🚨 OUT NOW — “JAILER” 🚨
🔗 Listen Now:
🎧 Spotify: [https://open.spotify.com/track/2GP01PHOslIbgFGkiyuOLK]
🎧 Deezer: [https://link.deezer.com/s/30wRJyEImjqYHB7pHPB9M]
🎧 Apple Music: [https://music.apple.com/us/album/1824649718?i=1824649719]


Some prisons have no bars — just broken promises.
________________________________________
“Jailer” — A Soulful Cry Wrapped in Rhythm.
What if love wasn’t freedom, but a sentence?
"Jailer" is an Afrofusion heartbreak anthem that dares to ask this question. A haunting blend of Afro-trap drums, Zouk grooves, and Congolese rumba guitar creates the sonic cell where a woman’s voice aches for liberation.
🎙 The Sound:
Slow-burning. Danceable. Undeniably emotional.
This track pairs smooth melodies with raw vulnerability, making sadness something you can dance through — and grow from.
________________________________________
💔 Lyrical Themes That Hit Deep:
1. Love as Captivity
A home with "a roof and four walls" becomes a prison. Love isn’t always safe—it can trap, wound, and break.
2. Gaslighting & Emotional Manipulation
Reality twisted. Trust eroded. The lyric “gaslighting, I misunderstood” echoes the silent confusion of emotional abuse.
3. Desire & Pain in Motion
The beat moves your body, but the lyrics hit your soul. It's the kind of contradiction only toxic love understands.
4. Reclaiming Power
“No more.” “I can’t.” These aren’t cries of surrender—they're battle cries of a woman breaking free.
5. A Woman’s Testimony
With a female vocalist at the helm, “Jailer” speaks to generations of women who’ve been silenced. This is her voice. This is her revolution.
________________________________________
✨ Tagline:
“Some prisons have no bars — just broken promises.”

Jailer

Jailer by NuVox

These remixes are produced by NuVox through a fusion of Afro-trap in D minor, baritone range. Opens with reverb-rich Congolese rumba guitar and lush legato female vocals. Deep samba 808s, heavy kicks, Afro-trap hats, and Afro-drums fuel the groove; crisp bongos add staccato edge. Crescendo-decrescendo swells shape dynamics. Chorus explodes with wide, layered new jack swing–style R&B/funk vocals, stereo-panned reverberant bass, cinematic synths. Bridge spotlights a dramatic, jazzy Afro-guitar solo. Outro dissolves to sparse textures and whispered baritone lines, panned in stereo for a sense of distance and closure.

Biological Clock - Volume 3

Biological Clock Vol.3

Biological Clock - Volume 1

Biological Clock

Biological Clock - Volume 2

Biological Clock Vol.2

Biological Clock - Volume 4

Biological Clock Vol.4

“Poisson Salé — SOUNDCLOUD EXCLUSIVE!! Sound Preserved in Memory, Stirred by the Future.”

“Poisson Salé” is a bold, experimental franqua-lingua album from genre-pushing producer NuVox, weaving together the lyricism of Lingala and French with modern global rhythms. Collaborating with a diverse cast of international vocalists, NuVox delivers a 14-track odyssey that explores identity, intimacy, resistance, and silence. Each song is seasoned like salted fish—preserved in history, yet deeply fresh and relevant.

From Paris to Kinshasa, from emotional lullabies to revolutionary ballads, “Poisson Salé” unites soundscapes of Afro-futurism, alt-RnB, soul, dancehall, and electronic francophone pop, breathing new life into pan-African memory and musical cosmopolitanism.

This is more than an album—it's a multilingual, multisensory resistance to forgetfulness. Salty, soulful, sacred.

Poisson Salé

Plus Profond

👑 Philosophical Reading of “The Empress in the Mirror”
A meditation on identity, authenticity, and the quiet collapse beneath curated power.
________________________________________
1. The False Binary of Power and Vulnerability
This song shatters the illusion that power must be without pain. The Empress is not a static, flawless sovereign — she is a woman unraveling in real time, mastering the art of poise while surviving interior wars. This duality is voiced in lines like:
"Posting grace with shaking hands."
"I’m the fire and the fiction, the diamond and the dust."
Philosophically, this reflects Nietzsche’s idea of becoming: identity is not fixed — it’s fluid, forged through contradiction. The Empress is not one truth; she is the friction between truths.
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2. The Mirror as Existential Crisis
The mirror is not just literal; it’s a metaphor for self-awareness in a hyper-curated world.
"I see the Empress in the mirror, but she’s scared of her own eyes."
This recalls Jean-Paul Sartre’s concept of “the gaze.” When we look into the mirror — or worse, when others look at us — we begin to see ourselves as objects. The Empress isn’t looking at herself, she’s looking for herself in the reflections of societal expectation, social media, inherited scripts.
It also touches on Simone de Beauvoir’s feminist philosophy — that woman is often “the Other” in her own reflection, sculpted by the needs and projections of others.
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3. The Age of Performance
There’s a deep postmodern anxiety running through the lyrics. We live in an age of curated performance — where identity is branded, publicized, polished:
"I swear I’ve read all the sacred texts, but I skip the pages that make me reflect."
"Do I know the truth or just know the trend?"
This feels like a direct critique of performativity culture — a world where healing becomes content, strength becomes a pose, and authenticity gets entangled with algorithmic success. It asks: Is empowerment still empowerment when it needs to be validated by strangers?
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4. The Empress as Everywoman
While the Empress is a title, the song strips her of myth. She is not divine — she is exhausted. She carries generations of expectation, performance, and emotional labor. Yet, she still chooses to try:
"I’m still here. I’m still trying. Still becoming what I seek."
This is the most radical act — not conquering, not ascending, but persisting. It echoes bell hooks and Audre Lorde — the political power of self-care, of choosing oneself in a system that wants to fracture you.
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5. The Final Question — A Philosophical Knife
"If I lose the crown… do I lose myself? Or do I finally get to breathe?"
This is the existential dagger of the song. It questions the cost of power, the illusion of having it, and whether letting go is actually the key to becoming real. It recalls Krishnamurti’s idea: freedom is not in adding, but in shedding.
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🪞 Conclusion:
“The Empress in the Mirror” is not a lament — it is a mirror cracked open to let in air. It dares to admit what so many queens — metaphorical and real — won’t: that sometimes, the greatest crown is the one you finally set down.
It is Caeli August at her most modern, most feminist, most human.


THE EMPRESS IN THE MIRROR  (2)

THE EMPRESS IN THE MIRROR  (1)

FOLLOW + COMMENT + SHARE + REPOST!!!

Produced by NuVox.
Original lyrics by Aime Pandi Bapaga.


Song Philosophy:

"Maybach Dreams" explores the themes of existence, materialism, meaning, class consciousness, spiritual materialism, the ethics of power, repetition and chanting as rituals, post-colonial visibility, and sonic migration. The title of the piece suggests that the Maybach represents success, wealth, and global prestige while also representing a desire for transformation rooted in hardship. This idea aligns with Sartrean ideas of existence preceding essence, where the self is not a fixed product of circumstance but something actively shaped by will, suffering, and choice. This is rooted in phenomenology, which suggests that perception is always subjective and that the external world only takes shape through human consciousness. 

The concept of an "ecosystem" brings balance to life, moving beyond personal triumph into spiritual ecology. Gospel choir vocals, echoing harmonies, and humming bridges suggest a metaphysical dimension where spiritual alignment is part of material success. This resonates with African metaphysical worldviews, where prosperity is not merely a result of labour but a manifestation of divine or ancestral alignment.


MAYBACH DREAMS Lyrics: by Aime Pandi Bapaga

You sabi say money dey talk, money dey work,
If you hold money, everywhere go shine, e dey soft.
You go waka raise shoulder, no wahala for mind,
Bills dem clear, house matter don balance fine.

But that time wey no money, money, money,
Pockets dry, no jingling, just dey funny,
Life no sweet reach honey,
Wetin I see, e scatter like rocket wey dey run for sky.

Wetin dey real and wetin you see, dem no be same,
I don suffer sotay, diamond ring no fit cover pain.
Now I dey inside system wey dey balance my head,
Gatekeepers dey block me from heart wey dey bleed.

I dey live my life how I wan (how I wan, how I wan…)
Dey spend my money how I wan (how I wan, how I wan…)
I dey wake any time wey I wan (wey I wan…),
No rewind, na front I dey chase you.

Muh-huh huh, muh-uh uh huh,
Muh-huh huh, muh-uh uh huh,
Muh-huh huh, muh-uh uh huh,
Muh-huh huh, muh-uh uh huh.

Na celebration after celebration, joy dey overflow,
Happiness full like river, e no dey low,
All di hustle, tears, blood and sweat don pay,
Maybach roll out, I don upgrade my way.

From those days wey no money, money, money,
Nothing jingle, e dry like harmattan morning,
Life no sweet like honey,
But now fan base dey pop like bunny.

Wetin dey real and wetin you see, dem no be same,
I don pass through fire, no diamond fit cover shame.
Now I dey inside system wey dey balance my head,
Gatekeepers dey guard me, no more heart wey red.

I dey live my life how I wan (how I wan, how I wan…)
Dey spend my money how I wan (how I wan, how I wan…)
I dey wake any time wey I wan (wey I wan…),
No replay, na you I dey run go.

Muh-huh huh, muh-uh uh huh,
Muh-huh huh, muh-uh uh huh,
Muh-huh huh, muh-uh uh huh,
Muh-huh huh, muh-uh uh huh.

Muh-huh huh, muh-uh uh huh (I dey live my life how I wan),
Muh-huh huh, muh-uh uh huh (I dey spend my cash how I wan),
Muh-huh huh, muh-uh uh huh (I fit wake up when I wan),
Muh-huh huh, muh-uh uh huh (No rewind, na forward I dey go).

Watch me glow, blow, then glow — just dey go, huh-huh,
Money dey talk, e dey work, e make body dey glow...
Watch me shine, cruise, then glow — no dey slow, huh-huh,
Na me be that — just watch me, yeah, yeah, yeah…



Maybach Dreams (SoundCloud Mastered)

The spirit struck lightning. This is Blue Shock.

Seku Ndo introduces his debut EP with a cinematic fusion of AfroTrap, soulful R&B, and gospel energy.

Track Titles:
1) Blue Shock
2) Beautiful Once Again
3) Maybach Dreams
4) Ah Don Find Road
5) Sun Fo' June
6) Breaking into Hives

🎚️ Produced by: NuVox
✍️ Written by: Eme Pandibapaga (aka Amy Pandibapaga)
💽 Label: YYMG
📖 Published by: YYMG London

Blue Shock is for the visionaries who walk through storms with clarity.

🔁 Repost | ❤️ Like | 💬 Comment if this hits your spirit

Blue Shock

Beautiful Once Again

YYMG (Ya’ Yo Miziki Global) is a pioneering international record label dedicated to producing and releasing premium, boundary-pushing music for the global stage. Specializing in world music and genre fusion, from Afrotrap and Afrofusion to Samba, Dancehall, and unexpected experimental blends, YYMG brings a bold, innovative sound that resonates across cultures and continents.

At our core, we believe in the transformative power of music. Through high-quality production and genre-defying artistry, we aim to elevate listening experiences, stimulate cultural curiosity, and contribute to the mental and emotional growth of our audience.

Whether we’re developing emerging voices or collaborating with global talents, our mission is clear:

> To craft timeless music that challenges borders and sets new standards for creativity and sonic excellence.



YYMG music is globally distributed and available on all major digital streaming platforms, including:

🎧 Spotify, Apple Music, iTunes, YouTube Music, Amazon Music, Tidal, Deezer, Boomplay, Pandora, iHeartRadio, Saavn, Tencent Music, NetEase, ClaroMusica, Yandex Music (beta), Triller (beta), MediaNet, Twitch Soundtrack, and more.

Socially engaged and digitally active, you can also connect with YYMG via: 

📱 Instagram, Facebook, TikTok, Resso, and YouTube


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