MRX-153 BeyondCORE ESSENCE
https://megarex.info/mrx-153

Crazy how they've made rave tools but no rave forks or rave spoons yet. A bit of a shame, if you ask me.

PHYSICAL RELEASE:
www.tanocstore.net/shopbrand/MEGAREX/
or
www.diverse.direct/category/megarex/

BeyondCORE ESSENCE

rave utensil【BeyondCORE ESSENCE】

STREAM: https://fanlink.tv/copyrightAB
BANDCAMP: https://notzeroth.bandcamp.com/album/copyright-infringement-a-b

This song was actually inspired by a conversation I had with Voljum around when minus1 was released a year or so ago. He suggested me I should try to do a song purely by sampling other songs, not even adding drums no nothing. I didn't go fully in that direction (there's people like O-Prime Delta who kill it in that style) but regardless i tried to push my chopping style into the extreme, and this is the result

sample away the world

STREAM: fanlink.tv/copyrightAB
BANDCAMP [FREE DOWNLOAD]: https://notzeroth.bandcamp.com/album/copyright-infringement-a-b

What's this, the 4th or 5th time a song starts as a joke but I end up liking it so I turn it into an actual thing? I initially made 30 seconds of it purely as joke to put on twitter, but the clip of it went crazy and I'm pretty aware that a lot of people enjoyed takealook! , so I decided to do another song in this vein. During this year I've been very fortunate to meet and hang out with a bunch of extremely talented producers from the Vocaloid scene, and this song samples them substantially. I guess this as a very convoluted way of showing appreciation.

And of course, big shoutouts to @invertedsilence because right when I thought I had the song finished, he quite literally saved it. Thank you man.

new ID, let me know

ASAHI CREW: INTERSECT
hypeddit.com/asahicrew/intersect
www.asahicrew.com/

First zeroth release of 2025, and it's part of the first @asahi-crew release, ever!
These guys really believe in what I do and Im so stoked to be working with them.

This song is pretty meaningful for me, and it's kind of a rare one. I'm very used to putting things out the moment I finish them, usually waiting a month or two at the most. This time tho, this song has been in the vault for almost two years. 

Around August 2023, i put out a small clip of this song on Twitter that, by sheer chance, got me noticed by Megarex, and that led to me releasing on them and becoming one of their "usual suspects", so to speak, and because of that, I was able to build more of an audience in Japan and eventually in 2024, I was able to play shows there. So now this song being released on Asahi is the perfect full circle moment. Usually something this "old" would make me wince when looking back at it, but surprisingly, I think this song sounds equally good now as it did then, and it's still one of my most favorite things I've done to date. I hope you guys like it!

PS: I named the track "interleaved" because i thought it was a cool word to signify two people being united by love, with its binding force "interleaving" them... but the reality is, I used this word because that's what Pro Tools calls stereo files when you export something. Yes, this song is a Pro Tools reference. Sue me.

interleaved 【ASAHI CREW: INTERSECT】

MRX-164 SPD GAR 004
https://www.megarex.info/mrx-165sg

SPD GAR IS BACK!! It's an incredible honor to be part of it

This song is probably the most important one I've done in a good while. Maybe ever? It marks the first time I've actually done a song fully centered around lead vocals, with a melody I wrote myself. I've been a fan of Kanata.N for a good good while, so having her sing and write lyrics for it was amazing. I mean c'mon man are you hearing her? she went crazy on the beat.

If you enjoy my sound with vocals on it, rest assured you will enjoy some of the next songs I have for this year. I'm very passionate about a lot of types of music and I hope I can bring all the different sounds and emotions under the same umbrella. Stay tuned!

LYRICS:

Hollow Note
頬なぞる冷たい風
白い息 空へ消えて
その場で立ち尽くしたまま
言葉が出てこないんだ

またね、なんて笑う君は
もう二度と来ないくせに
去っていく君の背中
ただ見つめた

霞む空 滲んでいく
見慣れていた景色
君の跡だけ残して

さよならさえ言えないまま
これが結末なら
明日なんていらないよ
何もいらない

降りしきる雪はそっと
音もなく心に
そして春を忘れるんだ

まだ微かに指先 残る温度
思い出は風に揺れる
移る季節の中 君は
もういないんだ

伝えたい言葉も 忘れられない気持ちも
胸の奥でずっと疼いてる

目を閉じて 浮かぶ君が
色褪せたときに
本当の終わりが来る

行き場のない最後の手紙
過ぎていく時間
届かないと知っていても
捨てられない

いつの日か この涙も
乾いていくんだろう
そのときはまた前を見て
光を探せるように

降りしきる雪はいつか
溶けて消えていく
そしてすべて忘れるんだ

PHYSICAL RELEASE:
www.tanocstore.net/shopbrand/MEGAREX/
or
www.diverse.direct/category/megarex/

hollow note (feat. Kanata.N)【SPD GAR 004】

FROM THE TECH CAPITAL WHERE WE TECH FOR CAPITAL

My solo set from The AMF Table @ ParkCon 2025. 
Whether you're here to revisit that night or it's your first time listening, thank you and hope you enjoy!

Special shoutout to the table selling chocolate covered strawberries, they were delicious!!

MINTY @ Fanime ParkCon Sunday 2025

STREAM: https://hypeddit.com/asahicrew/catchmeifyoucan
www.asahicrew.com/

FOLLOW HYLEN: https://soundcloud.com/hylen
https://x.com/Hylen_JP

Back at Asahi Crew with a doozy one! I was very able to meet Hylen in person last year, when he attended one of the shows I played in Tokyo. We are both fans of each other, so the thought of collabing came pretty naturally. As most of you are aware, I've barely collabed with people before (KAIFU being the big exception), so I'm excited that going forward I will be releasing a collection of tracks that I've been working on alongside some of my friends. Super excited for it!

This song was a blast to do, I really felt like neither of the two had any limits or any restraint when it came to the ideas we decided to present here. It feelt very liberating! but somehow I think it all comes together, and a banger emerged from it. I hope you guys like it!

STREAM

CATCHMEIFYOUCAN (with Hylen)

hihihi. made this is about 2 hours with stems that zeroth released! i just decided to do wtv and this is what came out! i hope u fw itt

s1 ep5 mirror mirror on the wall, who the baddest of them all?

STREAM: https://fanlink.tv/puspa
BANDCAMP: https://notzeroth.bandcamp.com/track/puspa

FOLLOW DJEB https://soundcloud.com/djebrayass
https://x.com/djebrayass

djeb and I first met over four years ago in this weird quasi-mythical place called Loudness Refuge. We became friends almost instantly and, since then, we have been around each other's music and art, have traveled to different countries together, and even worked together alongside other people on songs like Dubstep 2 - Emotional clap or SHADOW GOVERNMENT INC - CLEAN JOBS. Despite this, we never formally collabed, until now. I'm super happy to put this one out because it both sounds awesome and oozes both of our personalities at the same time.

puspa (w/ djeb)

I've been obsessed with this song ever since I first heard it, this song alone is why i got into zeroth so deeply and ever since I have been loving all the releases by him

This flip or whatever you would call this is not on par with the original but I tried, I had fun making it :D

ALSO LATE HAPPY BIRTHDAY ZEROTH!!! I could not release this when it was your bday cuz I was out of country and I did not have the latest version of this thingamajig on my phone

Original song links:
STREAM: fanlink.tv/STRIKEFIRST
BANDCAMP: notzeroth.bandcamp.com/track/strike-first

Zeroth Socials:
SC: @notzeroth
YT: https://www.youtube.com/@notzeroth
Twitter/X: https://x.com/notzeroth

My Socials:
Twitter/X: x.com/CharaWhyy
Ko-Fi: ko-fi.com/charawhy
YouTube: www.youtube.com/@CharaWhy
Carrd: charawhy.carrd.co

PS: Sorry for the awful cover art :)

zeroth - STRIKE FIRST (CharaWhy Thingamajig)

I put some filters and effects on one of my favorite songs and I'm in love with the result. All credits and major love to the original artists @notzeroth @hylen & AsahiCrew

CATCHMEIFYOUCAN (Qwitty's Colorized Remix)

STREAM: fanlink.tv/watchmesink
BANDCAMP: notzeroth.bandcamp.com/track/watch-me-sink

For the most part, heavy dubstep songs don't usually have much of a theme. They usually go like "here's just me messing with a synth" or "here's a song about my interests or media franchise im into right now."

So when I initially made this song, it wasn't much different. I needed something for Round 3 of Dub Duels, so I made a whatever song about me being able to write for strings. For the purpose, it was enough (I lost the round lmao), but I felt like it needed a complete makeover. 
At that time, I was feeling "somewhat" sad and angry about some issues I was having with a person, so I thought it would be cathartic to write around these feelings. Somewhat, because I'm usually too stable emotionally, so I didn't feel that strongly about it 😭. Instead, I thought, what if I imagined I was actually really sad and angry, and tried to channel these feelings? And that's how it ended up. It was a very fun exercise in humanity, and I hope you guys like it!

watch me sink

『さよならお月様』
https://soundcloud.com/bass_ynk

YOUTUBE: https://www.youtube.com/watch?v=mz0oaEDp_7U
STREAM: SOON!

Most of you will know that certain one letter website formerly known as twitter is flooded with spam DMs. But within that sea of despair, one day some time ago, I found a DM from a certain Yunosuke. I've been a fan of him for a bunch of years now, so him also digging my stuff was such a honor for me. We quickly became friends and the idea of collabing spurred.

This is my first song with a Vocaloid lead vocal. This was actually a surprisingly fun experience. And certainly, for a lot of people within dubstep, something unexpected from me. But in reality, this is one of my favorite songs I've done, and it was great working with Yunosuke, so I hope you guys like it!

BTW, Vocal tuning by https://soundcloud.com/haruichiban , thank you!!


Sayonara, Moon (with Yunosuke)

STREAM: https://fanlink.tv/posedlook
BANDCAMP: https://notzeroth.bandcamp.com/track/posed-look-possibility

When it comes to both artistic endeavors and friendships, I have similar views on both, despite these being two unrelated things. But they're really not. It's just two ways of conveying personal connection and communication within a culture, a time and space. One may be more personal and another may be more exposed, but when you reduce them down to the minimal exponent, it's just talking. That's all there is to it.

I think an extremely cool thing in life is when you have two friends, unrelated to each other, and you connect them, so they also form a friendship with each other. In these terms, my goal with this song, and with a lot of my music, is the act of mixing things together in hopes of creating a new common language indivisible from both, initially unrelated, concepts. Music, like any other language, cannot be born in a vacuum. It needs an environment and something to talk about. So, like my comparison to friendships, what I'm doing here is putting two guys in a room to see what they're talking about.

(Try to guess what the title references, and it has nothing to do with any of this. Challenge level impossible)

posed look possibility

MRX-173 FUGENE 05
https://www.megarex.info/mrx-173fg
WITH MY BOY https://soundcloud.com/invertedsilence

After so many years of being around and working together in so many different projects, finally, an Inverted Silence and zeroth collab track is hitting the airwaves. Crazy!!

ERROR BEARER (ft. Yuki Shizaki) 【FUGENE 05】

dubstep 2
all possibilities all at once


CONTACT

DISCORD: notzeroth
EMAIL: zeroth@notzeroth.com

Fear the future, live the present

Multigenre music prod.💫 I make music depending on my mood

@CharaMiks for Shitposts, WIP/Sketches, scrapped stuff and privated songs

Striving, dreaming, taking steps.
Here to craft a unique sonic experience~

New tracks tagged #zeroth