shore Bordering Another World

收錄於 黒之夢 black omen
dripdripdropp.bandcamp.com/album/black-omen

黒之夢 epoch complete teaser
instagram.com/p/DHFOX7-PK4y

tracklist

1. 黒之夢 / black omen
2. 魔王決戦 / battle with magus
3. 戦 / battle
4. 世界変革 / world revolution
5. 世界最期 / final of the world
6. ラストバトル / last battle
7. 修道院 / cathedral
8. ボスバトル / boss battle
9. 勇気と誇り / courage and pride

----------

離上次發行紀念超時空之鑰25週年的 beat tape 「時之翼 epoch」 已經五年，時間就這麼又流逝過去，恰好遊戲本身探討的是穿越時空及透過影響過去來改變未來，雖然用現在的眼光來看略顯俗套，但這款遊戲深刻地影響了我對虛構故事概念本身的情感帶入、以及音樂對情緒感受的切身影響。

去年三月作為遊戲人物角色設定的鳥山明突然過世，這件事其實讓我消沉沮喪了一陣子，總覺得好像有一部分的我也跟著沒了，感覺更像是，童年的我連帶兒時回憶的一大部分，包含在超任上玩的超時空之鑰、電視漫畫上看的七龍珠，直到現在我也還是說不出太具體的感觸，不是驟然也不是強烈，是一股悶在幽暗處形成的隱晦黑能量，間接也促成了這張 beat tape 的名稱與概念的由來，同時也是遊戲最後期的關鍵舞台及該世界的轉折點。

時間不等人，不只事情及物質隨著時間而改變，人本身也在改變，除了幸福的美好的，另人惋惜及懊悔的也是過程的另一大半部分，透過這張 「黒之夢 black omen」 把在月球的暗面呈現出來，沒有暗哪來的亮，沒有影哪來的光，一個全的本身就是相反相成、互相對立、互相依賴。

一款從我七歲就開始陪伴我的遊戲，祝超時空之鑰30週年快樂。


It’s been a while since the last beat tape “時之翼 Epoch” was released to celebrate the 25th anniversary of Chrono Trigger. Five years have passed, and just like the game itself happens to explore time travel and changing the future by influencing the past. Although it seems a bit cliché from today's perspective, this game has profoundly influenced my emotional involvement in the concept of fictional stories and the personal impact of music on emotional feelings.

In March last year, the renowned Akira Toriyama who designed the game's characters, suddenly pass away and it actually made me depressed for a long while. I always felt as if a part of me was gone. It’s really my childhood and a large part of my childhood memories, such as playing Chrono Trigger on the Super Nintendo and watching reading Dragon Ball on TV and comics. Until now, I still can't put into words the specific feeling. It was not sudden or strong, but a dark energy that was formed in the darkness, which indirectly contributed to the name and concept of this beat tape “黒之夢 black omen”. The name itself is also the final key stage and the turning point of the Chrono Trigger world.

Time waits for no one. Not only do things and materials change over time, people themselves also change. In addition to the beauty of happiness, regret and remorse are also the other half of the process. Through this beat tape “黒之夢 black omen" the dark side of the moon is presented. Without darkness, there would be no brightness; without shadow, there would be no light. The “whole” itself is composed of opposite, contradictory and interdependent.

A game that has been with me since I was seven years old. Happy 30th anniversary to Chrono Trigger.

dropp
3.11.2025

黒之夢 / black omen

Det har gått 30 år sedan Chrono Trigger landade på spelhyllorna i Japan. Det är numera en klassiker bland JRPGs och vi passar därför på att fira spelets jubileum med en ordentlig djupdykning. Välkommen till ett avsnitt där det pratas Chrono Trigger och ingenting annat! 

Chrono Trigger firar 30-årsjubileum!

Jak za pomocą muzyki opisać tułaczkę ludzkości pośród gwiazd? Yasunori Mitsuda wraz z pozostałymi kompozytorami wiele lat temu rozpoczął swoją muzyczną podróż po niezbadanych rejonach galaktyki, okraszając dźwiękami do gier studia Monolith Soft nie tylko zagładę ludzkości, lecz także nadzieję na lepsze jutro. Razem z naszymi gośćmi dzielimy się wspomnieniami z tych niezapomnianych przygód w rozmowie poświęconej grom spod znaku Xeno. 

Zagłada ludzkości zaklęta w muzyce

Arreglo orquestal basado en "The Dead Sea" del videojuego Chrono Cross, compuesto por Yasunori Mitsuda.

Chrono Cross' The Dead Sea

Composed by Yasunori Mitsuda
Arranged by Josh Barron

Guardia Millennial Fair (from CHRONO TRIGGER) WIP

Reference：Wind Scene (Yasunori Mitsuda)

Caught in da rain

This raucous nu-metal mashup includes a selection from the soundtrack of one of my all-time favorite video games, "Chrono Trigger", which turns thirty years old in 2025. While playing through that game recently, I noticed that one of its dungeon themes ("Creeping Through the Sewers") strongly resembles Papa Roach's signature song, "Last Resort".

Special thanks to Blake Robinson and Vernian Process for their arrangements of "Creeping Through the Sewers".

Papa Krawlie (Chrono Trigger vs. Papa Roach)

Making Sampling beats, from Lo-Fi, Country music, alternative Rock, and other
Appreciate many artists

#FRUITYLIMITERWAVE

🛜🛜🛜

inspired by trap music of the early 2010s

19 y.o 

aka hydrophobia, Wet Cypher, supedo senpai

#cybertrap #vaportrap #trillwave

—————————————————————-

@guarulhosboys

thank you for your support through the years

2017 - ♾️

SiIvaGunner Contributor and inspiring everything.
You wanna see my green? Check NASDAQ.
Archive: https://soundcloud.com/how2bepicarchive
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Spelfarsan med vänner är showen för dig som vill få ut det där lilla extra i din relation till spel. Vi pratar nyheter, har spännande gäster och snackar gaming.

Spelfarsan med vänner finns också på Youtube och har ett Instagram-konto.

8-Bit and 16-Bit VGM artist and chiptuner obsessed with all things retro.

I use BeepBox for my songs.

Progressive Metal Guitarist, Drummer, Bassist, and Keyboardist.

I'm an amateur composer, arranger, and music producer from the USA. I specialize in mashups and retro video game soundtracks.

If you can't wait for Neil Cicierega's next "Mouth" album, give my mashups a try and hopefully you'll like them almost as much as you like his.

Freelance composer, arranger, and producer. Co-Founded The Travelers VGM and continues to work on numerous projects with Virtual Video Game Orchestra (VVGO), The ETHEReal String Orchestra, and community orchestras such as Iowa City Community String Orchestra.

His latest release is the sequel to ETHEReal String Project titled Kaleidoscope: Sakimoto & Hamauzu Works which focuses on the music of both Hitoshi Sakimoto and Masashi Hamauzu and special guests such as Benyamin Nuss and Joe Zieja on piano. 

Josh is also currently working on the soundtrack to the highly anticipated game Fallen Aces, a Noir tinged story with grit and tons of action, by New Blood Interactive.

self-designated tracker magus

(not taking new comms for the foreseeable future, sorry!)

I'm a singer/songwriter, composer, and producer currently focused on rock/pop and video game music.

Kochamy gry wideo i dobrą muzykę – a przede wszystkim ich część wspólną. Zostań na chwilę i posłuchaj...

New tracks tagged #yasunori mitsuda